Some Important Shiksha Vedangas (study)
by Mala Laha | 2021 | 31,647 words
This page relates ‘Introduction� of the study dealing with Shiksha Vedangas—a crucial component of Vedic literature focusing on phonetics and pronunciation in ancient texts. The researched texts include the Paniniya, Yajnavalkya and Naradi Shiksas, among others. The study also investigates historical phonological transformations between Sanskrit and Pali, exploring the evolution of sounds and pronunciation.
Go directly to: Footnotes.
Introduction
Accuracy of pronunciation as well as purity of language was the main concern of Sanskrit literature from very early stage. The Vedas are the oldest written records of the Indo-European. The ṻ岹 dedicates two entire hymns to speech[1]. It also mentions three stages in the development of a language.
These three stages are�
1) Inarticulate speech,
2) Primitive articulate speech,
3) Language proper.
As regards the evolution of the four speeches the ṻ岹 states that three out of the four stages are not audible to human ear (�ne�gayanti�) and it is only at the fourth stage when the speech sounds pass through the vocal organs, that they become audible and articulate. These distinct speeches only a human being can utter[2]. The lowest grade of inarticulate speech, according to the explanation of the Śatapatha Brāhmaṇa[3], happen to be like the hissing of a serpent or the humming of an insect and soon. Notes of birds and speeches of brutes also belong to this kind.
The Vedas were preserved through oral traditions. When the spoken language had developed, it becomes difficult to preserve the proper pronunciation of the sacred hymns. So the Grammarians imposed a certain number of rules on �ٰ�, accent and pronunciation. Śṣ� is defined as the science that teaches proper articulation and pronunciation of words and the laws of euphony.
Before discussing on the Śṣ�, it is better first to indicate the position of Śṣ� in a tree in the grammatical study of a language. The tree is shown in figure 1. Language is categorized in five points of view.
Fig. 1 Tree Structure of study of language
The first reference of Śṣ� is found in the first �ī� or �Śṣādhyāya’of the ղٳپīⲹ 貹Ծṣa (1.2)[4]. In the ղٳپīⲹ 貹Ծṣa, it is said that there are six chapters in the Śṣ�. These chapters are named �ṇa�, �svara�, ‘ٰ�, �vala�, �峾� and �ԳԲ�. In the �ṇa� section, alphabetic order of �ṇas� are discussed. �ղṇa� are of two kinds -vowels and consonants. Vowels are short, long and prolated (�pluta�). Consonants are divided into plosives (貹ś), semi-Vowel (�Գٲḥsٳ�), and sibilant (�ṣm�). Besides, these consonants are again divided into voiced (�ṣa�), unvoiced (�aṣa�) and nasals (�ⲹ�). In the accent (�svara�) chapter, acute accent (�ܻٳٲ�), grove accent (�anܻٳٲ�) and circumflex accent (svarita) are discussed. In the �vala� section, the pronunciation of letters in the form of �ⲹ� (external) and �ⲹԳٲ� (internal) are delineated. In the �峾� section, the similarty in the pronunciation of letters is discussed. In the �ԳԲ� section, the combination of letters in �sandhi� is discussed. Normally, the elaborate discussion on �sandhi� is not done, but essential elements of �sandhi� are discussed only.
Śṣāśٰ�� is the very first of the six ancillary �śٰ�[5] to Veda, the knowledge of which is must for correct recitation of Vedic mantras and understanding the Vedas in their right perspective. Every Veda, to be more specific, every subsidiary branch of each individual Veda, has its own accent.
A lot of Śṣ� texts are composed for preserving the phonetic peculiararities of the Veda. It is noted in the Śṣāsaṃgraha[6] that there are thirty one Śṣ� texts are published. These large numbers of Śṣ� texts are classified by six types of branches.
They are�
1. The General Śṣ�.
2. The Śṣ� of the ṻ岹.
3. The Śṣ� of the Śܰ Yajurveda.
4. The Śṣ� of the ṛṣṇa Yajurveda.
5. The Śṣ� of the maveda.
6. The Śṣ� of the Atharvaveda.
These six types of Śṣ� are further divided into many subdivisions.They are illustrated in table 1.
General Śṣ� | ṻīⲹ Śṣ� | mavedīya Śṣ� | Yajurvedīya Śṣ� | Atharvavedīya Śṣ� |
ṇiīⲹ Śṣ� | ṇiīⲹ Śṣ� | ī dzī Ҳܳٲī |
Śܰ�ñⲹ, ṣṭī, Varṇaratnadīpikā, ٲⲹī, Pārāśarī, Ҳܳٲī, ṇḍī, Amoghānandinī, Mādhyandinī, Keśavī; ṛṣṇa�屹Ჹ, ղ, Ś, Kauhalīya, ṇiīⲹ, ǻⲹԲ, ղśṣṭ, ī쾱, īٲ, Sarvasammata, Āṇy, Գٲ, Ā辱ś, Ծṇaⲹ, |
ṇḍܰī |
Table: 1 -Branches of Śṣ�.
According to the classification and their sub-divisions, it should be mentioned that the ṇiīⲹ Śṣ� is not only a general Śṣ� but also it has four recensions like�Agni Purāṇa, ʲñᾱ, ʰś. The Yajus recension, The ṻīa Recension. For this reason the ṇiīⲹ Śṣ� is mentioned as General Śṣ�, as well as ṻīⲹ Śṣ� and Yajurvedīya Śṣ� from the statement of table no 1. In this thesis an attempt has taken about a comparative study of the concept of ṇiīⲹ Śṣ�, ñⲹ Śṣ�, ī Śṣ�, Varṇaratnapradīpikā Śṣ� and ṇḍܰī Śṣ�. These five Śṣ� describe their theory of speech sound production process in different way and they also explain the total number of letters according to their respective school. All these theories represent a complete picture of Vedic speech sound creation and presentation processes.
Our comparative study is mainly based upon these five treatises, though a general view also has been presented for the sake of clarification. The thesis has been divided into seven chapters as follows:
1. ṇiīⲹ Śṣ�;
2. ñⲹ Śṣ�;
3. ī Śṣ�;
4. Varṇaratnadīpikā Śṣ�;
5. ṇḍܰī Śṣ�;
6. ʰپśkhya;
7. Contribution of the Śṣ� authors in phonetics
In this thesis five Śṣ� text of different Veda are discussed on different point of view. As these texts are not belong to the same age so that we can observe the evolution of vedic sound of different Veda. Mainly the number of vowels and consonant are different in these five Śṣ� text which indicates the creation of a new language of Indo-aryan language group.
Footnotes and references:
[1]:
ṻ岹, X.71, X.125
[2]:
ṻ岹, I.164.45
[6]:
Śṣāsaṃgraha, Benaras,1893.