Cakra, °ä²¹°ì°ùÄå, °äÄå°ì°ù²¹: 68 definitions
Introduction:
Cakra means something in Buddhism, Pali, Hinduism, Sanskrit, Jainism, Prakrit, the history of ancient India, Marathi, Hindi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
Alternative spellings of this word include Chakra.
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In Hinduism
Natyashastra (theatrics and dramaturgy)
Source: Wisdom Library: NÄåá¹ya-Å›ÄåstraCakra (चकà¥à¤°) refers to the “discâ€�, a weapon which should measure should measure twelve ²¹á¹…g³Ü±ô¾± (unit of measurement), according to NÄåá¹yaÅ›Äåstra chapter 23. In dramatic plays, weapons such as cakra should be made by experts using proper measurements and given to persons engaged in a fight, angry conflict or siege. It forms a component of Äå³óÄå°ù²âÄå²ú³ó¾±²Ô²¹²â²¹ (extraneous representation).
: archive.org: The mirror of gesture (abhinaya-darpana)One of the ²õ²¹á¹ƒy³Ü³Ù³Ù²¹-³ó²¹²õ³ÙÄå²Ô¾± (Twenty-four combined Hands).—Cakra (discus): Ardha-candra hands askew, the palms in contact.Usage: discus.

Natyashastra (नाटà¥à¤¯à¤¶à¤¾à¤¸à¥à¤¤à¥à¤°, ²ÔÄåá¹y²¹Å›Äå²õ³Ù°ù²¹) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Shilpashastra (iconography)
: Google Books: The Theory of Citrasutras in Indian PaintingCakra (चकà¥à¤°, ‘discusâ€�) is a weapon (Äå²â³Ü»å³ó²¹ or ²úÄå»å³ó°ù²¹) according to the VÄåstusÅ«tra Upaniá¹£ad.
: Google Books: Elements of Hindu iconographyChakra is also a characteristically Vaiṣṇava weapon. It is also carried by DurgÄå, who is said to be the sister and as such the female form of Viṣṇu. It is shown in sculptures in two different forms. In the first variety, it is shaped like the wheel of a cart, with spokes, nave and all, and is meant to be grasped by the rim. But in the other form, it is highly ornamented, the spokes are made to resemble the petals of a lotus so that the interal parts appear like a full blown lotus in the tout ensemble.
: Red Zambala: Hindu Icons and Symbols | TrinityThe Discus (cakra) in Viṣṇu’s upper right hand is called SudarÅ›ana which means 'pleasing-to-see', it is usually shown in iconography with a hexagon in the centre. The six points of the two triangles represent the six seasons in a yearly time cycle, in the centre nave is the seed sound (²úÄ«Âá²¹) ‘HrÄ«mâ€�, which represents the changeless, motionless centre , the Supreme Cause.
The Cosmic Mind has the unlimited power which creates and destroys all spheres of existence (lokas) and forms of the universe, the nature of which is to revolve. The Discus represents the “will-to-multiply�. There is only one centre to the wheel but it is said to have a thousand spokes.
: Red Zambala: Hindu Icons and Symbols | IntroductionCakra (Discus or wheel) - The wheel is the symbol of the Dharma which rotates and spins its beneficial influence in all directions. It also symbolises the cycle of SamsÄåra â€� of repeated birth and death which turns endlessly and from which we desire to be liberated. It is also used as a weapon and it's speed is faster than the speed of the mind â€� thus representing the cosmic mind which destroys our enemies in the form of the afflictive emotions.
: DSpace at Pondicherry: Siddha Cult in Tamilnadu (sculpture)Cakra (चकà¥à¤°).—As many as 150 representations of the yogic cakras are found at Åšrisailam. Some of them are depicted in association with Siddhas and sometimes with Swan (³ó²¹á¹ƒs²¹). In addition to these several sculptures depict yogic exercises and postures. All these indicate the popularity of Siddha cult in the sacred complex of Åšrisailam.
The sculptural examples of Tiruvaá¹á¹Äåá¹›u in TamilnÄådu show some interesting schematic representations of the Yogic cakras in the human body. These sculptures also carry a sexual dimension of the Yogic powers, in the portrayal of ithyphallic men. Similar examples are also found in the temples of BÄåhÅ«r, Puducherry; ÅšrÄ«raá¹…gam; TirupathisÄåram, TamilnÄådu and Ä€raṇmula, KeralÄå.
: Shodhganga: The significance of the mÅ«la-beras (Å›¾±±ô±è²¹)Cakra (चकà¥à¤°, “discusâ€�) refers to one of the several “attributesâ€� (Äå²â³Ü»å³ó²¹) or “accessoriesâ€� of a detiy commonly seen depicted in Hindu iconography, defined according to texts dealing with Å›¾±±ô±è²¹ (arts and crafs), known as Å›¾±±ô±è²¹Å›Äå²õ³Ù°ù²¹²õ.—Cakra is shown in sculptures in two different forms. In the first variety, it is shaped like the wheel of a cart, with spokes, nave and all, and is studded with precious gems. But in the other form, a highly ornamental one, the spokes are made to resemble the petals of a lotus so that the internal parts appear like a full blown lotus. The cakra also has ornamentations on the top and the sides, and a jeweled ribbon, running around it. It is in some cases held in the hand by means of this ribbon, and in other cases, between the first two fingers. It is a weapon resembling modern quoits and must have been used as a missile to be thrown against the enemy to cut him through and kill him.
: Shodhganga: Vaisnava Agamas And Visnu ImagesCakra (चकà¥à¤°) refers to one of the various attributes (Äå²â³Ü»å³ó²¹) of divine icons, as defined in treatises such as the PÄåñcarÄåtra, PÄådmasaṃhitÄå and VaikhÄånasa-Äågamas, extensively dealing with the technical features of temple art, iconography and architecture in Vaishnavism.—The four attributes viz., Å›²¹á¹…k³ó²¹, cakra, ²µ²¹»åÄå and padma are very essential in the PÄåñcarÄåtra mode of worship. As per VihagendrasaṃhitÄå (2.25b-26a), the four attributes i.e., padma, cakra, ²µ²¹»åÄå and Å›²¹á¹…k³ó²¹ signify the creation (²õṛṣá¹i). sustenance (sthiti), dissolution (laya) and eternal liberation (³¾´Ç°ìá¹£a) respectively.
KÄåÅ›yapa, while describing the nature of Äå²â³Ü»å³ó²¹s and attendants of Viṣṇu states that cakra signifies the ²õ²¹á¹ƒsÄå°ù²¹ set in motion by Viṣṇu and ÅšrÄ«devÄ«. As per the VaikhÄånasa treatises, the personified form of cakra is male and be is the consort of Puá¹£á¹i or Puá¹£á¹ikÄå. He has the complexion red or that of fire or sun and his garments are in red. He holds a cakra on his head. SÄåtvatasaṃhitÄå (13.9b-10a), while describing personified form of cakra states that SudarÅ›ana is present inside the orb of his own rays with his short stature and red eyes. He always awaits the command of his Lord.
According to PrakÄ«rṇÄådhikÄåra, cakra is of three types, viz.,
- KÄålacakra (in the form of a cakra with the pedestal),
- Vīracakra (the one held in the right hand of Viṣṇu),
- Sahasravikaca (a personified form).
According to PrakÄ«rṇÄådhikÄåra the diameter of the cakra must be equal to the face of the icon, i.e., one ³ÙÄå±ô²¹ proportionately. It should have five Âá±¹Äå±ôÄå²õ (flames), four on the sides and one in the middle and with twelve or eight spokes. It should be placed on the tip of the finger on the right hand.
PÄådmasaṃhitÄå (KriyÄåpÄåda 20.85-88a) details the cakra: the middle circle (³¦²¹°ì°ù²¹-±è¾±á¹‡á¸¾±°ìÄå—the centre-hold of spokes) must have two ²¹á¹…g³Ü±ô²¹²õ diametre. The spokes (ara) must have eight ²¹á¹…g³Ü±ô²¹²õ i.e. four ²¹á¹…g³Ü±ô²¹²õ on either side; outer rim (nemi-valaya) must be two ²¹á¹…g³Ü±ô²¹²õ wide i.e. one ²¹á¹…g³Ü±ô²¹ on both sides. In total, the distance between the outer parts of the rim has 12 ²¹á¹…g³Ü±ô²¹²õ diameter. There are four Âá±¹Äå±ôÄå²õ on the rims. Two Âá±¹Äå±ôÄå²õ with tongues must be from the middle (²ÔÄå²ú³ó¾±). The flames must be 2½-2 ²¹á¹…g³Ü±ô²¹²õ high and three ²¹á¹…g³Ü±ô²¹²õ wide. The spoke (ara) may resemble yava grain or eye in shape. The spokes may be six, eight or twelve.

Shilpashastra (शिलà¥à¤ªà¤¶à¤¾à¤¸à¥à¤¤à¥à¤°, Å›¾±±ô±è²¹Å›Äåstra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.
Pancaratra (worship of NÄårÄåyaṇa)
Source: Wisdom Library: PÄåñcarÄåtra1) Cakra (चकà¥à¤°, “discusâ€�):—One of the nine symbols representing the cosmic principles of the universe, according to the PÄåñcarÄåtra literature. These nine weapons and ornaments symbolize the principles which they represent as the presiding deity. The Discus (cakra) represents universal mind.
2) Cakra (चकà¥à¤°) refers to an aspect of ²Ôá¹›s¾±á¹ƒh²¹ (‘m²¹²Ô-±ô¾±´Ç²Ôâ€�), according to the Vihagendra-saṃhitÄå 4.17, which mentions seventy-four forms (inlcuding twenty forms of ±¹²âÅ«³ó²¹). He is also known as Cakra²Ôá¹›s¾±á¹ƒh²¹ or Cakranarasiṃha. Ná¹›siṃha is a Tantric deity and refers to the furious (ugra) incarnation of Viṣṇu.
The 15th-century Vihagendra-saṃhÄ«ta is a canonical text of the PÄåñcarÄåtra corpus and, in twenty-four chapters, deals primarely with meditation on mantras and sacrificial oblations.
: archive.org: Isvara Samhita Vol 5Cakra (चकà¥à¤°) or Cakra³¾³Ü»å°ùÄå is the name of a ³¾³Ü»å°ùÄå described in the ĪśvarasaṃhitÄå 33-34.—Accordingly, “the two hands are to be joined with each other and clearly stretched out and moved about like a wheel. This is called cakra³¾³Ü»å°ùÄå, which destroys all miseries. This is the supreme ³¾³Ü»å°ùÄåâ€�. MÅ«dra (eg., Cakra-³¾³Ü»å°ùÄå) is so called as it gives joy to the tattvas in the form of karman for those who offer spotless worship, drive out the defects which move about within and without and sealing up of what is done.
: archive.org: Catalogue of Pancaratra Agama Texts1) Cakra (चकà¥à¤°) is the name of a MudrÄå (“ritual hand-gesturesâ€�), discussed in the twenty-fourth chapter of the ĪśvarasaṃhitÄå (printed edition), a PÄåñcarÄåtra work in 8200 verses and 24 chapters dealing with topics such as routines of temple worship, major and minor festivals, temple-building and initiation.—Description of the chapter [³¾³Ü»å°ùÄå-l²¹°ìá¹£aṇa-bhagavaddhyÄåna-Äådi-prakÄåra]: NÄårada tells how one prepares himself for the practice of ³¾³Ü»å°ùÄå-gestures—washing the hands with sandal-paste, doing certain exercises with the fingers, ritually touching the chest with the thumbs and forefingers of both hands, executing certain motions with the palms joined, etc. (3-11). Different ³¾³Ü»å°ùÄå-gestures are named and described (12-72): [e.g., cakra (34a)] [...]
2) Cakra (चकà¥à¤°) or Cakra³¾³Ü»å°ùÄå refers to one of the fifty-three MudrÄås (ritual hand gestures) described in chapter 22 (CaryÄåpÄåda) of the ±Ê²¹»å³¾²¹²õ²¹á¹ƒh¾±³ÙÄå: the most widely followed of SaṃhitÄå covering the entire range of concerns of PÄåñcarÄåtra doctrine and practice (i.e., the four-fold formulation of subject matterâ€�ÂáñÄå²Ô²¹, yoga, °ì°ù¾±²âÄå and ³¦²¹°ù²âÄå) consisting of roughly 9000 verses.—Description of the chapter [³¾³Ü»å°ùÄål²¹°ìá¹£aṇa-vidhi]: BrahmÄå asks the meaning, uses and varieties of ³¾³Ü»å°ùÄå-gestures. BhagavÄån says these finger movements are ways to fend off evil and to prevent those taking pleasure in harming others. Furthermore, they please the Lord-so long as they are demonstrated in private (1-5a). He then names and describes 53 ³¾³Ü»å°ùÄå-gestures: [e.g., cakra (48b-49a)] [...]
3) Cakra (चकà¥à¤°) or Cakra³¾³Ü»å°ùÄå refers to one of the MudrÄås (gestures) discussed in chapter 31 of the ²ÑÄå°ù°ì²¹á¹‡á¸±ð²â²¹²õ²¹á¹ƒh¾±³ÙÄå: a PÄåñcarÄåtra text comprising some 2200 Sanskrit verses mainly dealing with temple-building, iconography, ±èÅ«ÂáÄå (worship procedures), utsava (festivities) and ±è°ùÄå²â²¹Å›³¦¾±³Ù³Ù²¹ (expiatory measures).—Description of chapter [³¾³Ü»å°ùÄå-vidhÄåna]: As a part of worship [±èÅ«ÂáÄåá¹…ga], it is ordained in the Å›Äå²õ³Ù°ù²¹²õ that certain ³¾³Ü»å°ùÄå-gestures be done to please the gods (1). The ones listed and described are [e.g., Cakra-³¾³Ü»å°ùÄå] [...]. When some of these are to be used in the worship of God is given (49b-58).
4) Cakra (चकà¥à¤°) or Cakra³¾³Ü»å°ùÄå is the name of a MudrÄå (“ritual hand-gesturesâ€�) mentioned in in chapter 13 of the ³Õ¾±Å›±¹Äå³¾¾±³Ù°ù²¹²õ²¹á¹ƒh¾±³ÙÄå: a PÄåñcarÄåtra text comprising some 2600 Sanskrit verses covering topics such as initiation (»åÄ«°ìá¹£Ä�) and the construction, decoration and consecration of temples and icons, as well as routines of regular and special worship cycles.—Description of the chapter [³¾³Ü»å°ùÄå-adhyÄåya]: KÄåÅ›yapa asks what are the various types of ³¾³Ü»å°ùÄå-gestures, and ViÅ›vÄåmitra complies by first defining ³¾³Ü»å°ùÄå as that by seeing which one derives pleasure (â€�mu-â€�) and then by counseling that whoever practices these ³¾³Ü»å°ùÄås must do so in secrecy (1-6). Thereupon he names and briefly describes how to perform a number of ³¾³Ü»å°ùÄås [e.g., cakra]
5) Cakra (चकà¥à¤°) or Cakra³¾³Ü»å°ùÄå is the name of a MudrÄå mentioned in chapter 4 of the ³Õ¾±á¹£á¹‡³Ü³Ù¾±±ô²¹°ì²¹²õ²¹á¹ƒh¾±³ÙÄå: a PÄåñcarÄåtra text comprising 3500 Sanskrit verses covering the typically â€�agamicâ€� subjects which are being narrated by BrahmÄå to a number of sages.—Description of the chapter [²â´Ç²µ²¹-²¹»å³ó²âÄå²â²¹]: [...] The namatraya-mantra (Acyuta, Ananta and Govinda) is then mentioned, as is the ²¹²µ²Ô¾±±è°ùÄå°ìÄå°ù²¹-³¾²¹²Ô³Ù°ù²¹. This is followed by brief descriptions of ³¾³Ü»å°ùÄås [e.g., cakra-³¾³Ü»å°ùÄå]—which “pleaseâ€� Him (649-680).
6) Cakra (चकà¥à¤°) or Cakra³¾³Ü»å°ùÄå refers to one of the 37 MudrÄås (hand-gestures) described in chapter 7 of the ³Õ¾±á¹£á¹‡³Ü²õ²¹á¹ƒh¾±³ÙÄå: a Sanskrit text written in 2600 verses which covers typical PÄåñcarÄåtra topics through a narrative dialogue between AupagÄåyana and Siddha Sumati.—[Cf. the chapter ³¾³Ü»å°ùÄå-l²¹°ìá¹£aṇa].
7) Cakra (चकà¥à¤°) or Cakra³¾³Ü»å°ùÄå refers to one of the 81 MudrÄås (hand-gestures) described in chapter 2 of the ṚṣirÄåtra section of the ³§²¹²Ô²¹³Ù°ì³Ü³¾Äå°ù²¹²õ²¹á¹ƒh¾±³ÙÄå: an encyclopedic Sanskrit text written in over 3500 verses dealing with a variety of topics such as yoga, temple-building, consecration ceremonies, initiation and dhanurveda (martial arts).—[Cf. the chapter ³¾³Ü»å°ùÄå-l²¹°ìá¹£aṇa].
: SriMatham: Vaiṣṇava Iconology based on PañcarÄåtra Ä€gamaThe Discus (cakra):â€�
bala svarÅ«pam atyanta javenÄåntaritÄånilam |
cakra svarÅ«pañca mano dhatte ±¹¾±á¹£á¹‡³Üá¸� kare sthitam ||“In the form of mighty power, revolving swifter than the winds—the Universal Mind in the form of a wheel is held in the hand of Vishnu.â€� (Viṣṇu-purÄåṇa. 1;22; 70.)
The Cosmic Mind has the unlimited power which creates and destroys all spheres of existence (lokas) and forms of the universe, the nature of which is to revolve. According to the Ahirbudhnya Samhita 2;26, the Discus represents the “will-to-multiplyâ€�. In the beginning the Lord said to Himself eko'ham bahu syam—“I am one, may I become manyâ€�. And thus He projected the manifold universe that we see around us. There is only one center to the wheel but it is said to have a thousand spokes (²õ²¹³ó²¹²õ°ùÄå°ù²¹).
The Wheel has eight spokes and 8 wings, which represent the eight syllables of the sacred Aá¹£á¹Äåká¹£arÄ« mantra, while the outer circle of the wheel represents â€�³¾Äå²â²¹â€�, the divine power of manifestation.
In the microcosm the Universal Mind corresponds to the active-notion-of-individual-existence (rajas ahamkara) that is associated with the fiery principle.
“The prodigious power of the mind can destroy all forms of ignorance, hence the discus is the fearful weapon which cuts off the heads of all the demons of error�. ( Śrī Viṣṇnu tattva sidhanta 5;19 44 - 45)

Pancaratra (पाञà¥à¤šà¤°à¤¾à¤¤à¥à¤°, pÄåñcarÄåtra) represents a tradition of Hinduism where Narayana is revered and worshipped. Closeley related to Vaishnavism, the Pancaratra literature includes various Agamas and tantras incorporating many Vaishnava philosophies.
Shaivism (Shaiva philosophy)
Source: Wisdom Library: KubjikÄåmata-tantraCakra (चकà¥à¤°):—According to tantric principles, the cakra is an inward representation of a ³¾²¹á¹‡á¸²¹±ô²¹, interiorized into the human body. These mystic centres are usually represented as a lotus. Different systems of such centres are recognized with varying number and symbolism. Gor²¹°ìá¹£anÄåtha (author of °ìÄå»å¾±±è°ù²¹°ì²¹°ù²¹á¹‡a or °ì³Ü²úÂá¾±°ìÄå³¾²¹³Ù²¹-³Ù²¹²Ô³Ù°ù²¹) recognizes twenty-eight or more of such centres with presiding deity and Å›²¹°ì³Ù¾±²õ. These cakras symbolize the cosmic processes of emanation and re-integration in six levels and in them the SÄåṃkhya categories and the letters of the Sanskrit alphabet are represented.
: academia.edu: The Åšaiva Yogas and Their Relation to Other Systems of YogaCakra (चकà¥à¤°).—In the Netratantra there are six cakras. Ká¹£emarÄåja’s Netratantroddyota commentary to 7.1cdâ€�5 locates them as follows: “‘Seasonâ€� stands for ‘sixâ€�, [which are] the locations [called] ‘birthâ€�, navel, heart, palate, ‘dropâ€�, and ‘resonanceâ€�, where are found wheels (cakra) called ‘channelâ€� (²ÔÄåá¸i), ‘illusionâ€� (³¾Äå²âÄå), ‘unionâ€� (yoga), ‘breakingâ€� (bhedana), ‘effulgenceâ€� (»åÄ«±è³Ù¾±), and ‘the peacefulâ€� (Å›Äå²Ô³Ù²¹), because they are the substrates (ÄåÅ›°ù²¹²â²¹) of the surges (prasara) of ²ÔÄåá¸i, ³¾Äå²âÄå ±ð³Ù³¦.â€�
: Shodhganga: Temple management in the Ä€gamasCakra (चकà¥à¤°) refers to one of the various DevatÄå weapons and represents a type of “temple implement (instrument)â€� as described in the Karaṇal²¹°ìá¹£aṇavidhi-paá¹ala section of the Uttara-KÄåmikÄågama.—The instruments should be according to the particular Å›Äåstra followed at the temple. Some of the instruments mentioned are weapons of all DevatÄås including [viz., cakra].
: Brill: Åšaivism and the Tantric TraditionsCakra (चकà¥à¤°) refers to â€�(rites involving) alphabetical wheels â€�, according to the BrahmayÄåmala-tantra (or Picumata), an early 7th century Åšaiva text consisting of twelve-thousand verses.—While worship (²âÄå²µ²¹, yajana) provides the essential paradigm for the BrahmayÄåmala’s integration of inner and outer ritual, the principle and practice of their integration applies more widely. This is abundantly evident in the domain of “magic,â€� including all manner of rites involving alphabetical wheels (cakra), images of the deities (±è°ù²¹³Ù¾±³¾Äå), and two-dimensional figures (yantra). These processes may entail, for example, the fusion of the channels of one’s own body with the spokes drawn in the lotus of a cakra—the term nÄåá¸Ä� refers to both—which may then be fused with the channels of the targeted victim (²õÄå»å³ó²â²¹).
: SOAS University of London: Protective Rites in the Netra TantraCakra (चकà¥à¤°) refers to a class of “mystical diagramsâ€�.—The terms ³¾²¹á¹‡á¸²¹±ô²¹, cakra, and yantra are each often translated as “mystical diagramâ€�. These diagrams serve as spaces for ritual practice and are created so that the deities can appear within them. Each type has its own frequent characteristics... Cakras are diagrams that can be part of ³¾²¹á¹‡á¸²¹±ô²¹s, ritual diagrams in their own right, or are used as a synonym for ³¾²¹á¹‡á¸²¹±ô²¹ or yantra. As ritual diagrams, cakras can be circles of deities or associated with particular places of energy within the human body.

Shaiva (शै�, śaiva) or Shaivism (śaivism) represents a tradition of Hinduism worshiping Shiva as the supreme being. Closely related to Shaktism, Shaiva literature includes a range of scriptures, including Tantras, while the root of this tradition may be traced back to the ancient Vedas.
Vastushastra (architecture)
Source: Wisdom Library: VÄåstu-Å›ÄåstraCakra (चकà¥à¤°):—The Sanskrit name for a classification of a ‘templeâ€�, according to the AgnipurÄåṇa, featuring a list of 45 temple types. It is listed under the group named Triviá¹£á¹apa, featuring octagonal-shaped temples. This list represents the classification of temples in North-India.
: Google Books: The Hindu Temple, Volume 1The Cakras of the microcosm are:
- ²ÑÅ«±ôÄå»å³óÄå°ù²¹, the support of all the Cakras;
- ²Ñ²¹á¹‡i±èÅ«°ù²¹, the seat of mind (manas);
- ³§±¹Äå»å³ó¾±á¹£á¹³óÄå²Ô²¹, the seat of intellect (buddhi);
- ´¡²ÔÄå³ó²¹³Ù²¹, the seat of the principle of articulate sound (Åšabdabrahman);
- ³Õ¾±Å›³Ü»å»å³ó¾±, the seat of Ether (ÄåkÄåÅ›a)
- and ³§²¹³ó²¹²õ°ùÄå°ù²¹ or Åšiva-Åšakti or Bindu, the point limit between the unmanifest and the manifest.
The eight Cakras are also given as the eight means necessary to control the inclinations of the inner faculties. They are:
- Yama, restriction,
- Niyama, opbservances,
- Ä€²õ²¹²Ô²¹, sitting posture,
- ±Ê°ùÄåṇÄÂÒÄå³¾²¹, breath control,
- ±Ê°ù²¹³Ù²âÄå³óÄå°ù²¹, emptying the mind from external objects,
- ¶Ù³óÄå°ù²¹á¹‡a, its subsequent concentration,
- ¶Ù³ó²âÄå²Ô²¹, keeping it concentrated
- and ³§²¹³¾Äå»å³ó¾±, merging and dissolving it in the object of its concentration.
Cakra (चकà¥à¤°) [=Cakraka] refers to one of the fifty-two varieties of Temples (±è°ùÄå²õÄå»å²¹), as discussed in chapter 8 (KriyÄåpÄåda) of the ±Ê²¹»å³¾²¹²õ²¹á¹ƒh¾±³ÙÄå: the most widely followed of SaṃhitÄå covering the entire range of concerns of PÄåñcarÄåtra doctrine and practice (i.e., the four-fold formulation of subject matterâ€�ÂáñÄå²Ô²¹, yoga, °ì°ù¾±²âÄå and ³¦²¹°ù²âÄå) consisting of roughly 9000 verses.—Description of the chapter [±è°ùÄå²õÄå»å²¹-bheda]:—This is ostensibly a highly technical chapter on varieties of ±¹¾±³¾Äå²Ô²¹-types. There are 52 varieties of ±¹¾±³¾Äå²Ô²¹s mentioned [e.g., Cakraka (or Vandira)] based on differences of ³ÙÄå±ô²¹-measurements and ²¹»å³ó¾±á¹£á¹³óÄå²Ô²¹-basements; but the treatment upon examination gives only the most superficial of distinctions between one type and another.

Vastushastra (वासà¥à¤¤à¥à¤¶à¤¾à¤¸à¥à¤¤à¥à¤�, vÄåstuÅ›Äåstra) refers to the ancient Indian science (shastra) of architecture (vastu), dealing with topics such architecture, sculpture, town-building, fort building and various other constructions. Vastu also deals with the philosophy of the architectural relation with the cosmic universe.
Purana and Itihasa (epic history)
: archive.org: Puranic Encyclopedia1) Cakra (चकà¥à¤°).—A son of VÄåsuki, the NÄåga king. He died at the serpent yajña (Sarpa Satra) of Janamejaya by falling into the fire. (Ä€di Parva, Chapter 57, Verse 6).
2) Cakra (चकà¥à¤°).—One of the three attendants given to Subrahmaṇya by Viṣṇu, the other two being Saá¹…krama and Atikrama. (Åšalya Parva, Chapter 45, Verse 40).
3) Cakra (चकà¥à¤°).—One of the two attendants presented to Skandhadeva by Tvaá¹£á¹a, the other one being Anucakra. (Åšalya Parva, Chapter 45, Verse 40).
4) Cakra (चकà¥à¤°).—SudarÅ›ana Cakra (disc) of MahÄå±¹¾±á¹£á¹‡³Ü. The Viṣṇu PurÄåṇa contains the following story about the origin of the Cakra.
SÅ«ryadeva (the Sun God) married SaṃjñÄå, daughter of ViÅ›vakarmÄå. But, due to the insufferable heat of her husband the marital life of SaṃjñÄå became miserable, and so she requested her father to lessen the heat of SÅ«rya. And, accordingly ViÅ›vakarmÄå ground SÅ«rya on a grinding machine and thus diminished his effulgence. But, the grinding could diminish only (1/8) of that effulgence, which glowing red-hot dropped on the earth, and with that ViÅ›vakarmÄå made the SudarÅ›ana Cakra, the Triśūla, the Puá¹£paka±¹¾±³¾Äå²Ô²¹ and the weapon called Åšakti. Out of those four things the Triśūla came to be possessed by Åšiva, the Puá¹£paka±¹¾±³¾Äå²Ô²¹ by Kubera and Åšakti by BrahmÄå. The SudarÅ›ana Cakra which was glowing like anything was deposited in the sea. (Viṣṇu PurÄåṇa, Part 3, Chapter 2). There is a story in the ²Ñ²¹³óÄå²ú³óÄå°ù²¹³Ù²¹ as to how the Cakra thrown into the sea came into the possession of MahÄå±¹¾±á¹£á¹‡³Ü. While ÅšrÄ« Kṛṣṇa and Arjuna were picnicing on the shores of the YamunÄå Agnideva went to them and requested them to give KhÄåṇá¸ava forest to him for food. As T²¹°ìá¹£aka, friend of Indra, was living in the forest the latter was causing heavy rains to fall there. Kṛṣṇa and Arjuna realized the fact that Agni would be able to consume the forest only after subjugating Indra. But, how to manage it? Then Agni said that he would supply the weapon to fight Indra with, and accordingly he meditated on Varuṇa, who presented to him (Agni) a chariot and flag with monkey as symbol, a quiver which would never become empty of arrows, a bow called GÄåṇá¸Ä«va and the SudarÅ›ana Cakra. Agnideva gave the Cakra to ÅšrÄ« Kṛṣṇa and the other things to Arjuna. (²Ñ²¹³óÄå²ú³óÄå°ù²¹³Ù²¹ Ä€di Parva, Chapter 297).
5) Cakra (चकà¥à¤°).—A city in ancient India. (Bhīṣma Parva, Chapter 9, Verse 45).
6) Cakra (चकà¥à¤°à¤µà¥à¤¯à¥‚à¤�) or Cakra±¹²âÅ«³ó²¹ refers to the “Disposition of an army in the shape of a wheelâ€�.—Disposition of an army (±¹²âÅ«³ó²¹) of four parts, (infantry, cavalry, elephants and chariots) in the battlefield, the arrangement of it, in various forms. It is said that during the period of ²Ñ²¹³óÄå²ú³óÄå°ù²¹³Ù²¹, there were various forms of disposition of the army.—Cakra-±¹²âÅ«³ó²¹ is mentioned in the ²Ñ²¹³óÄå²ú³óÄå°ù²¹³Ù²¹ Bhīṣma Parva, Chapter 34.
: archive.org: Shiva Purana - English Translation1) Cakra (चकà¥à¤°) or “wheelâ€� refers to â€�(the bondage of the rope of activities) that revolves like a wheel (cakra)â€�, as defined in the ÅšivapurÄåṇa 1.18. Accordingly, “the JÄ«va bound by the rope of activities revolves round and round for ever like a wheel (cakra) by means of the three types of body (Å›Äå°ù¾±°ù²¹-³Ù°ù²¹²â²¹) and their activities (karma). The creator of the wheel (Cakrakartá¹�) must be worshipped for the cessation of the revolution of the wheel. The Pra°ìá¹›ti etc. constitute the great wheel and Åšiva is beyond the Pra°ìá¹›ti. The creator of the wheel is the Lord Åšiva. He is beyond the Pra°ìá¹›ti. Just as a boy drinks or spits out water as he pleases so also Åšiva keeps Pra°ìá¹›ti etc. just as he pleases. He is called Åšiva because he has brought it under his control. (Vaīś°ìá¹›ta). Åšiva alone is omniscient, perfect and free from desireâ€�.
2) Cakra (चकà¥à¤°) refers to the “wheelsâ€� (of a chariot), according to the ÅšivapurÄåṇa 2.5.8 (“The detailed description of the chariot ±ð³Ù³¦.â€�).—Accordingly, as SanatkumÄåra narrated to VyÄåsa: “The divine chariot of lord Åšiva consisting of all the worlds was built by ViÅ›vakarman with devoted effort. [...] The year constituted its velocity. The two Ayanas northern and southern constituted the junctions of the wheels and axles (³¦²¹°ì°ù²¹-²õ²¹á¹ƒg²¹³¾²¹). The MuhÅ«rtas constituted the joints and the KalÄås the pins of the yoke. The division of time KÄåá¹£á¹hÄå constituted the nose of the chariot and the Ká¹£aṇas the axle-shaft. The Nimeá¹£as constituted the bottom of the carriage and the minutest divisions of time constituted the poles. [...]â€�.
: Cologne Digital Sanskrit Dictionaries: The Purana Index1a) Cakra (चकà¥à¤°).—A son of SatyabhÄåmÄå and Kṛṣṇa.*
- * Matsya-purÄåṇa 47. 17.
1b) The Discus of Hari (Trailokyamohana)1 filed off from the tejas of the sun by ViÅ›vakarman; cut off RÄåhu's head.2
- 1) BhÄågavata-purÄåṇa I. 9. 4; VI. 8. 23; VII. 1. 45. IX. 5. 1. BrahmÄåṇá¸a-purÄåṇa III. 72. 11; IV. 44. 116; VÄåyu-purÄåṇa 51. 38; 55. 12; 84. 83.
- 2) Matsya-purÄåṇa 11. 29; 45. 15-16; 129. 35; 149. 8; 150. 73; 151. 8; 152. 2; 153. 198; 177. 9; 178. 13; 217. 32; 215. 14. Viṣṇu-purÄåṇa III. 2. 11; IV. 15. 13; V. 17. 29.
1c) Mountain a hill of Kuśadvīpa.*
- * BhÄågavata-purÄåṇa V. 20. 15.
1d) A tÄ«rtha visited by BalarÄåma.*
- * BhÄågavata-purÄåṇa X. 78. 19.
1e) A mountain that entered the sea from fear of Indra—also Cakravat.*
- * BrahmÄåṇá¸a-purÄåṇa II. 18. 78; Matsya-purÄåṇa 121. 72.
1f) The wheel of n²¹°ìá¹£atras, and planets.*
- * VÄåyu-purÄåṇa 50. 93; 58. 23; Viṣṇu-purÄåṇa IV. 13. 85 and 98.
1g) One of the seven ratnas of a king.*
- * VÄåyu-purÄåṇa 57. 68.
2) °ä²¹°ì°ùÄå (चकà¥à¤°à¤�).—A river of the Bhadra continent.*
- * VÄåyu-purÄåṇa 43. 25.
Cakra (चकà¥à¤°) is a name mentioned in the ²Ñ²¹³óÄå²ú³óÄå°ù²¹³Ù²¹ (cf. I.52.5, I.57, IX.44.33) and represents one of the many proper names used for people and places. Note: The ²Ñ²¹³óÄå²ú³óÄå°ù²¹³Ù²¹ (mentioning Cakra) is a Sanskrit epic poem consisting of 100,000 Å›±ô´Ç°ì²¹²õ (metrical verses) and is over 2000 years old.

The Purana (पà¥à¤°à¤¾à¤�, purÄåṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.
Dhanurveda (science of warfare)
Source: Wisdom Library: DhanurvedaCakra (चकà¥à¤°) refers to a weapon (also known as SudarÅ›ana; A discus of sharp circular missile weapon). It is a Sanskrit word defined in the Dhanurveda-saṃhitÄå, which contains a list of no less than 117 weapons. The Dhanurveda-saṃhitÄå is said to have been composed by the sage Vasiá¹£á¹ha, who in turn transmitted it trough a tradition of sages, which can eventually be traced to Åšiva and BrahmÄå.
: archive.org: Catalogue of Pancaratra Agama Texts (dh)Cakra (चकà¥à¤°) or “discusâ€� refers to the weapon produced from the mouth of NÄårÄåyaṇa, as discussed in chapter 10 of the ṚṣirÄåtra section of the ³§²¹²Ô²¹³Ù°ì³Ü³¾Äå°ù²¹²õ²¹á¹ƒh¾±³ÙÄå: an encyclopedic Sanskrit text written in over 3500 verses dealing with a variety of topics such as yoga, temple-building, consecration ceremonies, initiation and dhanurveda (martial arts).—Description of the chapter [Å›²¹²õ³Ù°ù²¹±ô²¹°ìá¹£aṇa]: SanatkumÄåra offers to recount the story of how the weapons of the Lord came into being when the gods requested NÄårÄåyaṇa to help them in their encounters with the demons. At their request He produced [e.g., the cakra-discus from His mouth] [...]. He also composed a handbook, known as the Dhanurveda, which has been passed down from generation to generation. It tells how to use these weapons, both as astra or as Å›²¹²õ³Ù°ù²¹ effectively.
: Shodhganga: Kakati Ganapatideva and his times (weapons)Cakra refers to a wheel and represents a kind of weapon employed in warfare by the soldiers, according to ÅšrÄ«nÄåtha’s 15th century PalanÄåá¹ivÄ«ra-caritra. The VardhmÄånapuram inscription states that the king should be proficient in dealing several varieties of weapons.

Dhanurveda (धनà¥à¤°à¥à¤µà¥‡à¤¦) refers to the “knowledge of warfareâ€� and, as an upaveda, is associated with the Ṛgveda. It contains instructions on warfare, archery and ancient Indian martial arts, dating back to the 2nd-3rd millennium BCE.
Shaktism (Shakta philosophy)
: Google Books: Manthanabhairavatantram1) Cakra (चकà¥à¤°, “discusâ€�) (cf. CakrapÄåṇi) refers to one of the attributes of Viṣṇu, according to the second recension of the Yogakhaṇá¸a of the ManthÄånabhairavatantra, a vast sprawling work that belongs to a corpus of Tantric texts concerned with the worship of the goddess KubjikÄå.—Accordingly: “[...] Then, after the goddess KumÄårikÄå had heard VyÄåsa’s words, she hid her MÄåyÄå nature from him and assumed (her) Vaiṣṇava form. Viṣṇu held a conch, discus (cakra), mace and rosary [Å›²¹á¹…k³ó²¹cakra²µ²¹»åÄåpÄåṇiá¸� ²¹°ìá¹£asÅ«traá¹�]. Stainless (²Ô¾±°ù²¹Ã±Âá²¹²Ô²¹), he wore yellow clothes and, mounted on Garuá¸a, he was radiant. KeÅ›ava, that is, JanÄårdhaka, was accompanied by MahÄålaká¹£mÄ«. (He), the god Hari, born from a lotus womb, is the imperishable cause (of all things). [...]â€�.
2) Cakra (चकà¥à¤°, “discusâ€�) refers to the “spiritual centresâ€� (which the Kuṇá¸alinÄ« energy pierces), according to the KubjikÄåmatatantra: the earliest popular and most authoritative Tantra of the KubjikÄå cult.—The cardinal characteristic of Kaula initiation is that the teacher imparts it by awakening in his disciple the energy of Kuṇá¸alinÄ«, which once aroused rises upward, piercing (vedha) through the spiritual centres (cakra—lit. ‘wheelsâ€�) in the disciple's subtle body. The KubjikÄå Tantras attribute this to the Command.
3) Cakra (चकà¥à¤°) refers to the “wheelâ€� and as one of the weapons (attributes) of Goddess KubjikÄå symbolizes “the destruction of MÄåyÄåâ€�, according to the ManthÄånabhairavatantra.—Accordingly, â€�(Now) I will tell (you about) the great weapons of that (goddess) KubjikÄå. [...] (One) attains (ultimate) reality by means of the trident and MÄåyÄå is destroyed by means of the wheel [i.e., cakra]. All diseases are destroyed by the thunderbolt while the goad is considered to be (the means to attract and) control. The enemy is destroyed by the arrow. The dagger is the avoidance of obstacles. Wealth is acquired by means of the severed head and the eight yogic powers by the ascetic’s staffâ€�.
: archive.org: Shakti and ShaktaCakra (चकà¥à¤°) are centres of Åšakti as vital force. In other words, they are centres of PrÄåṇaÅ›akti manifested by PrÄåṇavÄåyu in the living body, the presiding DevatÄå of which are names for the Universal Consciousness as It manifests in the form of those centres. The Cakras are not perceptible to the gross senses, whatever may be a Yogi’s powers to observe what is beyond the senses (²¹³ÙÄ«²Ô»å°ù¾±²â²¹). Even if they were perceptible in the living body which they help to organize, they disappear with the disintegration of organism at death.
: DSpace at Pondicherry: Siddha Cult in Tamilnadu (shaktism)Cakra (चकà¥à¤°).—According to the ÅšÄåkta scheme there are six nerve-plexes or wheels (á¹£aá¹c²¹°ì°ù²¹²õ) within the human body.
These (six cakras) are in the:
- ³¾Å«±ôÄå»å³óÄå°ùÄå (rectal region, at the base of the spine),
- ²õ±¹Äå»å³ó¾±á¹£á¹³óÄå²Ô²¹ (immediately above the sexual organs),
- ³¾²¹á¹‡i±èÅ«°ùÄå°ì²¹ (the region of the navel),
- ²¹²ÔÄå³ó²¹³Ù²¹ (region around the heart),
- ±¹¾±Å›³Ü»å»å³ó²¹ (at the front of the throat),
- and ÄåÂáñ²¹ (between the eyebrows).

Shakta (शाकà¥à¤�, Å›Äåkta) or Shaktism (Å›Äåktism) represents a tradition of Hinduism where the Goddess (Devi) is revered and worshipped. Shakta literature includes a range of scriptures, including various Agamas and Tantras, although its roots may be traced back to the Vedas.
Chandas (prosody, study of Sanskrit metres)
: Shodhganga: a concise history of Sanskrit Chanda literature1) Cakra (चकà¥à¤°) is the name of an author of works dealing with prosodoy (chandas or ³¦³ó²¹²Ô»å²¹Å›Å›Äå²õ³Ù°ù²¹) quoted by °á¹£e³¾±ð²Ô»å°ù²¹ (11th century) in his ³§³Ü±¹á¹›t³Ù²¹³Ù¾±±ô²¹°ì²¹. The ³§³Ü±¹á¹›t³Ù²¹³Ù¾±±ô²¹°ì²¹ is a monumental work of Sanskrit prosody in which the author discusses 27 popular metres which were used frequently by the poets (e.g., Cakra).
2) Cakra (चकà¥à¤°) refers to one of the 130 ±¹²¹°ùṇa±¹á¹›t³Ù²¹²õ (syllabo-quantitative verse) dealt with in the second chapter of the ³Õá¹›t³Ù²¹³¾³Ü°ì³ÙÄå±¹²¹±ôÄ«, ascribed to ¶Ù³Ü°ù²µÄå»å²¹³Ù³Ù²¹ (19th century), author of eight Sanskrit work and patronised by Hindupati: an ancient king of the Bundela tribe (presently Bundelkhand of Uttar Pradesh). A Varṇavá¹›tta (e.g., cakra) refers to a type of classical Sanskrit metre depending on syllable count where the light-heavy patterns are fixed.

Chandas (छनà¥à¤¦à¤¸à¥) refers to Sanskrit prosody and represents one of the six Vedangas (auxiliary disciplines belonging to the study of the Vedas). The science of prosody (chandas-shastra) focusses on the study of the poetic meters such as the commonly known twenty-six metres mentioned by Pingalas.
Jyotisha (astronomy and astrology)
: Wikibooks (hi): Sanskrit Technical TermsCakra (चकà¥à¤°).â€�1. Circle. 2. Twelve signs or 360°. Note: Cakra is a Sanskrit technical term used in ancient Indian sciences such as Astronomy, Mathematics and Geometry.

Jyotisha (जà¥à¤¯à¥‹à¤¤à¤¿à¤�, Âá²â´Ç³Ù¾±á¹£a or jyotish) refers to ‘astronomyâ€� or “Vedic astrologyâ€� and represents the fifth of the six Vedangas (additional sciences to be studied along with the Vedas). Jyotisha concerns itself with the study and prediction of the movements of celestial bodies, in order to calculate the auspicious time for rituals and ceremonies.
Kavya (poetry)
Source: Wisdom Library: KathÄåsaritsÄågara1) Cakra (चकà¥à¤°) or Cakraparvata is the name of a mountain situated on the island NÄårikela, as mentioned in the KathÄåsaritsÄågara, chapter 54. Accordingly, as four heavenly figures said to NaravÄåhanadatta: â€�... there is in the midst of the great sea a great, prosperous and splendid island, which is called the island of NÄårikela, and is renowned in the world for its beauty. And in it there are four mountains with splendid expanses of land, named MainÄåka, Vṛṣabha, Cakra and BalÄåhaka; in those four we four liveâ€�.
2) Cakra (चकà¥à¤°) is the name of a merchant’s son (±¹²¹á¹‡i°ì±è³Ü³Ù°ù²¹) from Dhavala, according to the KathÄåsaritsÄågara, chapter 56. Accordingly, â€�... in the city of Dhavala there was a merchant’s son named Cakra. He went on a trading voyage to SvarṇadvÄ«pa against the will of his parents. There he gained great wealth in five years, and in order to return embarked on the sea in a ship laden with jewelsâ€�.
The story of Cakra was narrated by CandrasvÄåmin to his son MahÄ«pÄåla in order to demonstrate that “one who is cursed by his father and mother does not long enjoy prosperityâ€�.
The KathÄåsaritsÄågara (‘ocean of streams of storyâ€�), mentioning Cakra, is a famous Sanskrit epic story revolving around prince NaravÄåhanadatta and his quest to become the emperor of the ±¹¾±»å²âÄå»å³ó²¹°ù²¹²õ (celestial beings). The work is said to have been an adaptation of GuṇÄåá¸hya’s Bá¹›hatkathÄå consisting of 100,000 verses, which in turn is part of a larger work containing 700,000 verses.

Kavya (कावà¥à¤�, kavya) refers to Sanskrit poetry, a popular ancient Indian tradition of literature. There have been many Sanskrit poets over the ages, hailing from ancient India and beyond. This topic includes mahakavya, or ‘epic poetryâ€� and natya, or ‘dramatic poetryâ€�.
Vaishnavism (Vaishava dharma)
: Shodhganga: The significance of the mÅ«la-beras (vaishnavism)Cakra (चकà¥à¤°) refers to “wheelâ€� and in the hand of Viṣṇu is called the ²õ³Ü»å²¹°ùÅ›²¹²Ô²¹-³¦²¹°ì°ù²¹ [which] reveals many lofty ideas. Cakra is the solar symbol representing eternity. It symbolizes the wheel of time where the destiny of man is seen in all his ebbs and flows in life when he mounts up in fortune and goes down in adversity. It symbolizes the wheel of power representing sovereignty. Viṣṇu, as the protector of the universe, and as the Emperor of emperors, carries the wheel which is the symbolic of the power that he wields for the benefit of the universe. The cakra in Viṣṇu’s hand symbolizes the destructive ability of the Lord. The devotee prays to Lord Viṣṇu and gains all the fortunes from each part of the deity.

Vaishnava (वैषà¥à¤£à¤µ, vaiṣṇava) or vaishnavism (vaiṣṇavism) represents a tradition of Hinduism worshipping Vishnu as the supreme Lord. Similar to the Shaktism and Shaivism traditions, Vaishnavism also developed as an individual movement, famous for its exposition of the dashavatara (‘ten avatars of Vishnuâ€�).
Vedanta (school of philosophy)
: Shodhganga: Siva Gita A Critical StudyCakra (चकà¥à¤°) refers to “wheelâ€�.—Any of the nerve plexes or centres of force and consciousness located with in the inner bodies of man. In the physical body there are corresponding nerve plexes, ganglia and glands. The seven principal cakras are situated along the spinal cord from the base to the cranial chamber. Additionally seven cakras exist below the spine. They are seats of instinctive consciousness, the origin of jealousy, hatred, envy, guilt, sorrow etc. They constitute the lower or hellish world, called Naraka or PÄå³ÙÄå±ô²¹. Thus there are 14 major cakras in all.
The seven upper cakras ²¹°ù±ð:â€�
- ³¾Å«±ôÄå»å³óÄå°ù²¹ (base of spine): memory time and space;
- ²õ±¹Äå»å³ó¾±á¹£á¹³ó²¹²Ô²¹ (below navel): reason;
- ³¾²¹á¹‡i±èÅ«°ù²¹ (solar plexus): will power;
- ²¹²ÔÄå³ó²¹³Ù²¹ (heart centre): direct cognition;
- ±¹¾±Å›³Ü»å»å³ó²¹ (throat): divine love;
- ÄåÂáñÄå (third eye): divine sight;
- ²õ²¹³ó²¹²õ°ùÄå°ù²¹ (crown of head): illumination, Godliness.
The seven lower cakras ²¹°ù±ð:â€�
- atala (hips): fear and lust;
- vitala (thighs); raging anger;
- sutala (knees); retaliatory jealousy;
- ³Ù²¹±ôÄå³Ù²¹±ô²¹ (calves): prolonged mental confusion;
- °ù²¹²õÄå³Ù²¹±ô²¹ (ankles): selfishness;
- ³¾²¹³óÄå³Ù²¹±ô²¹ (feet); absence of consciousness;
- pÄå³ÙÄå±ô²¹ (located in the soles of the feet): murder and malice.

Vedanta (वेदानà¥à¤�, vedÄånta) refers to a school of orthodox Hindu philosophy (astika), drawing its subject-matter from the Upanishads. There are a number of sub-schools of Vedanta, however all of them expound on the basic teaching of the ultimate reality (brahman) and liberation (moksha) of the individual soul (atman).
Ayurveda (science of life)
Veterinary Medicine (The study and treatment of Animals)
: Shodhganga: Portrayal of Animal Kingdom (Tiryaks) in Epics An Analytical studyCakra (चकà¥à¤°) refers to (a variant of) the Ruddy Shelduck (Tadorna ferruginea), according to scientific texts such as the Má¹›gapaká¹£iÅ›Äåstra (Mriga-pakshi-shastra) or “the ancient Indian science of animals and birdsâ€� by Hamsadeva, containing the varieties and descriptions of the animals and birds seen in the Sanskrit Epics such as the Ramayana and Mahabharata.

Ä€yurveda (आयà¥à¤°à¥à¤µà¥‡à¤¦, ayurveda) is a branch of Indian science dealing with medicine, herbalism, taxology, anatomy, surgery, alchemy and related topics. Traditional practice of Ä€yurveda in ancient India dates back to at least the first millenium BC. Literature is commonly written in Sanskrit using various poetic metres.
Yoga (school of philosophy)
: ORA: Amanaska (king of all yogas): A Critical Edition and Annotated Translation by Jason Birch1) Cakra (चकà¥à¤°) refers to the “cycle (of birth and death)â€�, according to the ÅšivayogadÄ«pikÄå by SadÄåÅ›ivayogīśvara: a text dealing with Åšaivism and Haá¹hayoga in two hundred and eighty-nine verses.—Accordingly, while discussing the difference between RÄåjayoga and Åšaivayoga: “[...] Devotion is gnosis full of Åšiva, and Åšaiva gnosis is Åšiva’s nature. Since Åšaiva observance is worship of Åšiva, Åšiva's yoga is five-fold. He who is without the practice [of worshipping] Åšiva is certainly a bound soul, and he goes round and round forever in this cycle of birth and death (²õ²¹á¹ƒsÄå°ù²¹-cakra)â€�.
2) Cakra (चकà¥à¤°) refers to the “cycles (of cosmic periods)â€�, according to the Moká¹£opÄåya.—Accordingly: “[He is] known as BhuÅ›uṇá¸a [because] his long life is known throughout the world. He is strong-minded because he has seen the coming and going of the Ages [of the world], and he is exhausted counting the successions of cycles (cakra) in each cosmic periodâ€�.

Yoga is originally considered a branch of Hindu philosophy (astika), but both ancient and modern Yoga combine the physical, mental and spiritual. Yoga teaches various physical techniques also known as Äåsanas (postures), used for various purposes (eg., meditation, contemplation, relaxation).
Mantrashastra (the science of Mantras)
: Shodhganga: Kasyapa Samhita—Text on Visha Chikitsa (mantra)Cakra (चकà¥à¤°, “discâ€�) or Cakra³¾³Ü»å°ùÄå refers to one of the Pañca³¾³Ü»å°ùÄås (“five ³¾³Ü»å°ùÄås or signsâ€�), according to the Åšeá¹£a-samhitÄå (p.26, ³¾³Ü»å°ùÄåvidhi).—Mantras refers to “that which is chanted by people to obtain their spiritual aspirationsâ€�. Mantras must be accompanied by the prescribed ³¾³Ü»å°ùÄås or signs. MudrÄå is the position of the hand and finger indicative of various moods and sentiments, and accelerate the effectiveness of the accompanying mantras. The Åšeá¹£asamhitÄå states that the five MudrÄås [e.g., disc (cakra-³¾³Ü»å°ùÄå)] yield the four ±è³Ü°ù³Üá¹£Äår³Ù³ó²¹²õ when displayed in the middle and end of a japa.
Mantrashastra (शिलà¥à¤ªà¤¶à¤¾à¤¸à¥à¤¤à¥à¤°, ³¾²¹²Ô³Ù°ù²¹Å›Äå²õ³Ù°ù²¹) refers to the ancient Indian science of mantras—chants, incantations, spells, magical hymns, etc. Mantra Sastra literature includes many ancient books dealing with the methods reciting mantras, identifying and purifying its defects and the science behind uttering or chanting syllables.
General definition (in Hinduism)
: archive.org: Vedic index of Names and SubjectsCakra (चकà¥à¤°):—The chariot (ratha) has, as a rule, two wheels (cakra), to which reference is frequently made. The wheel consisted of a rim (Pavi), a felly (Pradhi), spokes (Ara), and a nave (Nabhya). The rim and the felly together constitute the Nemi. The hole in the nave is called Kha: into it the end of the axle was inserted ; but there is some uncertainty whether Āṇi denotes the extremity of the axle that was inserted in the nave, or the lynch-pin used to keep that extremity in the wheel. Sometimes a solid wheel was used.
: WikiPedia: HinduismChakra (चकà¥à¤°): An energy node in the human body. The seven main chakras are described as being aligned in an ascending column from the base of the spine to the top of the head. Each chakra is associated with a certain colour, multiple specific functions, an aspect of consciousness, a classical element, and other distinguishing characteristics.
In Buddhism
Tibetan Buddhism (Vajrayana or tantric Buddhism)
: Google Books: The Crystal Mirror of Philosophical SystemsCakra (चकà¥à¤°) (in Tibetan: 'khor lo) â€� In tantric theory, one of a number of “wheelsâ€� at the intersection of important channels in the subtle body . The cakras are important for understanding human physiology and meditative praxis, and are replete with symbolic significance. The most commonly mentioned are those at the sexual organ, navel, heart, throat, forehead, and crown
: academia.edu: The Structure and Meanings of the Heruka Maṇá¸alaCakra (चकà¥à¤°) refers to a “discusâ€� and represents one of the items held in the right hand of Heruka: one of the main deities of the Heruka³¾²¹á¹‡á¸²¹±ô²¹ described in the 10th century ḌÄåkÄå°ùṇa±¹²¹ chapter 15. Heruka is positioned in the Lotus (padma) at the center; He is the origin of all heroes; He has 17 faces (with three eyes on each) and 76 arms [holding, for example, cakra]; He is half black and half green in color; He is dancing on a flaming sun placed on Bhairava and KÄålarÄåtrÄ«.
: De Gruyter: Himalayan Anthropology: The Indo-Tibetan InterfaceCakra (चकà¥à¤°) refers to the “circular arrangements within the head, throat, heart, stomach, and genitalsâ€�, according to William Stablein’s A Descriptive Analysis of the Content of Nepalese Buddhist Pujas as a Medical-Cultural System (with References to Tibetan Parallels).—T³ó±ð tshog shin (sacred tree) is also mentally visualized.—[...] The education and training of the hierophant (±¹²¹Âá°ùÄ峦Äå°ù²â²¹) may be significant for the existence and maintenance of his vajradeha [Vajra body] which is the main dynamo of the system. The Vajra body is the model system of three nerves: ±ô²¹±ô²¹²ÔÄå, °ù²¹²õ²¹²ÔÄå, and ²¹±¹²¹»å³óÅ«³ÙÄ«, which are located in the left, right, and middle parts of the body respectively. With these nerves there are five cakra [circular arrangements within the head, throat, heart, stomach, and genitals]. The main function of this unit is the sacred procreation, i.e., the creation of the bodhicitta [sacred semen].
: MUNI Arts: Kalachakra and the twenty-five Kulika kings of ShambhalaCakra (चकà¥à¤°) refers to a “wheelâ€� and represents one of the attributes of Bhadra or Rigden Zangpo—one of the Twenty-five Kulikas as well as one of the traditional Shambhala rulers.—His attributes are a wheel (Sanskrit: cakra, Tibetan: khorlo [khor lo]; berdo [be rdo]) and a white conch shell.
Cakra (चकà¥à¤°) or “wheelâ€� also represents one of the attributes of ±·²¹°ù²¹²õ¾±á¹ƒh²¹ or Rigden Misengge.

Tibetan Buddhism includes schools such as Nyingma, Kadampa, Kagyu and Gelug. Their primary canon of literature is divided in two broad categories: The Kangyur, which consists of Buddha’s words, and the Tengyur, which includes commentaries from various sources. Esotericism and tantra techniques (±¹²¹Âá°ù²¹²âÄå²Ô²¹) are collected indepently.
Mahayana (major branch of Buddhism)
: academia.edu: A Study and Translation of the Gaganagañjaparipá¹›cchÄå1) Cakra (चकà¥à¤°) refers to the “four wheelsâ€� of MahÄåyÄåna, according to the Gaganagañjaparipá¹›cchÄå: the eighth chapter of the MahÄåsaṃnipÄåta (a collection of MahÄåyÄåna Buddhist SÅ«tras).—Accordingly, “The great vehicle (³¾²¹³óÄå²âÄå²Ô²¹) is made with four wheels (cakra), namely with the means of attraction, the spokes (ara) are well fitted as the roots of good have been transformed (±è²¹°ù¾±á¹‡Äåm¾±³Ù²¹) with intention (ÄåÅ›²¹²â²¹), it is well made with a deep nave as there is the immense knowledge of dependent origination (±è°ù²¹³ÙÄ«³Ù²â²¹²õ²¹³¾³Ü³Ù±èÄå»å²¹), it is well kept together by the axle (²¹°ìá¹£a)1494 in order to bear the burdens of all living beings, [...]â€�.
2) Cakra (चकà¥à¤°) refers to the “wheel (of the dharma)â€�, according to the Gaganagañjaparipá¹›cchÄå.—Accordingly, as Bodhisattva Gaganagañja explains to Bodhisattva RatnaÅ›rÄ« what kind of concentration should be purified: “[...] (39) [when the Bodhisattvas attain] the concentration called ‘Stainless wheelâ€�, the wheel of the dharma will be purified (dharma-cakra); [...]â€�.

Mahayana (महायान, ³¾²¹³óÄå²âÄå²Ô²¹) is a major branch of Buddhism focusing on the path of a Bodhisattva (spiritual aspirants/ enlightened beings). Extant literature is vast and primarely composed in the Sanskrit language. There are many ²õÅ«³Ù°ù²¹²õ of which some of the earliest are the various PrajñÄåpÄåramitÄå ²õÅ«³Ù°ù²¹²õ.
General definition (in Buddhism)
Source: Wisdom Library: Dharma-samgrahaCakra (चकà¥à¤°, “wheelâ€�) or Cakraratna refers to the “wheel jewelâ€� and represents the first of the “seven jewels of universal monarchsâ€� (saptaratna) as defined in the Dharma-saṃgraha (section 85). The Dharma-samgraha (Dharmasangraha) is an extensive glossary of Buddhist technical terms in Sanskrit (e.g., cakra). The work is attributed to Nagarjuna who lived around the 2nd century A.D.
: Buddhist Door: GlossaryA wheel in Yoga, one of the psychic centres of the body.In Jainism
General definition (in Jainism)
: Google Books: Jainism: An Indian Religion of SalvationCakra (चकà¥à¤°, “discusâ€�).—One of the fourteen gems (ratna) serving the Cakravartin;—The cakra is a discus embellished with jewels; the Cakra±¹²¹°ù³ÙÄ« hurls it in the battle againts his opponent. Provided with unfailing power, it returns into the hand of the one who has thrown it, after it has smashed the head of the enemy. If it does not immediately kill the opponent for some reason, then it follows him, likea falcon its booty where it can destroy him.

Jainism is an Indian religion of Dharma whose doctrine revolves around harmlessness (ahimsa) towards every living being. The two major branches (Digambara and Svetambara) of Jainism stimulate self-control (or, shramana, ‘self-reliance�) and spiritual development through a path of peace for the soul to progess to the ultimate goal.
India history and geography
Source: Wisdom Library: Teachers, Saints and SagesCakra (चकà¥à¤°) or CakranÄåtha refers to one of the eighty-four Siddhas (SiddhÄåcÄåryas) mentioned in various sources as being representative teachers of Sahajiya Tantrism, Alchemy, Nath Sampradaya and other traditions having influence in the Indian subcontinent and the Himalayas.—Many of these MahÄåsiddhas [e.g., Cakra-nÄåtha] were historical figures whose lives and mystical powers were the subject of legends. They are often associated with teachings belonging to Hinduism, Buddhism, Ajivikism and Jainism and are evident of a caste-less interreligious spiritual society.
: Cologne Digital Sanskrit Dictionaries: Indian Epigraphical GlossaryCakra.—cf. Cakrin (EI 4); a district; same as ³¾²¹á¹‡á¸²¹±ô²¹. Cf. sakkaram (SITI), wheel of authority; the king's order; an officer entrusted with the execution of the king's order. (CII 3), ‘the discusâ€�; an emblem on seals. Cf. Å›akkara-kÄåṇikkai (SITI), Sanskrit-Tamil; tax paid by potters; also called tirigai-Äåyam. Note: cakra is defined in the “Indian epigraphical glossaryâ€� as it can be found on ancient inscriptions commonly written in Sanskrit, Prakrit or Dravidian languages.
: Yale Journal of Music & Religion: Ritual Music in Contemporary Brahmanical Tantric Temples of KeralaCakra (चकà¥à¤°) refers to the “energetic centersâ€� of the Human Body which is represented by the Temple.—Another category of correspondences between the Temple and the Human Body (according to texts and performers in Kerala) is established on the vertical plane, and in this case it relates to the so-called energetic centers (cakras) situated along the internal channel (²õ³Üá¹£u³¾²ÔÄå) in the spine.
The Cakras are:
- ³¾Å«±ôÄå»å³óÄå°ù²¹,
- ²õ±¹Äå»å³ó¾±á¹£t³óÄå²Ô²¹,
- ³¾²¹²Ô¾±±èÅ«°ù²¹,
- ²¹²ÔÄå³ó²¹³Ù²¹,
- ±¹¾±á¹£u»å»å³ó²¹, and
- ÄåÂá²ÔÄå.
At the base of the channel, imagined as a coiled serpent in the lowest of the Cakras (³¾Å«±ôÄå»å³óÄå°ù²¹), Kuṇá¸alinÄ«, the feminine life force or Åšakti, is thought to reside. At the opposite end, above the six power centers, the thousand-petaled lotus (²õ²¹³ó²¹²õ°ùÄå°ù²¹-cakra) is the abode of Åšiva. Before the erection of the Å›°ùÄ«°ìű¹¾±±ô (“shrineâ€�), a hole is made in the place where the deity will be installed. In this hole, which represents the ²õ³Üá¹£u³¾²ÔÄå, six symbolic elements associated with the six centers (cakras) in the human body are installed, one over the other.

The history of India traces the identification of countries, villages, towns and other regions of India, as well as mythology, zoology, royal dynasties, rulers, tribes, local festivities and traditions and regional languages. Ancient India enjoyed religious freedom and encourages the path of Dharma, a concept common to Buddhism, Hinduism, and Jainism.
Languages of India and abroad
Marathi-English dictionary
: DDSA: The Molesworth Marathi and English Dictionarycakra (चकà¥à¤°).—n (S) A wheel. 2 A discus or sharp circular missile weapon, esp. the discus of ±¹¾±á¹£á¹‡³Ü. 3 A play thing, a bandalour. 4 Circular lines at the finger-ends (opp. to the conchform lines); held as a favorable sign. 5 An army, a host, an assemblage. 6 A realm, region, country: also a province or district. 7 A cant term for the dish ±¹²¹á¸Ä�. 8 A common term for the two wheels attached to the ends of the °ì²¹±èÄåḷa°ìÄåá¹»·Ä« of a loom: or for the wheel supplying the °ì²¹±èÄåḷa°ìÄåá¹»·Ä« (or á¸hŧṅk²¹á¹‡Ä�) in its absence. 9 A form of array of troops,--the circle. 10 A whirlpool. 11 A diagram of various forms for calculating nativities or foretelling events. 12 An anatomical division of the body, --a ring or a depression. Six are reckoned: viz. ÄådhÄåra-liá¹…ga-²ÔÄå²ú³ó¾±-há¹›t-kaṇá¹ha-bhrÅ«-cakra. See further under á¹£aá¹c²¹°ì°ù²¹²ú³óŧ»å²¹. 13 A cycle of years. 14 In astronomy. A sphere or circle, as °ùÄåÅ›¾±cakra, prÄåk- cakra, jyÅtiá¹£acakra. 15 (Vulgar.) A trouble; a maze, vortex, puzzle, quandary.
: DDSA: The Aryabhusan school dictionary, Marathi-Englishcakra (चकà¥à¤°).â€�n A wheel. An army, a host, an as- semblage. (Astronomy) A sphere or circle, as °ùÄåÅ›¾±cakra, jyÅtiá¹£acakra. A trouble, a maze, vortex, puzzle, quandary.
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Sanskrit dictionary
: DDSA: The practical Sanskrit-English dictionaryCakra (चकà¥à¤°).—[kriyate anena, °ìá¹� ghañarthe< ka ni° dvitvam Tv.]
1) The wheel of a carriage; चकà¥à¤°à¤µà¤¤à¥à¤ªà¤°à¤¿à¤µà¤°à¥à¤¤à¤¨à¥à¤¤à¥‡ दà¥à¤ƒà¤–ानà¤� à¤� सà¥à¤–ानि à¤� (cakravatparivartante duḥkhÄåni ca sukhÄåni ca) H.1.173.
2) A potter's wheel.
3) A sharp circular missile, weapon, a disc (especially applied to the weapon of Viṣṇu).
4) An oil-mill; दशसूनासमà¤� चकà¥à¤°à¤� दशचकà¥à¤°à¤¸à¤®à¥� धà¥à¤µà¤œà¤� (daÅ›asÅ«nÄåsamaá¹� cakraá¹� daÅ›acakrasamo dhvajaá¸�) ²Ñ²¹³óÄå²ú³óÄå°ù²¹³Ù²¹ (Bombay) 13.125.9.
5) A circle, ring; कलाप- चकà¥à¤°à¥‡à¤·à¥� निवेशिताननमॠ(°ì²¹±ôÄå±è²¹- cakreá¹£u niveÅ›itÄånanam) ṚtusaṃhÄåra 2.14.
6) A troop, multitude, collection, ÅšiÅ›upÄålavadha 2.17.
7) A realm, sovereignty; सà¥à¤µà¤¸à¥à¤¥à¤� सà¥à¤µà¤šà¤•à¥à¤°à¤‚ परचकà¥à¤°à¤®à¥à¤•à¥à¤¤à¤®à¥� (svasthaá¹� svacakraá¹� paracakramuktam) Bu. Ch.2.15; cf. चकà¥à¤°à¤� सैनà¥à¤¯à¤¥à¤¾à¤™à¥à¤—योà¤� à¥� राषà¥à¤Ÿà¥à¤°à¥‡ दमà¥à¤à¤¾à¤¨à¥à¤¤à¤°à¥‡ (cakraá¹� sainyathÄåá¹…gayoá¸� | rÄåá¹£á¹re dambhÄåntare) ... ()| MedinÄ«.
8) A province, district, a group of villages.
9) A form of military array in a circle.
1) A circle or depression of the body.
11) A cycle, cycle of years.
12) The horizon; यावदावरà¥à¤¤à¤¤à¥� चकà¥à¤°à¤� तावती मे वसà¥à¤¨à¥à¤§à¤°à¤¾ (yÄåvadÄåvartate cakraá¹� tÄåvatÄ« me vasundharÄå) ¸éÄå³¾.2.1.36.
13) An army, a host.
14) Section of a book.
15) A whirlpool.
16) The winding of a river.
17) An astronomical circle; राशि° (°ùÄåÅ›¾±Â°) the zodiac.
18) Circular flight (of birds &c.).
19) A particular constellation in the form of a hexagon.
2) Range, department in general.
21) The convolutions or spiral marks of the शालिगà¥à¤°à¤¾à¤� (Å›Äå±ô¾±²µ°ùÄå³¾²¹).
22) A crooked or fraudulent contrivance.
-°ì°ù²¹á¸� 1 The ruddy goose (also called ³¦²¹°ì°ù²¹±¹Äå°ì²¹); पदà¥à¤®à¥‹à¤²à¥à¤²à¤¾à¤¸à¤µà¤¿à¤§à¤¾à¤¯à¤¿à¤¨à¤¿ सतà¥à¤ªà¤¥à¤¦à¥€à¤ªà¥à¤¤à¤¿à¤•ृति चकà¥à¤°à¤à¤µà¥à¤¯à¤•रà¥� (padmollÄåsavidhÄåyini satpatha»åÄ«±è³Ù¾±°ìá¹›ti cakrabhavyakare) ViÅ›. GuṇÄ�.274.
2) A multitude, troop, group.
Derivable forms: cakram (चकà¥à¤°à¤®à¥).
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°äÄå°ì°ù²¹ (चाकà¥à¤�).â€�a. (-°ì°ùÄ« f.) [चकà¥à¤°à¥‡à¤£ निरà¥à¤µà¥ƒà¤¤à¥à¤¤à¤‚ अणà¥� (cakreṇa nirvá¹›ttaá¹� aá¹�)]
1) Carried on with the discus (as a battle).
2) Circular.
3) Relating to a wheel.
: Cologne Digital Sanskrit Dictionaries: Edgerton Buddhist Hybrid Sanskrit DictionaryCakra (चकà¥à¤°).â€�nt., circle; (= Pali cakka) one of the four circles or states of (desirable, happy) existence (in which gods and men may find themselves): catvÄåri devamanu- á¹£yÄåṇÄåṃ cakrÄåṇi ²Ñ²¹³óÄå±¹²â³Ü³Ù±è²¹³Ù³Ù¾± 1603 (similarly Pali Aá¹…guttaranikÄåya (Pali) ii.32.1), listed 1604â€�7, pratirÅ«padeÅ›avÄåsaá¸�, satpuruá¹£ÄåpÄåÅ›°ù²¹²â²¹m, Äåtmanaá¸� samyakpraṇidhÄånam, pÅ«rve ca °ìá¹›tapuṇyatÄå (= Pali ibid. 5 paá¹irÅ«padesavÄåso sappurisÅ«passayo at- tasammÄåpaṇidhi pubbe ca katapuññatÄå); see further cakra-bheda, vidyuc-cakra.
: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English DictionaryCakra (चकà¥à¤°).—m.
(-°ì°ù²¹á¸�) 1. The ruddy or Brahmani goose, (Anas casarca.) n.
(-°ì°ù²¹á¹�) 1. An army, a host. 2. A realm, a region. 3. A multitude, a heap 4. A wheel. 5. A potter’s wheel. 6. An oil mill, &c. 7. A discus or sharp circular missile weapon. 8. A whirlpool. 9. A province, a number of villages, a district. 10. A form of military array, a circular position. 11. A diagram of various sorts for calculating nativities or foretelling events. 12. A ring, circle or depression of the body for mystical, astrological or cheiromantic purposes; six such are enumerated, or Muladhara the parts about the pubis, above that is the Swadhishthanam or umbilical region, and above that the Munipuram or pit of the stomach or epigastrium, Anahatam is the root of the nose, Visuddham the hollow between the frontal sinuses, and the Ajnyakhyam the fontenelle or union of the coronal and sagittal sutures; various faculties and divinities are supposed to be present in these hollows. 13. A cycle, a cycle of years. 14. (In Astronomy,) A sphere or circle, as °ùÄåÅ›¾±³¦²¹°ì°ù²¹á¹� the zodiac; ±è°ùÄå°ì³¦²¹°ì°ù²¹á¹� an epicycle. 15. The horizon. 16. The spiral marks of the Salagram or ammonite. E. °ìá¹� to do or make, with the reduplicate initial letter, affix ka, or cak to repel, &c. with rak aff.
: Cologne Digital Sanskrit Dictionaries: Benfey Sanskrit-English DictionaryCakra (चकà¥à¤°).—I. n. 1. A wheel, [²ÑÄå²Ô²¹±¹²¹»å³ó²¹°ù³¾²¹Å›Äå²õ³Ù°ù²¹] 8, 291. 2. A potter’s wheel, [YÄåÂáñ²¹valkya, (ed. Stenzler.)] 3, 146. 3. A discus, or sharp circular missile weapon, especially of Viṣṇu, [RÄå³¾Äå²â²¹á¹‡a] 1, 29, 6. 4. An oil-press, [²ÑÄå²Ô²¹±¹²¹»å³ó²¹°ù³¾²¹Å›Äå²õ³Ù°ù²¹] 4, 84. 5. A circle, [¸éÄåÂá²¹³Ù²¹°ù²¹á¹…g¾±á¹‡Ä�] 5, 230. 6. A form of military array, a circular position. 7. An astrological or mystical figure, [¸éÄåÂá²¹³Ù²¹°ù²¹á¹…g¾±á¹‡Ä�] 5, 55 (³¾Äå³Ùá¹�-). 8. A multitude, [RÄå³¾Äå²â²¹á¹‡a] 6, 75, 39. 9. An army, ²Ñ²¹³óÄå²ú³óÄå°ù²¹³Ù²¹ 5, 1939. 10. Dominion, [BhÄågavata-PurÄåṇa, (ed. Burnouf.)] 9, 20, 32. Ii. m. 1. The ruddy goose, Anas casarca, ²Ñ²¹³óÄå²ú³óÄå°ù²¹³Ù²¹ 9, 443. 2. The name of a people, ²Ñ²¹³óÄå²ú³óÄå°ù²¹³Ù²¹ 6, 352. 3. A proper name, ²Ñ²¹³óÄå²ú³óÄå°ù²¹³Ù²¹ 1, 2147. 4. The name of a mountain, [BhÄågavata-PurÄåṇa, (ed. Burnouf.)] 5, 20, 15.
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°äÄå°ì°ù²¹ (चाकà¥à¤�).—i. e. cakra + a, adj. Performed with a discus, [Harivaṃśa, (ed. Calc.)] 5648.
: Cologne Digital Sanskrit Dictionaries: Cappeller Sanskrit-English DictionaryCakra (चकà¥à¤°).—[neuter] [masculine] wheel (lit. & [figuratively]), discus ([especially] of Viṣṇu); orb, circle; troop, multitude, army; circuit, district, province, domain. —[masculine] a kind of duck, also a man’s name; [feminine] ca°ì°ùÄ« wheel.
: Cologne Digital Sanskrit Dictionaries: Aufrecht Catalogus CatalogorumCakra (चकà¥à¤°) as mentioned in Aufrecht’s Catalogus Catalogorum:—an abbreviation of CakrapÄåṇidatta. See Catal. Io. p. 937. 939.
: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary1) Cakra (चकà¥à¤°):â€�n. ([Vedic or Veda] rarely m.; [gana] ²¹°ù»å³ó²¹°ù³¦Äå»å¾±; [from] âˆ�car?; âˆ�1. °ìá¹�, [PÄåṇini 6-1, 12; KÄåÅ›ikÄå-vá¹›tti]) the wheel (of a carriage, of the Sun’s chariot [Ṛg-veda], of Time [i, 164, 2-48]; °ì°ù²¹á¹�-√c²¹°ù, to drive in a carriage, [Åšatapatha-brÄåhmaṇa vi]), [Ṛg-veda] etc.
2) a potter’s wheel, [Åšatapatha-brÄåhmaṇa xi; YÄåÂáñ²¹valkya iii, 146] (cf. -bhrama etc.)
3) a discus or sharp circular missile weapon ([especially] that of Viṣṇu), [²Ñ²¹³óÄå²ú³óÄå°ù²¹³Ù²¹; RÄå³¾Äå²â²¹á¹‡a; SuÅ›ruta; Pañcatantra; BhÄågavata-purÄåṇa]
4) an oil-mill, [Manu-smá¹›ti iv. 85; ²Ñ²¹³óÄå²ú³óÄå°ù²¹³Ù²¹ xii, 6481 & 7697]
5) a circle, [RÄå³¾Äå²â²¹á¹‡a; BhÄågavata-purÄåṇa] etc. (°ì²¹±ôÄå±è²¹-, ‘the circle of a peacock’s tailâ€� [ṚtusaṃhÄåra ii, 14])
6) an astronomical circle (e.g. °ùÄåÅ›¾±-, the zodiac), [VarÄåha-mihira’s Bá¹›hat-saṃhitÄå; SÅ«ryasiddhÄånta]
7) a mystical circle or diagram, [Tantr.]
8) = -bandha q.v., [SÄåhitya-darpaṇa x, 13 a/b]
9) a cycle, cycle of years or of seasons, [Harivaṃśa 652]
10) ‘a form of military array (in a circle)â€� See -±¹²âÅ«³ó²¹
11) circular flight (of a bird), [Pañcatantra ii, 57]
12) a particular constellation in the form of a hexagon, [VarÄåha-mihira’s Bá¹›hat-saṃhitÄå xx; VarÄåha-mihira’s Bá¹›hajjÄåtaka; LaghujÄåtaka, by VarÄåha-mihira]
13) a circle or depression of the body (for mystical or chiromantic purposes; 6 in number, one above the other, viz. 1. ³¾Å«±ôÄå»å³óÄå°ù²¹, the parts about the pubis; 2. ²õ±¹Äå»å³ó¾±á¹£á¹³óÄå²Ô²¹, the umbilical region; 3. ³¾²¹á¹‡i-±èÅ«°ù²¹, the pit of the stomach or epigastrium; 4. ²¹²ÔÄå³ó²¹³Ù²¹, the root of the nose; 5. ±¹¾±Å›³Ü»å»å³ó²¹, the hollow between the frontal sinuses; 6. ÄåÂáñÄåkhya, the fontanelle or union of the coronal and sagittal sutures; various faculties and divinities are supposed to be present in these hollows)
14) Name of a metre (= -±èÄå³Ù²¹)
15) a circle or a similar instrument (used in [astronomy]), [LaghujÄåtaka, by VarÄåha-mihira; SÅ«ryasiddhÄånta xiii, 20; GolÄådhyÄåya xi, 10 ff.]
16) (also m., [cf. Lexicographers, esp. such as amarasiṃha, halÄå²â³Ü»å³ó²¹, hemacandra, etc.]) a troop, multitude, [²Ñ²¹³óÄå²ú³óÄå°ù²¹³Ù²¹ v, ix] (°ì°ùÄå±¹²¹±ôÄ«, q.v.), [Harivaṃśa; RÄå³¾Äå²â²¹á¹‡a] etc.
17) the whole number of (in [compound]), [Sarvadarśana-saṃgraha xi, 127]
18) a troop of soldiers, army, host, [²Ñ²¹³óÄå²ú³óÄå°ù²¹³Ù²¹] (ifc. f(Äå). , [iii, 640]), [BhÄågavata-purÄåṇa i, ix; CÄåṇakya]
19) a number of villages, province, district, [cf. Lexicographers, esp. such as amarasiṃha, halÄå²â³Ü»å³ó²¹, hemacandra, etc.]
20) ([figuratively]) range, department, [VarÄåha-mihira’s Bá¹›hat-saṃhitÄå xxx, 33]
21) the wheel of a monarch’s chariot rolling over his dominions, sovereignty, realm, [YÄåÂáñ²¹valkya i, 265; ²Ñ²¹³óÄå²ú³óÄå°ù²¹³Ù²¹ i, xiii; BhÄågavata-purÄåṇa ix, 20, 32; Viṣṇu-purÄåṇa]
22) n. ([plural]) the winding of a river, [cf. Lexicographers, esp. such as amarasiṃha, halÄå²â³Ü»å³ó²¹, hemacandra, etc.]
23) a whirlpool, [cf. Lexicographers, esp. such as amarasiṃha, halÄå²â³Ü»å³ó²¹, hemacandra, etc.]
24) a crooked or fraudulent device (cf. cakrikÄå), [cf. Lexicographers, esp. such as amarasiṃha, halÄå²â³Ü»å³ó²¹, hemacandra, etc.]
25) the convolutions or spiral marks of the ÅšÄåla-grÄåma or ammonite, [Horace H. Wilson]
26) Name of a medicinal plant or drug, [Suśruta vf.]
27) of a TÄ«rtha, [BhÄågavata-purÄåṇa x, 78, 19]
28) m. the ruddy goose or BrÄåhmany duck (Anas Casarca, called after its cries; cf. -vÄåka), [²Ñ²¹³óÄå²ú³óÄå°ù²¹³Ù²¹ ix, 443; BÄålarÄå³¾Äå²â²¹á¹‡a viii, 58; KathÄåsaritsÄågara lxxii, 40; ÅšÄårá¹…gadhara-paddhati]
29) ([plural]) Name of a people, [²Ñ²¹³óÄå²ú³óÄå°ù²¹³Ù²¹ vi, 352]
30) ([gana] aÅ›vÄådi) Name of a man, [Bá¹›had-Äåraṇyaka-upaniá¹£ad iii, 4], 1 [Scholiast or Commentator]
31) of another man, [KathÄåsaritsÄågara lvi, 144]
32) of a NÄåga, [²Ñ²¹³óÄå²ú³óÄå°ù²¹³Ù²¹ i, 2147]
33) of one of Skanda’s attendants, [²Ñ²¹³óÄå²ú³óÄå°ù²¹³Ù²¹ ix, 2539 and 2542]
34) of a mountain, [BhÄågavata-purÄåṇa v, 20, 15; KathÄåsaritsÄågara liv. 16]
35) °ä²¹°ì°ùÄå (चकà¥à¤°à¤�):—[from cakra] f. a kind of Cyperus or another plant, [cf. Lexicographers, esp. such as amarasiṃha, halÄå²â³Ü»å³ó²¹, hemacandra, etc.]
36) Cakra (चकà¥à¤°):â€�cf. a-, aá¹£á¹Äå-, uccÄå-, eka-, kÄåla-, °ìÅ«-, »å²¹á¹‡á¸²¹-, dik-, dharma-, mahÄå-, mÄåtá¹�-, rodha-, ±¹¾±á¹£á¹‡³Ü-, sa-, sapta-, ³ó¾±°ù²¹á¹‡y²¹-; triand sucakra; cf. also, κÏκλος, [Latin] circus; [Anglo-Saxon] hveohl, Engl. wheel.
37) °äÄå°ì°ù²¹ (चाकà¥à¤�):â€�mfn. ([from] cakra) carried on (a battle) with the discus, [Harivaṃśa 5648]
38) belonging to a wheel, [Horace H. Wilson]
39) circular, [Horace H. Wilson]
40) m. Name of a man, [Åšatapatha-brÄåhmaṇa xii.]
: Cologne Digital Sanskrit Dictionaries: Yates Sanskrit-English DictionaryCakra (चकà¥à¤°):—[(kraá¸�-°ì°ù²¹á¹�)] 1. m. The ruddy goose. n. An army; a realm; a heap; a discus; a wheel; a goose.
: DDSA: Paia-sadda-mahannavo; a comprehensive Prakrit Hindi dictionary (S)Cakra (चकà¥à¤°) in the Sanskrit language is related to the Prakrit words: Cakka, °ä²¹°ì°ìÄ«.
[Sanskrit to German]
Sanskrit, also spelled संसà¥à¤•ृतमà¥� (saṃs°ìá¹›tam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Hindi dictionary
: DDSA: A practical Hindi-English dictionaryCakra (चकà¥à¤°) [Also spelled chakra]:â€�(nm) a wheel; cycle; circle; disc, discus; discus-shaped missile; ~[gati] circular motion; ~[ṇa] spin(ning); ~[dhara] armed with a discus-shaped missile; an epithet of Lord Vishnu; ~[±¹²¹°ù³ÙÄ«] universal; (an emperor) ruling over a vast empire; ~[vÄåta] a whirlwind, cyclone; ~[±¹á¹›d»å³ó¾±] compound (interest); ~[±¹²âÅ«³ó²¹] a circular array of troops; impregnable battle-array (as practised in ancient Indian military strategy); —[calÄånÄå] see [cakkara] (—[calÄånÄå]).
...
Kannada-English dictionary
: Alar: Kannada-English corpusCakra (ಚಕà³à²°):â€�
1) [noun] the wheel of a carriage or in any machine.
2) [noun] a potter’s wheel.
3) [noun] a circle or ring.
4) [noun] the sharp circular missile weapon (esp. of Viṣṇu); a disc.
5) [noun] the earth.
6) [noun] a state, nation or country.
7) [noun] a multitude of a large number of persons.
8) [noun] a troop of soldiers.
9) [noun] a form of military array in a circle.
10) [noun] a circle or depression of the body.
11) [noun] the line or circle that forms the apparent boundary between earth and sky; the horizon.
12) [noun] the ruddy goose, the male and female of which are supposed to be together always.
13) [noun] a net (as the one used by hunters).
14) [noun] (arch.) a monetary coin equal to a fourth of a rupee.
15) [noun] any of the six mystic circles, the dormant energy of the body when aroused and passed through these would give the person mystical experience and powers.
16) [noun] (pros.) a particular kind of composition.
17) [noun] (dance.) a particular movement of both the hands together.
18) [noun] (fig.) a becoming nothing or missing completely; a being lost.
19) [noun] ಚಕà³à²°à²¹à²¾à²•à³ [cakrahaku] cakra hÄåku to make (something) invisible; 2. (fig.) to cheat; to dupe; to deceive by trickery.
--- OR ---
Cakra (ಚಕà³à²°):—[noun] a village servant working under the village chief or accountant.
--- OR ---
Cakra (ಚಕà³à²°):—[noun] a kind of fish .
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
Nepali dictionary
: unoes: Nepali-English DictionaryCakra (चकà¥à¤°):—n. 1. Mythol. discuss of lord Vishnu; 2. a potter's wheel; 3. circle; ring; orb; 4. (yoga) different mystical circles in the body like mooladhar, agya, brahmarandhra, etc.; 5. (of a vehicle) wheel; 6. state; sovereignty; realm; 7. spiral lines in the fingers; 8. group; ring; 9. a cycle of years; 10. nerve centre of the subtle body;
Nepali is the primary language of the Nepalese people counting almost 20 million native speakers. The country of Nepal is situated in the Himalaya mountain range to the north of India.
See also (Relevant definitions)
Partial matches: The, The, Cakra, Te.
Starts with (+23): Cakra kavi, Cakrabaddi, Cakrabana, Cakrabandha, Cakrabandham, Cakrabandhana, Cakrabhanga, Cakrabhanu, Cakrabhramana, Cakrabhrittu, Cakrabimba, Cakradanti, Cakradatta, Cakradeha, Cakradharana, Cakradharatalpa, Cakradharatva, Cakradhare, Cakradhari, Cakradharman.
Full-text (+2586): Ekacakra, Cakravaka, Cakravartin, Kalacakra, Cakrapani, Dharmacakra, Adharacakra, Cakravyuha, Cakravriddhi, Cakradhara, Rashicakra, Cakravala, Jyotishcakra, Cakranga, Cakravata, Shri Chakra, Cakranki, Nakshatracakra, Shatcakra, Cakreshvara.
Relevant text
Search found 222 books and stories containing Cakra, °ä²¹°ì°ùÄå, °äÄå°ì°ù²¹, The cakra; (plurals include: Cakras, °ä²¹°ì°ùÄås, °äÄå°ì°ù²¹s, The cakras). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Yogashikha Upanishad (critical study) (by Sujatarani Giri)
Part 2.1 - The Six Chakras (á¹£aá¸cakras) in YogaÅ›ikha-upaniá¹£ad < [Chapter 5 - Nature of Yoga practice in Upaniá¹£ad]
Part 2.1g - ³§²¹³ó²¹²õ°ùÄå°ù²¹ cakra (crown or casional centre) < [Chapter 5 - Nature of Yoga practice in Upaniá¹£ad]
Part 2.1a - ²ÑÅ«±ôÄå»å³óÄå°ù²¹ cakra (root or basic centre) < [Chapter 5 - Nature of Yoga practice in Upaniá¹£ad]
The concept of Yoga according to Yoga Upanisads (by Jeong Soo Lee)
1.5. The concept of Cakra (according to Yoga) < [Chapter 7 - Hatha, Laya, and Mantra Yoga in the Yogopanisads]
8. Introduction to Hatha-Yoga < [Chapter 1 - The Origin of Yoga and its Evolution]
1.4. The concept of Nadi (according to Yoga) < [Chapter 7 - Hatha, Laya, and Mantra Yoga in the Yogopanisads]
The Nervous System in Yoga and Tantra (Study) (by Ashok Majumdar)
6. The concept of Cakra (psychic centres) < [Chapter 5 - Exposition of Thought science, Tantra and Mantra]
1.1. Manovaha Nadi < [Chapter 3 - Scientific exposition of Nadi, Hridaya, Kosa and Prana]
Shat-cakra-nirupana (the six bodily centres) (by Arthur Avalon)
Devi Tantra, Mantra, Yantra (study) (by Srider Basudevan Iyer)
Worship involving Cakra, Yantra or Meru < [Chapter 4 - Worship and The Worshipper]
The concept of Yantra (mystical diagram) < [Chapter 1 - Introduction]
Sadhya worship accessories (1): Asana or the Seat < [Chapter 4 - Worship and The Worshipper]
Lalitopakhyana (Lalita Mahatmya) (by G.V. Tagare)
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