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Principle of Shakti in Kashmir Shaivism (Study)

by Nirmala V. | 2016 | 65,229 words

This page relates ‘Krama: A Soteriological Emergent of Kula� of the thesis dealing with the evolution and role of Shakti—the feminine principle—within the religious and philosophical framework of Kashmir Shaivism. Tantrism represents an ancient Indian spiritual system with Shakti traditionally holding a prominent role. This study examines four major sub-streams: Kula, Krama, Spanda, and Pratyabhijnā.

Go directly to: Footnotes.

Part 5 - Krama: A Soteriological Emergent of Kula

The usual debates on Krama formulate a deceitful data about the time of its origin mainly with the help of widely accepted mythical theories. The best instance in this regard is Christopher Wallis who in his recent work defines Krama as a subgroup of īkula school originated after 10th century CE.[1] It must be noted that the early works such as ٱī貹ñśپ and Kramasiddhi give clear evidences to the pre-existence of this school. Krama-the system which held on to the cyclic structure of the path to reality-is the cult of ī.

In the commentary of ղԳٰǰ첹, Jayaratha proposes a two-fold classification of Tantric schools thus: 

1. ղԳٰ—consisting of Krama, Trika and ʰٲⲹñ and
2. ܱ—which exclusively includes Kula.[2]

Krama, in the present study is considered as a branch sprouted from early Kula School and hence deserves to be addressed Kaula[3] in the sense of that which originated from Kula. By standing on the point that Krama is Kaula system, its meaning may be determined as the successive stages or cyclic movement of the life process starting from the birth and ending in death. The awareness about the functionalities of time and the emergence of the concepts having much more philosophical character, are considered merely as a development from the preceding stream of thought.

That is why ٱī貹ñśپ recognises the Krama as superior to Kula:

कालिकाक्रमपूर्वं तु सारं कौलं कुलोत्तरम् �
अनस्तमिततत्सार� कौलज्ञान� महाद्भुतम् �

kālikākramapūrva� tu 첹ܱ� kulottaram |
anastamitatat� 첹ܱñԲ� mahādbhutam ||[4]

As a result, the thrust area of this system can be linked with the time () which resembles with the notion of the principle- ‘ī�.

According to K. C. Pandey, 

The Krama system is very much allied to the Kula system somuch so that the teachings of this system are referred to as the Kaulikīvidyā in Niśāṭanatantra. It is recognised to be an aspect of the Kula system which was revealed by the ī in her incarnation as 峾śī. Hence for this additional action also, ī is called 峾śī or ղdz峾śī.[5]

From Birth to Death: Shifted Pattern of the Tantric Accent The Tantric concept of Śپ as supreme mother who brings life into the world, slightly changes here as the deity of death. Even though there developed a unique metaphysical concept in the Krama system is known as ṅkṣiṇ�, it explicitly shows the relation with the Kula absolute 𳦲ī

Many references are available to the close connection between Saṅkarṣiṇ� and 𳦲ī:

खेचरीहृदयाब्जस्थं पारम्पर्यक्रमोदितम� �
व्योमेशीबिन्दुभावस्थ� खेचरीभिरराधितम् (रनिन्दितम्) �

khecarīhṛdayābjastha� pāramparyakramoditam |
vyomeśībindubhāvastha� khecarībhirarādhitam (raninditam) ||[6]

Nonetheless, Saṅkarṣiṇ� is bestowed by 𳦲īs. Kalīkrama mainly represents the forms of Śپ, with great emphasis on the process of destruction. Here the ī in various forms is performing the processes of withdrawal through the stages prayoga (emission), ṃyDz (persistence) and ṃh (destruction)[7].

The contemplative practices in this system leads to the supreme goddess ṅkṣiṇ�. Aleksandra Wenta in this regard observes, 

Mental stability, so comprehended, reaches significantly farther, or we might rather say, to the final destination, for, it terminates with the ultimate realization of the nature of ī.[8]

Kramasadbhāva, one of the fundamental texts of the īkrama avers: 

“Lay hold of this strength, the essence of mental firmness (dhairyasadbhāva), which is named , and stainless (ԾñᲹ)�&Բ;

Kālasankarsiṇ�, the essence of the ṃvٲṇḍ and of īkula exists (acts) as the fourteenth goddess. īs of this Krama, represent the importance of withdrawal than creation or sustenance. Otherwise every creative process ends in the destruction followed by it. The principle here embodied mainly is death and the next is time related to death. The Reality is not only the power of creation instead, it emphasizes on the circle of life and death.

ṅkṣiṇ� is the reality of Krama system which provides evidence to the change in the thought from birth to death. The major images and analogies present in the Krama scriptures such as cremation ground, skull, and blood symbolize the same. 

Alexandra Wenta quotes a passage bestowed to represent the imagery of 岵Ծ:

Once the fire of time has been made dense, the supreme radiant energy dissolves away. The light of consciousness, the supreme secret, has arisen as the sun of Kula (12 īs). It has 12 days and endowed with good power, it shines like many suns. It is the life of the living being and it illuminates the living beings which are of that same nature. In this same way the power of the fettered soul increases.[9]

Footnotes and references:

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[1]:

Christopher Wallis, Tantra Illuminated: The Philosophy, History and Practice of a Timeless Tradition, Mattamayura Press, 2013, passim.

[2]:

ղԳٰǰ첹viveka, Vol. 1, p. 24.

[3]:

The term Krama is used in different meanings in different contexts.

[4]:

ٱī貹ñśپ, I. 49.

[5]:

K. C. Pandey, Op.cit, p.506.

[6]:

ٱī貹ñśپ, II. 58. Also see, III.50cd: �dhyāyetparameśāni khacaratvasya siddhidām�;
Ѳٳ󲹳ñᲹī貹 (Ѳٳ󲹳ñᲹī貹), p.188: �anupraviśya yogena khecarīkhacitaukhasā� |

[7]:

ٱī貹ñśپ,, II. 48.

[8]:

See Alexandra Wenta, “Imagery of Withdrawal, Violence and destruction in the īkrama�, Journal of Kashmir Studies, Vol. VI, No. 1, p.51.

[9]:

侱ñṇīmٲܳⲹ (CMS), VII. 208- 209, Mark Dyczkowski (Tr.), quoted in Alexandra Wenta, Op.cit, p.62.

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