Audava, 础耻岣峚惫补: 10 definitions
Introduction:
Audava means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
In Hinduism
Natyashastra (theatrics and dramaturgy)
Source: Wisdom Library: N膩峁瓂a-艣膩stra1) 础耻岣峚惫补 (啶斷ぁ啶�) refers to pentatonic treatment in Indian music, and is one of the ten characteristics (gati) of the 箩腻迟颈 (melodic class), according to the N膩峁瓂a艣膩stra chapter 28. It is also known as 补耻岣峚惫补驳补迟颈 or 补耻岣峚惫补蝉惫补谤补. J膩ti refers to a recognized melody-type and can be seen as a precursor to 谤腻驳补蝉 which replaced them.鈥擜ccording to the N膩峁瓂a艣膩stra 28.95, 鈥渢he pentatonic treatment (补耻岣峚惫补 / 补耻岣峚惫颈迟补) relates to five notes in a 驳谤腻尘补 and is to be known as being of ten kinds. Its subdivisions are thirty and have been mentioned before鈥�.
Note: The term 补耻岣峚惫颈迟补 and 补耻岣峚惫补 have often been read respectively as 补耻岣岛惫颈迟补 and 补耻岣岛惫补 with a notion about their connection with 耻岣岛 (= star). 翱岣峚惫补 or 补耻岣峚惫补 which lies at the basis of these terms, appears to be a non-Aryan word meaning probably 鈥榝ive鈥�, and 峁Ｄ佱笉补惫补 too may likewise be of the same origin, and may mean 鈥榮ix鈥�, and its another form might have been 峁岣峚惫补 connected with 峁岣峚 in 峁岣峚艣补. This hypothesis may better explain in case of 峁峁�, the appearance of a cerebral sound in place of I-E k.
2) 础耻岣峚惫补 (啶斷ぁ啶�) refers to one of the four classes of 尘奴谤肠丑腻苍补 (melody).鈥擳膩nas consisting of six and five notes are respectively called hexatone (峁Ｄ佱笉补惫补) and pentatone (补耻岣峚惫补). It is also known as 补耻岣峚惫颈迟补, 补耻岣峚惫墨办峁泃腻, 补耻岣峚惫颈迟墨办峁泃补.
Natyashastra (啶ㄠぞ啶熰啶ざ啶距じ啷嵿い啷嵿ぐ, 苍腻峁瓂补艣腻蝉迟谤补) refers to both the ancient Indian tradition (shastra) of performing arts, (natya鈥攖heatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Gitashastra (science of music)
: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (gita)础耻岣峚惫补 (啶斷ぁ啶�) refers to one of the thirteen J膩tis or 鈥減roper combination of two 驳谤腻尘补s鈥� (in Indian music), according to the Kallin膩tha鈥檚 commentary Kal膩nidhi on the 厂补峁僩墨迟补谤补迟苍腻办补谤补.鈥擨n the N膩峁瓂a艣膩stra, 箩腻迟颈s are broadly divided into two types viz., 艣耻诲诲丑腻 and 惫颈办峁泃腻. The 厂补峁僩墨迟补谤补迟苍腻办补谤补 also agrees on it. But in the Vi峁ａ箛udharmottarapur膩峁嘺, the reference about the types of 箩腻迟颈s is not found. The 厂补峁僩墨迟补谤补迟苍腻办补谤补 accepts thirteen kinds of characteristic features of 箩腻迟颈s. For example: 础耻岣峚惫补, which is also accepted by the N膩峁瓂a艣膩stra.
: Shodhganga: Kohala in the Sanskrit textual tradition (gita)础耻岣峚惫补 (啶斷ぁ啶�) or 础耻岣峚惫补r膩ga is mentioned in the 厂补峁単墨迟补苍腻谤腻测补峁嘺, Vol. I, p.33.鈥擜ccordingly, The phala of singing 补耻岣峚惫补-谤腻驳补蝉 according to Kohala is brought out by Puru峁ttama Mi艣r膩 in 厂补峁単墨迟补苍腻谤腻测补峁嘺. He says that the singing of 补耻岣峚惫补-谤腻驳补蝉 can bring about eradication of diseases, destruction one鈥檚 enemies, destruction of fear and sorrow and appeasement of the planets. This verse is also found verbatim in Sa峁単墨t膩r峁嘺vacandrik膩 as well as Sa峁単墨tasara峁噄. The former does not mention the name of Kohala whereas the latter does.
Gitashastra (啶椸啶むざ啶距じ啷嵿い啷嵿ぐ, 驳墨迟补艣腻蝉迟谤补) refers to the ancient Indian science of Music (gita or samgita), which is traditionally divided in Vocal music, Instrumental music and Dance (under the jurisdiction of music). The different elements and technical terms are explained in a wide range of (often Sanskrit) literature.
Languages of India and abroad
Sanskrit dictionary
: DDSA: The practical Sanskrit-English dictionary础耻岣峚惫补 (啶斷ぁ啶�).鈥�a. (-惫墨 f.) [啶夃ぁ啷�-啶呧ぃ啷� (耻岣岛-a峁�)] Belonging to stars; K.178.
-惫补岣� A kind of 搁腻驳补 (in Music).
-惫腻 A particular R膩gi峁嚹�
: Cologne Digital Sanskrit Dictionaries: Cappeller Sanskrit-English Dictionary础耻岣峚惫补 (啶斷ぁ啶�).鈥擺feminine] 墨 relating to the stars.
: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary1) 础耻岣峚惫补 (啶斷ぁ啶�):鈥�1. 补耻岣峚惫补 mf(墨)n. ([from] 耻岣岛), relating to a constellation, [K膩dambar墨]
2) 2. 补耻岣峚惫补 m. (in mus.) a mode which consists of five notes only
3) 础耻岣峚惫腻 (啶斷ぁ啶掂ぞ):鈥擺from 补耻岣峚惫补] f. a particular R膩gi峁嚹� q.v. (cf. 辞岣峚惫补.)
[Sanskrit to German]
Sanskrit, also spelled 啶膏啶膏啶曕啶むぎ啷� (蝉补峁僺办峁泃补尘), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Kannada-English dictionary
: Alar: Kannada-English corpusAu岣峚le峁囜箛e (嗖斷病嗖侧硢嗖｀硩嗖｀硢):鈥擺noun] the oil extracted from seeds of castor plant (Ricinus communis).
: Alar: Kannada-English corpus础耻岣峚惫补 (嗖斷病嗖�):鈥擺adjective] (mus.) consisting of five notes only in both ascending and descending order.
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础耻岣峚惫补 (嗖斷病嗖�):鈥擺noun] (mus.) any mode which consists of five notes only in both ascending and descending order.
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
See also (Relevant definitions)
Starts with: Audavagita, Audavaha, Audavahi, Audavapi, Audavapiya, Audavaraga, Audavasampurna, Audavashadava, Autavam, Autavarakam.
Full-text (+7): Audavasampurna, Autavam, Audavashadava, Odava, Audavagita, Shadava, Autavarakam, Audavaraga, Ragalakshana, Gitaprakasha, Auduva, Audavita, Auduvita, Mela, Gandharodicyava, Sangitanarayana, Sangitakamada, Naishadi, Shadjodicyavati, Shadjamadhya.
Relevant text
Search found 5 books and stories containing Audava, Audalenne, Au岣峚le峁囜箛e, 础耻岣峚惫补, 础耻岣峚惫腻; (plurals include: Audavas, Audalennes, Au岣峚le峁囜箛es, 础耻岣峚惫补s, 础耻岣峚惫腻s). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Kohala in the Sanskrit textual tradition (Study) (by Padma Sugavanam)
Kohala and G墨t膩 (5): The concept of T膩na < [Chapter 2 - Kohala as seen in citations]
Kohala and G墨t膩 (9): The concept of 搁腻驳补 < [Chapter 2 - Kohala as seen in citations]
Part 1(a).3 - Contents of Kohalamatam < [Chapter 4 - Works attributed to Kohala]
Gita-govinda of Jayadeva (comparative study) (by Manisha Misra)
5. The Ragas having equal subject matter < [Chapter 7 - A comparative analysis of musical potentials of both the works]
Muthuswami Dikshita < [January 鈥� March, 1987]
Vishnudharmottara Purana (Art and Architecture) (by Bhagyashree Sarma)
3. Vocal Music (G墨ta) < [Chapter 2 - Music]
Natyashastra (English) (by Bharata-muni)