Beating: 3 definitions
Introduction:
Beating means something in Christianity, the history of ancient India. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
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India history and geography
: Singhi Jain Series: Ratnaprabha-suri鈥檚 Kuvalayamala-katha (history)Beating out (into flat sheets) was a process used by the Goldsmith in ancient India to remove impurities in Gold, according to 鈥�A Cultural note on the Kuvalayamala of Uddyotanasuri鈥� by the late Dr. V. s. Agrawala.鈥擳here is a reference to gold of highest purity. Whatever impurity or dross was contained in the gold brought to the goldsmith was removed by the latter by subjecting it to different processes of testing it on the touch-stone, cutting, heating under regulated fire, beating out into flat sheets (迟腻岣峚苍补), filing the sheets and the same process of beating it into a different shape, giving it a shape of round bar and dividing into several parts for final testing.
The history of India traces the identification of countries, villages, towns and other regions of India, as well as mythology, zoology, royal dynasties, rulers, tribes, local festivities and traditions and regional languages. Ancient India enjoyed religious freedom and encourages the path of Dharma, a concept common to Buddhism, Hinduism, and Jainism.
See also (Relevant definitions)
Full-text (+770): Tadana, Kankamala, Tadula, Kulakka, Jalatadana, Kuttana, Aghatana, Jha, Tadagha, Tada, Prasphotana, Unmanthaka, Jutipaijara, Hanamara, Marakuti, Tambi, Dhavala, Marakhau, Marajhoda, Marahana.
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Search found 249 books and stories containing Beating; (plurals include: Beatings). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Musical Instruments in Sanskrit Literature (by S. Karthick Raj KMoundinya)
Musical Instruments in Kalhana鈥檚 Rajatarangini < [Chapter 3 - Musical Instruments of India (with reference to Sanskrit literary sources)]
Musical Instruments in the Uttararamacarita of Bhavabhuti < [Chapter 3 - Musical Instruments of India (with reference to Sanskrit literary sources)]
The Tala System in South Indian Music < [Chapter 2 - Origin and evolution of Music and Musical instruments]
Padma Purana (by N.A. Deshpande)
Chapter 21 - Suvrata鈥檚 Devotion to Vi峁ａ箛u < [Section 2 - Bh奴mi-kha峁囜笉a (section on the earth)]
Chapter 101 - The Fight Goes On < [Section 6 - Uttara-Kha峁囜笉a (Concluding Section)]
Chapter 88 - Suman膩 on Kinds of Sons < [Section 5 - P膩t膩la-Kha峁囜笉a (Section on the Nether World)]
Trishashti Shalaka Purusha Caritra (by Helen M. Johnson)
Part 19: Future of Go艣膩la < [Chapter VIII - Initiation of 峁涐梗abhadatta and dev膩nand膩]
Part 5: Death of 艢re峁嚹玨a < [Chapter XII - Omniscience and wandering of Mah膩v墨ra]
Part 4: The life of Apar膩jita and Anantav墨rya as kings < [Chapter II - Sixth incarnation as Apar膩jita]
Maha Prajnaparamita Sastra (by Gelongma Karma Migme Ch枚dr枚n)
II.3. Dharma without torment of burning (nirjvara) < [II. Recollection of the Dharma (dharm膩nusm峁泃i)]
VII. Ills of the world (1) Evils and wickedness of beings < [Chapter XXXVII - The Ten Concepts]
IV. Skillful means and wisdom < [IX. Entering into the assurance of Bodhisattva]
The Religion and Philosophy of Tevaram (Thevaram) (by M. A. Dorai Rangaswamy)
Nayanar 20: Chandeshvara (Candesvara) < [Volume 4.1.1 - A comparative study of the Shaivite saints the Thiruthondathogai]
Chapter 4.3 - (d) Technical terms used by Arurar in relation to Dance and Music < [Volume 2 - Nampi Arurar and Mythology]
Chapter 46 - Thiruvalampuram or Tiruvalampuram (Hymn 72) < [Volume 3.4 - Pilgrim鈥檚 progress: with Paravai]
Tirumantiram by Tirumular (English translation)
Verse 867: The Aspirant Hears Nada Sound in the Ninth Center < [Tantra Three (munran tantiram) (verses 549-883)]
Verse 634: Devotees Will Be Elevated < [Tantra Three (munran tantiram) (verses 549-883)]
Verse 136: Jiva Lies Enclosed in Siva < [Tantra One (mutal tantiram) (verses 113-336)]
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Dharampal Collected Writings