Erotic, Eroticism: 4 definitions
Introduction:
Erotic means something in Buddhism, Pali, Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
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In Hinduism
Gitashastra (science of music)
: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (gita)The Erotic Sentiment (in Sanskrit: śṛṅ-) refers to one of the nine kinds of Sentiment (rasa) in Indian classical Music. They have an inherent relationship with the svaras (“musical notes�).—There are nine kinds of sentiments: [e.g., Erotic (śṛṅ)]. In the Nāṭyaśāstra some particular svaras are determined for the delineation of some specific sentiments. In the Nāṭyaśāstra it is accepted that—the notes madhyama and 貹ñ are used to delineate the sentiments of ⲹ and śṛṅ.
Gitashastra (गीतशास्त्र, īٲśٰ) refers to the ancient Indian science of Music (gita or samgita), which is traditionally divided in Vocal music, Instrumental music and Dance (under the jurisdiction of music). The different elements and technical terms are explained in a wide range of (often Sanskrit) literature.
Natyashastra (theatrics and dramaturgy)
: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (natya)1) The Erotic Sentiment (in Indian dramas) is denoted by the Sanskrit term Śṛṅ- which represents one of the nine kinds of Rasa (“soul of Drama�), according to the վṣṇܻdzٳٲܰṇa, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.—Rasa or Sentiment is a very important component in poetry. The վṣṇܻdzٳٲܰṇa accepts nine rasas or “sentiments in Drama�. Śṛṇgāra or the sentiment of love is very important in 屹ⲹ specially in dramas. Because, Sanskrit poetics advices to portray either śṛṇ or ī as the predominant sentiment in a Sanskrit drama. It is the sentiment of love and desire where the manifestation of the activities of Kāmadeva i.e the god of love can be noticed.
2) The Erotic Emotion is denoted by Rati, which represents the ٳī屹 (permanent feeling) of śṛṇ.

Natyashastra (नाट्यशास्त्र, ṭyśٰ) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Shilpashastra (iconography)
: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (shilpa)The Erotic (sentiment) refers to one of the Nine Sentiments (citrarasa) in ancient Indian Painting (citra), according to the վṣṇܻdzٳٲܰṇa, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.—Painting is a medium of showing the inner feelings and emotions of a painter which can strikes the inherent sentiments of connoisseur’s mind [e.g., the erotic sentiment (śṛṅ)]. [...] The վṣṇܻdzٳٲܰṇa says that in a Painting the charming dress and ornaments with splendor and luster, expresses the erotic sentiment. [...] The վṣṇܻdzٳٲܰṇa gives emphasis on charming and beautiful attire and ornaments in the projection of a picture of erotic sentiment which obviously points the outer appearance of a character.

Shilpashastra (शिल्पशास्त्र, śilpaśāstra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.
In Buddhism
General definition (in Buddhism)
Source: Wisdom Library: BuddhismEroticism represents a cultural and philosophical dissonance between traditional Buddhist monastic ideals and the prevalent literary conventions influenced by Sanskrit literature. The “erotic mood� or śṛṅ- is central to 屹ⲹ, esteemed by Sanskrit theorists, who regard it as a fundamental emotion in poetry and a representation of the fulfilment of life goals. This is at odds with Buddhist ascetic ideals that view 峾, or sensual pleasure, as antithetical to the monastic lifestyle, which emphasizes renunciation and the quest for Ծṇa. Consequently, Buddhist poets like Aśvaghoṣa cleverly appropriated erotic imagery in their works to underscore teachings on impermanence, rather than to celebrate sensuality.
See also (Relevant definitions)
Starts with: Erotic gesture.
Full-text (+460): Shringara, Kamashastra, Shringararasa, Ratyatmaka, Anangaranga, Kokashastra, Ratirahasya, Pancasayaka, Smaradipika, Singara, Shringarin, Smaratattvaprakashika, Vatsyayana, Smarashastra, Anangadipika, Madanarnava, Anangatilaka, Rasa, Anangashekhara, Kamasutra.
Relevant text
Search found 132 books and stories containing Erotic, Eroticism, Erotics; (plurals include: Erotics, Eroticisms, Eroticses). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Gita-govinda of Jayadeva (comparative study) (by Manisha Misra)
2. The Rasas of Kishore-chandrananda-champu < [Chapter 5 - A Critical and Musical estimate of Kisora-chandrananda-champu]
1. The Sentiment (rasa) < [Chapter 3 - A Critical and Musical study of the Gita-Govinda]
5.1. The benediction / Mangalacarana < [Chapter 7 - A comparative analysis of musical potentials of both the works]
Wisdom of the Body < [January � March, 1999]
Kashmir and the Fine Arts < [March 1939]
Taste versus Nudity in Letters < [January � March, 1999]
Kamashastra Discourse (Life in Ancient India) (by Nidheesh Kannan B.)
6.7. Importance of Sex Education in Ancient India < [Chapter 5 - Looking for Alternatives: Possibilities in Kāmaśāstra]
2. Human Life: Sexuality and Spirituality < [Chapter 5 - Looking for Alternatives: Possibilities in Kāmaśāstra]
4.1. Summary of Kāma-sūtra Book 2: Sāmprayogika < [Chapter 3 - A Thematic Analysis of Vātsyāyana峾sūtra]
Sripura (Archaeological Survey) (by Bikash Chandra Pradhan)
Secular Stone Sculptures < [Chapter 3 - Sculptural Programme]
Stone Images (4): Saiva Images < [Chapter 3 - Sculptural Programme]
Tivaradeva Vihara (SRP-5) < [Chapter 2 - The Architectural Panorama]
The Sculptures of Madan-Kamdev (Study) (by Kamal Nayan Patowary)
Part 5.8 - Sculptures of Self Fellation < [Chapter 4 - Erotic Sculptures of Madan-Kamdeva]
Part 1 - Erotic Sculpture in Concept < [Chapter 4 - Erotic Sculptures of Madan-Kamdeva]
Part 5.1 - Erotic Explanation at Madan-Kamdev—Introduction < [Chapter 4 - Erotic Sculptures of Madan-Kamdeva]
Kamashastra and Classical Sanskrit literature (study) (by Vishwanath K. Hampiholi)
Conclusion of the first part of the Kamasutra < [Chapter 2 - Kamasutra part 1 (Sadharana-adhikarana)—Critical study]
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