Shringararasa, Shrimgara-rasa, Shrimgararasa, Shringara-rasa, 艢峁涐箖驳腻谤补谤补蝉补, 艢峁涐箙驳腻谤补谤补蝉补: 10 definitions
Introduction:
Shringararasa means something in Buddhism, Pali, Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
The Sanskrit terms 艢峁涐箖驳腻谤补谤补蝉补 and 艢峁涐箙驳腻谤补谤补蝉补 can be transliterated into English as Srmgararasa or Shrimgararasa or Srngararasa or Shringararasa, using the IAST transliteration scheme (?).
In Hinduism
Natyashastra (theatrics and dramaturgy)
Source: Wisdom Library: N膩峁瓂a-艣膩stra艢峁涐箙驳腻谤补谤补蝉补 (啶多啶權啶椸ぞ啶班ぐ啶�) refers to the 鈥渆rotic sentiment鈥� used in dramatic performance (苍腻峁瓂补). It is a Sanskrit compound composed of the words of 艣峁涐箙驳腻谤补 (erotic) and rasa (鈥荣别苍迟颈尘别苍迟鈥�). This sentiment is produced from a combination of determinants, consequents and complementary psychological states.
: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (natya)艢峁涐箙驳腻谤补谤补蝉补 (啶多啶權啶椸ぞ啶班ぐ啶�) (or simply 艢峁涐箙驳腻谤补) refers to the 鈥渆rotic sentiment鈥� and represents one of the nine kinds of Rasa (鈥渟oul of Drama鈥�), according to the 痴颈峁ａ箛耻诲丑补谤尘辞迟迟补谤补辫耻谤腻峁嘺, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.鈥擱asa or Sentiment is a very important component in poetry. The 痴颈峁ａ箛耻诲丑补谤尘辞迟迟补谤补辫耻谤腻峁嘺 accepts nine rasas or 鈥渟entiments in Drama鈥�. 艢峁涐箛g膩rarasa or the 鈥渟entiment of love鈥� is very important in 办腻惫测补 specially in dramas. Because, Sanskrit poetics advices to portray either 艣峁涐箛驳腻谤补 or 惫墨谤补 as the predominant sentiment in a Sanskrit dram
Natyashastra (啶ㄠぞ啶熰啶ざ啶距じ啷嵿い啷嵿ぐ, 苍腻峁瓂补艣膩stra) refers to both the ancient Indian tradition (shastra) of performing arts, (natya鈥攖heatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Kavyashastra (science of poetry)
: Shodhganga: The Kavyavilasa of Ciranjiva Bhattacarya (kavyashastra)艢峁涐箙驳腻谤补谤补蝉补 (啶多啶權啶椸ぞ啶班ぐ啶�) refers to the 鈥渆rotic sentiment鈥� or 鈥渟entiment of love鈥� and is defined by Cira帽j墨va Bha峁弓膩c膩rya (fl. 17th century). 鈥擳he basic feeling of 艣峁涐箙驳腻谤补 is love (rati). This sentiment of love is originated from or manifested by the excitants (惫颈产丑腻惫补) like beloved etc., ensuants (补苍耻产丑腻惫补) like side long or oblique glances and variants like mental derangement etc.
This sentiment of love (艣峁涐箙驳腻谤补-rasa) is divided into two varieties鈥�
- union (sambhoga-艣峁涐箙驳腻谤补rasa),
- separation (vipralambha-艣峁涐箙驳腻谤补rasa).
Kavyashastra (啶曕ぞ啶掂啶ざ啶距じ啷嵿い啷嵿ぐ, 办腻惫测补艣膩stra) refers to the ancient Indian tradition of poetry (kavya). Canonical literature (shastra) of the includes encyclopedic manuals dealing with prosody, rhetoric and various other guidelines serving to teach the poet how to compose literature.
Vaishnavism (Vaishava dharma)
: Pure Bhakti: Bhajana-rahasya - 2nd Edition艢峁涐箙驳腻谤补谤补蝉补 (啶多啶權啶椸ぞ啶班ぐ啶�) refers to:鈥擲ame as 尘腻诲丑耻谤测补-谤补蝉补, the amorous mellow. (cf. Glossary page from Bhajana-Rahasya).
Vaishnava (啶掂啶粪啶｀さ, vai峁ａ箛ava) or vaishnavism (vai峁ａ箛avism) represents a tradition of Hinduism worshipping Vishnu as the supreme Lord. Similar to the Shaktism and Shaivism traditions, Vaishnavism also developed as an individual movement, famous for its exposition of the dashavatara (鈥榯en avatars of Vishnu鈥�).
Sports, Arts and Entertainment (wordly enjoyments)
: archive.org: Syainika Sastra of Rudradeva with English Translation (art)艢峁涐箙驳腻谤补谤补蝉补 (啶多啶權啶椸ぞ啶班ぐ啶�) refers to 鈥渢he emotion of love鈥�, according to the 艢测补颈苍颈办补-艣腻蝉迟谤补: a Sanskrit treatise dealing with the divisions and benefits of Hunting and Hawking, written by R膩j膩 Rudradeva (or Candradeva) in possibly the 13th century.鈥擜ccordingly, [while discussing the outlines of hawking]: 鈥淸...] When two birds fly together and one is killed, the survivor mourns pitifully. This excites the emotion of sorrow. In the king, the lover鈥檚 emotion [e.g., 艣峁涐箙驳腻谤补rasa] is discernible in two conditions, that of enjoyment when the quarry is caught, and that of separation when it escapes. [...]鈥�.
This section covers the skills and profiencies of the Kalas (鈥減erforming arts鈥�) and Shastras (鈥渟ciences鈥�) involving ancient Indian traditions of sports, games, arts, entertainment, love-making and other means of wordly enjoyments. Traditionally these topics were dealt with in Sanskrit treatises explaing the philosophy and the justification of enjoying the pleasures of the senses.
In Buddhism
Tibetan Buddhism (Vajrayana or tantric Buddhism)
: OSU Press: Cakrasamvara Samadhi艢峁涐箖驳腻谤补谤补蝉补 (啶多啶傕啶距ぐ啶班じ) refers to the 鈥渆rotic emotion鈥�, according to the 骋耻谤耻-尘补峁囜笉补濒补-补谤肠补苍补 [i.e., 鈥淕uru Mandala Worship]鈥� ritual often performed in combination with the Cakrasa峁僾ara Sam膩dhi, which refers to the primary 辫奴箩腻 and 蝉腻诲丑补苍腻 practice of Newah Mah膩y膩na-Vajray膩na Buddhists in Nepal.鈥擜ccordingly, 鈥淪tanding on top of Mah膩bhairava and K膩lir膩tr墨, embracing Vajrav膩r膩h墨, With both arms holding a vajra and bell, adorned by a crest of dreadlocks, Decorated by a crown of skulls, holding a half moon on top of the head, Topped by the form of the Vi艣va Vajra, a fierce face, horrible gigantic fangs, Possessing the emotions beginning with the erotic (艣峁涐箖驳腻谤补谤补蝉补鈥�艣峁涐箖驳腻谤腻诲颈-谤补蝉腻苍惫颈迟补峁�), putting on a tiger skin, Wearing a garland of half a hundred human heads together, Possessing the six seals, adorned with a necklace, bracelets, Ear-rings, girdle, a crest jewel, (and) covered in ashes鈥�.
Tibetan Buddhism includes schools such as Nyingma, Kadampa, Kagyu and Gelug. Their primary canon of literature is divided in two broad categories: The Kangyur, which consists of Buddha鈥檚 words, and the Tengyur, which includes commentaries from various sources. Esotericism and tantra techniques (惫补箩谤补测腻苍补) are collected indepently.
Languages of India and abroad
Sanskrit dictionary
: DDSA: The practical Sanskrit-English dictionary艢峁涐箙驳腻谤补谤补蝉补 (啶多啶權啶椸ぞ啶班ぐ啶�).鈥攖he sentiment of love.
Derivable forms: 艣峁涐箙驳腻谤补rasa岣� (啶多啶权啶椸ぞ啶班ぐ啶膏).
艢峁涐箙驳腻谤补谤补蝉补 is a Sanskrit compound consisting of the terms 艣峁涐箙驳腻谤补 and rasa (啶班じ).
: Cologne Digital Sanskrit Dictionaries: Aufrecht Catalogus Catalogorum艢峁涐箙驳腻谤补谤补蝉补 (啶多啶權啶椸ぞ啶班ぐ啶�) as mentioned in Aufrecht鈥檚 Catalogus Catalogorum:鈥攁la峁僰. ibid.
: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary艢峁涐箙驳腻谤补谤补蝉补 (啶多啶權啶椸ぞ啶班ぐ啶�):鈥擺=艣峁涐箙驳腻谤补-rasa] [from 艣峁涐箙驳腻谤补 > 艣峁涐箙ga] m. the erotic sentiment
Sanskrit, also spelled 啶膏啶膏啶曕啶むぎ啷� (蝉补峁僺办峁泃补尘), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Nepali dictionary
: unoes: Nepali-English Dictionary艢峁涐箙驳腻谤补-rasa (啶多啶權啶椸ぞ啶�-啶班じ):鈥攏. the erotic 'mood', the first and, especially for drama, the most important of the eight rasas (啶班じ [rasa] ) enumerated by Bharata (啶ぞ啶班い [产丑腻谤补迟补] ) in the Natyasastra;
Nepali is the primary language of the Nepalese people counting almost 20 million native speakers. The country of Nepal is situated in the Himalaya mountain range to the north of India.
See also (Relevant definitions)
Partial matches: Shringara, Rasa.
Starts with: Shringararasamadhuri, Shringararasamandana, Shringararasashtaka, Shringararasavilasa.
Full-text (+4): Shringararasavilasa, Shringararasamandana, Sambhoga, Erotic, Rati, Madhuryarasa, Shringararasodaya, Viprayoga, Shringararasashtaka, Hela, Shringaar-ras, Shringara, Harishcandra, Vipralambha, Ayoga, Striraga, Amatapararthata, Stri, Katipaya, Sambhogashringara.
Relevant text
Search found 51 books and stories containing Shringararasa, Shrimgara-rasa, Shrimgararasa, Shringara-rasa, 艢峁涐箖g膩ra-rasa, Srmgara-rasa, 艢峁涐箖驳腻谤补谤补蝉补, Srmgararasa, Srngara-rasa, 艢峁涐箙驳腻谤补-rasa, 艢峁涐箙驳腻谤补谤补蝉补, Srngararasa; (plurals include: Shringararasas, rasas, Shrimgararasas, 艢峁涐箖驳腻谤补谤补蝉补s, Srmgararasas, 艢峁涐箙驳腻谤补谤补蝉补s, Srngararasas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Jivanandana of Anandaraya Makhin (Study) (by G. D. Jayalakshmi)
Analysis of 艢峁涐箙驳腻谤补-rasa < [Chapter 6 - Dramatic aspects of the J墨vanandana N膩峁璦ka]
Gita-govinda of Jayadeva (comparative study) (by Manisha Misra)
2. Musical specialty of the Gitagovinda < [Chapter 7 - A comparative analysis of musical potentials of both the works]
4. Tradition of Campu literature < [Chapter 4 - The Background and Plot content of Kisora Chandrananda Champu]
Sahitya-kaumudi by Baladeva Vidyabhushana (by Gaurapada D膩sa)
Text 7.121 < [Chapter 7 - Literary Faults]
Text 8.8 < [Chapter 8 - Literary Qualities]
Text 7.141 < [Chapter 7 - Literary Faults]
Varadambika-parinaya Campu (Study) (by Bhagavant. L. Nadoni)
The depiction of Shringara Rasa < [Chapter 7 - Rasa delineation in Varadambika-parinaya Campu]
The depiction of Bibhatsa Rasa < [Chapter 7 - Rasa delineation in Varadambika-parinaya Campu]
Bhajana-Rahasya (by Srila Bhaktivinoda Thakura Mahasaya)
Text 10 < [Chapter 5 - Pa帽cama-y膩ma-s膩dhana (Apar膩hna-k膩l墨ya-bhajana鈥搆峁涐梗峁嘺-膩sakti)]
Text 23 < [Chapter 8 - A峁ａ弓ama-y膩ma-s膩dhana (R膩tri-l墨l膩鈥損rema-bhajana sambhoga)]
Text 9 < [Chapter 8 - A峁ａ弓ama-y膩ma-s膩dhana (R膩tri-l墨l膩鈥損rema-bhajana sambhoga)]
Gati in Theory and Practice (by Dr. Sujatha Mohan)
Gati performed in N峁泃ta < [Chapter 3 - Application of gati in D峁浥泍a-办腻惫测补s]
Importance of Gati in Upar奴pakas < [Chapter 3 - Application of gati in D峁浥泍a-办腻惫测补s]
Reference to N膩峁瓂a, N峁泃ta and N峁泃ya Gati in Sanskrit dramas < [Chapter 3 - Application of gati in D峁浥泍a-办腻惫测补s]