Lokadharmi, Loka-dharmin, 尝辞办补诲丑补谤尘墨, Loka-dharmi, Lokadharmin: 2 definitions
Introduction:
Lokadharmi means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
In Hinduism
Natyashastra (theatrics and dramaturgy)
Source: Wisdom Library: N膩峁瓂a-艣膩stra尝辞办补诲丑补谤尘墨 (啶侧啶曕ぇ啶班啶, 鈥渞ealistic practice鈥�) is a Sanskrit word referring to the 鈥渞ealistic mode of dramatic representation鈥�, which follows the practice of peoples, according to the N膩峁瓂a艣膩stra verse 14.61. It is one of the two kinds of dramatic representation, also called 诲丑补谤尘墨, or dharmin.
: archive.org: Natya Shastra尝辞办补诲丑补谤尘墨 (鈥渞ealistic鈥�) is a devision of the technical practice of the production of a play鈥擨f a play depends on natural behaviour [in its characters] and is simple and not artificial, and has in its plot profession and activities of the people and has simple acting and no playful flourish of limbs and depends on men and women of different types, it is called Realistic (loka诲丑补谤尘墨).
Natyashastra (啶ㄠぞ啶熰啶ざ啶距じ啷嵿い啷嵿ぐ, 苍腻峁瓂补艣腻蝉迟谤补) refers to both the ancient Indian tradition (shastra) of performing arts, (natya鈥攖heatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
See also (Relevant definitions)
Partial matches: Dharmi, Dharmin, Loka.
Starts with: Lokadharmini, Lokadharminidiksha.
Full-text (+10): Madhyamanda, Mandamanda, Tivramanda, Dharmi, Vratavarjita, Grihin, Snataka, Praggrihastha, Lokojjhita, Shubhastha, Sodhya, Paramapada, Aropya, Ashodhya, Dharmapadana, Bhuvanakartri, Kashta, Uccarya, Upasthapya, Mantranta.
Relevant text
Search found 11 books and stories containing Lokadharmi, Loka-dharmin, 尝辞办补诲丑补谤尘墨, Loka-dharmi, Lokadharmin, Loka-诲丑补谤尘墨; (plurals include: Lokadharmis, dharmins, 尝辞办补诲丑补谤尘墨s, dharmis, Lokadharmins, 诲丑补谤尘墨s). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Hastalaksanadipika a critical edition and study (by E. K. Sudha)
5. School of acting in general < [Chapter 2 - Bharata鈥檚 Dramaturgy]
10. Lokadharmi and Natyadharmi < [Chapter 2 - Bharata鈥檚 Dramaturgy]
9. Structure of the Natyashastra < [Chapter 2 - Bharata鈥檚 Dramaturgy]
Gati in Theory and Practice (by Dr. Sujatha Mohan)
Gati performed as 尝辞办补诲丑补谤尘墨 and N膩峁瓂a诲丑补谤尘墨 < [Chapter 3 - Application of gati in D峁浥泍a-k膩vyas]
Literary and dramatic elements in N膩峁瓂a艣膩stra < [Chapter 1 - N膩峁瓂a]
Chapterisation鈥擳hesis structure < [Introduction]
Natyashastra (English) (by Bharata-muni)
Chapter XIV - Zones (kak峁膩) and Local Usages (prav峁泃ti)
Chapter VI - Sentiments (rasa)
Puppetry in Assam (by Gitali Saikia)
Characteristics of Folk drama < [Chapter 1]
Arts in the Puranas (study) (by Meena Devadatta Jeste)
2. The Art of Dance in the Vishnudharmottara < [Chapter 2 - Dance in the Puranas]
Dasarupaka (critical study) (by Anuru Ranjan Mishra)
Introduction to the Uts峁涐梗峁璱k膩峁卥a type of Drama < [Chapter 8 - Uts峁涐梗峁璱k膩峁卥a (critical study)]