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Kamashastra Discourse (Life in Ancient India)

by Nidheesh Kannan B. | 2018 | 52,434 words

This page relates ‘Concept of Kama (Introduction)� of the study on Kamashastra representing the discipline of Kama (i.e., ‘sensual pleasure�). The Kamasutra of Vatsyayana from the 4th century is one of the most authoratitive Sanskrit texts belonging this genre. This study focusses on the vision of life of ancient India reflected in Kamashastra.

Go directly to: Footnotes.

7. Concept of 峾 (Introduction)

The third pursuit called is widely described here because it is the central point of this chapter. It appears to be fascinating to everyone irrespective of age, gender and creed. 峾 sooths the heart of all as it is closely related to sex, beauty and the erotic sentiment.

The genesis of 峾 passed through different stages of evolution at intervals as desire, as natural sex instinct, as the third ʳܰṣārٳ, as a sylvan spirit, as 峾deva, the most handsome divinity among Hindu gods and as the all pervading supreme principle of monism (Devarajan T., 2011: vii).

“T Vedic Indians embodied an open culture in terms of their sexuality. Sexual life was predominantly heterosexual, while there is a silence on homosexual relations and bestiality. This does not attest to the absence of homosexual practices. Incest was consented to as matter of fact, while premarital intercourse was accepted, and extra-marital relations were practiced unbridled. There were no rules demanding virginity of women at the time of marriage. Such was the Indian tradition, and the word they used to denote the essence of their sexuality was 峾� (Vikas Prabhu (a), 2013: 9-10).

Meaning and Definition of the term 峾 峾 is a multidimensional term formulated from the root “K�[1] means to shine, to desire and to go (Unni N. P., 2008: 98).

“From a grammatical point of view, the word 峾 is masculine in gender. And etymologically speaking, 峾 consists of the primary suffix “ma� and the base “ka� which occurs in Latin “ca-rus� (meaning dear) and in Anglo-saxone “hore� (new English whore). The feminine form 峾 and the neuter one 峾m are also attested, meaning “object of desire�. And finally the adverbial use of 峾m means “acording to desire�, “at will�, “freely�, “preferable� etc. Thus, the Indo-Aryan root Kam means “to desire, love� (George, V. C., 1995: 76).

V. K. Hampiholi observes,

“T term 峾 is found frequently in the ṻ岹 which is the earliest available literature of India. There the term 峾 means “desire� in general and “sensuous desire or lust� in particular. In the Atharvaveda, the term 峾 denotes not only the desire and sexual desire but also a deity. Here 峾 was identified with Agni (3. 25.11) in one mantra and in another 峾 was invoked as superior to Agni and other gods (9. 2-6, 24). An allusion is made to the terrible arrows of 峾 in this Veda (3. 25.1). In the later period, the god of love (峾) and his five arrows (Pañcabāṇ�) became popular. Afterwards he was considered as 峾deva. Thus this term has many shades of meaning. The correct and appropriate meaning should be noted only on the basis of the context. Mostly, even today, the term 峾 is used in the sense of desire and sexual desire� (1998: 59).

Popular Sanskrit dictionaries like ś, Ś岹첹貹ܳ, 峦貹ٲⲹ etc. were explaining the term 峾 in wider ranges. Some of them are compiled here.

ś uses the term 峾 five times, most of them are as the synonyms of 峾deva-the god of erotic love in Indian mythology. One of them points 峾 as desire[2]. While 峦貹ٲⲹm deals the word 峾 in a much elaborated manner. The author of 峦貹ٲⲹm views 峾 from the points of grammar, literature, philosophical systems etc. Of several meanings 峾 marks as wish, longing and legitimate pursuit of life (Tarkavācaspati Taranatha, 2013: 1889).

As mentioned before, 峾 is a multidimensional term and is defined in many ways by many people according to their need and comfort. Here it is provided some of the definitions of 峾.

Bharata says in ṭyśٰ:

“Almost all the psychological states proceed from erotic passion (峾) and which combined with acts proceeding from desire. The union of a man and a woman is called sensual passion (峾). The love which may end in joy or sorrow of all people is mostly to be observed as leading to happiness even in unhappy situations. The union of man and woman which finds them sexually united is known as an erotic affair (śṛṅ). This benefits the two, and brings them happiness. In this world, people always desire happiness of which women are indeed the source.�[3] (Pushpendra Kumar, 2014: 1040-1042).

According to ѲԳܲṛt, desire is based on violation or determination. No action is found in this world, of a man without desire. Whatever act a person does is but the effort of his desire[4] (Maitreyee Deshpande, 2010: 43-44).

While discussing the definitions of 峾, it is very important to go through the definitions of 峾 affirmed laid by ٲⲹԲ in 峾sūtra. As a comprehensive manual about sexuality, 峾sūtra gives two categorical definitions of 峾 viz, general (峾Բⲹ) and particular (śṣa) respectively.

In an elaborated way it can be said:

Pleasure in general (峾Բⲹkāma), consists in engaging the ear, skin, eye, tongue, and nose each in its own appropriate sensation, all under the control of the mind and heart driven by the conscious self. Pleasure in its primary form (śṣakāma), however, is a direct experience of an object of the senses, which bears fruit and is permeated by the sensual pleasure of erotic arousal that results from the particular sensation of touch[5] (Doniger Wendy & Sudhir Kakar, 2009: 8).

Some other later texts on this field define 峾 as tumescence (bāhyarata) and detumescence (ābhyantararata).

Footnotes and references:

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[1]:

첹ī dīptikāntigatiṣu | kan (ī) se�, aka, pa | kanati | cakāna | akānīt | a첹īt | kanitā | Գٲ� | kanitvā | ya-첹Բ | 첹Բyā 貹ٲⲹ� īԲ�첹Բyā� 첹īnaśceti a� | 첹īnādeśaśca | kanakam-kvun śilpisaṃjñayoriti kvun |

[2]:

쾱ṇa󲹳 śī kapibhekau plavaṃgamau | manobhavau kāmau śauryodyogau parākramau || (ś�, 3. 138)

[3]:

prāyeṇa sarvabhāvānā� kāmānniṣpattiriṣyate |
sa cecchāguṇasampanno bahudhā kāma iṣyate ||
strīpuṃsayostu yogo ya� sa tu 峾� iti smṛta� ||
sarvasyaiva hi lokasya sukhaduḥkhanibarhaṇa� |
bhūyiṣṭha� dṛśyate 峾� sukhado duḥkhadeṣvapi ||
ya� strīpuruṣasaṃyogo ratisaṃyogakāraka� |
sa śṛṃgāra iti jñeya upacārakṛta� sukha� ||
iha prāyeṇa loko'ya� sukhamicchati nityaśa� |
sukhasya ca striyo mūla� nānāśīlāśca tā� puna� || (nāṭyaśāstram, 24. 94-98
)

[4]:

ṃk貹ū� kāmo vai yajñā� saṃkalpasaṃbhavā� |
akāmasya kriyā kācit dṛśyate neha karhicit ||  (Գܲṛt�, 2. 3-4
)

[5]:

śrotratvakcakṣurjihvāghrāṇānāmātmasaṃyuktena manasādhiṣṭhitānā� sveṣu sveṣu viṣayeṣvānukūlata� ṛtپ� 峾� |
sparśaśṣaviṣayāttvasyābhimānikasukhānuviddhā phalavatyarthapratīti� prādhānyāt峾� || (kāmasūtra, 1. 2. 11-12
)

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