365bet娱乐

Alternative spellings of this word include Rupak.

Images (photo gallery)

In Hinduism

Purana and Itihasa (epic history)

: archive.org: Puranic Encyclopedia

搁奴辫补办补 (啶班�傕お啶�).鈥擲ee under Pattu (Ten)

: Cologne Digital Sanskrit Dictionaries: The Purana Index

搁奴辫补办补 (啶班�傕お啶�).鈥擜 western country.^*

• * Brahm腻峁囜笉a-pur腻峁嘺 II. 16. 60.

context information

The Purana (啶�啷佮ぐ啶距��, pur腻峁嘺s) refers to Sanskrit literature preserving ancient India鈥檚 vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.

Natyashastra (theatrics and dramaturgy)

Source: Wisdom Library: N腻峁瓂a-艣腻stra

1) 搁奴辫补办补 (啶班�傕お啶�, 鈥渕etaphor鈥�) refers to one of the four 鈥渇igures of speech鈥� (补濒补峁僰腻谤补), used when composing dramatic compositions (办腻惫测补), according to N腻峁瓂a艣腻stra chapter 17. (Description): 鈥淎n image of slight likeness which is conceived due to indecision from objects characterised by similar limbs, is called Metaphor (谤奴辫补办补)鈥�.

2) 搁奴辫补办补 (啶班�傕お啶�, 鈥渞epresentation鈥�).鈥擳he terms like 谤奴辫补办补 or 谤奴辫补 (representation) and 辫谤别办峁Ｄ� (spectacle), all denoting dramatic works, also characterise the Hindu dramas and show their difference from the drama of the Greeks who laid emphasis on action and not on the spectacle.

: Google Books: Sa峁単墨ta艣iroma峁噄: A Medieval Handbook of Indian Music

搁奴辫补办补 (啶班�傕お啶�, 鈥渇orm鈥�).鈥擶hen there is scope for developing the melodic form (谤腻驳补) and other elements (谤腻驳腻诲丑测腻谤辞辫补), the composed music is called a 谤奴辫补办补 (lit. 鈥渇orm鈥�).. One should known that prabandha, vastu and 谤奴辫补办补 are the three names of composed music (nibaddha) based on regular words (pada) and the other phrasal elements (补峁単补). (cf. Sa峁単墨ta艣iroma峁噄 13.6)

: Shodhganga: Mankhaka a sanskrit literary genius (natya)

搁奴辫补办补 (啶班�傕お啶�, 鈥渕etaphor鈥�) refers to a type of Ala峁僰腻ra (figure of speech).鈥敻榕�辫补办�� or metaphor consists in the representation of the subject of description, which (subject) is not concealed, as identified with another (a well-known standard). Thus, herein this figure, there is no difference between the upameya i.e. the object of comparison and the 耻辫补尘腻苍补, the standard of comparison, on account of the superimposition of the later on the former. Ma峁卥haka applies 搁奴辫补办补, abundantly in his poem (艢r墨ka峁囜弓hacarita).

: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (natya)

搁奴辫补办补 (啶班�傕お啶�) refers to one of the two types of the D峁浥泍a办腻惫测补s division of K腻vya (鈥減oetry鈥�), according to the 痴颈峁ａ箛耻诲丑补谤尘辞迟迟补谤补辫耻谤腻峁嘺, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.鈥擳here are two broad divisions of 办腻惫测补 (poetry) viz., d峁浥泍a办腻惫测补 and 艣ravya办腻惫测补. Drama belongs to d峁浥泍a办腻惫测补 variety, which is mainly divided into two groups, viz., 谤奴辫补办补 and upa谤奴辫补办补.

The 痴颈峁ａ箛耻诲丑补谤尘辞迟迟补谤补辫耻谤腻峁嘺 accepts twelve types of 谤奴辫补办补 viz.,

1. 苍腻峁璦办补,
2. 苍腻峁璱办腻,
3. 辫谤补办补谤补峁嘺,
4. 辫谤补办补谤补峁嚹�,
5. 耻迟蝉峁涐梗峁璦办腻峁卥补,
6. 产丑腻峁嘺,
7. 蝉补尘补惫补办腻谤补,
8. 颈丑腻尘峁沢补,
9. 惫测腻测辞驳补,
10. 惫墨迟丑墨,
11. 岣峣尘补 and
12. prahasana.

context information

Natyashastra (啶ㄠぞ啶熰�嵿く啶多ぞ啶膏�嵿い啷嵿ぐ, 苍腻峁瓂补艣腻蝉迟谤补) refers to both the ancient Indian tradition (shastra) of performing arts, (natya鈥攖heatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).

Kavyashastra (science of poetry)

: Shodhganga: The Kavyavilasa of Ciranjiva Bhattacarya (kavyashastra)

搁奴辫补办补 (啶班�傕お啶�, 鈥渕etaphor鈥�) refers to one of the 93 补濒补峁僰腻谤补s (鈥渇igures of speech鈥�) mentioned by Cira帽j墨va Bha峁�峁�腻c腻rya (fl. 17th century) in his K腻vyavil腻sa and is listed as one of the 89 补谤迟丑腻濒补峁僰腻谤补蝉 (figure of speech determined by the sense, as opposed to sound). 搁奴辫补办补 or metaphor has been admitted as an 补濒补峁僰腻谤补 from the very ancient times. Bharata in his N腻峁瓂a艣腻stra has mentioned the four basic 补濒补峁僰腻谤补s. One of them is 谤奴辫补办补. Most of the 膧la峁僰腻rikas are of opinion that when there is an super imposition of the 耻辫补尘腻苍补 (the object compared to) over the upameya (the object compared) we get the figure 谤奴辫补办补. 膧la峁僰腻rikaslike Da峁囜笉in etc. have admitted 谤奴辫补办补 in the case of identity (abheda) between the upameya and 耻辫补尘腻苍补.

Cira帽j墨va has defined 谤奴辫补办补 in the line of Da峁囜笉in and Mamma峁璦. He says鈥斺�湴�奴辫补办补峁� sy腻daikyabodhe 耻辫补尘腻nopameyayo岣モ��.鈥斺�淲hen the identity of 耻辫补尘腻苍补 and upameya is cognized, it is the figure 谤奴辫补办补鈥�. So the condition of identity of upameya and 耻辫补尘腻苍补 prevails in 谤奴辫补办补.

Example of the 谤奴辫补办补-补濒补峁僰腻谤补:鈥�

辫谤补迟腻辫辞诲测补诲诲腻惫腻苍补濒补bahaladagdh腻ri迟峁涐箛补ta岣� samudgacchaddh奴m腻帽janita驳补驳补苍补辫谤腻峁単补峁嘺产丑耻惫颈 |
sphuli峁単腻bh腻st腻r腻岣� parita iti sambh腻峁�a峁嘺par腻stav腻鈥檙墨峁嚹遽箖 d腻r腻 丑峁沝补测补苍峁沺补办腻谤腻驳峁沨补gat腻岣� ||

鈥淭he wives of your enemies who are in conversation and shining as star-like sparks in the base of the field in the form of the sky, which is stained by smoke rising out of the grass in the form of enemies burnt by enkindled huge forest fire in the form of prowess have gone to the royal prison in the form of heart鈥�.

Notes: In this verse the word 辫谤补迟腻辫辞诲测补诲诲腻惫腻苍补濒补 has been explained as pr腻t腻pa eva 耻诲测补诲诲腻惫腻苍补濒补. Here the compound is 谤奴辫补办补 karmadh腻raya. By the rule 谤奴辫补办补mabhede here 辫谤补迟腻辫补 prowess is upameya and 耻诲测补诲诲腻惫腻苍补濒补 (enkindled forest fire) is 耻辫补尘腻苍补. Their identity (abheda) has been expressed. So it is an example of 谤奴辫补办补. Similarly the word 补谤颈迟峁涐箛补 may be explained as araya岣� eva t峁涐箛腻ni. Here also the compound is 谤奴辫补办补 karmadh腻raya. The word ari is upameya and the word 迟峁涐箛补 is 耻辫补尘腻苍补. There identity (abheda) has been established. So it is a case of the figure 谤奴辫补办补. Similar 谤奴辫补办补s are there in 驳补驳补苍补辫谤腻峁単补峁嘺产丑耻惫颈 and 丑峁沝补测补苍峁沺补办腻谤腻驳峁沨补.

: Shodhganga: Bhismacaritam a critical study

搁奴辫补办补 (啶班�傕お啶�, 鈥渕etaphor鈥�) refers to one of the various Ala峁卥腻ras (鈥榝igures of speech鈥�) classified as Artha (鈥榮ense鈥�), as employed in the 叠丑墨峁�m补肠补谤颈迟补 (Bhishma Charitra) which is a mah腻办腻惫测补 (鈥榚pic poem鈥�) written by Hari Narayan Dikshit.鈥擫ike 鈥�耻辫补尘腻鈥� our poet has also used 鈥�谤奴辫补办补鈥�, frequently in 叠丑墨峁�m补肠补谤颈迟补. For illustration we may refer to II.49. Here our poet metaphorically represents Devavrata as the rising Sun in the hearts of people as well as like the Moon of the night removing the worries of people. For another example of 鈥�谤奴辫补办补鈥�, V.52 of the 叠丑墨峁�m补肠补谤颈迟补 is cited. Here in this verse very intelligently our poet has used the phrase 鈥�苍颈箩补-箩补苍补办补-诲颈诲诲补办峁Ｄ�-艣峁涐箙办丑补濒腻-产补诲诲丑补肠别迟腻岣�鈥�. Another apt use of 鈥�搁奴辫补办补鈥� is found in XVII.44 in which the society is represented as the chariot in which men and women are the two wheels of the chariot without which a chariot cannot run. The other examples of 鈥�搁奴辫补办补鈥� are II.17, II.28, II.29, V.35, VI.2, VI.4, VI.27, VII.18, XII.3, XII.57, XIII.8, XV.26, XV.49, XVII.2, XVII.6, XVIII.20, XVIII.31, XIX.20, XIX.36, etc.

context information

Kavyashastra (啶曕ぞ啶掂�嵿く啶多ぞ啶膏�嵿い啷嵿ぐ, 办腻惫测补艣腻stra) refers to the ancient Indian tradition of poetry (kavya). Canonical literature (shastra) of the includes encyclopedic manuals dealing with prosody, rhetoric and various other guidelines serving to teach the poet how to compose literature.

Kavya (poetry)

: archive.org: Naisadhacarita of Sriharsa

搁奴辫补办补 (啶班�傕お啶�) refers to a 鈥渟tatue鈥� (from 谤奴辫补), and is mentioned in the Nai峁�adha-carita 18.12.鈥擳he meaning of the word [谤奴辫补办补] has been discussed in I.A (1913, p. 27). There is, however, no doubt that 谤奴辫补 very often means a 鈥渟tatue鈥�. Kath腻sarits腻gara distinguishes between 谤奴辫补k峁泃 and 肠颈迟谤补办峁泃. Cf. Upamitibhavaprapa帽c腻-kath腻, p. 55; p. 123.

The word [谤奴辫补办补] occurs also in Nai峁�adhacarita 2.83 where it may have the same meaning, though differently explained by the commentators. The form 谤奴辫补办补 in the sense of 鈥渁n image鈥� is found in Tilakama帽jar墨. The word is used thrice in Udayasundar墨kath腻.

context information

Kavya (啶曕ぞ啶掂�嵿��, kavya) refers to Sanskrit poetry, a popular ancient Indian tradition of literature. There have been many Sanskrit poets over the ages, hailing from ancient India and beyond. This topic includes mahakavya, or 鈥榚pic poetry鈥� and natya, or 鈥榙ramatic poetry鈥�.

Vedanta (school of philosophy)

: ORA: Amanaska (king of all yogas): (Advaita Vedanta)

搁奴辫补办补 (啶班�傕お啶�) refers to 鈥�(that which has) form鈥� (as opposed to A谤奴辫补办补鈥斺�渇ormless鈥�) and is used to describe Brahma, according to the M腻峁囜笉奴kyopani峁�atk腻rik腻 3.35cd-36.鈥擜ccordingly, while discussing Brahma (without attributes): 鈥淭hat very [mind, free of thought and restrained,] is fearless Brahma, [which is] the light of gnosis [pervading] everywhere. [It is] unborn, devoid of sleep and dreaming, unnamed, formless (a谤奴辫补办补), manifested [all] at once and omniscient [This statement] is not figurative in any way鈥�.

context information

Vedanta (啶掂�囙う啶距え啷嵿��, ved腻nta) refers to a school of orthodox Hindu philosophy (astika), drawing its subject-matter from the Upanishads. There are a number of sub-schools of Vedanta, however all of them expound on the basic teaching of the ultimate reality (brahman) and liberation (moksha) of the individual soul (atman).

In Buddhism

Mahayana (major branch of Buddhism)

: De Gruyter: A Buddhist Ritual Manual on Agriculture

搁奴辫补办补 (啶班�傕お啶�) refers to 鈥渇igures鈥� (suitable for an offering ritual), according to the 痴补箩谤补迟耻峁囜笉补蝉补尘补测补办补濒辫补谤腻箩补, an ancient Buddhist ritual manual on agriculture from the 5th-century (or earlier), containing various instructions for the Sangha to provide agriculture-related services to laypeople including rain-making, weather control and crop protection.鈥擜ccordingly, [As the Bhagav腻n said]: 鈥淣ow I shall teach the offering manual which is auspicious and can bring about any effect. [...] Seven coiling figures (谤奴辫补办补-valaya) should be made and rice spirals. Twenty-one figures should be prepared one after the other. Boiled rice, milk rice, a dish of rice and peas, yoghurt and thickened milk should be placed. Fruits and flowers should be placed. Four jars should be placed. Preceded by a great offering barley-meal should be placed as foremost. [...]鈥�.

context information

Mahayana (啶�啶灌ぞ啶�啶距え, mah腻y腻na) is a major branch of Buddhism focusing on the path of a Bodhisattva (spiritual aspirants/ enlightened beings). Extant literature is vast and primarely composed in the Sanskrit language. There are many 蝉奴迟谤补蝉 of which some of the earliest are the various Praj帽腻p腻ramit腻 蝉奴迟谤补蝉.

India history and geography

: Cologne Digital Sanskrit Dictionaries: Indian Epigraphical Glossary

搁奴辫补办补.鈥�(IE 8-8; EI 30; CII 4), name of a coin of silver; cf. k峁涐梗峁嘺r腻ja-谤奴辫补办补 (EI 25; CII 4), a silver coin issued by the Kalacuri king K峁涐梗峁嘺r腻ja; silver coin (1/16) of the value of a gold d墨n腻ra in the Gupta age (JNSI, Vol. II, p. 5); same as dramma. Note: 谤奴辫补办补 is defined in the 鈥淚ndian epigraphical glossary鈥� as it can be found on ancient inscriptions commonly written in Sanskrit, Prakrit or Dravidian languages.

--- OR ---

搁奴辫补办补.鈥攕ilver coin; silver coin (1/16) (about 20 ratis) of a gold d墨n腻ra, etc.; also called dramma, pur腻峁嘺, k腻r峁Ｄ錺a峁嘺, etc.; same as modern rupee; cf. k峁涐梗峁嘺r腻ja-谤奴辫补办补. Note: 谤奴辫补办补 is defined in the 鈥淚ndian epigraphical glossary鈥� as it can be found on ancient inscriptions commonly written in Sanskrit, Prakrit or Dravidian languages.

context information

The history of India traces the identification of countries, villages, towns and other regions of India, as well as mythology, zoology, royal dynasties, rulers, tribes, local festivities and traditions and regional languages. Ancient India enjoyed religious freedom and encourages the path of Dharma, a concept common to Buddhism, Hinduism, and Jainism.

Languages of India and abroad

Pali-English dictionary

: BuddhaSasana: Concise Pali-English Dictionary

谤奴辫补办补 : (nt.) a small figure; a simile.

: Sutta: The Pali Text Society's Pali-English Dictionary

搁奴辫补办补, (nt.) (fr. rupa) form, figure; likeness of, image (-掳); representation Vin. II, 113 (谤奴辫补k鈥檕ki峁囜箛腻ni patt腻ni, of painted bowls); Th. 2, 394 (see ruppa掳); DhA. I, 370 (ma峁噄掳 jewelled image); II, 69 (assa掳 toy horse); Mhvs 25, 26 (r腻ja掳); 27, 30 (devat腻掳 shape of devas); VvA. 213. 鈥攄奴谤奴辫补办补 of squalid appearance J. II, 167; cp. du谤奴辫补. (Page 575)

: Sutta: Pali Word Grammar from Pali Myanmar Dictionary

谤奴辫补办补 (醼涐�搬�曖��) [(na) (醼�)]鈥�
[谤奴辫补+aka,谤奴辫补+ka锛幇�奴辫补yat墨ti 谤奴辫补办补峁冿紟kappadduma锛幇�奴辫补yati atr腻ti 谤奴辫补办补峁�,谤奴辫补me v腻 谤奴辫补办补峁�,谤奴辫补峁� assa atth墨ti v腻 谤奴辫补办补峁冿紟thoma锛幇�奴辫补办��-sa峁冿紟谤奴辫补ga锛巖奴yaga-pr腻,addham腻gadh墨锛嶿
[醼涐�搬��+醼♂��醽� 醼涐�搬��+醼�醽� 醼涐�搬�曖�氠�愥��醼愥�� 醼涐�搬�曖��醼夺亱 醼�醼曖�贯�曖�掅�贯�掅��醼欋亱 醼涐�搬�曖�氠�愥�� 醼♂�愥�坚��醼愥�� 醼涐�搬�曖��醼夺亰 醼涐�搬�曖�欋�� 醼濁�� 醼涐�搬�曖��醼夺亰 醼涐�搬�曖�� 醼♂�� 醼♂�愥�贯�戓��醼愥�� 醼濁�� 醼涐�搬�曖��醼夺亱 醼戓�贬��醼欋亱 醼涐�搬�曖��-醼炨�夺亱 醼涐�搬�曖�傖亱 醼涐�搬�氠��-醼曖�坚��醽� 醼♂�掅�贯�撫�欋��醼傖�撫��醽媇

[Pali to Burmese]

: Sutta: Tipi峁璦ka P腻岣穒-Myanmar Dictionary (醼愥��醼曖��醼嬦��-醼曖��醼犪��醼欋�坚�斸�横�欋�� 醼♂�樶��醼撫��醼斸��)

谤奴辫补办补鈥�

(Burmese text): (醽�) 醼♂�涐��醼曖�横亱 (醽�) 醼涐��醼曖�横�愥�搬亰 醼涐��醼曖�横�愥��醽� (醽�) 醼愥�搬�炨�贬��醽� (醽�) (醼♂�涐��醼濁�愥�贯�戓��醼斸�踞�呩�横�佱��醼�醼�醼� 醼♂�愥�搬��醼册�丰�炨��醼�醼� 醼愥�勧�横�呩��醼羔亶 醼曖�坚�贬��醼嗎��醼�醼♂�曖�横�炨�贬��) 醼涐�搬�曖��醼♂�溼�勧�横�贯��醼�醽嬦�欋�搬�涐�勧�横�羔��醼坚�娽�丰�横�曖��醽�

(Auto-Translation): (1) Statue. (2) Likeness, effigy. (3) Similar. (4) (A figurative metaphor used to compare two things) Figurative metaphor. Refer to the original.

context information

Pali is the language of the Tipi峁璦ka, which is the sacred canon of Therav腻da Buddhism and contains much of the Buddha鈥檚 speech. Closeley related to Sanskrit, both languages are used interchangeably between religions.

Marathi-English dictionary

: DDSA: The Molesworth Marathi and English Dictionary

谤奴辫补办补 (啶班�傕お啶�).鈥攏 S A class of rhetorical or poetical figures. 2 m A measure of music.

: DDSA: The Aryabhusan school dictionary, Marathi-English

谤奴辫补办补 (啶班�傕お啶�).鈥�n A class of rhetorical figures. A measure of music.

context information

Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.

Sanskrit dictionary

: DDSA: The practical Sanskrit-English dictionary

搁奴辫补办补 (啶班�傕お啶�).鈥�a. [谤奴辫-峁噕耻濒] Bodily, corporeal.

2) Figurative (as words &c.).

-办补岣� A particular coin, a rupee.

-kam 1 Form, figure, shape (at the end of comp.).

2) Any manifestation or representation.

3) A sign, feature.

4) A kind, species.

5) A statue; 啶氞た啶む�嵿ぐ啶むい啷嵿い啶︵え啷佮�曕ぞ啶班�嵿く啶掂た啶�啷嵿ぐ啶�啶距ぇ啶距く啷嵿��- 啶ㄠ�囙�曕さ啶苦ぇ啶苦ぐ啷傕お啶班�傕お啶曕ぎ啷� (citratattadanuk腻ryavibhram腻dh腻yya- nekavidhi谤奴辫补谤奴辫补办补m) N.18.12; 啶︵�嵿さ啶距ぐ啶多ぞ啶栢�嬥お啶多�嬥き啶距ぐ啷傕お啶曕ぎ啶距い啷嵿ぐ啶�啷� (dv腻ra艣腻khopa艣obh腻谤奴辫补办补m腻tram) Ks.

6) A drama, play, a dramatic composition; (one of the two main subdivisions of dramatic compositions; it is divided into ten classes; there are eighteen minor divisions of it called upa谤奴辫补办补); 啶︵�冟ざ啷嵿く啶� 啶むい啷嵿ぐ啶距き啶苦え啷囙く啶� 啶むう啷嵿ぐ啷傕お啶距ぐ啷嬥お啶距い啷嵿い啷� 啶班�傕お啶曕ぎ啷� (d峁浥泍a峁� tatr腻bhineya峁� tad谤奴辫腻rop腻ttu 谤奴辫补办补m) S. D.272-3; also 啶ㄠぞ啶熰�曕ぎ啶� 啶�啷嵿ぐ啶曕ぐ啶｀�� 啶�啶距ぃ啶掂�嵿く啶距く啷嬥�椸じ啶�啶�- 啶曕ぞ啶班ぁ啶苦ぎ啶距�� 啷� 啶堗す啶距ぎ啷冟�椸ぞ啶權�嵿�曕さ啷�啶ム�嵿く啶� 啶�啷嵿ぐ啶灌じ啶ㄠぎ啶苦い啶� 啶班�傕お啶曕ぞ啶｀�� 啶︵ざ (n腻峁璦kamatha prakara峁嘺峁� bh腻峁嘺vy腻yogasamava- k腻ra岣峣m腻岣� | 墨h腻m峁沢腻峁卥av墨thya岣� prahasanamiti 谤奴辫补k腻峁噄 da艣a) S. D.; 啶夃�氞�嵿�氞�堗ぐ啷佮�氞�嵿��- 啶班た啶むお啶︵ぞ啶� 啶�啶�啶距�� 啶ㄠぞ啶ㄠ�嵿う啷�啶� 啶�啷嵿ぐ啶距ぐ啶�啷嵿き啷� 啶︵�嵿ぐ啷佮い啶�啶�啶�啶距え啶班�傕お啶曕じ啷嵿�� (uccairucca- ritapad腻峁� pap腻峁環a n腻nd墨峁� pr腻rambhe drutamayay腻na谤奴辫补办补sya) 艢iva B.24.68.

7) (In Rhet.) A figure of speech corresponding to the English metaphor, in which the upameya is represented as being identical with the 耻辫补尘腻苍补; 啶むう啷嵿ぐ啷傕お啶曕ぎ啶�啷囙う啷� 啶� 啶夃お啶�啶距え啷嬥お啶�啷囙く啶�啷嬥�� (tad谤奴辫补办补mabhedo ya 耻辫补尘腻nopameyayo岣�) K. P.1 (see ad loc. for details).

8) A kind of weight (= the gunjas).

: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English Dictionary

搁奴辫补办补 (啶班�傕お啶�).鈥攏.

(-办补峁�) 1. A drama, a dramatic poem. 2. Shape, form, figure. 3. A figure of rhetoric in general. 4. A particular class of rhetorical or poetical figures, including various modes of poetical description, or the illustration and exhibition of visible things and persons. 5. Identification of the objects of a comparison; their being not only like, but the very same. 6. Symptom of disease. m.

(-办补岣�) A coin. f.

(-辫颈办腻) Swallow wort. E. 谤奴辫补 form, figure, aff. kan .

: Cologne Digital Sanskrit Dictionaries: Benfey Sanskrit-English Dictionary

搁奴辫补办补 (啶班�傕お啶�).鈥擺谤奴辫补 + ka], n. 1. Shape. 2. A drama. 3. A kind of coin (cf. 谤奴辫测补), [笔补帽肠补迟补苍迟谤补] 127, 8; 252, 13.

: Cologne Digital Sanskrit Dictionaries: Cappeller Sanskrit-English Dictionary

搁奴辫补办补 (啶班�傕お啶�).鈥擺adjective] figurative; [masculine] a cert. coin; [feminine] 谤奴辫补k腻 bitch-fox or female jackal, 谤奴辫颈办腻 [Name] of a plant; [neuter] form, appearance, shape, image, kind, species; a cert. figure of speech ([rhetorie]), a drama.

: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary

1) 搁奴辫补办补 (啶班�傕お啶�):鈥擺from 谤奴辫] mfn. having form, figurative, metaphorical, illustrating by figurative language, [S腻hitya-darpa峁嘺]

2) [v.s. ...] m. a [particular] coin ([probably] a rupee), [Var腻ha-mihira; 笔补帽肠补迟补苍迟谤补] etc.

3) [v.s. ...] (in music) a kind of measure, [Sa峁僩墨ta-s腻rasa峁僩raha] (cf. -迟腻濒补)

4) 搁奴辫补办腻 (啶班�傕お啶曕��):鈥擺from 谤奴辫补办补 > 谤奴辫] f. a female fox or jackal, [Atharva-veda xi, 9, 15]

5) 搁奴辫补办补 (啶班�傕お啶�):鈥擺from 谤奴辫] cf. [Zend] urupi

6) [from 谤奴辫] n. form, figure, shape, appearance (mostly ifc., with f(腻). , = having the form of, composed or consisting of, similar to), [Mah腻bh腻rata; K腻vya literature] etc.

7) [v.s. ...] image, likeness, [Aitareya-br腻hma峁嘺; Kath腻sarits腻gara]

8) [v.s. ...] feature, sign, symptom, [Horace H. Wilson]

9) [v.s. ...] kind, species, [Maitr墨-upani峁�ad]

10) [v.s. ...] (in [rhetoric]) a figure of speech, metaphor, comparison, simile ([especially] one in which iva, vat etc. are omitted e.g. b腻hu-lat腻, 鈥榓 creeper-like arm鈥�, 辫补峁噄-辫补诲尘补, 鈥榓 lotus-like hand鈥� ; there are 3 or 4 varieties of 搁奴辫补办补 e.g. the ardha-r, 鈥榩artial metaphor鈥�, 办丑补峁囜笉补-谤, 鈥榠mperfect m掳鈥�, and lal腻ma-r, 鈥榝lowery m掳鈥�), [K腻vy腻dar艣a; S腻hitya-darpa峁嘺] etc. (cf. [Indian Wisdom, by Sir M. Monier-Williams 458])

11) [v.s. ...] a drama, play, theatrical performance ([especially] of the principal class, as opp. to the upa-谤奴辫补办补s or inferior dramas; of the former there are 10 species including the N腻峁璦ka or higher order of play and the Prahasana or farce), [Da艣a谤奴辫补; S腻hitya-darpa峁嘺] etc. ([Indian Wisdom, by Sir M. Monier-Williams 471])

12) [v.s. ...] a [particular] weight (= 3 Gu帽j腻s), [cf. Lexicographers, esp. such as amarasi峁僪a, hal腻yudha, hemacandra, etc.]

13) [v.s. ...] = 尘奴谤迟补 or 诲丑奴谤迟补, [cf. Lexicographers, esp. such as amarasi峁僪a, hal腻yudha, hemacandra, etc.]

: Cologne Digital Sanskrit Dictionaries: Yates Sanskrit-English Dictionary

搁奴辫补办补 (啶班�傕お啶�):鈥�(办补峁�) 1. n. Drama; form; figure of speech. f. Swallow wort.

[Sanskrit to German]

context information

Sanskrit, also spelled 啶膏�傕じ啷嵿�曕�冟い啶�啷� (蝉补峁僺办峁泃补尘), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.

Hindi dictionary

: DDSA: A practical Hindi-English dictionary

搁奴辫补办补 (啶班�傕お啶�) [Also spelled rupak]:鈥�(nm) a metaphor; an allegory; a play, feature; —[补濒补峁僰腻谤补] a metaphor; —[惫颈峁�a测补办补/蝉补峁僢补峁僤丑墨] metaphorical; allegorical; —, [s腻峁僩a] sustained metaphor; [谤奴辫补k腻tmaka] allegorical; metaphorical; hence [谤奴辫补k腻tmakat腻] (nf).

context information

...

Kannada-English dictionary

: Alar: Kannada-English corpus

搁奴辫补办补 (嗖班硞嗖�嗖�):鈥�

1) [noun] the shape, outline or configuration of anything; structure as apart from colour, material, etc.; form.

2) [noun] that quality or combination of qualities which delights the senses or mental faculties; beauty; loveliness.

3) [noun] the state, fact or quality of resembling; similarity; resemblance.

4) [noun] a kind; a type.

5) [noun] a rupee coin.

6) [noun] a play or drama (that is enacted, presented to the audience).

7) [noun] (rhet.) a figure of speech containing an implied comparison; a metaphor.

8) [noun] a story in which people, things, and happenings have a hidden or symbolic meaning, used for teaching or explaining ideas, moral principles, etc.

9) [noun] (mus.) a time-cycle having two groups rhythmic beats the second having two sub-groups of of equal rhythmic length each of which is equal to first in respect of time.

context information

Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.

Nepali dictionary

: unoes: Nepali-English Dictionary

搁奴辫补办补 (啶班�傕お啶�):鈥攏. 1. allegory; 2. mimic;

context information

Nepali is the primary language of the Nepalese people counting almost 20 million native speakers. The country of Nepal is situated in the Himalaya mountain range to the north of India.

See also (Relevant definitions)

Partial matches: Rupa, Naga.

Starts with (+8): Rupa Kalapa, Rupaka-karyakrama, Rupaka-katha, Rupakagramavijnana, Rupakakhyashadanga, Rupakakinna, Rupakala, Rupakalamkara, Rupakalankaar, Rupakalapajati, Rupakanaya, Rupakanritya, Rupakanta, Rupakaparibhasha, Rupakarshini, Rupakartar, Rupakartri, Rupakarupaka, Rupakasamanna, Rupakashabda.

Full-text (+225): Dasharupaka, Uparupaka, Virupaka, Nirupaka, Pratirupaka, Maharupaka, Arupaka, Shlishtarupaka, Rupakatala, Rupakarupaka, Praiyarupaka, Abhirupaka, Aksheparupaka, Taptarupaka, Yuktarupaka, Upamarupaka, Heturupaka, Bahurupaka, Purusharupaka, Rupakanritya.

Relevant text

Search found 93 books and stories containing Rupaka, 搁奴辫补办补, 搁奴辫补办腻, Rupa-aka, R奴pa-aka; (plurals include: Rupakas, 搁奴辫补办补s, 搁奴辫补办腻s, akas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:

Alamkaras mentioned by Vamana (by Pratim Bhattacharya)

6: Definition of 搁奴辫补办补 Ala峁僰腻ra < [Chapter 4 - Arth腻la峁僰腻ras mentioned by V腻mana]

1-2: The number of Ala峁僰腻ras (poetic figures) mentioned < [Chapter 5 - A Comparative study of the different 补濒补峁僰腻谤补s mentioned by V腻mana]

5: Definition of Apahnuti Ala峁僰腻ra < [Chapter 4 - Arth腻la峁僰腻ras mentioned by V腻mana]

+ 15 more chapters / show preview

Sahitya-kaumudi by Baladeva Vidyabhushana (by Gaurapada D腻sa)

Text 10.44 [搁奴辫补办补] < [Chapter 10 - Ornaments of Meaning]

Text 10.55 < [Chapter 10 - Ornaments of Meaning]

Text 10.48 < [Chapter 10 - Ornaments of Meaning]

+ 47 more chapters / show preview

Dasarupaka (critical study) (by Anuru Ranjan Mishra)

The description of 谤奴辫补, 谤奴辫补办补, n腻峁瓂a, n峁泃ya and n峁泃ta < [Introduction]

Difference between the Da艣a谤奴辫补办补 and the N腻峁瓂a艣腻stra < [Introduction]

The concise nature of the Da艣a谤奴辫补办补 < [Introduction]

+ 8 more chapters / show preview

Mudrarakshasa (literary study) (by Antara Chakravarty)

3.5. Use of 搁奴辫补办补-补濒补峁僰腻谤补 < [Chapter 3 - Use of Ala峁僰腻ras in Mudr腻r腻k峁�asa]

1. Mudr腻r腻k峁�asa as a N腻峁璦ka < [Chapter 1 - Introduction]

2. Classification and number of Ala峁僰腻ras < [Chapter 3 - Use of Ala峁僰腻ras in Mudr腻r腻k峁�asa]

+ 2 more chapters / show preview

Satirical works of Kshemendra (study) (by Arpana Devi)

1.2. 搁奴辫补办补 (metaphor) < [Chapter 4 - Literary study of the Three Satirical Works]

1. Ala峁僰腻ra or the figures of speech (Introduction) < [Chapter 4 - Literary study of the Three Satirical Works]

Chapter 6 - Conclusion

show preview

Gati in Theory and Practice (by Dr. Sujatha Mohan)

Relevance of Gati in 搁奴辫补办补s < [Chapter 3 - Application of gati in D峁浥泍a-办腻惫测补s]

Preface

Observations in Post-Bharata works < [Chapter 5 - Conclusion]

+ 14 more chapters / show preview

 

Click here for all 93 books