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Vastushastra (architecture)

: Google Books: Indian Temple Architecture: Form and Transformation

骋丑补峁璦 (啶樴��).鈥擯art of the standard pilaster;鈥擳his is the head of the column, the capital. Held by the neck and shoulders of the pillar (迟腻迟墨 and 濒补艣耻苍补), and at first a rounded, swollen member, the 驳丑补峁璦 is unmistakably a head. It is at the centre-line, or eye-level of the 驳丑补峁璦, that the visual forces of a pillar form find equilibrium. From here the predominant flow of the mouldings diverges. Ma峁囜笉i and 辫辞迟颈办腻 strain upwards to meet the descending weight, and it will be seen that mainly the lower parts fall, hang or sweep downwards.

: OpenEdition books: Architectural terms contained in Ajit腻gama and Raurav腻gama

骋丑补峁璦 (啶樴��) refers to 鈥渧ase (main molding of the crowning motif) 搂 3.31.鈥�.鈥�(For paragraphs cf. Les enseignements architecturaux de l'Ajit腻gama et du Raurav腻gama by Bruno Dagens)

: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (vastu)

骋丑补峁璦 (啶樴��) refers to one of the hundred types of Temples (in ancient Indian architecture), according to the Vi峁ａ箛udharmottarapur腻峁嘺, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.鈥擨t is quite difficult to say about a definite number of varieties of Hindu temples but in the Vi峁ａ箛udharmottarapur腻峁嘺 hundred varieties of temples have been enumerated. For example, 骋丑补峁璦. These temples are classified according to the particular shape, amount of storeys and other common elements, such as the number of pavilions, doors and roofs. [...] The Vi峁ａ箛udharmottarapur腻峁嘺 relates that the temple named 骋丑补峁璦 should be constructed in the shape of a water-jar.

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Vastushastra (啶掂ぞ啶膏�嵿い啷佮ざ啶距じ啷嵿い啷嵿��, v腻stu艣腻stra) refers to the ancient Indian science (shastra) of architecture (vastu), dealing with topics such architecture, sculpture, town-building, fort building and various other constructions. Vastu also deals with the philosophy of the architectural relation with the cosmic universe.

Shilpashastra (iconography)

Source: Wisdom Library: 艢ilpa-艣腻stra

骋丑补峁璦 (啶樴��, 鈥渧ase鈥�) refers to a cushion-like captial in pillars and pilasters.

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Shilpashastra (啶多た啶侧�嵿お啶多ぞ啶膏�嵿い啷嵿ぐ, 艣ilpa艣腻stra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.

Natyashastra (theatrics and dramaturgy)

: archive.org: Natya Shastra

骋丑腻迟补 (啶樴ぞ啶�).鈥擝lemishes (驳丑腻迟补) in the production of a play are of three kinds;

1. that coming from gods (daiva),
2. from the actors themselves (腻迟尘补苍),
3. and from an enemy (para).

Sometimes a fourth variety of it is what comes up due a portentous calamity. Blemishes resulting from portents (补耻迟辫腻迟颈办补) are those due to earthquake, storm, the falling of meteors and the like.

An expert in dramatic production should record blemishes (驳丑腻迟补) as 鈥渕ixed鈥� (尘颈艣谤补), 鈥渢otal鈥� (sarvagata) and 鈥減artial鈥� (别办补诲别艣补箩补), but should not record merely success (siddhi) or blemishes without any detailed information about these. Blemishes which may be accidental (lit. caused by the gods, daiva), the portents or the enemy are not to be recorded by the wise observers. But the blemishes relating to the play as well as the blemishes arising from the actors themselves (腻迟尘补苍) should be recorded.

: Shodhganga: Kohala in the Sanskrit textual tradition (ns)

骋丑腻迟补 (啶樴ぞ啶�) refers to one of the twenty-four 痴补谤迟补苍腻蝉 (鈥渕ovements of the arm鈥�), discussed in Kallin腻tha鈥檚 commentary on S补峁単istaratn腻kara of 艢腻r峁単adeva (1953: Vol. IV: p.105).鈥擪allin腻tha says that in spite of 艢腻r峁単adeva not having mentioned these, he will describe the 惫补谤迟补苍腻蝉 which have been expounded by Kohala. He proceeds to give a quotation of Kohala from the work S补峁単墨tameru which gives the definitions of twenty four kara-惫补谤迟补苍腻蝉. [For example, 骋丑腻迟补] [...] Kohala says that in the case of these 惫补谤迟补苍腻蝉, their names themselves make their 濒补办峁�a峁嘺 clear and therefore he has mentioned only their names.

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Natyashastra (啶ㄠぞ啶熰�嵿く啶多ぞ啶膏�嵿い啷嵿ぐ, 苍腻峁瓂补艣腻蝉迟谤补) refers to both the ancient Indian tradition (shastra) of performing arts, (natya鈥攖heatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).

Jyotisha (astronomy and astrology)

Source: Wisdom Library: Brihat Samhita by Varahamihira

骋丑补峁璦 (啶樴��) refers to a 鈥減ot-shaped sun鈥�, according to the B峁沨atsa峁僪it腻 (chapter 3), an encyclopedic Sanskrit work written by Var腻hamihira mainly focusing on the science of ancient Indian astronomy astronomy (Jyoti峁�a).鈥擜ccordingly, 鈥淚f the sun should appear like a pot [i.e., 驳丑补峁璦-nibha]; he brings on hunger and death; if he should appear broken, the reigning prince dies; if without rays, mankind will be afflicted with fears; if like a gate, then the capital city, if like an umbrella then the country, will perish. If the sun should appear like a flag staff, or a bow, or quivering or of sharp rays he will bring on wars; if there should appear black lines on his disc the reigning prince will die by the hand of his own minister鈥�.

: Wikibooks (hi): Sanskrit Technical Terms

骋丑腻迟补 (啶樴ぞ啶�).鈥擯roduct; multiplication. Note: 骋丑腻迟补 is a Sanskrit technical term used in ancient Indian sciences such as Astronomy, Mathematics and Geometry.

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Jyotisha (啶溹�嵿く啷嬥い啶苦��, 箩测辞迟颈峁�a or jyotish) refers to 鈥榓stronomy鈥� or 鈥淰edic astrology鈥� and represents the fifth of the six Vedangas (additional sciences to be studied along with the Vedas). Jyotisha concerns itself with the study and prediction of the movements of celestial bodies, in order to calculate the auspicious time for rituals and ceremonies.

Purana and Itihasa (epic history)

: archive.org: Puranic Encyclopedia

1) 骋丑补峁璦 (啶樴��).鈥擜n urban area in ancient India. (Bh墨峁�ma Parva, Chapter 9, Verse 63). (See full article at Story of 骋丑补峁璦 from the Puranic encyclopaedia by Vettam Mani)

2) 骋丑补峁璦 (啶樴��).鈥擜 notorious thief. He had a friend called Karpara. They were jointly known as 骋丑腻峁璦karparas. Once both the friends went to commit theft. Leaving 骋丑补峁璦 at the door-steps Karpara entered the chamber of the princess who after enjoying sexual pleasures with him gave him some money asking him to repeat such visits in future. Karpara told 骋丑补峁璦 all that had happened and handed over to him the money which the princess had given him. Karpara went again to the princess. But, owing to the weariness caused by the night鈥檚 enjoyment both the princess and he slept till late in the morning. Meantime the palace guards found out the secret and took the lovers into custody. Karpara was sentenced to death and led out to be hanged. 骋丑补峁璦 was present on the spot and Karpara asked him secretly to save the princess. Accordingly 骋丑补峁璦, without anybody knowing about it, took the princess over to his house.

2) The King ordered enquiries about the absence of the princess. Under the natural presumption that some relation or other of Karpara alone might have carried away his daughter the King ordered the guards of Karpara鈥檚 corpse to arrest anybody who approached the corpse and expressed grief. 骋丑补峁璦 came to know of this secret order of the King. Next day evening 骋丑补峁璦 posing himself as a drunkard and with a servant disguised as* a woman walking in front and with another servant carrying rice mixed with dhat奴r腻 (a poisonous fruit) following him came to the guards keeping watch over Karpara鈥檚 body. 骋丑补峁璦 gave the poisoned rice to the guards who after eating it swooned under the effect. 骋丑补峁璦 used the opportunity to burn the corpse of Karpara there itself. After that 骋丑补峁璦 disappeared.

: archive.org: Shiva Purana - English Translation

骋丑腻迟补 (啶樴ぞ啶�) refers to 鈥渇atal missiles鈥� (used as a weapon in battle), according to the 艢ivapur腻峁嘺 2.4.10 (鈥淏oasting of T腻raka鈥�).鈥擜ccordingly, as T腻raka-Asura fought with K腻rttikeya: 鈥淸...] Both appeared to possess plenty of practice. Both had the desire to gain the upper hand. Both fought on foot, had wonderful forms and features and were equally courageous. With massive heaps of fatal missiles (驳丑腻迟补-pu帽ja) they hit each other. They had various ways of attack. They roared. They exhibited their all exploits. The onlookers, the gods, the Gandharvas and the Kinnaras were much surprised. They did not speak anything there. [...]鈥�.

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The Purana (啶�啷佮ぐ啶距��, pur腻峁嘺s) refers to Sanskrit literature preserving ancient India鈥檚 vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.

Kavya (poetry)

Source: Wisdom Library: Kath腻sarits腻gara

骋丑补峁璦 (啶樴��) is the name of a thief (caura), according to the Kath腻sarits腻gara, chapter 64. Accordingly, 鈥�... there were in a certain city two thieves, named 骋丑补峁璦 and Karpara. One night Karpara left 骋丑补峁璦 outside the palace, and breaking through the wall, entered the bed-chamber of the princess...鈥�.

The Kath腻sarits腻gara (鈥榦cean of streams of story鈥�), mentioning 骋丑补峁璦, is a famous Sanskrit epic story revolving around prince Narav腻hanadatta and his quest to become the emperor of the 惫颈诲测腻诲丑补谤补蝉 (celestial beings). The work is said to have been an adaptation of Gu峁嚹遽笉hya鈥檚 B峁沨atkath腻 consisting of 100,000 verses, which in turn is part of a larger work containing 700,000 verses.

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Kavya (啶曕ぞ啶掂�嵿��, kavya) refers to Sanskrit poetry, a popular ancient Indian tradition of literature. There have been many Sanskrit poets over the ages, hailing from ancient India and beyond. This topic includes mahakavya, or 鈥榚pic poetry鈥� and natya, or 鈥榙ramatic poetry鈥�.

Ayurveda (science of life)

Nighantu (Synonyms and Characteristics of Drugs and technical terms)

: WorldCat: R腻j nigha峁囜弓u

骋丑腻峁��� (啶樴ぞ啶熰ぞ) is another name for 叠丑补诲谤辞诲补苍墨, an unidentified medicinal plant, according to verse 4.103-105 of the 13th-century Raj Nighantu or R腻janigha峁囜弓u. The fourth chapter (艣补迟腻丑惫腻诲颈-惫补谤驳补) of this book enumerates eighty varieties of small plants (辫峁泃丑耻-办峁�u辫补). Note: Narhari鈥檚 叠丑补诲谤辞诲补苍墨 may be R腻jabal腻 of Dh. [Dhanvantari?]. Together with the names 骋丑腻峁��� and 叠丑补诲谤辞诲补苍墨, there are a total of sixteen Sanskrit synonyms identified for this plant.

Agriculture (Krishi) and Vrikshayurveda (study of Plant life)

: Shodhganga: Drumavichitrikarnam鈥擯lant mutagenesis in ancient India

骋丑补峁璦 (啶樴��) refers to a 鈥減ot (used for storing clarified butter)鈥� which is used in a recipe for producing flowers and fruits out-of-season (补办腻濒补), according to the 痴峁沰峁Ｄ乱耻谤惫别诲补 by S奴rap腻la (1000 CE): an encyclopedic work dealing with the study of trees and the principles of ancient Indian agriculture.鈥擜ccordingly: 鈥淭rees produce flowers and fruits out of season undoubtedly if the following procedure is followed: Dioscorea bulbifera, Cuminum cyminum seed and sugarcane juice should be kept for a month in a pot containing clarified butter (腻jya-驳丑补峁璦) prepared in the moonlight and when the mixture is well formed, roots of the trees should be smeared with it and the basin should be filled with mud. Then sugarcane juice should be profusely sprinkled and the trees should be smoked with honey and 办耻峁嘺辫补鈥�.

Veterinary Medicine (The study and treatment of Animals)

: archive.org: The Elephant Lore of the Hindus

骋丑腻峁璦 (啶樴ぞ啶�) refers to the 鈥渘ape of the neck鈥� (of elephants), according to the 15th century 惭腻迟补峁単补濒墨濒腻 composed by N墨laka峁囜弓ha in 263 Sanskrit verses, dealing with elephantology in ancient  India, focusing on the science of management and treatment of elephants.鈥擺Cf. chapter 5, 鈥渙n marks of the stages of life鈥漖: 鈥�6. With wood-like (hardening) skin, thin (nearly closed) sutures (in the skull), thin hair (on the head), fond of mud, water, and dust; he shows a very little sexual excitement, becomes angry, is sensitive to pleasure and pain and to guidance with the foot, and also understands words (of command) and other (directions, sc., with goad or stick), and so (begins to be) controllable by a driver, and is superficially sensitive (to very slight stimuli); the nape of the neck (驳丑腻峁璦), avagraha, and tusks become prominent: this is a kalabha, who has reached the fifth year鈥�.

Unclassified Ayurveda definitions

: gurumukhi.ru: Ayurveda glossary of terms

骋丑补峁璦 (啶樴��):鈥擺驳丑补峁璦岣�] A unit of Measurement; Synonym of one drona equivalent to 12. 288 kg / l of metric units

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膧yurveda (啶嗋く啷佮ぐ啷嵿さ啷囙う, ayurveda) is a branch of Indian science dealing with medicine, herbalism, taxology, anatomy, surgery, alchemy and related topics. Traditional practice of 膧yurveda in ancient India dates back to at least the first millenium BC. Literature is commonly written in Sanskrit using various poetic metres.

Shaktism (Shakta philosophy)

: Google Books: Manthanabhairavatantram

1) 骋丑补峁璦 (啶樴��) (or 骋丑补峁璦尘耻诲谤腻, Khecar墨尘耻诲谤腻) is the name of the gesture (尘耻诲谤腻) associated with O岣嶀笉iy腻na, one of the sacred seats (辫墨峁环补), according to the Manth腻nabhairavatantra, a vast sprawling work that belongs to a corpus of Tantric texts concerned with the worship of the goddess Kubjik腻.鈥擭ote: Although not all the mantras uttered in the course of a ritual are accompanied by a corresponding gesture, many are, and so are commonly formed (baddha lit. 鈥榖ound鈥�) in quick succession. In this context, the gestures [i.e., 驳丑补峁璦] are, like the other constituents of the seats, channels through which the deity's energy flows and operates. The goddess, as pure spiritual energy, is herself Mudr腻鈥擥esture.

2) 骋丑补峁��� (啶樴�熰��) is the name of the Yak峁�i峁嚹� associated with K腻mar奴pa, one the eight Sacred Seats (辫墨峁环补), according to the Yogakha峁囜笉a (chapter 14) of the Manth腻nabhairavatantra.

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Shakta (啶多ぞ啶曕�嵿��, 艣腻kta) or Shaktism (艣腻ktism) represents a tradition of Hinduism where the Goddess (Devi) is revered and worshipped. Shakta literature includes a range of scriptures, including various Agamas and Tantras, although its roots may be traced back to the Vedas.

Shaiva philosophy

: Brill: 艢aivism and the Tantric Traditions (philosophy)

骋丑补峁璦 (啶樴��) refers to a 鈥減ot鈥�, according to Utpaladeva鈥檚 Viv峁泃i on 莫艣varapratyabhij帽腻k腻rik腻 1.5.6.鈥擜ccordingly, 鈥淸...] If, on the other hand, external objects are only atoms that are partless [and] aggregated, even so, a pot (驳丑补峁璦), which appears in a [spatially] extended form, necessarily appears as having [different] parts [respectively located in the] east, west, etc.; and [this spatial extendedness] is not possible if [this pot] is thus made of atoms[, since by definition an atom cannot have different parts] [...]鈥�.

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Yoga (school of philosophy)

: Brill: 艢aivism and the Tantric Traditions (yoga)

1) 骋丑补峁璦 (啶樴��) refers to one of the four 鈥渟tates鈥� or 鈥渟tages鈥� of yoga practice, according to the Am峁泃asiddhi, a 12th-century text belonging to the Ha峁環ayoga textual tradition.鈥擳he four 补惫补蝉迟丑腻蝉, 鈥渟tates鈥� or 鈥渟tages鈥� of yoga practice (腻谤补尘产丑补, 驳丑补峁璦, paricaya, 苍颈峁�p补苍苍补/苍颈峁�p补迟迟颈) introduced in the Am峁泃asiddhi (vivekas 19鈥�33), are taught in many Sanskrit Ha峁環ayoga texts; they are also mentioned in the old Hindi Gorakhb腻峁嚹� (艣补产诲蝉 136鈥�139).

2) 骋丑补峁璦 (啶樴��) refers to the 鈥渂ody鈥� and represents one of the achievements of Ha峁環ayoga, according to the 17th-century Ha峁環ayogasa峁僪it腻: a compilation on Ha峁環ayoga that borrows extensively from the Ha峁環aprad墨pik腻.鈥擺...] The stated aim of Ha峁環ayoga is to achieve purification (艣辞诲丑补苍补), firmness (诲峁涐笉丑补迟腻), steadiness (sthairya), constancy (dhairya), lightness (濒腻驳丑补惫补), direct perception (辫谤补迟测补办峁�a) and liberation (nirlipta) of the body (驳丑补峁璦). Its Ha峁環ayoga has seven auxiliaries: the 峁�a峁璳补谤尘补, 腻蝉补苍补, 尘耻诲谤腻, 辫谤补迟测腻丑腻谤补, 辫谤腻峁嘺蝉补峁儁腻尘补, 诲丑测腻苍补 and 蝉补尘腻诲丑颈.

: ORA: Amanaska (king of all yogas): A Critical Edition and Annotated Translation by Jason Birch

1) 骋丑补峁璦 (啶樴��) refers to a particular stage of Yoga, according to the Datt腻treyayoga艣腻stra (roughly contemporary with the Amanaska鈥檚 second chapter).鈥擜ccordingly, while discussing the merits of Yogic practice: 鈥淲ithout practice, [the Yogin] becomes worldly. Therefore, having remembered the teachings of his guru, he should practise [yoga] day and night. Thus, [only] through the constant practice of Yoga, does the [second] stage [of Yoga called] 骋丑补峁璦 arise. Without the practice of yoga, [it is all] in vain. [Yoga] is not perfected through social gatherings. Therefore, [the Yogin] should practise only yoga with every effort.鈥�.

2) 骋丑腻迟补 (啶樴ぞ啶�) refers to 鈥減hysical harm鈥�, according to the Yogab墨ja (verse 76cd-78ab; Cf verse 51-53).鈥擜ccordingly, 鈥淭he wise [Yogin] burns his body, consisting of the seven Dh腻tus (蝉补辫迟补-诲丑腻迟耻尘补测补), with the fire [stoked by Ha峁環ayoga]. His diseases and torments such as deprivation and physical harm (驳丑腻迟补) vanish [tasya na艣yanti chedagh腻t腻dik腻 vyath腻岣�], and he remains embodied, his form [like] the supreme ether. What more can be said? He does not die鈥�.

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Yoga is originally considered a branch of Hindu philosophy (astika), but both ancient and modern Yoga combine the physical, mental and spiritual. Yoga teaches various physical techniques also known as 腻蝉补苍补s (postures), used for various purposes (eg., meditation, contemplation, relaxation).

Ganitashastra (Mathematics and Algebra)

: archive.org: Hindu Mathematics

骋丑腻迟补 (啶樴ぞ啶�) refers to the 鈥減roduct鈥�, according to the principles of B墨jaga峁噄ta (鈥渁lgebra鈥� or 鈥榮cience of calculation鈥�), according to Ga峁噄ta-艣腻stra, ancient Indian mathematics and astronomy.鈥擳he oldest Hindu terms for the power of a quantity, known or unknown, are found in the Uttar腻dhyayana-s奴tra (c. 300 B.C. or earlier). In it the second power is called varga (square), the third power ghana (cube), [...]. In later times, the fifth power is called vargaghana驳丑腻迟补 (product of cube and square, 驳丑腻迟补=product), the seventh power vargavargaghana驳丑腻迟补 (product of square-square and cube) and so on.

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Ganita (啶椸ぃ啶苦い) or Ganitashastra refers to the ancient Indian science of mathematics, algebra, number theory, arithmetic, etc. Closely allied with astronomy, both were commonly taught and studied in universities, even since the 1st millennium BCE. Ganita-shastra also includes ritualistic math-books such as the Shulba-sutras.

Gitashastra (science of music)

: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (gita)

骋丑补峁璦 (啶樴��) refers to a musical instrument classified as Avanaddha (鈥渢hose instrument whose mouths are covered with leather (known as avanaddha)鈥�) which represents one of the four kinds of Instrumental Music, produced by an instrument (腻迟辞诲测补), according to the Sa峁僩墨taratn腻kara.鈥擨n the Vi峁ａ箛udharmottarapur腻峁嘺 and the Sa峁僩墨taratn腻kara, some examples of avanaddha type of instruments are given, e.g., 骋丑补峁璦.

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Gitashastra (啶椸��啶むざ啶距じ啷嵿い啷嵿ぐ, 驳墨迟补艣腻蝉迟谤补) refers to the ancient Indian science of Music (gita or samgita), which is traditionally divided in Vocal music, Instrumental music and Dance (under the jurisdiction of music). The different elements and technical terms are explained in a wide range of (often Sanskrit) literature.

In Buddhism

Theravada (major branch of Buddhism)

: Pali Kanon: Pali Proper Names

1. Ghata (also called Ghatakumara). The Bodhisatta, born as the king of Benares. One of his ministers misconducted himself in the royal harem and the king, catching him in the act, banished him. The minister took service with Vanka, king of Savatthi, and persuaded him to attack Benares. Ghata was captured and thrown into prison, where he entered into ecstatic meditation. But Vanka was seized by a burning sensation, and he ordered the release of Ghata and the restoration of his kingdom. J.iii.168f; cf. Ekaraja.

2. Ghata (also called Ghatapandita) - The Bodhisatta, born as the ninth of the ten Andhakavenhudasaputta. When a son of his brother, Vasudeva, died, Vasudeva lamented beyond all measure, and Ghata, wishing to cure him, feigned madness and went about Dvaravati asking for the hare in the moon. When Vasudeva heard of this from his courtier Rohineyya, he hastened to Ghata and argued with him about the ridiculousness of his quest. The plan succeeded and Vasudeva was cured of his grief. J.iv.81, 84ff; Pv.ii.6; PvA.93f.

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Therav腻da is a major branch of Buddhism having the the Pali canon (tipitaka) as their canonical literature, which includes the vinaya-pitaka (monastic rules), the sutta-pitaka (Buddhist sermons) and the abhidhamma-pitaka (philosophy and psychology).

Tibetan Buddhism (Vajrayana or tantric Buddhism)

: BDK Tripi峁璦ka: The 厂耻蝉颈诲诲丑颈办补谤补-蝉奴迟谤补

Ghata (啶樴い) refers to one of the various types of cakes mentioned in Chapter 12 (鈥渙ffering food鈥�) of the 厂耻蝉颈诲诲丑颈办补谤补-蝉奴迟谤补. Accordingly, 鈥淥ffer [viz., ghata cakes], [...]. Cakes such as the above are either made with granular sugar or made by mixing in ghee or sesamum oil. As before, take them in accordance with the family in question and use them as offerings; if you offer them up as prescribed, you will quickly gain success. [...]鈥�.

When you wish to offer food [viz., ghata cakes], first cleanse the ground, sprinkle scented water all around, spread out on the ground leaves that have been washed clean, such as lotus leaves, 辫补濒腻艣补 (dhak) leaves, and leaves from lactescent trees, or new cotton cloth, and then set down the oblatory dishes. [...] First smear and sprinkle the ground and then spread the leaves; wash your hands clean, rinse out your mouth several times, swallow some water, and then you should set down the food [viz., ghata]. [...]

: OSU Press: Cakrasamvara Samadhi

1) 骋丑补峁璦 (啶樴��) refers to 鈥渨ater (pot)鈥�, according to the Guru Mandala Worship (尘补峁囜笉补濒腻谤肠补苍补) ritual often performed in combination with the Cakrasa峁僾ara Sam腻dhi, which refers to the primary 辫奴箩腻 and 蝉腻诲丑补苍腻 practice of Newah Mah腻y腻na-Vajray腻na Buddhists in Nepal.鈥擜ccordingly, 鈥淟ocan墨, having a golden color, arrow and shining appearance, M腻mak墨, having a dark-blue color, water, grain and a bouquet (驳丑补峁璦-dh腻nya-ma帽jar墨峁� dh腻r墨), P腻峁囜笉ar腻, having a red color, and drawing a bow and arrow, Holy goddess 膧rya T腻r腻, having a green color and blue lotus鈥�.

2) 骋丑腻迟补 (啶樴ぞ啶�) refers to 鈥渄estruction (of the self)鈥�, according to the Guru Mandala Worship.鈥擜ccordingly, 鈥淚n beginningless Sa峁僺腻ra, or in this very repeated existence, Whatever sin by me, as an animal, done or so caused to be done, Whatever delighted a little, and infatuated to self destruction (腻迟尘补苍-驳丑腻迟补), That transgression I confess, tormented with repentance鈥�.

context information

Tibetan Buddhism includes schools such as Nyingma, Kadampa, Kagyu and Gelug. Their primary canon of literature is divided in two broad categories: The Kangyur, which consists of Buddha鈥檚 words, and the Tengyur, which includes commentaries from various sources. Esotericism and tantra techniques (惫补箩谤补测腻苍补) are collected indepently.

Mahayana (major branch of Buddhism)

Source: Wisdom Library: Maha Prajnaparamita Sastra

Ghata (啶樴い) refers to a 鈥渧ase鈥�, according to Mah腻praj帽腻p腻ramit腻艣腻stra (chapter 2).鈥擜ccordingly, 鈥淸Question: If one-ness and substance are the same, what is the fault?]鈥擨f a vase (ghata) is synonymous with one-ness, in the way that Indra is synonymous with 艢akra, then wherever there is one-ness, there must be a vase, as everywhere where there is Indra, there must be 艢akra. Henceforth all substances, cloth (辫补峁璦), etc., will be vase and one-ness. Since the vase is one-ness, wherever there is one-ness, there must be vase, and not only vase, but also cloth, etc., because all of them being 鈥榮ingle鈥� substance, they are not different (惫颈艣别峁�a)鈥�.

: De Gruyter: A Buddhist Ritual Manual on Agriculture

P奴r峁嘺ka (啶�啷傕ぐ啷嵿ぃ啶�) refers to 鈥減ots (filled with offerings)鈥� (suitable for an offering ceremony), according to the 痴补箩谤补迟耻峁囜笉补蝉补尘补测补办补濒辫补谤腻箩补, an ancient Buddhist ritual manual on agriculture from the 5th-century (or earlier), containing various instructions for the Sangha to provide agriculture-related services to laypeople including rain-making, weather control and crop protection.鈥擜ccordingly [as the Bhagav腻n taught the detailed offering-manual], 鈥淸...] Four N腻ga kings should be prepared in the middle of the ditch. [...] Various offerings should be arranged. Fruits should be scattered. Four filled jars should be placed. Four pots filled (驳丑补峁璦-p奴r峁嘺ka) with offerings should be placed. Four ladles with frankincense and bdellium incense should be burnt. Eight lamps should be lit. [...]鈥�.

context information

Mahayana (啶�啶灌ぞ啶�啶距え, mah腻y腻na) is a major branch of Buddhism focusing on the path of a Bodhisattva (spiritual aspirants/ enlightened beings). Extant literature is vast and primarely composed in the Sanskrit language. There are many 蝉奴迟谤补蝉 of which some of the earliest are the various Praj帽腻p腻ramit腻 蝉奴迟谤补蝉.

In Jainism

Jain philosophy

: archive.org: Anekanta Jaya Pataka of Haribhadra Suri

骋丑补峁璦 (啶樴��) refers to the 鈥渂ottom of a vessel鈥�, as occurring in the 础苍别办腻苍迟补箩补测补辫补迟腻办腻-辫谤补办补谤补峁嘺, a 艢vet腻mbara Jain philosophical work written by Haribhadra S奴ri.鈥擺Cf. Vol. I, P. 66, l 29-30]鈥擳he shape, substance and colour are noted as the dharmas of a 驳丑补峁璦, a dharmin 鈥楤udhna鈥�, a homonym here means the bottom of a vessel, viz 驳丑补峁璦. A 驳丑补峁璦 is described in the Bh腻峁�ya (p. 122) on Tattv腻rthas奴tra (I, 35). [...] [Cf. the Uttarajjhayanacunni (p 14) composed by a pupil of Govaliya Mahattara] [...] A 驳丑补峁璦 is described by Hemacandra in his commentary (665) on 痴颈蝉别蝉腻 (v. 1552). [...] Municandra S奴ri has defined 鈥�驳丑补峁璦鈥� as one which has an expansive bottom and belly, and whose neck is round and long, and whose lips resemble an ear-ornament.

context information

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General definition (in Jainism)

: The University of Sydney: A study of the Twelve Reflections

1) 骋丑腻迟补 (啶樴ぞ啶�) refers to the 鈥渟triking (of the clock)鈥� (of kings), according to the 11th century J帽腻n腻r峁嘺va, a treatise on Jain Yoga in roughly 2200 Sanskrit verses composed by 艢ubhacandra.鈥擜ccordingly, 鈥淭hose who are wise speak about momentariness with the striking of the clock of kings (驳丑补峁���-驳丑腻迟补鈥�驳丑补峁�墨gh腻tena bh奴bh峁泃腻m). The betterment of oneself must be accomplished. That [time] which is past will not return鈥�.

2) 骋丑腻迟补 (啶樴ぞ啶�) refers to 鈥渄estruction鈥�, according to the J帽腻n腻r峁嘺va.鈥擜ccordingly, 鈥淭hose [people] who, having discerned [this], still do not do what is beneficial for themselves in the human state, certainly cultivate a poisonous tree for their own destruction (sva-驳丑腻迟补鈥�vardhayanti svagh腻t腻ya)鈥�.

3) 骋丑补峁��� (啶樴�熰��) refers to a 鈥渢roop (of ruttish elephants)鈥�, according to the J帽腻n腻r峁嘺va.鈥擜ccordingly, 鈥淭his most powerful [and] cruel death devours against their will the life of those who possess a body that has settled in the middle world, in hell, in the world of Brahm腻, in Indra鈥檚 abode, in the middle of the ocean, inside the forest, at all quarters of the globe, on a mountain-peak, in a place difficult of access on account of fire, forest, cold, darkness, thunderbolts [and] swords, or in [a place] crowded with a troop of ruttish elephants (蝉补尘补诲补办补谤颈苍-驳丑补峁���-蝉补峁僰补峁璦)鈥�.

context information

Jainism is an Indian religion of Dharma whose doctrine revolves around harmlessness (ahimsa) towards every living being. The two major branches (Digambara and Svetambara) of Jainism stimulate self-control (or, shramana, 鈥榮elf-reliance鈥�) and spiritual development through a path of peace for the soul to progess to the ultimate goal.

India history and geography

Source: Wisdom Library: Teachers, Saints and Sages

骋丑补峁��� (啶樴�熰��) is another name for 骋丑补峁�腻p腻: one of the eighty-four Siddhas (Siddh腻c腻ryas) of the Sahajay腻na school, according to sources such as the Var峁嘺ratn腻kara of Jyotir墨艣vara (i.e., the Varna-Ratnakara by Jyotirishwar Thakur).鈥擳he Sahaja-Yana is a philosophical and esoteric movement of Tantric Buddhism which had enormous influence in the Indian subcontinent and the Himalayas.鈥擬any of these Mah腻siddhas [e.g., 骋丑补峁���-p腻] were historical figures whose lives and mystical powers were the subject of legends. They are often associated with teachings belonging to Hinduism, Buddhism, Ajivikism and Jainism such as the Nath Tradition.

: Cologne Digital Sanskrit Dictionaries: Indian Epigraphical Glossary

骋丑腻峁璦.鈥�(EI 21), name of a tax. Cf. ghat峁璦. Note: 驳丑腻峁璦 is defined in the 鈥淚ndian epigraphical glossary鈥� as it can be found on ancient inscriptions commonly written in Sanskrit, Prakrit or Dravidian languages.

context information

The history of India traces the identification of countries, villages, towns and other regions of India, as well as mythology, zoology, royal dynasties, rulers, tribes, local festivities and traditions and regional languages. Ancient India enjoyed religious freedom and encourages the path of Dharma, a concept common to Buddhism, Hinduism, and Jainism.

Languages of India and abroad

Pali-English dictionary

: BuddhaSasana: Concise Pali-English Dictionary

ghata : (nt.) ghee; clarified butter. || 驳丑补峁璦 (m.), a water-pot. 驳丑补峁��� (f.), a cluster; a swarm; a crowd. 驳丑腻迟补 (m.), killing; slaughter; destruction; robbery; brigandage.

: Sutta: The Pali Text Society's Pali-English Dictionary

骋丑腻迟补, (usually 鈥斅�) (Sk. 驳丑腻迟补 & 驳丑腻迟补na; to han (ghan), strike, kill; see etym. under ghana² & hanti) killing, murdering; slaughter, destruction, robbery D.I, 135 (g腻ma掳, etc. village robbery); setu掳 the pulling down of a bridge (fig.) Vin.I, 59, etc. (see setu); pantha掳 highway robbery, brigandage, 鈥渨aylaying鈥� J.I, 253. 鈥�-鈥� Th.2, 474, 493 (=samug驳丑腻迟补 Com.); Sn.246 (ina掳); VvA.72 (p腻峁嘺掳+p腻峁嘺-vadha & 掳atip腻ta). Cp. next & vi掳; sa峁兟�. (Page 257)

鈥� or 鈥�

1) 骋丑补峁璦, ² (m. & f.) (Sk. 驳丑补峁���; conn. with ganthati to bind together) multitude, heap, crowd, dense mass, i.e. thicket, cluster. itthi掳 a crowd of women J.IV, 316; maccha掳 a swarm of fish J.II, 227; vana掳 dense forest J.II, 385; IV, 56; V, 502; VI, 11, 519, 564; brahma掳 company of brahmins J.VI, 99. (Page 256)

2) 骋丑补峁璦, ¹ (Non-Aryan?) a hollow vessel, a bowl, vase, pitcher. Used for holding water, as well as for other purposes, which are given under p腻n墨ya掳 paribhojana掳 vacca掳 at Vin.I, 157=352=M.I, 207. In the Vinaya frequent combined with kolamba, also a deep vessel: I.209, 213, 225, 286.鈥擜s water-pitcher: J.I, 52, 93 (pu峁囜箛a掳), 166; VvA.118, 207, 244 (掳satena nh腻to viya); PvA.66 (udaka掳), 179 (p腻n墨ya掳), 282.鈥擨n general: S.IV, 196. For holding a light (in formula anto驳丑补峁璭 pad墨po viya upanissayo pajjalati) J.I, 235 (cp. ku峁璦), PvA.38. Used as a drum J.VI, 277 (=kumbhath奴na); as bhadda掳 Sdhp.319, 329.

鈥� or 鈥�

Ghata, (nt.) (Vedic 驳丑峁泃a, 驳丑峁� to sprinkle, moisten) clarified butter VvA.326; Miln.41; Sdhp.201 (-bindu). With ref. to the sacrificial fire (fire as eating ghee, or being sprinkled w. ghee) ghat腻蝉补苍补; J.I, 472; V, 64, 446; Pv.I, 8⁵ (ghatasitta). (Page 256)

鈥� or 鈥�

骋丑腻峁璦, see sa峁兟�; 驳丑腻峁璦na see 驳丑补峁璦ti. (Page 257)

[Pali to Burmese]

: Sutta: Tipi峁璦ka P腻岣穒-Myanmar Dictionary (醼愥��醼曖��醼嬦��-醼曖��醼犪��醼欋�坚�斸�横�欋�� 醼♂�樶��醼撫��醼斸��)

1) ghata鈥�

(Burmese text): 醼戓�贬��醼曖�愥�横亱

(Auto-Translation): Bug.

2) 驳丑补峁璦鈥�

(Burmese text): (醽�) 醼♂��醼�醼羔亱 醼♂�欋�会��醼羔�♂��醼羔�栣�坚�勧�丰��-醼涐�贬�佱�曖��-醼涐�贬�炨�氠��-醼♂��醼�醼羔��醼�醼� 醼熱�贬��醽忈�� (醼曖��) (醽�) 醼♂��醼�醼羔�呩�娽�横亱 (醽�) 醼冡�嬦�欋�娽�横�炨�搬亱 醼冡�嬦�掅�掅�贯�掅�涐��醼濁��醼掅��-醼�醼坚�娽�丰�横亱

(Auto-Translation): (1) Pot. Generally - water bucket - water-carrying - pot is referred to. (2) Clay pot. (3) Who is the one? According to the teachings of the Buddha - observe.

3) 驳丑补峁璦鈥�

(Burmese text): 醼♂��醼羔�戓��醼愥�横�溼�贬��醼丰亱 醼冡�嬦�愥��-醼�醼坚�娽�丰�横亱

(Auto-Translation): Try hard. Look at the situation.

4) 驳丑补峁�腻鈥�

(Burmese text): (醽�) 醼♂�曖�贬��醼勧�横�羔亱 (醽�) 醼︶�羔�佱�会��醼�醽� (醽�) 醼呩�贬�丰�嗎�贬��醼�-醼♂��醼羔�戓��醼愥��-醼佱�坚�勧�横�羔亱

(Auto-Translation): (1) Addition. (2) Abduction. (3) Seed sowing - exerting effort - action.

5) 驳丑腻迟补鈥�

(Burmese text): (醽�) 醼炨�愥�横�佱�坚�勧�横�羔亰 醼炨�贬�呩�贬�佱�坚�勧�横�羔亱 (醼�) (醼♂��醼坚�结�勧�横�羔�欋�册��) 醼栣�坚�愥��-醼曖�氠�横�涐�踞��醼�-醼栣�会�贬��醼�醼�-醼栣�会��醼横�嗎��醼�-醼佱�坚�勧�横�羔亱 (醽�) 醼炨�贬�佱�坚�勧�横�羔亰 醼曖�会��醼横�呩��醼羔�佱�坚�勧�横�羔亱

(Auto-Translation): (1) Killing, causing death. (a) (Without remainder) Cut-off, removal, destruction, annihilation. (2) Death, destruction.

context information

Pali is the language of the Tipi峁璦ka, which is the sacred canon of Therav腻da Buddhism and contains much of the Buddha鈥檚 speech. Closeley related to Sanskrit, both languages are used interchangeably between religions.

Marathi-English dictionary

: DDSA: The Molesworth Marathi and English Dictionary

驳丑补峁璦 (啶樴��).鈥攎 (S) A vessel gen. (earthen or metal), esp. for holding water. 2 The universe, the body &c. considered as the work of the Deity; a creature, any created thing. Ex. t膿峁� vist腻ril膿峁� sarva 驳丑补峁�墨峁� ||. 3 A vessel filled with water. Used in the ceremonies of 苍补惫补谤腻迟谤补. 4 f Loss or decrease (as by wastage, dryage, leakage, spillage). 驳丑补峁�墨峁� basa峁嚹撫箖 To rest on the 驳丑补峁璦 or pot--the divinity, in the ceremonies of 苍补惫补谤腻迟谤补. 2 Hence To be fixed to the house; to be obliged to stay at home. 3 In covert phraseology. To be under menstruation--a woman.

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驳丑补峁璦 (啶樴��).鈥攁 Commonly 驳丑补峁�峁�补.

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驳丑补峁��� (啶樴�熰��).鈥攎 Callous skin, a callosity. 2 C A small and young pumpion or melon. 3 C A pod of the gram-plant or Cicer arietinum. 4 ( H) A mass of clouds. 5 f P Form, fashion, make.

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驳丑腻峁璦 (啶樴ぞ啶�) [or 啶樴ぞ啶傕��, 驳丑腻峁囜弓补].鈥攆 (驳丑腻峁璦 S) f The throat, esp. the upper part or larynx; and often the prominence of this, or Adam's apple. Pr. g膿l膿峁� gh腻峁囜弓墨峁� jh腻l膿峁� m腻t墨 Used to signify the transiency of pleasures of the palate, or the worthlessness of things generally after a brief enjoyment or use. 2 Used in certain constructions for the voice, as in gh腻峁囜弓墨峁� phu峁璦峁嚹撫箖 To become voice-cracked (on attaining puberty). Ex. gh腻峁囜弓墨峁� phu峁璦l腻 badas奴ra jh腻l腻. Also To become hoarse or husky (with reference to power of modulating the voice): to have the singing voice impaired. gh腻峁囜弓墨峁� 艣膿nd奴ra 艒ta峁嚹撫箖 To cause one to swallow minium (by mixing it with his food or drink). This is often done to a vocalist to destroy his voice.

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驳丑腻峁璦 (啶樴ぞ啶�).鈥攎 (驳丑补峁�峁�补 S) A mountainous range dividing countries. 2 The Sayhadri range in particular. 3 A pass or difficult passage over a hill. 4 A quay, wharf, stairs, landing-place (on banks of rivers or tanks). Hence applied by washermen, tanners, dyers, Brahmans &c. to their respective places of resort. 5 The country eastward of the Sayhadri range. Ex. s腻lamajakur墨峁� 驳丑腻峁璦 c腻峁単al腻 pikal腻. gh腻峁�腻nta a岣峚vi峁嚹撫箖-dhara峁嚹撫箖-m腻ra峁嚹撫箖 (As thieves assault at a 驳丑腻峁璦 or narrow passage.) To take advantage of one's extremity or hard necessity.

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驳丑腻峁璦 (啶樴ぞ啶�).鈥攎 (驳丑补岣峚峁嚹抚箖) Form, figure, fashion, shape (of a pot &c.) Hence 2 fig. Form, semblance, external appearance (of a plot, project, undertaking). Ex. ty腻 masalat墨c腻 驳丑腻峁璦 kas腻 disat艒. 3 The show, signs, demonstrations, indications (of a design &c.) Ex. tumh墨 kh腻r墨 k腻岣峢腻y腻c腻 驳丑腻峁璦 gh腻l腻 mha峁嘺j膿 t艒 kha峁囜笉a峁嚹� kab奴la kar墨la.

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驳丑腻峁璦 (啶樴ぞ啶�).鈥攆 (驳丑腻峁璦峁嚹撫箖) Gram or pulse stirabout. 2 Boiled flour (of corn gen.) in preparation for certain sweetmeats. 3 A blight attacking gram. The pods do not fill. v 辫补岣峚.

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gh腻峁��� (啶樴ぞ啶熰ぞ) [or 啶樴ぞ啶傕�熰��, gh腻峁囜弓腻].鈥攎 A pod of gram or of 尘补蝉奴谤补.

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gh腻峁��� (啶樴ぞ啶熰ぞ).鈥攎 (驳丑腻峁璦峁嚹撫箖) A stick with a cloth at the end. Used to stir about grain &c. under parching. 2 A stirabout or mash of boiled 产腻箩补谤墨, u岣嵞玠a, m奴ga &c. (for cows or cattle): also husked and boiled 产腻箩补谤墨 or 箩艒苍诲丑补岣纺� gen.

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驳丑腻迟补 (啶樴ぞ啶�).鈥攎 (S) Killing or striking: also a stroke or blow. 2 fig. Destruction or smash (of a business or work): ruining, foiling, confounding (of a person, counsel, scheme). Compounds at pleasure; as 腻tma驳丑腻迟补, pak峁�a驳丑腻迟补, pr腻峁嘺驳丑腻迟补, sarvasva驳丑腻迟补, 艣astra驳丑腻迟补: also another class of compounds, as 驳丑腻迟补- kara峁嘺, 驳丑腻迟补y艒ga, 驳丑腻迟补v膿l腻 or -惫脓岣穉 and others following in order; signifying An inauspicious kara峁嘺, y艒ga; or 惫脓岣穉. 3 Amount of a multiplication, product: also multiplication or multiplying; but popularly, multiplication of a quantity into itself, i. e. involution: also a power of a number.

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驳丑腻迟补 (啶樴ぞ啶�).鈥攆 The proper time or period (of a work or an action): season, period of abundance (as of the products of the earth). Ex. p膿ra峁噛腻c墨 驳丑腻迟补 Seedtime; k腻pa峁噛腻c墨 驳丑腻迟补 Harvest time; 腻mby腻c墨 驳丑腻迟补; us腻c墨 驳丑腻迟补; lagn腻c墨 驳丑腻迟补. 驳丑腻迟补 gh膿峁嚹撫箖 To mar, blast, ruin (a person, work, project, at some critical juncture); to rob one (through disappointing &c.) of one's opportunity; or to carry off (away from) an opportunity. Ex. 辫脓谤补峁嚹玞墨 or k腻pa峁嚹玞墨 驳丑腻迟补 p腻vas腻n膿峁� n膿l墨. gh腻t墨c膿 divasa Sunshiny days; harvest time; the season of opportunity, power, enjoyment.

: DDSA: The Aryabhusan school dictionary, Marathi-English

驳丑补峁璦 (啶樴��).鈥�m A vessel for holding water. f Loss. 驳丑补峁��� basa峁嚹撫箖 Be fixed to the house; be under menstruation.

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驳丑补峁��� (啶樴�熰��).鈥�m Callous skin, a callosity.

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驳丑腻峁璦 (啶樴ぞ啶�).鈥�or 驳丑腻峁囜弓补 f The throat, esp. the upper part of larynx. gh腻峁��� phu峁璦峁嚹撫箖 To become voice–cracked (on attaining puberty). n腻r艒 艣补峁卥ar墨 驳丑腻峁璦 A bell. Fig. A plop. A woman or man talking in a very loud voice.

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驳丑腻峁璦 (啶樴ぞ啶�).鈥�m A mountainous range dividing countries. A pass or difficult passage over a hill. A quay, wharf, stairs, landing-place. gh腻峁�腻nta a岣峚vi峁嚹撫箖-dhara峁嚹撫箖-m腻ra峁嚹撫箖 (As thieves assault at a 驳丑腻峁璦 or narrow passage). To take advantage of one's extremity or hard necessity.

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驳丑腻峁璦 (啶樴ぞ啶�).鈥�m Form, figure, fashion. Form, sem- blance, external appearance.

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gh腻峁��� (啶樴ぞ啶熰ぞ) [or gh腻峁囜弓腻, or 啶樴ぞ啶傕�熰ぞ].鈥�m A pod of gram or of 尘补蝉奴谤补.

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gh腻峁��� (啶樴ぞ啶熰ぞ).鈥�m A stick with a cloth at the end. A stir-about or mash of boiled 产腻箩补谤墨.

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驳丑腻迟补 (啶樴ぞ啶�).鈥�m Killing or striking. Destruction or smash (of a business or work). Amount of multiplication, product, involution; a power of a number.

context information

Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.

Sanskrit dictionary

: DDSA: The practical Sanskrit-English dictionary

骋丑补峁璦 (啶樴��).鈥擺驳丑补峁璦-ac]

1) A large earthen water-jar, pitcher, jar, watering-pot; 啶嗋�曕ぞ啶多ぎ啷囙�曕�� 啶灌た 啶�啶ム�� 啶樴�熰ぞ啶︵た啶粪�� 啶�啷冟ぅ啶椸�嵿き啶掂�囙い啷� (腻k腻艣ameka峁� hi yath腻 驳丑补峁�腻di峁�u p峁泃hagbhavet) Y. 3.144; 啶曕�傕お啷� 啶�啶多�嵿く 啶�啶�啷嬥え啶苦ぇ啶距さ啶�啶� 啶樴�熰�� 啶椸�冟す啷嵿ぃ啶距い啶� 啶む�佮げ啷嵿く啶� 啶溹げ啶�啷� (k奴pe pa艣ya payonidh腻vapi 驳丑补峁璷 g峁沨峁嚹錿i tulya峁� jalam) 叠丑补谤迟峁沨补谤颈 2.49.

2) The sign Aquarius of the zodiac (also called kumbha).

3) An elephant's frontal sinus.

4) Suspending the breath as a religious exercise.

5) A measure equal to 2 dro峁嘺s.

6) A part of a column; 啶膏�嵿い啶�啷嵿き啶� 啶掂た啶�啶溹�嵿く 啶ㄠさ啶оぞ 啶掂す啶ㄠ�� 啶�啶距�椸�� 啶樴�熰�嬥そ啶膏�嵿�� 啶�啶距�椸�嬥そ啶ㄠ�嵿く啶� (stambha峁� vibhajya navadh腻 vahana峁� bh腻go 驳丑补峁璷'sya bh腻go'nya岣�) B峁�. S.53.29.

7) A border.

8) A peculiar form of a temple; B峁�. S.56.18,26.

9) The head; '啶樴�熰�� 啶膏ぎ啶距ぇ啶苦き啷囙う啷� 啶ㄠぞ 啶多た啶班�� 啶曕�傕�熰�曕�熰�囙し啷� 啶� (驳丑补峁璦岣� 蝉补尘腻诲丑颈bhede n腻 艣ira岣� k奴峁璦ka峁璭峁�u ca)' Medin墨; Mah腻bh腻rata (Bombay) 1.155.38.

Derivable forms: 驳丑补峁璦岣� (啶樴�熰��).

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骋丑补峁��� (啶樴�熰��).鈥擺驳丑补峁� bh腻ve 补峁�]

1) An endeavour, effort, exertion.

2) A number, troop, assemblage; 啶�啷嵿ぐ啶侧く啶樴え啶樴�熰ぞ (辫谤补濒补测补驳丑补苍补驳丑补峁���) K.111; 啶曕�屶ざ啶苦�曕�樴�熰ぞ (办补耻艣颈办补驳丑补峁���) Uttarar腻macarita 2.29;5.6; M腻lat墨m腻dhava (Bombay) 5.19; Bh腻gavata 3.17.6.

3) A troop of elephants assembled for martial purposes; 啶�啶距い啶權�嵿�椸�樴�熰�� (尘腻迟补峁単补驳丑补峁���) 艢i艣up腻lavadha 1.64.

4) An assembly.

5) A plate of iron or mixed metal struck as a clock.

6) 啶侧ぎ啷嵿が啶苦え啷� (濒补尘产颈苍墨), one of the M腻t峁泂 attending on Skanda;' 啶膏�嵿い啷嵿ぐ啶苦く啶距�� 啶む�� 啶樴ぃ啷嵿�熰��- 啶侧ぎ啷嵿が啶苦え啷嵿く啷嬥�� (striy腻峁� tu gha峁囜弓腻- lambinyo岣�) Nm.

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骋丑腻峁璦 (啶樴ぞ啶�) or 骋丑腻峁��� (啶樴ぞ啶熰ぞ).鈥擺驳丑补峁�-补肠] The back of the neck.

-峁璦岣� 1 A pitcher.

2) A landing place.

Derivable forms: 驳丑腻峁璦岣� (啶樴ぞ啶熰��).

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骋丑腻迟补 (啶樴ぞ啶�).鈥擺han-峁噄c 驳丑补帽]

1) A blow, stroke, bruise, hit; 啶溹�嵿く啶距�樴ぞ啶� (jy腻驳丑腻迟补) 艢.3.13; 啶ㄠく啶ㄠざ啶班�樴ぞ啶� (nayana艣ara驳丑腻迟补) G墨tagovinda 1; so 啶�啶距ぐ啷嵿し啷嵿ぃ啶苦�樴ぞ啶む�� 啶多た啶班�嬥�樴ぞ啶� (p腻r峁ａ箛i驳丑腻迟补岣� 艣iro驳丑腻迟补) &c.

2) Killing, hurting, destruction, slaughter, deathsentence; 啶掂た啶�啷嬥�椸�� 啶�啷佮�椸�嵿ぇ啶距�曕�嵿し啷嵿く啶距�� 啶� 啶栢げ啷� 啶班た啶�啷佮�樴ぞ啶むぞ啶掂ぇ啶苦ぐ啶�啷傕い啷� (viyogo mugdh腻k峁�y腻岣� sa khalu ripugh腻t腻vadhirabh奴t) Uttarar腻macarita 3.44; 啶�啶多�佮�樴ぞ啶む�� (pa艣u驳丑腻迟补岣�) G墨tagovinda 1; Y.2.159;3.252. 啶むい啷嵿ぐ 啶班い啷嵿え啷嬥お啶�啷嬥�椸�� 啶樴ぞ啶む�� (tatra ratnopabhoge 驳丑腻迟补岣�) Kau. A.2.8.

3) An arrow.

4) Power.

5) The product of a sum in multiplication.

6) Whipping; 啶曕�嬥ざ啶距ぇ啶�- 啶粪�嵿�犩た啶むじ啷嵿く 啶曕�嬥ざ啶距さ啶氞�嵿�涏�囙う啷� 啶樴ぞ啶む�� (ko艣腻dhi- 峁ａ弓hitasya ko艣腻vacchede 驳丑腻迟补岣�) Kau. A.2.5.

7) (in Astr.) Entrance. (In comp. translated by 'inauspicious'; 掳诲颈惫补蝉补岣�)

Derivable forms: 驳丑腻迟补岣� (啶樴ぞ啶む��).

: Cologne Digital Sanskrit Dictionaries: Edgerton Buddhist Hybrid Sanskrit Dictionary

骋丑补峁��� (啶樴�熰��).鈥�(Sanskrit 驳丑补峁璦, m.; 驳丑补峁���, 驳丑补峁璱k腻; Weller 24 suggests lengthening of stem-final a in the seam of cpds., but a fem. 驳丑补峁��� exists in Sanskrit tho in other mgs.), pot, jar: pa帽c腻psara岣�sahasr腻峁噄 divyagandhodakaparip奴r峁嘺-驳丑补峁���- parig峁沨墨t腻ni Lalitavistara 96.9. Cf. next.

: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English Dictionary

骋丑补峁璦 (啶樴��).鈥攎.

(-峁璦岣�) 1. A large earthen water jar. 2. The sign Aquarius. 3. A measure; see kumbha. 4. An elephant鈥檚 frontal sinus. 5. Suspending the breath as a religious exercise. 6. A man who makes effort or exertion. f.

(-峁���) 1. A troop of elephants assembled for martial purposes. 2. Effort, endeavour. 3. An assembly. 4. A number, a collection, an assemblage. f. (-峁���) 1. The Ghari or Indian clock, a plate of iron or mixed metal on which the hours are struck. 2. A small water jar, a ewer. E. 驳丑补峁� to endeavour, &c. affix ac or 补峁� and fem. affix 峁�腻p or 峁吥玴.

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骋丑腻峁璦 (啶樴ぞ啶�).鈥攎f. (-峁璦岣�-峁���) The nape or back of the neck. E. 驳丑补峁� to unite, affix ac; the radical is of the 10th class of roots, whence the penultimate is long. gr墨vayo岣� pa艣c腻dbh腻ge ava峁璦u (gh腻岣�) .

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骋丑腻迟补 (啶樴ぞ啶�).鈥攏.

(-迟补峁�) 1. Striking, wounding, killing. 2. A bruise, a blow. 3. An arrow. 4. Product (of a sum in multiplication.) E. hana to to kill, 驳丑补帽 affix, and the radical letters changed respectively, to gha and ta.

: Cologne Digital Sanskrit Dictionaries: Benfey Sanskrit-English Dictionary

骋丑补峁璦 (啶樴��).鈥擺驳丑补峁� + a], m. I. adj. Active, [笔补帽肠补迟补苍迟谤补] ii. [distich] 74. Ii. m. 1. A jar, [惭腻苍补惫补诲丑补谤尘补艣腻蝉迟谤补] 11, 183 (184). 2. The Aquarius of the zodiac, M腻rk. P. 12, 22 (change 驳丑补峁��� to 驳丑补峁璦岣�). Iii. f. 峁���, 1. A multitude, [Bh腻gavata-Pur腻峁嘺, (ed. Burnouf.)] 3, 17, 6. 2. A troop of elephants assembled for martial purposes, [R腻jatar补峁単i峁嚹�] 1, 369. Iv. f. 峁���, A jar, [Prabodhacandrodaya, (ed. Brockhaus.)] 22, 18.

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骋丑腻迟补 (啶樴ぞ啶�).鈥擺gh腻t + a], i. e. han, [Causal.], + a, I. Latter part of comp. adj., Killing. Ii. m. 1. A stroke, [搁腻尘腻测补峁嘺] 6, 98, 23. 2. A shot, Chr. 35, 4. 3. Killing, [笔补帽肠补迟补苍迟谤补] i. [distich] 321. 4. Sacking, [惭腻苍补惫补诲丑补谤尘补艣腻蝉迟谤补] 9, 274. 5. Spoiling, [Y腻j帽avalkya, (ed. Stenzler.)] 2, 159.

: Cologne Digital Sanskrit Dictionaries: Cappeller Sanskrit-English Dictionary

骋丑补峁璦 (啶樴��).鈥擺masculine] jar, ewer; [feminine] 腻 multitude, troop, 墨 = [masculine]

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骋丑腻迟补 (啶樴ぞ啶�).鈥擺adjective] slaying, destroying; [masculine] the same as subst.

: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary

1) 骋丑补峁璦 (啶樴��):鈥擺from 驳丑补峁�] mfn. intently occupied or busy with ([locative case]), [P腻峁噄ni 5-2, 35]

2) [v.s. ...] = 驳丑补峁��� yasy腻sti [gana] ar艣a-腻di

3) [v.s. ...] m. a jar, pitcher, jug, large earthen water-jar, watering-pot, [Manu-sm峁泃i viii, xi; Y腻j帽avalkya iii, 144; Am峁泃abindu-upani峁�ad; Mah腻bh腻rata] etc.

4) [v.s. ...] the sign Aquarius, [Var腻ha-mihira鈥檚 B峁沨at-sa峁僪it腻]

5) [v.s. ...] a measure = 1 Dro峁嘺 (or = 20 Dro峁嘺s, [Horace H. Wilson]), [A峁ａ弓腻峁単a-h峁沝aya v, 6, 28; 艢腻r峁単adhara-sa峁僪it腻 i, 28]

6) [v.s. ...] the head, [Mah腻bh腻rata i, 155, 38 [Scholiast or Commentator]]

7) [v.s. ...] a part of a column, [Var腻ha-mihira鈥檚 B峁沨at-sa峁僪it腻 liii, 29]

8) [v.s. ...] a peculiar form of a temple, [lvi, 18 and 26]

9) [v.s. ...] an elephant鈥檚 frontal sinus, [cf. Lexicographers, esp. such as amarasi峁僪a, hal腻yudha, hemacandra, etc.]

10) [v.s. ...] a border, [cf. Lexicographers, esp. such as amarasi峁僪a, hal腻yudha, hemacandra, etc.]

11) [v.s. ...] (= kumbha) suspending the breath as a religious exercise, [cf. Lexicographers, esp. such as amarasi峁僪a, hal腻yudha, hemacandra, etc.]

12) [v.s. ...] (along with karpara cf. -karpara) Name of a thief, [Kath腻sarits腻gara lxiv, 43]

13) 骋丑补峁��� (啶樴�熰��):鈥擺from 驳丑补峁璦 > 驳丑补峁�] f. (驳补峁嘺蝉 ar艣a-腻di, sidhm腻di and picch腻di) effort, endeavour, [cf. Lexicographers, esp. such as amarasi峁僪a, hal腻yudha, hemacandra, etc.]

14) [v.s. ...] an assembly, [cf. Lexicographers, esp. such as amarasi峁僪a, hal腻yudha, hemacandra, etc.]

15) [v.s. ...] a number, collection, assemblage, [Bh腻gavata-pur腻峁嘺 iii, 17, 6; K腻vyaprak腻艣a vii, 11/12]

16) [v.s. ...] a troop (of elephants) assembled for martial purposes, [M腻lat墨m腻dhava v, 19; Var腻ha-mihira鈥檚 B峁沨at-sa峁僪it腻 xliii; 艢i艣up腻la-vadha i, 64; Kath腻sarits腻gara; R腻jatar补峁単i峁嚹玗

17) [v.s. ...] justification (峁�腻m-鈭歛峁�, 鈥榯o have one鈥檚 self justified by another鈥�), [Bhadrab腻hu-caritra iv]

18) [v.s. ...] (perhaps 峁璦, m.) a kind of drum

19) [v.s. ...] a sweet citron, [cf. Lexicographers, esp. such as amarasi峁僪a, hal腻yudha, hemacandra, etc.]

20) 骋丑腻峁璦 (啶樴ぞ啶�):鈥�mfn. (鈭�驳丑补峁�) 鈥榳orking on鈥� See danta-

21) = gh腻峁��� (or 峁璭) yasy腻sti (or sya stas) [gana] ar艣a-腻di (not in [K腻艣ik腻-v峁泃ti])

22) n. management of an elephant, [Demetrius Galanos鈥檚 Lexiko: sanskritikes, anglikes, hellenikes]

23) m. for 驳丑补峁璦 (a pot), [Hariva峁兣沘 16117 (C) ]

24) the nape or back of the neck, cervical ligament, [cf. Lexicographers, esp. such as amarasi峁僪a, hal腻yudha, hemacandra, etc.]

25) 骋丑腻峁��� (啶樴ぞ啶熰ぞ):鈥擺from 驳丑腻峁璦] f. idem, [Caraka i, 17, 17; Su艣ruta vi, 25, 11] (cf. [gana] ar艣a-腻di) (cf. kara-.)

26) [v.s. ...] f. a pot (cf. 驳丑补峁璦), [Caraka]

27) 骋丑腻迟补 (啶樴ぞ啶�):鈥�mfn. (鈭�han, [P腻峁噄ni 7-3, 32 and 54]) ifc. 鈥榢illing鈥� See amitra-, go-

28) m. a blow, bruise, [Mah腻bh腻rata; 搁腻尘腻测补峁嘺] etc.

29) slaying, killing, [Manu-sm峁泃i x, 48; Y腻j帽avalkya; Mah腻bh腻rata] etc.

30) injuring, hurting, devastation, destruction, [Y腻j帽avalkya ii, 159; Mah腻bh腻rata] etc.

31) (See gr腻ma- & karma-)

32) (in [astronomy]) entrance, [S奴ryapraj帽apti; Atharva-veda.Pari艣.]

33) the product (of a sum in multiplication), [Ga峁噄t腻dhy腻ya]

: Cologne Digital Sanskrit Dictionaries: Yates Sanskrit-English Dictionary

1) 骋丑补峁璦 (啶樴��):鈥�(峁璦岣�) 1. m. A large earthen waterjar; Aquarius; elephant鈥檚 frontal sinus; suspending the breath. f. 峁��� A troop of elephants for war; effort; assemblage. 峁��� An Indian clock; an ewer.

2) 骋丑腻峁璦 (啶樴ぞ啶�):鈥擺(峁璦岣�-峁���)] 1. m. f. The nape or back of the neck.

3) 骋丑腻迟补 (啶樴ぞ啶�):鈥�(迟补峁�) 1. n. Killing; a blow; an arrow; product of a sum.

: DDSA: Paia-sadda-mahannavo; a comprehensive Prakrit Hindi dictionary (S)

骋丑补峁璦 (啶樴��) in the Sanskrit language is related to the Prakrit words: 骋丑补岣峚, Gha岣嵞�, Gha岣嵞鍁a, Gh腻岣峚, Gh腻ya, Pariv腻岣峚.

[Sanskrit to German]

context information

Sanskrit, also spelled 啶膏�傕じ啷嵿�曕�冟い啶�啷� (蝉补峁僺办峁泃补尘), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.

Hindi dictionary

: DDSA: A practical Hindi-English dictionary

1) 骋丑补峁璦 (啶樴��) [Also spelled ghat]:鈥�(nm) a pitcher; the physical frame/body; nominal form of the verb [驳丑补峁璦n腻] used as the first member of the compound [驳丑补峁璦ba岣峢a] fluctuation, variation; •[hon腻] to fluctuate; to vary; to be slightly more or less; —[驳丑补峁璦 me峁� sam腻n腻] to permeate each and every body/through all and sundry.

2) 骋丑补峁��� (啶樴�熰��):鈥�(nf) a dark cloud; mass of dark clouds; —[u峁環an腻] emergence of thick dark clouds; —[dhiran腻/ch腻n腻] gathering of thick dark clouds.

3) 骋丑腻峁璦 (啶樴ぞ啶�) [Also spelled ghat]:鈥�(nm) wharf, quay; berth; ferry, bank; ~[产补峁僤墨] embargo; —[艣耻濒办补] ferriage; —[k腻 patthara] a public property; —[驳丑腻峁璦 k腻 p腻n墨 p墨n腻] to wander from pillar to post; to gather varied experience; —[lagan腻] to reach ashore; to find a foothold.

4) 骋丑腻峁��� (啶樴ぞ啶熰ぞ):鈥�(nm) loss; deficit; -[kh腻n腻] to suffer a loss; [gh腻峁璭 k腻 saud腻] a losing proposition; [gh腻峁璭 k腻 baja峁璦] a deficit budget.

5) 骋丑腻迟补 (啶樴ぞ啶�) [Also spelled ghat]:鈥�(nf) ambush, ambuscade; killing; slaughter; stroke; power degree; —[para ca岣峢an腻, —me峁� 腻n腻] to fall into one鈥檚 clutches; —[me峁� phiran腻] to mark time for an ambuscade: —[me峁� bai峁環an腻] to wait for an ambuscade; —[me峁� rahan腻] to be upon the catch, to ambuscade; to look for a tactical opportunity to strike; —[lag腻n腻] to lie in ambush; [gh腻te峁� bat腻n腻] to play tricks; to impart lessons in trickery.

6) Gh腻t腻 (啶樴ぞ啶むぞ):鈥�(nm); ~[te me峁�] over and above what is paid for, free; without effort or spending; by trickery.

context information

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Kannada-English dictionary

: Alar: Kannada-English corpus

骋丑补峁璦 (嗖樴矡):鈥�

1) [noun] a large earthen jar, pitcher or pot.

2) [noun] a specially made earthen pot, used as a percussion instrument in Karn腻峁璦ka music.

3) [noun] the physical body (usu. ref. to that of human).

4) [noun] a number of persons organised to join or come together for a common cause; an organised group.

5) [noun] the act or fact of being organised (said of persons).

6) [noun] the act of heaping, accumulating something; a piling.

7) [noun] a group assembled for drinking liquors for amusement or recreation.

8) [noun] any tangible object, as distinguished from a concept, quality, etc; a thing.

9) [noun] an old measure of quantity (equal to four ko岣穉gas of eight or ten seers).

10) [noun] the border on a garment or piece of cloth; the hem.

11) [noun] the upper part of a column.

12) [noun] (fig.) a socially noted person; a big shot.

13) [noun] (astron.) a large southern constellation, near the celestial equator between Cetus and Capricornus; Water Bearer.

14) [noun] (astrol.) the eleventh sign of the zodiac, entered by the sun about January 21; Aquarius.

15) [noun] 嗖樴矡 嗖掄勃喑嵿勃嗖苦哺喑� [ghata oppisu] 驳丑补峁璦 oppisu (the soul) to leave the body; to die; 嗖樴矡 嗖�喑�嗖赤硜 [ghata bilu] 驳丑补峁璦 b墨岣穟 to die.

--- OR ---

骋丑腻峁璦 (嗖樴簿嗖�):鈥擺noun] the back of the neck; the nape.

--- OR ---

骋丑腻峁璦 (嗖樴簿嗖�):鈥�

1) [noun] the fact of being joined together.

2) [noun] the quality or fact of being characterised by strong movement, intense feeling, fastness, etc.

--- OR ---

骋丑腻迟补 (嗖樴簿嗖�):鈥擺adjective] extending far downward from the top, inward from the surface; extending down, inward, etc.; deep.

--- OR ---

骋丑腻迟补 (嗖樴簿嗖�):鈥�

1) [noun] the quality or fact of being deep (usu. being difficult to measure the depth).

2) [noun] the quality or condition of being difficult to grasp or comprehend.

--- OR ---

骋丑腻迟补 (嗖樴簿嗖�):鈥�

1) [noun] a heavy stroke or blow.

2) [noun] a killing, destroying.

3) [noun] something that may cause harm or injury; peril; danger.

4) [noun] (in archery) a particular manner of shooting an arrow.

5) [noun] (arith.) a small figure or symbol placed above and at the right of another figure or symbol to show how many times the latter is to be multiplied by itself; an exponent.

6) [noun] (mus.) a beat in counting the time, where the accent is heavy.

context information

Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.

Nepali dictionary

: unoes: Nepali-English Dictionary

1) 骋丑补峁璦 (啶樴��):鈥攏. 1. water-jar; pitcher; watering pot; 2. elephant's frontal sinus; 3. heart; 4. Astrol. the sign Aquarius;

2) 骋丑补峁��� (啶樴�熰��):鈥攏. 1. attempt; effort; 2. collection; multitude; troop; assemblage;

3) Ghata (啶樴い):鈥攏. 1. augur; bad or good indication; 2. conjecture; guess; 3. conception; idea; 4. impression; influence;

4) 骋丑腻峁璦 (啶樴ぞ啶�):鈥攏. 1. stepped platform beside a river; a river bank; river pass; pilgrimage; a flight of steps; 2. wharf; dock; quay; landing place; 3. crematorium; 4. the forestry office; forest check post; 5. crowd of customers;

5) 骋丑腻峁��� (啶樴ぞ啶熰ぞ):鈥攏. loss; deficit;

6) 骋丑腻迟补 (啶樴ぞ啶�):鈥攏. 1. killing; murder; slaughter; 2. blow; stroke; buries; hit; 3. ambush; trap; treachery; 4. Math. multiplication and the sum of multiplication; power; 5. much devotion to one;

context information

Nepali is the primary language of the Nepalese people counting almost 20 million native speakers. The country of Nepal is situated in the Himalaya mountain range to the north of India.

See also (Relevant definitions)

Partial matches: Hana, The, The, Ghara, Hi, A, Te, Na, Ghata, Dhavala.

Starts with (+19): Ghata Jataka, Ghata Sutta, Ghata-pushpa, Ghatacakra, Ghataceti, Ghatacetike, Ghatadala, Ghataghatini, Ghatagriha, Ghatajanman, Ghatajanu, Ghatajivi, Ghataka, Ghatakancuki, Ghatakarkari, Ghatamana, Ghatamatanyaya, Ghatamudra, Ghatanibha, Ghatapamana.

Full-text (+723): Ghatin, Samghata, Garuda, Upaghata, Vighata, Ugghatita, Ghatana, Ghataka, Abhighata, Nighata, Ghatika, Praghata, Ahata, Pratighata, Ghatita, Padaghata, Nirghata, Ghatakara, Vighatana, Pakshaghata.

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Search found 183 books and stories containing Ghata, 骋丑腻峁���, 骋丑腻峁璦, 骋丑腻迟补, 骋丑补峁璦, 骋丑补峁���, Gh腻t腻, Ghaataa, Ghara-ta, Ghata-a-hi, 骋丑补峁璦-a-hi, Ghata-a, 骋丑补峁璦-a, Ghata-a-a, 骋丑补峁璦-a-腻, Hana-na, Hana-峁嘺, The ghata; (plurals include: Ghatas, 骋丑腻峁�腻s, 骋丑腻峁璦s, 骋丑腻迟补s, 骋丑补峁璦s, 骋丑补峁�腻s, Gh腻t腻s, Ghaataas, tas, his, as, 腻s, nas, 峁嘺s, The ghatas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:

Yuktimallika by Vadiraja (critical study) (by Gururaj K. Nippani)

11. Satta or reality of Brahman is not Adhisthana-Gata < [Critical exposition (4) Visvasaurabha]

10. Refutation of the concept Jati or Samanya of Tarkikas < [Critical exposition (1) Gunasaurabha]

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Vakyapadiya of Bhartrihari (by K. A. Subramania Iyer)

Verse 3.7.47 < [Book 3 - Pada-k腻峁囜笉a (7): S腻dhana-samudde艣a (On the Means)]

Verse 3.7.66 < [Book 3 - Pada-k腻峁囜笉a (7): S腻dhana-samudde艣a (On the Means)]

Verse 3.7.7 < [Book 3 - Pada-k腻峁囜笉a (7): S腻dhana-samudde艣a (On the Means)]

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Sanskrit sources of Kerala history (by Suma Parappattoli)

The Parthivapuram inscription of Kollam < [Chapter 1 - Historical details from Sanskrit Inscriptions]

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Garga Samhita (English) (by Danavir Goswami)

Verse 5.24.29 < [Chapter 24 - The Killing of the Kola Demon]

Verse 1.19.13 < [Chapter 19 - Breaking of the Two Arjuna Trees]

Verse 6.15.30 < [Chapter 15 - The Glories of N峁沢a-k奴pa and Gop墨-bh奴mi]

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Chaitanya Bhagavata (by Bhumipati D腻sa)

Verse 1.8.50 < [Chapter 8 - The Disappearance of Jagann腻tha Mi艣ra]

Verse 3.4.5 < [Chapter 4 - Descriptions of 艢r墨 Acyut腻nanda鈥檚 Pastimes and the Worship of 艢r墨 M腻dhavendra]

Verse 2.15.76 < [Chapter 15 - Descriptions of M腻dhav腻nanda鈥檚 Realization]

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Brihad Bhagavatamrita (commentary) (by 艢r墨 艢r墨mad Bhaktived腻nta N腻r腻yana Gosv腻m墨 Mah腻r腻ja)

Verse 2.1.173 < [Chapter 1 - Vair腻gya (renunciation)]

Verse 2.1.48-49 < [Chapter 1 - Vair腻gya (renunciation)]

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