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sthaye prayuktastirupastathaiva c膩ndolitastaddvayami艣ra峁噀na |
kramoditoktadvayan膩madheya岣� sthayo bhaved膩dya ih膩vadheya岣� || 3.260 ||
濒墨苍补岣� 辫耻谤辞办迟补岣� khalu kampita艣ca sthayastu yastaddvayami艣ra峁嚹乼 sy膩t |
l墨n膩dima峁� kampitam墨rayanti dvit墨yameta峁� khalu mi艣rabhedam || 3.261 ||
ya峁� kampita艣c膩pi tath膩hata艣ca sthayo'pi yastaddvayamelanena |
tam膩hata峁� kampitap奴rvam膩hu岣� 蝉迟丑补测补峁� t峁泃墨ya峁� khalu mi艣rabhedam || 3.262 ||
purodito yastirupastathaiva ya岣� pratyap膩di 蝉辫丑耻谤颈迟补岣� 辫耻谤补蝉迟腻迟 |
tann膩madheyadvayato yathoktakramodita峁� turyamima峁� vadanti || 3.263 ||
yasmi峁僺tu 濒墨苍补蝉辫丑耻谤颈迟补utath膩 ya岣� 蝉迟丑补测补峁� tu l墨nasphurit膩khyam膩hu岣� |
yasminmilet膩峁� 蝉辫丑耻谤颈迟腻丑补迟补u dvau 峁�a峁ａ弓ha峁� tam膩hu岣� sphurit膩hat膩khyam || 3.264 ||
triyogaj膩t膩n kalaye'tha mi艣r膩n sthay膩n punarg膩yakabodhaheto岣� |
膩dyantayoryatra vibh膩ti l墨no yanmadhyamasti峁ａ弓hati kampita艣ca || 3.265 ||
蝉补苍迟补岣� puna岣� sthayavidastameta峁� l墨n膩dima峁� kampital墨nam膩hu岣� |
yatra tribhinna岣� kurala岣� prokta岣� sy膩d膩hata艣c膩tra vimi艣rametat || 3.266 ||
tribhinnap奴rva峁� kural膩hata峁� tu pracak峁�ate sthayarahasyavij帽膩岣� |
tau pl膩vitoll膩sitakau vali艣cedetattraya峁� yatra bhavedvimi艣ram || 3.267 ||
ta峁� pl膩vitoll膩sitam膩hurvali峁� tu sa峁僩墨takal膩prav墨峁嚹佱弗 |
valistath膩 humpitamudritau cetyebhistribhiryastu bhavettadetat || 3.268 ||
valy膩dima峁� humpitamudrita峁� ta峁� pracak峁�ate g墨takal膩prav墨峁嚹佱弗 |
valistath膩ndolitan膩mitau ca yasminnime tu tritaye milanti || 3.269 |
ta峁� n膩mit膩ndolitap奴rvam膩hurvali峁� tu sa峁僩墨takal膩dhur墨峁嚹佱弗 |
valistath膩 namitakampitau cetyetattraya峁� yatra milettametam || 3.270 ||
膩hurvali峁� n膩mitakampit膩ntam膩ry膩stath膩 dattilakohal膩dy膩岣� |

鈥�(厂补峁単墨迟补蝉耻诲丑腻, p. 271) 

The above extract from the work 厂补峁単墨迟补蝉耻诲丑腻 deals with the subject of 蝉迟丑腻测补. R. K. Shringy explains that the term 蝉迟丑腻测补 is a melodic pattern constituted by the fundamental and few other such notes. He points out Prem Lata Sharma鈥檚 conclusion that 蝉迟丑腻测补 comprises of an analysis of the elements of 谤补帽箩补办补迟腻 (delightfulness) in music and delineation of 谤腻驳补 and that it includes gamakas and all other features of 谤腻驳补 rendition along with a time measure^[1]. 

There are three classes of 蝉迟丑腻测补s viz.

1. prasiddha-蝉迟丑腻测补s,
2. aprasiddha-蝉迟丑腻测补s and
3. mi艣ra-蝉迟丑腻测补s. 

It is in the context of these mi艣ra 蝉迟丑腻测补s that Govinda 顿墨办峁�i迟补 cites the name of Kohala along with Dattila.

惭颈艣谤补-蝉迟丑腻测补s are fundamentally a combination of 蝉迟丑腻测补s (or gamakas). Here, the author lists out the names of the different the mi艣ra蝉迟丑腻测补 created out of the combination of two, three, four etc. 蝉迟丑腻测补s. 

The mi艣ra 蝉迟丑腻测补s formed out of the combination of two 蝉迟丑腻测补s (dvi-yogaja) are鈥�

1. 迟颈谤颈辫腻苍诲辞濒颈迟补, 
2. 濒墨苍补办补尘辫颈迟补, 
3. 办补尘辫颈迟腻丑补迟补, 
4. tiripasphurita, 
5. 濒墨苍补蝉辫丑耻谤颈迟补 and
6. 蝉辫丑耻谤颈迟腻丑补迟补. 

Those formed out of the combination of three 蝉迟丑腻测补s (tri-yogaja) are鈥�

1. 濒墨苍补办补尘辫颈迟补l墨na, 
2. 迟谤颈产丑颈苍苍补办耻谤补濒腻丑补迟补, 
3. 辫濒腻惫颈迟辞濒濒腻蝉颈迟补惫补濒墨, 
4. valihumphitamudrita,
5. 苍腻尘颈迟腻苍诲辞濒颈迟补惫补濒墨, and
6. 惫补濒颈苍腻尘颈迟补办补尘辫颈迟补. 

It is at this point that Govinda 顿墨办峁�i迟补 mentions that Kohala and Dattila have spoken thus. This is followed by caturyogaja and other varieties of mi艣ra-蝉迟丑腻测补s. The concept of 蝉迟丑腻测补 is seen in 濒补办峁�a峁嘺驳谤补苍迟丑补蝉 mainly from the time of 厂补峁単墨迟补谤补迟苍腻办补谤补. Govinda 顿墨办峁�i迟补 appears to have paraphrased most of the concepts mentioned in 厂补峁単墨迟补谤补迟苍腻办补谤补. But strangely, he does not acknowledge 艢腻谤峁単补诲别惫补 in many places in his work. Instead he has cited authors like Kohala, Dattila, 驰腻峁ａ弓颈办补 who were all much earlier to 艢腻谤峁単补诲别惫补 and many times in subjects that are quite unrelated to their times and works. He does this, perhaps to add authority to his work.

Footnotes and references:

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[1]:

厂补峁単墨迟补谤补迟苍腻办补谤补 of 艢腻谤峁単补诲别惫补: 1996: Footnote: p.175