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Principle of Shakti in Kashmir Shaivism (Study)

by Nirmala V. | 2016 | 65,229 words

This page relates ‘Process of Synthesis� of the thesis dealing with the evolution and role of Shakti—the feminine principle—within the religious and philosophical framework of Kashmir Shaivism. Tantrism represents an ancient Indian spiritual system with Shakti traditionally holding a prominent role. This study examines four major sub-streams: Kula, Krama, Spanda, and Pratyabhijnā.

Go directly to: Footnotes.

Part 3.1 - The Process of Synthesis

[Full title: (3) De-Saktisation through Interpretations (1) The Process of Synthesis]  

Synthesis of the principles is an effective procedure widely accepted in the massive range of religious philosophical systems of medieval India. This unique technique is effectively implemented in his exegesis by Abhinavagupta. This capacity to synthesise the ideas in various disciplines made him an epoch-making personality and the most potential figure in the field of Kashmir Ś. The polarised concepts include pure and impure; masculine and feminine; esoteric and exoteric; internal and external; real and virtual; orthodox and heterodox and so on which are undergoing synthesis. Rather it is interesting that all these binaries can be identified with the ultimate and dynamic principles (i.e., Ś and Śپ) of the non-dualistic doctrine of Ś.

Non-dualism according to Abhinavagupta is nothing but the ūṇa (fullness) which is also denoted with the terms viz., 峾ⲹ, sāmastya (harmony and integrity in their respect). Fullness in exact sense is the integrity of the ultimate principle and the dynamic principle (unambiguously represents Ś and Śپ). 

As Jayaratha explains, 

ईश्वरादिका� शक्ती�, तदित� पूर्णस्वभावत्वसदाशिवत्वादे� व्यापकत्वाव्यापकत्वस्वभावत्वाद्धेतोः � पूर्णस्वभावो हि रूपे उपासन्ना� पूर्णमेव भुक्तिमुक्तिलक्षणं फलम् आसादयन्त�, अपूर्णस्वभाव� पुनरपूर्णत्वमे� �

īś徱� śī�, taditi pūrṇasvabhāvatvasadāśivatvāde� vyāpakatvāvyāpakatvasvabhāvatvāddheto� | pūrṇasvabhāvo hi rūpe upāsannā� pūrṇameva bhuktimuktilakṣaṇa� phalam āsādayanti, apūrṇasvabhāve punarapūrṇatvameva ||[1]

Navjivan Rastogi further remarks thus, for Abhinavagupta, in a linguistic perspective, reality is the synthesis of the word and its meaning which are identified with Ś and Śپ. 

Raffaele Torella illustrates about an enhanced mode of synthesis as, 

Thus, Abhinavagupta's ideas on the word turn out to be the elaboration of two distinct components: the esoteric one, deriving from the Ś scriptures, and the linguistic-philosophical one, deriving from 󲹰ṛh's teaching, which, however, also includes a scriptural and esoteric layer and, in turn, comes to be the source many later scriptures refer to.[2]

Kerry Martin Skora analyses distinctly the interpretative capacity of Abhinavagupta as a synthesizer. According to her, Abhinavagupta’s interpretations of Ś could be termed as the ‘intertwining of consciousness and sexuality�. This creative blending has manifold subjects as mentioned above. This very approach, Skora suggests, is generating a feeling of reconciliation of spirit and flesh i. e., pure consciousness and embodied sexuality. 

She describes, 

That Abhinavagupta equates the pure light with Ś, and this urge to know with Śپ, has extremely significant consequences. Not only does Abhinavagupta discuss cosmology using abstract ś-ś language, he also uses discourse that relies on Ś-Śپ language, giving rise to a cosmology with a radically different flavor. When using Ś-Śپ terminology, the primordial beginning of the cosmos becomes the masculine polar aspect Ś in perpetual sexual union with the feminine polar aspect Śپ. In other words, the emission, ejaculation even, of the universe begins with a ‘big bang� or ‘banging together�.[3]

ղԳٰǰ첹 is the work which follows such a tendency in a higher manner. She argues that, 

On the one hand, chapters 3 and 4 where Abhinavagupta’s discourse centres on consciousness, as he describes practices and rituals in terms of higher states of consciousness to which they lead, and on the other hand chapter 29 where the discourse becomes centred on the concrete ritual of sexual union. It is my contention that these two sets of discourse mutually inform one another: as rituals of sexual union are understood in terms of consciousness, so consciousness is understood in terms of sexuality.[4]

In a sense, scholars including Kerry Martin Skora and Navjivan Rastogi want to observe this capacity (for the creative blending of the polarised ideas) as the exploration of the identity between the phenomena and ultimate unitary essence.

Rastogi says;

This identity is realized not through the mechanism of a logically constructed superimposed entity but through the dynamism of the reality’s inherent agency. This unified essence, as a sequel, refuses to remain a mere simple unity but a unity, a unified essence, filled by a rich self-unfolding content.[5]

But all the three processes explaine above are inadequate to convey this process of blending as a technique to identify Śپ with Ś. In the synthesis, Ś-centeredness can easily be found everywhere.

The theory of fullness formulated by Abhinavagupta is focused entirely upon the ultimate, which is the masculine substratum for the relish of synthesised expressions. Thus Abhinavagupta argues that the supreme ‘I consciousness� is the fullness which transcends all the divine principles including ś and Īś

He says;

परता पूर्णत्वमनन्यापेक्षाहमित�, अपरत्वम् अपूर्णत्त्वंमन्यापेक्षितेदमिति �
अत्र � तत्त्वद्वय� भावाना� ध्यामलाध्यामलरूपाणामुभयांशस्पर्शात� परापरत्वमिति �

ūṇaٱԲԲṣāhپ, aparatvam apūrṇattvaṃmanyāpekṣitedamiti |
atra ca tattvadvaye bhāvānā� dhyāmalādhyāmalarūpāṇāmubhayāṃśasparśāt parāparatvamiti |
[6]

Similarly in the linguistic context, the blending of the twin concepts of word and meaning, (or else Śپ and Ś respectively) is also meant for the de-Śپsation as it differs from 󲹰ṛh who viewed meaning as an evolute of the word-principle.

While discussing about cosmogony, the universe is considered by Abhinavagupta himself as the ejaculation of Ś;

तथ� हि यत्किञ्चित� चरमचरं तत� पारमार्थिक� � अनपायिना रूपे� वीर्यमात्रसारात्मन� तदुद्भविष्यदीषदस्फुटतमेषदस्फुटतरेषदस्फुटादिवस्तुशतसृष्टिकालोपलक्ष्यमाणतत्तदनन्तवैचित्र्यप्रथोन्नीयमानतथाभावेन संविदि भगवद्भैरवभट्टारिकात्मन� तिष्ठत्येव �

tathā hi yatkiñcit tat pāramārthike na anapāyinā rūpeṇa vīryamātrasārātmanā tadudbhaviṣyadīṣadasphuṭatameṣadasphuṭatareṣadasphuṭādivastuśatasṛṣṭikālopalakṣyamāṇatattadanantavaicitryaprathonnīyamānatathābhāvena saṃvidi bhagavadbhairavabhaṭṭārikātmani tiṣṭhatyeva |[7]

This is highly contradictory to the theory of cosmology mentioned above in which Ś and Śپ holds an equal significance.

But synthesis of the dichotomies apparently indicates the stream which diplomatically demeans the primal position of feminine principle without rejecting it explicitly. It also shares an advanced view that the goal of Tantric practice is the attainment of primary beginning through the reversal of the cosmology. For this Abhinavagupta introduces the concept of or ṅgṭṭ i.e., the union of Ś and Śپ. In an exact ritualistic context, Abhinavagupta refers to this union as the sexual union of the supreme Ś and His Śپ by which the entire world emerges. 

This united form is cued the energy of bliss:

तयोर्यद्यामल� रूपं � संघट्ट इत� स्मृतः �
आनन्दशक्ति� सैवोक्ता यत� विश्वं विसृज्यत� �

tayoryadyāmala� rūpa� sa ṃgṭṭ iti smṛta� |
ānandaśakti� saivoktā yato viśva� visṛjyate ||

(ղԳٰǰ첹, III. 68.)

Jayaratha explaining this verse says:

शिवशक्त्यो� संघट्ट इत� सम्यक् घट्टनं चलनं स्पन्दरूपत� स्वात्मोच्छलत्ता इत्यर्थः अतश्� प्रकाशविमर्शात्मयोरनुत्तरयोरेव संघट्टादानन्दशक्त्यात्मन� द्वितीयवर्णस्य उदयो यतः—इच्छाद्यात्मन� विश्वस्य सर्ग� �

śśٲ� ṃgṭṭ iti samyak ṭṭԲ� Բ� spandarūpatā svātmocchalattā ityartha� ataśca śvimarśātmayoranuttarayoreva saṃghaṭṭādānandaśaktyātmano dvitīyavarṇasya udayo ⲹٲ�ٳԴ śⲹ |

However, Abhinavagupta has become an imitative model for the later scholars for merging the principles in the Ś. His discovery of interior sense in bodily ritual i. e., the internalisation of the ritual to form a philosophy highly influenced the formation of later schools of Kula and Krama.[8] The later treatises like ʲśܰ峾첹貹ūٰ are adorned with a specific structure in which the physical super ritualism and the gnostic contemplation are inseparable.[9]

Footnotes and references:

[back to top]

[1]:

ղԳٰǰ첹viveka, Vol. 2, p.233.

[2]:

RaffaeleTorella, “Abhinavagupta and the Word: Some Thoughts�, p.4.

[3]:

Kerry Martin Skora, “Abhinavagupta’s Erotic Mysticism�, International Journal for Hindu Studies, Vol.11, No.1, 2007, p.67.

[4]:

Ibid.,p.3. Scholars are of no doubt about the influence of sexuality in the conscious theory of Abhinavagupta. Sanderson called it as ‘erotico-mystical tradition�.

[5]:

Navjivan Rastogi, “Reaccessing Abhinavagupta�, Vāṅmayī Research Journal of Sanskrit and Prākrit Languages, University of Lukhnow, No.5, 1997, p.4.

[6]:

, Vol. 2, p.227.

[7]:

ʲٰṃśi屹ṇa, pp.102-103. cf. Kerry Martin Skora, Op.cit., p.66.

[8]:

This historical transition period was effectively happened in whole Tantric world. Annet Wilke says, �Tantra shaped Hinduism and was itself reshaped. Most of the early radical so called lefthanders disappeared from the scene, while the codes of secrecy and be more self-assured and assertive about their Veda-superior authority.� Istvan Keul (Ed.), Transformations and Transfer of Tantra in Asia and Beyond, “Recoding the Natural and Animating the Imagery. Kaula Body Practices in the ʲśܰ峾첹貹ūٰ, Ritual Transfers and Politics of Representations�, Walter De Gruyter GmbH & Co, Germany, 2012, p.15.

[9]:

Ibid.,pp.19-76.

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