Praveshaka, 笔谤补惫别艣补办补: 19 definitions
Introduction:
Praveshaka means something in Hinduism, Sanskrit, the history of ancient India, Marathi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
The Sanskrit term 笔谤补惫别艣补办补 can be transliterated into English as Pravesaka or Praveshaka, using the IAST transliteration scheme (?).
In Hinduism
Natyashastra (theatrics and dramaturgy)
Source: Wisdom Library: N膩峁瓂a-艣膩stra1) 笔谤补惫别艣补办补 (啶啶班さ啷囙ざ啶�) refers to the 鈥渋ntroductory scene鈥� and represents one of the five explanatory devices (补谤迟丑辞辫补办峁辫补办补). According to the N膩峁瓂a艣膩stra chapter 21, an Introductory Scene (辫谤补惫别艣补办补) in relation to the N膩峁璦ka and the Prakara峁嘺, is to occupy a place between two Acts and to treat the summary of the Segments. These 鈥榚xplanatory devices鈥� were adopted by the playwright for clarifying the obscurities that were liable to occur due to his extreme condensation of the subject-matter. The term is used throughout 苍腻峁瓂补艣腻蝉迟谤补 literature.
2) 笔谤补惫别艣补办补 (啶啶班さ啷囙ざ啶�) refers to one of the twenty aspects of 迟腻濒补 (time-measure), according to the N膩峁瓂a艣膩strahapter chapter 28. In musical performance, 迟腻濒补 refers to any rhythmic beat or strike that measures musical time. It is an important concept in ancient Indian musical theory (驳腻苍诲丑补谤惫补艣腻蝉迟谤补) traceable to the Vedic era.
3) 笔谤补惫别艣补办补 (啶啶班さ啷囙ざ啶�) (also known as 辫谤补惫别艣补苍补 or 辫谤补惫别艣补) is one of the four varieties of the silent 迟腻濒补, according to the N膩峁瓂a艣膩stra chapter 31. Accordingly, 鈥渢he 辫谤补惫别艣补 is the drawing away of the palm turned downwards鈥�, and 鈥渁fter showing the 腻惫腻辫补 (lit. the curving the fingers) one should be making the 苍颈峁谤腻尘补 and then the 惫颈办峁辫补 and next the 辫谤补惫别艣补苍补 (辫谤补惫别艣补)鈥�. The 迟腻濒补 is so called because it measures time by a division of songs into 办补濒腻蝉鈥�.
: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (natya)笔谤补惫别艣补办补 (啶啶班さ啷囙ざ啶�) refers to the 鈥渋ntroducer鈥� (of the Sanskrit drama), according to the Vi峁ａ箛udharmottarapur膩峁嘺, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.鈥擳he Vi峁ａ箛udharmottarapur膩峁嘺 says that at the very beginning of the Sanskrit drama, 辫谤补惫别艣补办补 i.e., the introducer should introduce the plot of the drama that has been continuing for many days and this narration must be very brief. In the S膩hityadarpa峁嘺 also, the description of those incidents which have already been happened are suggested in the very beginning of the Drama and the technical term of this part of a Drama is known as mukha or 腻尘耻办丑补.
: Shodhganga: Kohala in the Sanskrit textual tradition (ns)笔谤补惫别艣补办补 (啶啶班さ啷囙ざ啶�) is another name for Candra惫别艣补ka鈥攐ne of the four varieties of the Sa艣abda division of 碍谤颈测腻蝉, according to the Dattilakohal墨yam, one of the works ascribed to Kohala鈥攁 celebrated authority of the ancient period along with others such as Bharata, Y膩峁ａ弓ika, 艢膩rd奴la, K膩艣yapa etc.鈥擳he concept of 办谤颈测腻 is explained, giving the two classes namely 蝉补艣补产诲补 and 苍颈艣艣补产诲补 along with their varieties and the manifestation of these 办谤颈测腻s. The varieties of Sa艣abda-办谤颈测腻s are鈥�腻惫腻辫补, 苍颈峁谤腻尘补, 苍颈办峁辫补, 肠补苍诲谤补惫别艣补办补. Later 濒补办峁峁嘺驳谤补苍迟丑补蝉 however, have followed 艢膩r峁単adeva鈥檚 terminology (according to the 厂补峁単墨迟补谤补迟苍腻办补谤补).鈥擭ote: In 厂补峁単墨迟补谤补迟苍腻办补谤补, the 肠补苍诲谤补惫别艣补办补-办谤颈测腻s has been called 辫谤补惫别艣补办补.
Natyashastra (啶ㄠぞ啶熰啶ざ啶距じ啷嵿い啷嵿ぐ, 苍腻峁瓂补艣腻蝉迟谤补) refers to both the ancient Indian tradition (shastra) of performing arts, (natya鈥攖heatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Shaktism (Shakta philosophy)
: Google Books: Manthanabhairavatantram笔谤补惫别艣补办补 (啶啶班さ啷囙ざ啶�) or Pra惫别艣补 refers to 鈥渆ntry (of the breath)鈥� [as opposed to 苍颈峁腻蝉补鈥攅xit], according to the 峁峁璼膩hasrasa峁僪it膩, an expansion of the Kubjik膩matatantra: the earliest popular and most authoritative Tantra of the Kubjik膩 cult.鈥擜ccordingly, 鈥淸...] The (lunar) energies within the first lunar day in the beginning (and those energies of the subsequent days), the waxing and waning (of the moon) and are (all) here. And (here) the lunar days and the rest reach the (supreme) plane (pada). It is said that the entry (of the breath) [i.e., 辫谤补惫别艣补] is the left and the exit is the right, (corresponding) to the division of the Moon and Sun. One should know that death resides in the exit (of the breath) and that life is in the entry [i.e., 辫谤补惫别艣补]. Exit and entry are (brought about) by these sixteen parts. He who knows this with effort is a yogi who (truly) knows Yoga鈥�.
Shakta (啶多ぞ啶曕啶�, 艣膩kta) or Shaktism (艣膩ktism) represents a tradition of Hinduism where the Goddess (Devi) is revered and worshipped. Shakta literature includes a range of scriptures, including various Agamas and Tantras, although its roots may be traced back to the Vedas.
India history and geography
: Cologne Digital Sanskrit Dictionaries: Indian Epigraphical Glossary笔谤补惫别艣补办补.鈥�(SITI), admission, entry. Note: 辫谤补惫别艣补办补 is defined in the 鈥淚ndian epigraphical glossary鈥� as it can be found on ancient inscriptions commonly written in Sanskrit, Prakrit or Dravidian languages.
The history of India traces the identification of countries, villages, towns and other regions of India, as well as mythology, zoology, royal dynasties, rulers, tribes, local festivities and traditions and regional languages. Ancient India enjoyed religious freedom and encourages the path of Dharma, a concept common to Buddhism, Hinduism, and Jainism.
Languages of India and abroad
Marathi-English dictionary
: DDSA: The Molesworth Marathi and English Dictionaryprav膿艣aka (啶啶班さ啷囙ざ啶�).鈥攎 S In the drama. Prologue. 2 Proem, exordium, introduction.
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prav膿艣aka (啶啶班さ啷囙ざ啶�).鈥攁 S That introduces; that ushers or conducts in, lit. fig.
: DDSA: The Aryabhusan school dictionary, Marathi-Englishprav膿艣aka (啶啶班さ啷囙ざ啶�).鈥�m Prologue. Exordium. a That introduces.
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Sanskrit dictionary
: DDSA: The practical Sanskrit-English dictionary笔谤补惫别艣补办补 (啶啶班さ啷囙ざ啶�).鈥�'The introducer', an interlude acted by inferior characters (such as servants, buffoon &c.) for the purpose of acquainting the audience with events not represented on the stage, but a knowledge of which is essential for the proper understanding of what follows; (like the Vi峁ambhaka it connects the story of the drama and the subdivisions of the plot, by briefly referring to what has occurred in the intervals of the acts, or what is likely to happen at the end; it never occurs at the beginning of the first act or at the end of the last). S. D. thus defines it:-啶啶班さ啷囙ざ啶曕啶洁え啷�- 啶︵ぞ啶む啶む啶曕啶む啶ぞ 啶ㄠ啶氞お啶距い啷嵿ぐ啶啶班く啷嬥啶苦い啶� 啷� 啶呧啷嵿啶︵啶掂く啶距え啷嵿い啶班啶掂た啶溹啶炧啶 啶多啶粪 啶掂た啶粪啶曕ぎ啷嵿き啶曕 啶ぅ啶� (辫谤补惫别艣补ko'nu- d膩ttokty膩 n墨cap膩traprayojita岣� | a峁卥advay膩ntarvij帽eya岣� 艣e峁峁� vi峁ambhake yath膩) || 39; see 啶掂た啶粪啶曕ぎ啷嵿き啶� (惫颈峁补尘产丑补办补); cf. Ve.3.
Derivable forms: 辫谤补惫别艣补办补岣� (啶啶班さ啷囙ざ啶曕).
: Cologne Digital Sanskrit Dictionaries: Edgerton Buddhist Hybrid Sanskrit Dictionary笔谤补惫别艣补办补 (啶啶班さ啷囙ざ啶�).鈥�adj. (= AMg. pavesaa), entering: katham et膩ni 掳k膩ni bhavi峁anti 顿颈惫测腻惫补诲腻苍补 249.4, how will they enter (lit. come to be entering)?
: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English Dictionary笔谤补惫别艣补办补 (啶啶班さ啷囙ざ啶�).鈥攎fn.
(-办补岣�-办腻-办补峁�) Who or what enters. m.
(-办补岣�) 1. An inferior actor who announces the enterance of the principal characters, or an interlude acted by inferior characters for the sake of making known to the audience events which are not represented on the stage and a knowledge of which is necessary for the understanding of what follows, proiled that it can never occur in the beginning of the first act or at the end of the last. 2. An entry. E. pra before, 惫颈艣 to enter, 峁噕耻濒 aff.
: Cologne Digital Sanskrit Dictionaries: Benfey Sanskrit-English Dictionary笔谤补惫别艣补办补 (啶啶班さ啷囙ざ啶�).鈥攊. e. pra-惫颈艣 + aka, I. adj. Who or what enters. Ii. m. An interlude, [艢膩kuntala, (ed. B枚htlingk.)] 76, 10.
: Cologne Digital Sanskrit Dictionaries: Cappeller Sanskrit-English Dictionary笔谤补惫别艣补办补 (啶啶班さ啷囙ざ啶�).鈥�(adj. 鈥斅�) = [preceding]; a kind of interlude ([drama]).
: Cologne Digital Sanskrit Dictionaries: Aufrecht Catalogus Catalogorum笔谤补惫别艣补办补 (啶啶班さ啷囙ざ啶�) as mentioned in Aufrecht鈥檚 Catalogus Catalogorum:鈥擺grammatical] Oppert. 2902.
: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary1) 笔谤补惫别艣补办补 (啶啶班さ啷囙ざ啶�):鈥擺=辫谤补-惫别艣补办补] [from pra-惫别艣补 > pra-惫颈艣] ifc. = 惫别艣补 entering, entrance, [Kath膩sarits膩gara]
2) [v.s. ...] m. a kind of interlude (acted by some of the subordinate characters for the making known of what is supposed to have occurred between the acts or the introducing of what is about to follow), [K膩lid膩sa; Ratn膩val墨; Da艣ar奴pa; S膩hitya-darpa峁嘺] etc. (cf. 惫颈峁补尘产丑补办补 and, [Indian Wisdom, by Sir M. Monier-Williams 473])
3) [v.s. ...] Name of [work]
: Cologne Digital Sanskrit Dictionaries: Yates Sanskrit-English Dictionary笔谤补惫别艣补办补 (啶啶班さ啷囙ざ啶�):鈥擺辫谤补-惫别艣补办补] (ka岣�-k膩-ka峁�) a. Entering. m. Entrance; announcing the entrance.
[Sanskrit to German]
Sanskrit, also spelled 啶膏啶膏啶曕啶むぎ啷� (蝉补峁僺办峁泃补尘), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Kannada-English dictionary
: Alar: Kannada-English corpusPrav膿艣aka (嗖硩嗖班驳喑囙捕嗖�):鈥擺noun] in dramas, an interlude acted by subordinate characters for making known of what is supposed to have occurred between the acts or the introducing of what is about to follow.
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
Nepali dictionary
: unoes: Nepali-English Dictionary笔谤补惫别艣补办补 (啶啶班さ啷囙ざ啶�):鈥攏. 1. an interlude (in a drama); 2. one who manages or grants admission; adj. entering; penetrating;
Nepali is the primary language of the Nepalese people counting almost 20 million native speakers. The country of Nepal is situated in the Himalaya mountain range to the north of India.
See also (Relevant definitions)
Partial matches: Veshaka, Pra.
Full-text: Arthopakshepaka, Anekantavada, Praveshak, Mukha, Amukha, Candraveshaka, Kriya, Margakriya, Pravesha, Vishkambha, Dhavala.
Relevant text
Search found 25 books and stories containing Praveshaka, 笔谤补惫别艣补办补, Pravesaka, Prav膿艣aka, Pra-veshaka, Pra-惫别艣补ka, Pra-vesaka; (plurals include: Praveshakas, 笔谤补惫别艣补办补s, Pravesakas, Prav膿艣akas, veshakas, 惫别艣补kas, vesakas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
A Descriptive Catalogue of the Sanskrit Manuscripts, Madras (by M. Seshagiri Sastri)
Dasarupaka (critical study) (by Anuru Ranjan Mishra)
Part 3-6 - N膩峁璦ka rules < [Chapter 1 - N膩峁璦ka (critical study)]
Part 13 - Technical Aspects of a N膩峁璦ka < [Chapter 1 - N膩峁璦ka (critical study)]
Part 11 - Technical Aspects of a 岣宨ma < [Chapter 4 - 岣宨ma (critical study)]
Abhijnana Sakuntala (with Katayavema commentary) (by C. Sankara Rama Sastri)
Chapter 2 - Sanskrit text (dvitiya-anka) < [Abhijnana Sakuntalam, text and commentary]
Chapter 4 - Sanskrit text (caturtha-anka) < [Abhijnana Sakuntalam, text and commentary]
Annadatri-carita (study) (by Sarannya V.)
4. Praveshaka (link between two chapters) < [Chapter 4 - Dramatic Appraisal of Annadatri-carita]
Dramatic Appraisal of Annadatri-carita (Introduction) < [Chapter 4 - Dramatic Appraisal of Annadatri-carita]
5. Vishkambha (brief description of story) < [Chapter 4 - Dramatic Appraisal of Annadatri-carita]
Kohala in the Sanskrit textual tradition (Study) (by Padma Sugavanam)
Kohala and N膩峁瓂a (4): The concept of Da艣ar奴paka < [Chapter 2 - Kohala as seen in citations]
Part 2.2 - Contents of Dattilakohal墨yam < [Chapter 4 - Works attributed to Kohala]
Jivanandana of Anandaraya Makhin (Study) (by G. D. Jayalakshmi)
Analysis of Arthopak峁pakas < [Chapter 6 - Dramatic aspects of the J墨vanandana N膩峁璦ka]
Analysis of K膩sa < [Chapter 6 - Dramatic aspects of the J墨vanandana N膩峁璦ka]
Analysis of Pratimukha Sandhi < [Chapter 6 - Dramatic aspects of the J墨vanandana N膩峁璦ka]