Vyabhicaribhava, Vyabhicarin-bhava, ղⲹ屹, Vyabhicārī-屹: 8 definitions
Introduction:
Vyabhicaribhava means something in Hinduism, Sanskrit, Marathi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
Alternative spellings of this word include Vyabhicharibhava.
In Hinduism
Natyashastra (theatrics and dramaturgy)
Source: Wisdom Library: Nāṭya-śāstraղⲹ屹 (व्यभिचारिभाव) refers to “complementary psychological states�. According to the Nāṭyaśāstra chapter 7.31, the �the sentiment (rasa) is produced (-Ծṣpٳپ�) from a combination (ṃyDz) of Determinants (屹), Consequents (Գܲ屹) and Complementary Psychological States (ⲹ-屹)�.
There are thirty-three types if ⲹ屹 defined:
- nirveda (discouragement),
- Ծ (weakness),
- śṅk (apprehension),
- ś (weariness),
- dainya (depression),
- augrya, ܲ (cruelty),
- Գ (anxienty),
- ٰ (fright),
- īṣy (jealousy),
- ū (envy),
- ṣa (indignation),
- garva (arrogance),
- ṛt (recollection),
- ṇa (death),
- mada (intoxication),
- supta (dreaming),
- Ծ (sleaping),
- vibodha (awakening),
- īḍ� (shame),
- 貹 (epilepsy),
- moha (distraction),
- mati (assurance),
- (idleness),
- ⲹ (indolence),
- 屹 (agitation),
- tarka (deliberation),
- ٳٳ (dissimulation),
- (sickness),
- ܲԳ岹 (insanity),
- ṣād (despair),
- utsuka (restless/anxious),
- autsukya (impatience),
- capala (inconsiderate).
These are also known as ñ屹 (ṃc屹) which was translated as ‘transitory emotion or mood�.
: archive.org: Natya Shastraղⲹ屹 (व्यभिचारिभाव, “complementary psychological states�).—“Why are these called ⲹṇa�?� [In answer] it is said that vi and abhi are prefixes, and the root cara means ‘to go,� ‘to move. Hence the word ⲹṇa means ‘those that move in relation to Sentiments towards different [kinds of objects.]� ‘Move in� implies carrying. It is questioned, “How do they carry?� In answer it is said, “It is a popular convention to say like this, just as the people say, “The sun carries this Բṣaٰ (star) or that day.� It does not, however, mean that these are carried on arms or shoulders. But this is a popular belief. Just as the sun carries this star, so is to be understood that the Complementary Psychological States [carry the Sentiments].

Natyashastra (नाट्यशास्त्र, ṭyśٰ) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Kavyashastra (science of poetry)
: Shodhganga: The Kavyavilasa of Ciranjiva Bhattacarya (kavyashastra)ղⲹ屹 (व्यभिचारिभाव, “variants�) or Saṃcāri屹 refers to the “accessories of permanent emotions� (like rati etc.) according to Cirañjīva Bhaṭṭācārya (fl. 17th century).—These ⲹ屹s are thirty-three in number. These ⲹ are neither permanent nor inborn. Madness is variant in the case of śṛṅ specially in vipralambha-śṛṅ. These three treated above are very much needed for the manifestation of rasa.

Kavyashastra (काव्यशास्त्र, 屹ⲹśٰ) refers to the ancient Indian tradition of poetry (kavya). Canonical literature (shastra) of the includes encyclopedic manuals dealing with prosody, rhetoric and various other guidelines serving to teach the poet how to compose literature.
Vaishnavism (Vaishava dharma)
: Pure Bhakti: Bhajana-rahasya - 2nd Editionղⲹ屹 (व्यभिचारिभाव) refers to:—Same as ñ-屹 (see Sañcāri屹s). (cf. Glossary page from Bhajana-Rahasya).

Vaishnava (वैष्णव, vaiṣṇava) or vaishnavism (vaiṣṇavism) represents a tradition of Hinduism worshipping Vishnu as the supreme Lord. Similar to the Shaktism and Shaivism traditions, Vaishnavism also developed as an individual movement, famous for its exposition of the dashavatara (‘ten avatars of Vishnu�).
Languages of India and abroad
Marathi-English dictionary
: DDSA: The Molesworth Marathi and English Dictionaryⲹ屹 (व्यभिचारिभाव).—m S An order of properties into which are classed the consequences and symptoms of amorous desire as an object of poetical description. They are thirty-two; or, according to another enumeration, thirty-four; viz. nirvēda, Ծ, śṅk, ū, mada, ś, ⲹ, dainya, Գ, mōha, ṛt, ṛt, īḍ�, 貹, ṣa, āvēga, jaratā, garva, ṣād, autsukya, Ծ, 貹, śaya, vibōdha, ṣa, avahityā, ܲ, mati, apalambha, , ܲԳ岹, ṇa. The additional two are ٰ & vitarka. See 屹.
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Sanskrit dictionary
: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionaryղⲹ屹 (व्यभिचारिभाव):—[=vy-abhicāri-屹] [from vy-abhicāri > vyabhi-car] m. a transitory state (of mind or body, opp. to ٳ⾱- [q.v.], and said to be thirty-four in number, viz. nirveda, Ծ, śṅk, ū, mada, ś, ⲹ, dainya, Գ, moha, ṛt, ṛt, īḍ�, 貹, ṣa, 屹, Ჹḍa, garva, ṣād, autsukya, Ծ, 貹, supta, vibodha, ṣa, ٳٳ, ܲ, mati, ܱ, , ܲԳ岹, ṇa ٰ, vitarka qq.vv.), [Daśarūpa; Kāvyaprakāśa etc.]
Sanskrit, also spelled संस्कृतम� (ṃsṛt), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Kannada-English dictionary
: Alar: Kannada-English corpusղⲹ屹 (ವ್ಯಭಿಾರಿಭಾವ):—[noun] = ವ್ಯಭಿಾರ� [vyabhicari]2 - 2.
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
Nepali dictionary
: unoes: Nepali-English DictionaryVyabhicārī-屹 (व्यभिचारी-भा�):—n. a transitory feeling; an accessory (in literature);
Nepali is the primary language of the Nepalese people counting almost 20 million native speakers. The country of Nepal is situated in the Himalaya mountain range to the north of India.
See also (Relevant definitions)
Partial matches: Bhavas, Vyabhicarin, Vyabhicari, Bhava.
Full-text (+39): Sthayibhava, Samcaribhava, Shanka, Apamara, Vibhava, Vyabhichaari-bhav, Alasiya, Vyabhicarin, Bhava, Anubhava, Vibodha, Amarsha, Avahittha, Sattvikabhava, Mandi, Trasa, Glani, Garva, Anishtashanka, Nirveda.
Relevant text
Search found 30 books and stories containing Vyabhicaribhava, Vyabhicarin-bhava, ղⲹ屹, Vyabhicāri-屹, Vyabhicari-bhava, Vyabhicārin-屹, Vyabhicārī-屹, Vyabhicari-bhavas, Vyabhicaribhavas; (plurals include: Vyabhicaribhavas, bhavas, ղⲹ屹s, 屹s, bhavases, Vyabhicaribhavases). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Sahitya-kaumudi by Baladeva Vidyabhushana (by Gaurapada Dāsa)
Text 4.6 < [Chapter 4 - First-rate Poetry]
Text 4.52 < [Chapter 4 - First-rate Poetry]
Text 4.22 < [Chapter 4 - First-rate Poetry]
Bhakti-rasamrta-sindhu (by Śrīla Rūpa Gosvāmī)
Verse 2.4.232 < [Part 4 - Transient Ecstatic Disturbances (vyābhicāri-屹)]
Verse 2.4.1 < [Part 4 - Transient Ecstatic Disturbances (vyābhicāri-屹)]
Verse 3.4.49 < [Part 4 - Parenthood (vātsalya-rasa)]
Gati in Theory and Practice (by Dr. Sujatha Mohan)
Gati used for the delineation of Bhāva and Rasa < [Chapter 3 - Application of gati in Dṛśya-kāvyas]
Analysis of technical terms: Nāṭya, Nṛtta, Nṛtya < [Chapter 1 - Nāṭya]
Description of Gati as in Saṅgītamuktāvalī < [Chapter 2 - Concept and technique of Gati]
Sanskrit dramas by Kerala authors (Study) (by S. Subramania Iyer)
4. The sentiment (rasa) of the Kamalini Rajahamsa < [Chapter 7: Kamalinirajahamsa (Kamalini Rajahamsa) (Study)]
4. The sentiment (rasa) of the Ratnaketudaya < [Chapter 10: Ratnaketudaya (Study)]
4. The sentiment (rasa) of the Kamalinikalahamsa < [Chapter 12: Kamalinikalahamsa (Kamalini-Kalahamsa)]
Sankalpa Suryodaya of Venkatanatha (Critical Study) (by R. Laxmi)
Delineation of Karunarasa or Sentiment of Pathos < [Chapter 4b - Rasa delineation of the play]
Delineation of Raudrarasa or Furious Sentiment < [Chapter 4b - Rasa delineation of the play]
Delineation of Bibhatsarasa or Odious Sentiment < [Chapter 4b - Rasa delineation of the play]
Malatimadhava (study) (by Jintu Moni Dutta)
Part 1.3b - Karuṇa Rasa (The pathetic sentiment) < [Chapter 2 - Literary Study of the Mālatīmādhava]
Part 1.3c - Raudra Rasa (The Furious Sentiment) < [Chapter 2 - Literary Study of the Mālatīmādhava]
Part 1.3d - Vīra Rasa (The Heroic Sentiment) < [Chapter 2 - Literary Study of the Mālatīmādhava]