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Jain Remains of Ancient Bengal

by Shubha Majumder | 2017 | 147,217 words

This page relates ‘Panca-tirthika type of Rishabhanatha sculptures� of the study on the Jain Remains of Ancient Bengal based on the fields of Geography, Archaeology, Art and Iconography. Jainism represents a way of life incorporating non-violence and approaches religion from humanitarian viewpoint. Ancient Bengal comprises modern West Bengal and the Republic of Bangladesh, Eastern India. Here, Jainism was allowed to flourish from the pre-Christian times up until the 10th century CE, along with Buddhism.

ʲñ-īٳ󾱰첹 type of Ṛṣ󲹲ٳ sculptures

[Full title: Images of īٳṅk Ṛṣ󲹲ٳ (2): ʲñ-īٳ󾱰첹 type of Ṛṣ󲹲ٳ sculptures]

We have documented seventeen Ṛṣ󲹲ٳ sculptures (twelve from Purulia, two from Bankura and three from Burdwan) of this variety from the preset study region.

Among the ʲñ-īٳ󾱰첹 type of Ṛṣ󲹲ٳ images the Kumbhasthal specimen is seated in 貹峾Բ on a full-blown double-petalled lotus-pedestal having several indistinct figures. A clear depiction of a bull is seen at the centre of this lotus-pedestal. The carving of the image has resulted in a svelte figure strengthened by the so-called yogic or spiritual power. He has meditative eyes (Բ-ܻ), elongated ear-lobes and a coiffure of schematic curls with a distinct ṣṇīṣa. The īٳṅk is flanked by two elegantly jewelled male ܰī-bearers. The upper part of the stele shows the usual garland-bearing 󲹰-couples on both sides and its edges have two miniature figures of ī images of īٳṅks on each side of the ū-ⲹ첹. The respective ñ󲹲Բ of the miniature īٳṅks are carved on the small pedestals placed below them, but due to abrasions none of these are recognizable. The back-slab of this 貹ñ-īٳ󾱰첹 image consists of a finely carved miniature temple whose embellishments are unfortunately quite abraded. Made of greyish stone and measuring 63 cm x 40 cm.

The famous Jain site Pakbirra also possesses three 貹ñ-īٳ󾱰첹 classes of īٳṅk Ṛṣ󲹲ٳ image. Among these three images two are earlier reported (Bhattacharyya, Mitra & Bhowmick 1986: 151, Plate 30) by scholars. The bigger one is measure 99 cm x 50 cm x 12 cm and made of quartzite schist. In this image the Jina standing in dzٲ posture on a double-petalled lotus placed on a 貹ñ-ratha pedestal. The bull, ñ󲹲Բ, carved in the central projection of the pedestal, while the inner facets are embellished with tiny figures of devotees in namaskāra-ܻ (folded hands) one on the dexter side and two on the sinister side, respectively. The ū-ⲹ첹 wears a Ჹṭ�-ܰṭa with curls falling down the sides of the head and over the shoulders. An elliptical śś with leafed edge adorns the head of the Saviour. Above the śś is the depiction of a small three-tiered parasol flanked by two 󲹰s holding long garlands, which is surmounted by representation of two disembodied hands playing ٲṭa and Ჹⲹṭa. The Jain is flanked on both sides by male ܰī-bearers with haloes behind their heads. Their left hands are in 첹ṭy屹ٲ posture and the right hands hold a fly-whisk. On the edges of the back slab miniature figures of four īٳṅks arranged in two each on either side of the ū-ⲹ첹 are depicted. Like the principal image, they also stand in dzٲ posture on a double-petalled lotus and their respective ñ󲹲Բ are carved at the centre of their lotus thrones. The back throne of the image consists of posts decorated with mouldings and criss-cross scratched pilasters, supporting a horizontal cross-bar with lightly incised square rhizomes at its ends, above which there are triangular fleurons. The entire image is iconographically very sophisticated.

The next one is smaller than the earlier one and measures 82 cm x 37 cm x 15 cm. The Jina wears an elongated Ჹṭ�-ܰṭa and is provided with an ovoidal śś embellished with rows of beads and leaves at the edges. On his either side are two miniature figures of Jinas in dzٲ posture. The ñ-ٳ pedestal below reveals a bull, the ñ󲹲Բ, flanked by two crouching lions. On the extreme right end of the pedestal is a figure of a kneeling devotee in añjali-ܻ. Fly-whisk bearing attendants, 󲹰s, 󲹳ٰٰī, heavenly hands beating on musical instruments are all present in the parikara.

The last one is very small and recently found from the temple mound at Pakbirra. The image of īٳṅk Ṛṣ󲹲ٳ is made of quartzite schist and measure 36 cm x 25 cm x 5 cm. From the circular ṣiṣc with plain edges adorning the Jina’s head issue two flowering branches with two tiny rosettes above, surmounted by a chatra flanked by two garland-bearing 󲹰s. The usual male ܰī-bearers on individual lotus-pedestals flank the Jina. At the sides of the back-slab are miniature figures of four īٳṅks, two on either side. The bull ñ󲹲Բ is clearly discernible in the 貹ñٳ pedestal.

We have documented two images of Ṛṣ󲹲ٳ from Ani-Jambad. Among them one is a well preserved specimens and measures 69 cm x 32 cm x 11.5 cm and presently housed in a modern Jain temple of the site. The remaining one is presently display in the Haripada Sahitya Mandir at Purulia town. Both of them are made of chlorite stone. The Ṛṣ󲹲ٳ image, which is in the site, is newly discovered and installed in the modern Jain temple along with the earlier Jain images (5 specimens). The lower portion of rectangular back slab of the image was decorated with two stiff and robust looking ܰī-bearers, who are the attended of the ūⲹ첹, profusely bejewelled, with their outer hands in 첹ṭy屹ٲ posture and their inner hands holding , wearing short, almost transparent lower garments and simple ornaments. In the middle portion of the slab four miniature īٳṅks, two on either side of the ū-ⲹ첹, with their respective ñ󲹲Բ carved against the double-petalled lotus pedestals. The central portion of the top of this slab is crowned by a triple parasol, flanked on both sides by disembodied hands playing on drums. Two 󲹰s hover in clouds, holding long garlands. The finely carved Jina bears a svelte figure, a lucid expression. The ū-ⲹ첹 has elongated earlobes, and wears an elegant Ჹṭājuṭa with ś-ī falling down the sides of the head and over the shoulders. An almost circular śś decorated with intricate patterns of beads and flam tongued border devices adorns the head of the saviour. The centre of the tri-ratha pedestal has a bull, the ñ󲹲Բ of the ū-ⲹ첹, placed between two crouching lions with their tails folded and turned upwards.

The museum specimen, which is partially damaged (head of the image is missing and others), measurs 84 x 40 x 20 cm and iconographically is very much similar with the other image from the site. The image has an elongated is embellished with beaded and flame-tongued border devices and has a flowering twing on the either side. Interstingly tiny figures of two devotees is depicted, in namaskāraܻ (folded hands), on the left side of the ܰī-bearer just above the 貹ñ-ratha pedestal.

Ṛṣ󲹲ٳ from Pabrapahari is 貹ñïٳ󾱰첹 type; pedestal: triratha; quartzite schist; 70 x 37 x 15 cm. The depictions of the elongated ear-lobes, Ჹṭājuṭa and the ś-ī are quite prominent of the ū-ⲹ첹. An elliptical śś with leafed edge adorns the head of the Saviour. On either side of the śś on the back-slab are figures of 󲹰s holding long garlands. The representation of the heavenly hands playing a drum is present. The ū-ⲹ첹 is flanked by two male ܰī-bearers standing in ṅg posture on their respective pedestals and their left hands are in 첹ṭy屹ٲ posture and the right hands hold the fly-whisk. At the centre of the pedestal is the minutely carved bull ñ󲹲Բ flanked by two tiny seated Jinas; at either end of the pedestal are two crouching lions turned towards seated devotees with hands in namaskāra ܻ.

An erodad specimen of this type of Ṛṣ󲹲ٳ image (85 x 35 x 13 cm) is presently worshipped in the Deulbhira (Haroptore) located in the Para Police Station. The image made of quartzite schist. The depictions of the elongated ear-lobes, Ჹṭājuṭa and the ś-ī are quite prominent of the ū-ⲹ첹. An elliptical śś with beads edge adorns the head of the Saviour. Two flower motifs (containing two leaves and a flower) are neatly carved as issuing out from the upper part of the śś on its either side. These motifs could be the stylized rendering of the ٲⲹṛk of the īٳṅk. The two 󲹰s holding long garlands are depicted on the extreme top most corners of the rectangular back slab. The depictions of the clouds are noteworthy. The representation of the heavenly hands playing a drum is present. Above the śś a partially damaged tri-linear chatra is depict. The ū-ⲹ첹 is flanked by two male ܰī-bearers standing in ṅg posture and their left hands are in 첹ṭy屹ٲ posture and the right hands hold the flywhisk. Unfortuantely it is not possible to study the details of the pedestal of this image because it is now plastered. The back throne of the image consists of posts decorated with mouldings and criss-cross scratched pilasters, supporting a horizontal cross-bar with lightly incised square rhizomes at its ends, above which there are triangular fleurons. On the projected part of the back-slab there are four miniature Jinas standing in dzٲ posture on double-petalled pedestals, two in either side of the ūⲹ첹. Due to the regular worship the iconographic details of this image is gradually undergone.

The pañcaīٳ󾱰첹 type of Ṛṣ󲹲ٳ image from Baramoshya (Pl.XVII.A) is iconographically very much similar to the earlier images mentioned here, though the upper part of the back slab of the image is badly damaged. The extant image measures 38 cm x 38 cm x 12 cm. In this image the ū-ⲹ첹 stands in dzٲ posture on a double-petalled lotus placed on a tri-ratha pedestal. The surviving portion of the body of ū-ⲹ첹 shows his svelte form with the arms hanging down vertically along the torso while the finger tips touch the thighs on either side. The Jina is flanked on both sides by stout male ܰī-bearers standing on separate double-petalled lotus pedestals. The carving technique renders these ܰī-bearers an almost three-dimensional realistic portrayal. Their left hands are in 첹ṭy屹ٲ posture while the right hands hold a fly-whisk. The remaining portion of the edge of the back–slab is relieved with four figures of miniature Jinas arranged in two each on either side. Like the principle image they also stand in dzٲ posture with their respective ñ󲹲Բ carved below each on a small lotus throne. The miniature īٳṅks on the lower register do not stand on lotus pedestals, however, their ñ󲹲Բ are depicted on a moulding like base. The pedestal of the image is of considerable iconographic interest. A stylized lotus creeper with scroll leaves and buds occupies the centre of the pedestal below which there is the decorated bull, the identifying cinha of the Jina. The bull is flanked by a male and a female devotee kneeling in namaskāra-ܻ and facing the ñ󲹲Բ. Two crouching lions facing opposite directions are depicted on either end of the pedestal.

The Ṛṣ󲹲ٳ image (Pl.XVII.B) of Rajnoagarh is badly eroded and made of quartzite schist; 75 x 35 x 14 cm. Faint outlines of an elongated halo is visible and two flower rosettes are carved on either side of the upper part of the nimbus. Divine hands playing musical instruments are flanking the triple chatra. Of the two crudely modeled ܰī-bearers flanking the Jina, at least the one to the right is standing in cross-legged posture. The slightly curved top of the back-slab seems to be bordered by a row of beaded or floral motifs.

A similar type of Ṛṣ󲹲ٳ image was discovered from Purulia district and presently displayed in the Vangiya Sahitya Parisad Museum, Vishnupur, Bankura. The image is made of quartzite schist and measure 56 cm x 27 cm x 7 cm

Partially damaged image of īٳṅk Ṛṣ󲹲ٳ from Sakra/Sankra is made of schist and measure 46 cm x 28 cm x 5 cm. From the circular śś with leafed edges adorning the Jina’s head issue two flowering branches with two tiny rosettes above, surmounted by a chatra flanked by two garland-bearing 󲹰s. The usual male ܰī-bearers on individual lotus-pedestals flank the Jina. At the sides of the back-slab are miniature figures of four īٳṅks, two on either side. The bull ñ󲹲Բ is clearly discernible in the 貹ñ-ratha pedestal.

The Ṛṣ󲹲ٳ image from Golamara measures 45 cm x 25 cm x 5cm. The ū-ⲹ첹 stands in dzٲ posture on a double-petalled lotus placed on a 貹ñ-ratha pedestal. The bull ñ󲹲Բ is neatly carved on the centre of the pedestal along with two devotees in namaskāra-ܻ (folded hands). At the end of the pedestal, a crouching lion is depicted. The ū-ⲹ첹, obviously devoid of any worldly attire, has elongated ear-lobes and wears an elegant Ჹṭājuṭa with ś-ī falling down the sides of the head and over the shoulders. The Jina stands under a trefoil arch surmounted by a three-tiered chatra. On either side of the śś on the back-slab are figures of 󲹰s holding long garlands. The representation of the heavenly hands playing a drum is present. The back-slab also depicts 4 miniature Jinas standing in dzٲ posture on double-petalled pedestals, 2 on either side of the Jina. The ū-ⲹ첹 is flanked by 2 male ܰī-bearers standing in ṅg posture on their respective pedestals and their left hands are in 첹ṭy屹ٲ posture and the right hands hold the fly-whisk.

A similar type of image of Ṛṣ󲹲ٳ has been reported from Ulda (Pl.XVII.C) The 貹ñٳ pedestal of the image bears the depiction of bull ñ󲹲Բ of the īٳṅk at the central portion. Two crouching lions facing opposite directions are depicted on either end of the pedestal. The facial portion of this image is partially damaged. From the oval śś, of this image, with leafed edges adorning the Jina’s head issue two flowering branches with two tiny rosettes above, surmounted by a chatra flanked by two garland-bearing 󲹰s. Other iconic details of this image are very much similar with the earlier image. This is made of quartzite schist stone and measure 38 x 23 x 10 cm.

A 貹ñ-īٳ󾱰첹 type of Ṛṣ󲹲ٳ image was found from Ayodhya and presently displayed in the VSP Museum, Bishnupur, Bankura (Pl.XVII.D). In this image Jina stands in dzٲ posture, on a double-petalled lotus placed on a 貹ñ-ratha pedestal. At the centre of the pedestal, the bull ñ󲹲Բ is minutely carved along with two crouching lions at both ends of the pedestal. The ū-ⲹ첹 is flanked by two male ܰī-bearers standing in dvi-vanga posture on their respective pedestals and their left hands are in 첹ṭy屹ٲ posture and the right hands hold fly-whisks. They are wearing short almost transparent lower garments and simple ornaments including armlets, wristlets and ekavali. The stele also contains four miniature Jinas standing in dzٲ posture on double-petalled pedestals, two in either side of the ūⲹ첹. The finely carved ū-ⲹ첹 bears a svelte figure, a lucid expression and the yogic or spiritual power is successfully reflected. The arms of the Jina hang down vertically along the stiff torso and the finger tips touch the thigh on either side. He has the usual Ჹṭāܰṭa and ś-ī and an elliptical śś embellished with beads and line border devices. Like the earlier image, the kevala-tree is depicted above and on both sides of the śś. The trilinear chatra is present. The śś is flanked on both sides by disembodied hands playing on drums and a 󲹰 holding long garlands and hovering in the clouds. This drum motif is not frequently found in other Jina images in the study area. The parikara elements are somehow overwhelmed by the sheer three-dimensionality (deep carving) of the ūⲹ첹. This difference in relief depth within the same stele has minimized the elevation of the entire image (as is usually seen in some Orissan and central Indian Jain sculptures of the early medieval period). The organization of space on both sides of the Jina is quite congested.

An image of Ṛṣ󲹲ٳ (100 x 50 x 12 cm) has been documented from Kaitara (Pl.XVII.E). This image is highly abraded due to the regular worship of the local villagers and the pedestal is partilly damaged. The Jina stands in dzٲ posture on a full bloomed lotus-pedestal. The iconographic features can hardly be identified as the image is abraded. The stele is embellished with four figures of īٳṅks besides flying gandharvas. The two male ܰī-bearers are present.

A well executed specimen of Ṛṣ󲹲ٳ (32 cm x 26 cm x 8 cm) image has been documented from the Kudu village (Pl.XVII.F). In this image the Jina stands in dzٲ posture on a full bloomed lotus-pedestal. The pedestal of the image is not completely visible. Inonographically this image is closely similar with the other image of this variety described above; however, the Jina has elegant Ჹṭājuṭa with śī falling down the sides of the head and over the shoulders. The top of the back slab is pointed and the Jina has stylized trilinear chatra. The back slab contains four miniature īٳṅks, two on either side of the ū-ⲹ첹, with their respective ñ󲹲Բ carved against the double-petalled lotus pedestals. The two male ܰībearers are present.

In 2013 an image of this variety of Ṛṣ󲹲ٳ image was unearted from a pond during its renovation works from Baidyapur village of Kalna sub-division. The image is weathered though the iconographic details of this image can easily be studied. Iconographically this is very much similar with the Kaitara image. The image is measures 45 x 32 x 10 cm and made of quartzite schist stone.

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