Sahitya-kaumudi by Baladeva Vidyabhushana
by Gaurapada Dāsa | 2015 | 234,703 words
Baladeva Vidyabhusana’s Sahitya-kaumudi covers all aspects of poetical theory except the topic of dramaturgy. All the definitions of poetical concepts are taken from Mammata’s Kavya-prakasha, the most authoritative work on Sanskrit poetical rhetoric. Baladeva Vidyabhushana added the eleventh chapter, where he expounds additional ornaments from Visv...
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Text 10.55
नियतारोपणोपायः स्याद् आरोप� परस्� सः �
तत� परम्परित� श्लिष्टे वाचक� भे�-भाजि वा � १०.९५ �
niyatāropaṇopāya� syād DZ貹� parasya � |
tat paramparita� śṣṭ 峦 bheda-ᾱ ||10.95||
niyata—of the thing established (the contextual entity) (the main upameya); DZ貹ṇa—of the superimposition; ܱⲹ�—the means (the cause); —i; DZ貹�—the superimposition; parasya—of another [upameya]; �—that [superimposition]; tat—that [metaphor]; paramparitam—c paramparita (“a sequence has occurred in this [by the relation of cause and effect[1] �); śṣṭ—which is paronomastic; 峦—in a literally expressive word (compound); bheda-ᾱ—nonparonomastic (“it partakes of a difference�); —o.
When one metaphor is the cause of the main metaphor, that is a paramparita ū貹첹 (consequential metaphors, i.e. one metaphor causes the other). The causal metaphor is either paronomastic or nonparonomastic.
parasya yasya kasyacid āropaś cen niyatasya ṛtsyānyatādātmyāropaṇe hetu� , tadā paramparita� nāma ū貹첹m. tatra parasya caka� śliṣṭa� bhinna� veti dvi-vidham api kevala� mālā-rūpa� ceti catur-vidha� tat.
If the superimposition of some other thing is the cause of the superimposition of another sameness of identity unto the contextual thing (ṛt), then the two metaphors as a whole are called paramparita ū貹첹. It has two varieties, since the word literally expressive of the other thing is either paronomastic or nonparonomastic. And each paramparita is either single (one pair) or serial. Thus there are four kinds of paramparita ū貹첹s.
Commentary:
The difference between a regular metaphor (Ծṅg) and the main metaphor in a paramparita ū貹첹 is that the latter is far-fetched therefore it needs to be substantiated. In paramparita ū貹첹, often the main metaphor borders on an ܳٱṣ�.