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Kohala in the Sanskrit textual tradition (Study)

by Padma Sugavanam | 2011 | 95,782 words

This page relates ‘Citations of Kohala in the Sangita-Sudhakara� of the thesis dealing with Kohala’s contribution to the Sanskrit textual tradition of ancient Indian performing arts. The study focuses specifically on music (Gita), dance (Nritya), and drama (Natya). Although Kohala’s original works have not been found, numerous references to him across Lakshana-Granthas (treatises) and works by modern scholars indicate his significance.

Part 12 - Citations of Kohala in the ṅgīٲ-ܻ첹

ṅgīٲ-ܻ첹 (1330 C.E.) is a commentary on Śṅg𱹲’s ṅgīٲratnākara by Siṃhabhūpāla. In this work, though we find Kohala listed among the ūⲹ. In the 7th chapter, Śṅg𱹲 speaks of the types of breathing techniques. In his commentary on these verses, Siṃhabhūpāla makes a statement contradictory to what has been said by Śṅg𱹲. While Śṅg𱹲 attributes the nine-fold classification of breathing techniques to Kohala, Siṃhabhūpāla attributes a ten-fold classification instead (ref.para 2.2.7). He does not cite any reasons for differing from the views in ṅgīٲratnākara. There is another link to Kohala found in this work. This relates to the śǰ첹 that discusses the number of śܳپ. This is the same śǰ첹 that is seen in ṛhśī and ṅgīٲsamayasāra. This single śǰ첹 is seen to repeat itself in many works. But the interesting point to not in this work is that Siṃhabhūpāla does not mention the name of Kohala while he quotes this śǰ첹. A look at Kohala through Siṃhabhūpāla’s work reveals no new information that has not already been mentioned in works earlier to him.

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