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In the Sanskrit literature, there are three compositions which are ascribed to 叠丑补惫补产丑奴迟颈 namely:

1. the 惭补丑腻惫墨谤补肠补谤颈迟补,
2. the 惭腻濒补迟墨尘腻诲丑补惫补 and
3. the 鲍迟迟补谤补谤腻尘补肠补谤颈迟补.

A brief discussion of these works has been given below.

(a) The 惭补丑腻惫墨谤补肠补谤颈迟补:

叠丑补惫补产丑奴迟颈 has culled the theme of this work from the 搁腻尘腻测补峁嘺 with slight variation. It aimed at depicting 搁腻尘补鈥檚 adventures.This work consists of seven acts and here the life of 搁腻尘补 is found up to his accession to throne of 础测辞诲丑测腻. 搁腻尘补 the hero of this play is an ideal man. He is depicted as the personification of god. He is magnanimous and valiant. He has high regard for the qualities of 闯腻尘补诲补驳苍测补, 痴腻濒颈 and 搁腻惫补峁嘺 and concern for the common man. Here, 叠丑补惫补产丑奴迟颈 has shown his skill in depicting 厂墨迟腻 as a modest, virtuous and loving woman. A cursory glance on the play suggests that the dramatist has achieved a fair success in characterisation. The predominant sentiment in the 惭补丑腻惫墨谤补肠补谤颈迟补 is Heroic (惫墨谤补) sentiment. Literally, this work has considerable merits. It is a treasure house of idioms of Sanskrit language. The geographical and historical accounts that reflect in the play deserve special attention.

(b) The 惭腻濒补迟墨尘腻诲丑补惫补:

The 惭腻濒补迟墨尘腻诲丑补惫补 is a 笔谤补办补谤补峁嘺 type of 谤奴辫补办补 in ten acts. The subjectmatter of this 笔谤补办补谤补峁嘺 is the love-story of 惭腻濒补迟墨, the daughter of 叠丑奴谤颈惫补蝉耻, a minister of 笔补诲尘腻惫补迟墨 and 惭腻诲丑补惫补 a young man studying in the city and son of 顿别惫补谤腻迟补, minister of the king of Vidarbha. With this main love story, the love story of Makaranda and Madayantik膩 is also skillfully portrayed. 惭腻濒补迟墨 and 惭腻诲丑补惫补 meet and fall in love, but the king has determined that 惭腻濒补迟墨 will marry his favourite, whom she detaste. The plan has been made vain by Makaranda, who personates 惭腻濒补迟墨 to go through wedding ceremony with the bride-groom. Two Buddhist nuns help in uniting the hero and heroine. Here the predominant sentiment is 艢峁涐箙驳腻谤补 or Erotic.

(c) The 鲍迟迟补谤补谤腻尘补肠补谤颈迟补:

The 鲍迟迟补谤补谤腻尘补肠补谤颈迟补 is 叠丑补惫补产丑奴迟颈鈥檚 third play. In the 鲍迟迟补谤补谤腻尘补肠补谤颈迟补, 叠丑补惫补产丑奴迟颈 is found at his best. It is said uttare r膩macarite bhavabh奴tirvi艣i峁�yate.

Here, 叠丑补惫补产丑奴迟颈 describes himself as:

艣abdabrahmavida岣� kave岣� pari峁嘺tapr膩j帽asya v膩峁嚹玬im膩m.^[1]

The 鲍迟迟补谤补谤腻尘补肠补谤颈迟补 consists of seven acts. It is the poet鈥檚 master piece. This drama describes the story of the 鲍迟迟补谤补办腻峁囜笉补 of 搁腻尘腻测补峁嘺 that is abandonment of 厂颈迟腻, her residence at the hermitage of 痴腻濒尘墨办颈, the birth of 碍耻艣补 and Lava and the union of 搁腻尘补 and 厂颈迟腻 at last. Here, the predominant sentiment is 碍补谤耻峁嘺. In this drama 叠丑补惫补产丑奴迟颈 holds a high place by the expression of genuine pathos in the world of literature.

In the 14^th century, Govardhan膩c膩rya, in his 膧谤测腻蝉补辫迟补艣补迟墨 wrote-cf.,

bhavabh奴te岣� samvandh膩dbh奴dhareva 产丑腻谤补迟墨 产丑腻迟颈/
etatk峁泃ak膩r奴峁噛e kimanyath膩 roditi 驳谤腻惫腻//

Footnotes and references:

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[1]:

鲍迟迟补谤补谤腻尘补肠补谤颈迟补,VII.20