Shaivacintamani (analytical study)
by Swati Sucharita Pattanaik | 2022 | 84,311 words
This page relates ‘Puja (worshipping gods)� of the English study on the Shaivacintamani—an unstudied text on Shaiva or Shiva worship by Lakshmidhara Mishra, written in the late 17th century and edited for the first time in 1994 by Shri Dukhisyam Pattanaik from the Orissa State Museum. The present research aims to offer a comprehensive study of the Saivacintamani, filling the knowledge gap by being the first to provide in-depth analysis and commentary.
Go directly to: Footnotes.
Part 14 - ū (worshipping gods)
The Epics and the ʳܰṇa speak for the first time of ū a form of worshipping gods. Generally speaking, this form of worship seems to have been originally restricted only to the great gods, with the exception of . The Sun god is sometimes identified with Ś and sometimes with վṣṇ; probably on account of this identification this god also is offered ū. Thus the 貹ñⲹٲԲū, that is to say, the worship of the five gods Ҳṇeś, ūⲹ, վṣṇ, Ś and Śپ has been widely prevalent all along. This 貹ñⲹٲԲū must be dated back to fire early times, for the god Ś himself is said to have started it. In as much as the Śū itself is concerned, its popularity becomes quite evident from the many references to it occurring in the epics and the ʳܰṇa.
By and large, ū as reflected in the Epics and the ʳܰṇa may be equated with upāśanā, saparyā, āradhanā, or . This form of worship involves the employment of a variety of DZ貹첹ṇa and ūaṃbhāras. These many kinds of utensils, flowers, sandalwood, dhupa, ī貹, and various articles of ܱ貹 like 岹貹ṇa, chatra, 峾, vyajana, 貹첹 and ṛnٲ. Śṅk and ṇṭ are also mentioned as accessories of the ū. Over time, the ū rituals came to be further elaborated. The idol of the divinity constitutes the essential basis of all ū rites. Vedic mantras were often recited to accompany these rites. For instance, Vedic Mantras were recited when the idol was bathed or when the naivedya was made and ܱ貹s were offered to it. Thus, the same kind of connection was attempted to be maintained between the ū and the Vedic chanting.
The ūᲹ form of worship which in its initial stages was pre-sum ably more or less simple became more and more elaborate, particularly in the case of Ś. The Ā seemed to have paved the way for such an elaborated system of worship.
Stating that Ś could be conceived and worshipped in various ways. The main Ā, namely, ṇa, 峾첹, Suprabheda, Raurava and Ajita, have described in detail the various images of Ś. They also describe the rituals relating to the installation (پṣṭ) of these images. These Ā concern themselves for the most part with the rituals relating to these images. Such rituals are of two kinds, those which are to be performed daily (nitya) and those which are to be performed on special occasions (naimittika). The process of elaborating upon the Ś ū ritual which seems to have been stated in the ʳܰṇa may be said to have reached its culmination in the Ā Ś rituals. In these works we only see the ū ritual in its early development and growth. As a matter of fact, the epics make but very curt references to this worship.
On the other hand, the importance of ū is fully realized and frequently proclaimed in the ʳܰṇa. In the following statement from the ṅg purāṇa.
վṣṇ is described to have worshipped Ś with flowers to the accompaniment of the recital of the one thousand names of Ś. The importance of ܱ in general is pointed out in the ṅg ʳܰṇa, but special emphasis has been placed there on the Ś ū. The Skanda ʳܰṇa gives a detailed description of the Ś ū. The advantages of worshipping Ś and the disadvantage of not worshipping him are often recounted.
One should worship gods with his own mantras, with flowers, leaves and water, Śṅk…�
Flowers, ū貹, ī貹 and naivedya are often specially mentioned as the requisites of the ū. ʳ with gandha, ʳṣp and ṣṭ is found in the Ś ʳܰṇa. Various other aspects of the ū such as Բ, 岹ṣiṇa and Բ are found in the ʳܰṇa[1]. ūٲśܻ and ḍīśo are among the rites mentioned in the ٱī岵ٲ-ʳܰṇa.
In this chapter, such as ⲹñ, tapas, īٳ, stotras, Բ and vrata, are harmoniously blended into the ū ritual, and we find a reflection of all with the fully developed form of that ritual, best recorded in the Ā. It is this fully developed form of ū which is prevalent in the temples of the South. As mentioned elsewhere, the Ā, regarded as the principal authoritative texts dealing with the ū ritual, are 28 in number. The Ā have given rise to several manuals or paddhatis which help the worshipers with many practical details in connection with these rituals.The worship of Ś an indication of some of these has already been describe. A few more may be referred to at this stage. The bilva tree, for instance, is represented in the ʳܰṇa as being sacred to Ś, the triploid leaves of the tree are therefore offered to the god in ū.
Similarly, bhasma (holy ash) is mentioned in the ʳܰṇa being of high significance to Śaivites.
Footnotes and references:
[1]:
CF.MatsyaP., 54.8-23