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The 惭腻濒补迟墨尘腻诲丑补惫补 is a 笔谤补办补谤补峁嘺 in ten acts. This 笔谤补办补谤补峁嘺 is composed by 叠丑补惫补产丑奴迟颈, an eminent dramatist of Sanskrit literature. The author has taken the theme of the 惭腻濒补迟墨尘腻诲丑补惫补 from the 叠峁沨补迟办补迟丑腻. Here 叠丑补惫补产丑奴迟颈 has portrayed the love-story of 惭腻濒补迟墨, the heroine, daughter of a minister of the 笔补诲尘腻惫补迟墨 and 惭腻诲丑补惫补, the hero and son of the minister of Vidarbha. He has made clever arrangement of the events leading to the union of 惭腻濒补迟墨 and 惭腻诲丑补惫补. With this main story 叠丑补惫补产丑奴迟颈 skillfully interwoven the love story of Makaranda, friend of 惭腻诲丑补惫补 and Madayantik膩, sister of Nandana. He has shown excellent constructive skill in contriving a love marriage between 惭腻濒补迟墨 and 惭腻诲丑补惫补.Here Buddhist nun 碍腻尘补苍诲补办墨 has played significant role in uniting the hero and the heroine.

This 笔谤补办补谤补峁嘺 is variegated in characters as it is evident from the variety of incidents such as saving Madayantik膩 and 惭腻濒补迟墨 from the tiger and 础驳丑辞谤补驳丑补峁囜弓补 respectively, the conflict of 惭腻诲丑补惫补 and Makaranda with the city guards, lively description of burning ground along with the vivid picture of goblins that resides in the burning ground and the impersonation of 惭腻濒补迟墨 by Makaranda.

Moreover, 惭腻濒补迟墨尘腻诲丑补惫补 contains description of supernatural elements which were being attained by the practice of yoga which directs the whole course of events from tragic to a blissful end. 叠丑补惫补产丑奴迟颈 himself remarks that 惭腻濒补迟墨尘腻诲丑补惫补 is profound representations which is too difficult for ordinary people to understand on account of the excess of sentiments delineated,an interchange of actions attractive owing to affection, daring acts fully assisting the progress of love, wonderful plots, and dexterity in dialogue.^[1] In his book Macdonell has mentioned about 惭腻濒补迟墨尘腻诲丑补惫补 that the piece is a sort of Indian Romeo and Juliet with a happy ending, the part played by the nun 碍腻尘补苍诲补办墨 was similar to that of Friar Laurence in Shakespeare鈥檚 drama.^[2]