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In the causes of poetic composition most of the rhetoricians recognized that the factor of 笔谤补迟颈产丑腻, Vyutpatti and 础产丑测腻蝉补 is the main causes. There are 笔谤补迟颈产丑腻 is inborn poetic faculty, Vyutpatti is polished by the study of various kind of 艢腻蝉迟谤补蝉 and 础产丑测腻蝉补 is given by repeated practices.

There decide the superior importance among the 笔谤补迟颈产丑腻 and Vyutpatti, 搁腻箩补艣别办丑补谤补 quotes the views of 膧苍补苍诲补惫补谤诲丑补苍补 and 惭补峁単补濒补.

To 膧苍补苍诲补惫补谤诲丑补苍补, 鈥�笔谤补迟颈产丑腻 is more importance to a poet than Vyutpatti鈥�

鈥榩ratibh膩vyutpattyo岣� pratibh膩 艣谤别测补蝉墨鈥� ity膩nanda岣� |
s膩 hi kaveravyutpattik峁泃a峁� 诲辞峁�ama艣e峁�am膩cch膩dayati |

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-V, Pp- 16

Because, 笔谤补迟颈产丑腻 helps to hide the lack of Vyutpatti. To proves his contention, he citing form 碍耻尘腻谤蝉补峁僢丑补惫补 the work of 碍腻濒颈诲腻蝉补, where describes the amorous sports of 艢颈惫补 and 笔腻谤惫补迟墨. There he seems to think is improper and is the result of kavi (poet) wanted of Vyutpatti, but the propriety has been maintained admirably by the 笔谤补迟颈产丑腻 of kavi (poetics).

In support of this view of AV, 搁腻箩补艣别办丑补谤补 cites a verse form K膩vy膩nu艣膩sana (of Hemacandra) C.f.

鈥�etakti峁� 艣irasi 蝉迟丑颈迟补峁� mama pitu岣� 办丑补峁囜笉补峁� 蝉耻诲丑腻箩补苍尘补苍辞
  lal膩峁璦峁� kimida峁� vilocanamida峁� haste'sya ki峁� pannag膩岣� |
ittha峁� krau帽caripo岣� kram膩dupagate dig惫腻蝉补sa岣� 艣奴lina岣�
  pra艣ne v膩makaroparodhasubhaga峁� devy膩岣� smita峁� p膩tu va岣モ�� || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-V, Pp- 16

Means:

鈥沦别别颈苍驳 艢颈惫补 standing, the 碍腻谤迟迟颈办别测补 innocently asked his mother 笔腻谤惫补迟墨, 鈥渨hat is the shiny curve on father鈥檚 head?鈥� 笔腻谤惫补迟墨 replied that it was a piece of the moon. He then asked, what is this on the forehead? Then 笔腻谤惫补迟墨 replied that it was an eye. 碍耻尘腻谤补 then asked, what is there in the hand? 笔腻谤惫补迟墨 answered, it was a snake. Observing on the series of questions 笔腻谤惫补迟墨 raised her left hand to hide a half smile. This may benign smile blesses and protects you.鈥�

There it is noticeable that 膧苍补苍诲补惫补谤诲丑补苍补 uses the word 艢补办迟颈 as mean of 笔谤补迟颈产丑腻, while 搁腻箩补艣别办丑补谤补 limits the use of 艢补办迟颈 to denote the cause of 笔谤补迟颈产丑腻. The impropriety due to want of Vyutpatti, may be discovered because the son 碍腻谤迟颈办别测补 is said to have asked questions his mother 笔腻谤惫补迟墨 regarding his father when he had the quarters as his garments. This type of impropriety does not find full expression owing to the 笔谤补迟颈产丑腻 of the poet who concludes the topics by smiled and stopped her son from asking further question of an improper nature.

Then 膧肠腻谤测补 惭补尘尘补峁璦 realized that, the three i.e. 笔谤补迟颈产丑腻, Vyutpatti and 础产丑测腻蝉补 all are the not individually but both are combined causes of poetry.

C.f.

鈥�迟谤补测补岣� samudit膩 na tu vyast膩岣�, tasya 办腻惫测补syodbhave nirm膩峁噀 samull膩se ca heturna ca hetava岣� 触鈥�

- K膩vyaprak膩艣a of 惭补尘尘补峁璦: I, Vrtti-3

But 驰腻测腻惫补谤墨测补 搁腻箩补艣别办丑补谤补 recognizes only 艢补办迟颈 is the chief causes of poetic composition.

C.f.

鈥�s膩 ke 惫补濒补峁� 办腻惫测别 丑别迟耻岣�鈥� iti 测腻测腻惫补谤墨测补岣� |

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-V, Pp- 11

This 艢补办迟颈 is the main causes of 笔谤补迟颈产丑腻. In the 鈥榰诲测辞迟补-峁�墨k腻鈥� (Uddota commentary) N膩gesbha峁�峁璦 of K膩vyaprak膩艣a of 惭补尘尘补峁璦 also says 艢补办迟颈 is another causes of understanding poetical composition by saying:

鈥樑沘ktipadena ca kara峁嘺艣aktirvo啷僤dhatva艣akti艣cocyate鈥�

- K膩vyaprak膩艣a of Mammata: I, Vrtti-3

This type of 鈥�惫辞诲诲丑峁泃惫补艣补办迟颈鈥�, 搁腻箩补艣别办丑补谤补 identifies as the name of 叠丑腻惫补测颈迟谤墨 笔谤补迟颈产丑腻. 搁腻箩补艣别办丑补谤补 observe 笔谤补迟颈产丑腻 as that power, which causes all the constituents of 办腻惫测补 (poetry) to shine in the mind of the kavi (poet). Their choice of words, suitable sense, arrangement of poetical figures, style of presentation etc. all these appear in the mind of the kavi (poet) due to his 笔谤补迟颈产丑腻.

This 笔谤补迟颈产丑腻 possessed to one as visualizes things and that are not visible to others C.f

鈥�y膩 艣avdagr膩mamarthas膩rthamala峁卥膩ratantramuktim膩rgamanyadapi tath膩vidhamadhih峁沝aya峁� pratibh膩sayati s膩 pratibh膩 | apratibhasya pad膩rthas膩rtha岣� 辫补谤辞办峁�a iva, pratibh膩vata岣� punarapa艣yato'pi 辫谤补迟测补办峁�a iva 触鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-IV, Pp- 11

To him, 笔谤补迟颈产丑腻 and Vyutpati is the different thing, so he says that, Vyatpatti is nothing but discretion between proper and improper things of ideas.

C.f.

鈥�耻肠颈迟腻苍耻肠颈迟补惫颈惫别办辞 惫测耻迟辫补迟迟颈岣�鈥� iti 测腻测腻惫补谤墨测补岣� |

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-V, Pp- 16

There he (搁腻箩补艣别办丑补谤补) cited the Dhvanik膩ra 膧苍补苍诲补惫补谤诲丑补苍补鈥檚 views and says:

鈥�pratibh膩vyutpattyo岣� pratibh膩 艣谤别测补蝉墨鈥� ity膩nanda岣� |

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-V, Pp- 16

Means:

鈥淏etween the two 笔谤补迟颈产丑腻 and Vyutpatti, 笔谤补迟颈产丑腻 is superior, because it helps to hide the lack of Vyutpatti.鈥�

膧苍补苍诲补惫补谤诲丑补苍补 think that, loss of poetic beauty stems from two different kinds of 诲辞峁�a蝉 (demerits) -

1. Vyutpattikritya 诲辞峁�a or 诲辞峁�a蝉 manifesting itself on account of delticiency of poetic genius of a kavi (poet) and
2. 膧艣aktik峁泃ya 诲辞峁�a蝉 or 诲辞峁�a蝉 arising out of ignorance of the poet.

C.f.

鈥�dvividha hi 诲辞峁�a岣� - kaveravyutpattik峁泃o'艣aktik峁泃a艣ca 触鈥�

- Dhvany膩loka of 膧苍补苍诲补惫补谤诲丑补苍补: Ch-III, 惫峁泃迟颈-5

Sometimes, any loss of poetic beauty emerging out of ignorance of a poet may be covered up by the preponderating nature of the 笔谤补迟颈产丑腻 (poetic genius), but that loss which results from sheer lack of 艢补办迟颈 (poetic insight) becomes too pronounced to be overlooked.

Thus 膧苍补苍诲补惫补谤诲丑补苍补 cites one parikara-艣濒辞办补 to substantiate this point:

鈥�avyutpattik峁泃o 诲辞峁�a岣� 艣akty膩 sa峁僾riyate kave岣� |
yastva艣aktik峁泃astasya sa jha峁璱tyavabh膩sate || 鈥�

- Dhvany膩loka of 膧苍补苍诲补惫补谤诲丑补苍补: Ch-III, 办腻谤颈办腻 -6

To 搁腻箩补艣别办丑补谤补, Vyutpatti is the riding power, which is gained by the study of chandas (metre) and 鲍辫腻办补谤补苍补蝉 (grammar). This type of power can be justified between proper and improper. 膧苍补苍诲补惫补谤诲丑补苍补 posits 笔谤补迟颈产丑腻 is greater than Vyutpatti and gives an example from 碍腻濒颈诲腻蝉补鈥檚 碍耻尘腻谤补sa峁僢hava description on Hara-p膩rvat墨 Sa峁僢hagyo:

C.f.

鈥�yath膩 ku m膩rasambhave dev墨sambhogavar峁嘺nam 触鈥�

- Dhvany膩loka of 膧苍补苍诲补惫补谤诲丑补苍补: Ch-III, 办腻谤颈办腻 -6

However, in this types of description is full of Anauchitya-诲辞峁�a蝉 identified the negation of Vyutpatti of a kavi (poet). But the influence of 笔谤补迟颈产丑腻 (poetic genius) of a kavi (poet) it can be fulfill the lapse very easily and becomes poetry very charm full.

In the commentary of Dhvany膩loka, 膧肠腻谤测补 Abhinavagupta in his Locana identifies the difference between 笔谤补迟颈产丑腻 and Vyutpatti by saying:

鈥�艣补办迟颈岣� 辫谤补迟颈产丑腻苍补峁� 惫补谤峁嘺苍墨测补惫补蝉迟耻惫颈峁�a测补苍奴迟补苍辞濒濒别办丑补艣腻濒颈迟惫补尘,
  vyutpattistadupayogi samastavastupaurv膩paryapar膩mar艣akau艣alam 触鈥�

- Dhvany膩loka-Locana of Abhinavagupta:

There Abhinavagupta joins with 膧苍补苍诲补惫补谤诲丑补苍补 in supporting 碍腻濒颈诲腻蝉补鈥檚 embarrassing eloquence in delineation of crude erotic details concerning the divine pair in 碍耻尘腻谤蝉补峁僢丑补惫补, canto -viii downwards. There he remarks that, such type of erotic frank details are laid out by a kavi (poet) like 碍腻濒颈诲腻蝉补 possessing matchless poetic genius and this feat keeps a connoisseur oblivious about the detailed context of such details. A connoisseur is supposed to be engrossed in all these details without taking into least consideration the persons who are concerned here.

There 惭补峁単补濒补 is posits in different views and says, Vyutpatti is superior to 笔谤补迟颈产丑腻.

鈥榲yutpatti艣谤别测补蝉墨鈥� iti ma峁単ala岣�|

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-V, Pp- 16

After the giving 惭补峁単补濒补鈥檚 view, 搁腻箩补艣别办丑补谤补 has given an example of Vyutpatti from the 碍腻尘补蝉奴迟谤补 of 痴腻迟蝉腻测补峁嘺 as:

鈥�办峁泃补岣� ka峁囜弓he ni峁�ko nahi kimuta 迟补苍惫墨 尘补峁噄濒补迟腻
  k峁浥沘峁� l墨l膩patra峁� 艣rav膩si nihita峁� ku 峁囜笉alamuci |
na 办补耻艣别测补峁� 肠颈迟谤补峁� vasanamavad膩ta峁� tu 惫补蝉颈迟补峁�
  sam膩sann墨bh奴te nidhuvanavil膩se vanitay膩岣� || 鈥�

- KSV of 痴腻迟蝉腻测补峁嘺: Ch-IV/1 and
- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-V, Pp- 16

Means:

鈥淎t night as the time for union with the husband came nearer, the wife removed a hassle (a thick neck band) and wore a thin necklace of beads, long hanging earring were exchanged with flower and leaves in the ear-lobes and a heavy intricately woven silk 蝉腻谤颈 was exchanged for an ordinary clean 蝉腻谤颈. In this 艣濒辞办补 the poet exhibits his power of discrimination or Vyutpatti, when he state that a leady removes her heavy ornaments, dress from her body but put on a light negligee in silk when directly she engages herself in amorous sports.鈥�

This type of description arises out of the poet鈥檚 Vyutpatti, which is the result of his study of 碍腻尘补蝉奴迟谤补 of 痴腻迟蝉腻测补苍补, where we see the passage.

C.f.

鈥�vahubh奴峁�a峁嘺峁� vividhaku sum膩ntalepana峁� vividh膩峁単ar膩gasamujj惫补濒补峁� 惫腻蝉补 颈迟测腻产丑颈驳腻尘颈办辞 惫别峁�a岣� 触鈥�

- KSV of 痴腻迟蝉腻测补峁嘺: Ch-IV/1/24

And,

鈥�pratanu艣lak峁ａ箛膩lpadu啷俴alat膩 parimitam膩bhara峁嘺峁� sugandhit膩
  n膩tyulba峁嘺manulepana峁� tath膩 艣ull膩nyany膩ni pu峁�p膩峁嚹玹i vaih膩riko 惫别峁�a岣� || 鈥�

- KSV of 痴腻迟蝉腻测补峁嘺: Ch-IV/1/25

After giving different views of various 腻肠腻谤测补鈥檚 驰腻测腻惫补谤墨测补 搁腻箩补艣别办丑补谤补 says his own opinion about the position of 笔谤补迟颈产丑腻 and Vyutpatti in the poetical composition as:

鈥榩ratibh膩vyutpatt墨 mitha岣� samavete 艣reyasyau鈥� iti 测腻测腻惫补谤墨测补岣� ||

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-V, Pp- 16

Means:

鈥淚n poetical composition the presence of both 笔谤补迟颈产丑腻 and Vyutpatti together is beneficial for creating 办腻惫测补 (辫辞别迟谤测).鈥�

Then he compares 笔谤补迟颈产丑腻 with shape of body and Vyutpatti with the 濒腻惫补苍测补 (beauty or charm).

C.f.

鈥�na khalu l膩va峁噛al膩bh膩d峁泃e rupasampad峁泃e rupasampado v膩 l膩va峁噛alabdhirmahate saindary膩ya 触鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-V, Pp- 16

Means: without 尝腻惫补苍测补 (beauty or charm) the beauty of form and shape remains incomplete and unattractive. So in the charming poetical composition both of the union of (蝉补丑补箩腻迟补) inborn 笔谤补迟颈产丑腻 and (arjita) innate faculty Vyutpatti are equally very much important.