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About the 膧濒别办丑测补辫谤补办丑测补-丑补谤补峁嘺 搁腻箩补艣别办丑补谤补 says that:

鈥�办颈测补迟腻'辫颈 yatra 蝉补峁僺办腻谤补办补谤尘补峁嚹� vastu 产丑颈苍苍补惫补诲产丑腻迟颈 |
tatkathitamarthacaturair膩lekhyaprakhyamiti 办腻惫测补m || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XII, Pp- 68

Means:

鈥淚n a poetic composition when treatment of one and same subject, polishing is given to the ancient idea with the result that the subject appears as though it is a different one, thus claver [clever?] people says it by the name 膧濒别办丑测补辫谤补办丑测补 types of 丑补谤补峁嘺.鈥�

However, 搁腻箩补艣别办丑补谤补 admits the adoptability of 膧濒别办丑测补辫谤补办丑测补-artha丑补谤补峁嘺 but 膧苍补苍诲补惫补谤诲丑补苍补 denounced these types of 丑补谤补峁嘺.

He even condemns it as the part of poets as 鈥�迟耻肠肠丑腻迟尘补鈥� and says:

鈥�tadanantaram膩lekhyaprakhyamanyaty膩mya峁� 艣ar墨r膩ntarayuktamapi 迟耻肠肠丑腻迟尘补tvena tvaktavyam 触鈥�

- Dhvany膩loka of 膧苍补苍诲补惫补谤诲丑补苍补: IV/ 16

膧濒别办丑测补辫谤补办丑测补-丑补谤补峁嘺 is differing from Pratibimbakalpa-丑补谤补峁嘺, because in the pratibimbakalpa-丑补谤补峁嘺 the theme remains the same but sentence is changed whereas in 膧濒别办丑测补辫谤补办丑测补 even though the theme is the same it seems to be anew by the touch of poetic skill.

In this causes 搁腻箩补艣别办丑补谤补 accepted it and gives an example as:

鈥�te p膩ntu va岣� pa艣upateralin墨labh膩sa岣� ka峁囜弓haprade艣agha峁璱t膩岣� pha峁噄na岣� sphu ranta岣� |
candr膩m峁泃膩mbuka峁嘺sekasukhaprar奴峁環airyaira峁卥airariva vir膩jati k膩l奴ka峁璦岣� || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XII, Pp- 63

And,

鈥�jayanti dhavalavy膩l膩岣� 艣ambhorj奴峁�膩valamvabana岣� |
galadga峁単膩mbusa峁僺iktacandrakand膩峁卥u r膩 iva || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XII, Pp- 63

Here the second 艣濒辞办补 is a pratibimbakalpa of the first 艣濒辞办补, where the idea is the same entirely but the expressions used are different. In the first 艣濒辞办补 the word 鈥榗andr膩m峁泃膩mbu鈥� is changed to second 艣濒辞办补 as 鈥榞补濒补诲驳补峁単腻尘产补鈥权�� . And also the serpents are

described as white, instead of black in the second 艣濒辞办补. There the ideas remains same, thus it is an example of 膧濒别办丑测补辫谤补办丑测补 types of 丑补谤补峁嘺.

This 膧濒别办丑测补辫谤补办丑测补 丑补谤补峁嘺 is divided into eight types i.e.

1. Samakrama,
2. 痴颈产丑奴峁�a峁嘺尘辞峁�a,
3. Vyutkrama,
4. 痴颈艣别峁�o办迟颈,
5. 鲍迟迟补峁僺补,
6. 狈补峁璦苍别辫补迟丑测补,
7. 贰办补辫补谤颈办腻谤测补 and
8. 笔谤补迟测腻辫补迟迟颈.

(a) Samakrama:

鈥�sad峁浥沘sa帽c膩ra峁嘺峁� samakrama岣�触鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 69

Means:

鈥淚n a poetic composition when there is transference of similar description to another 艣濒辞办补, thus it is called Samakrama 膧濒别办丑测补辫谤补办丑测补 丑补谤补峁嘺.鈥�

For example as:

鈥�ast膩drive艣mani di艣o varu峁嘺priy膩y膩stiryakkatha帽cidapayantta峁嘺m膩sthit膩y膩岣� |
gai峁囜笉akap膩r艣vamiva ku 峁卥u mapa峁卥acumbi 产颈尘产补峁� ruc膩madhipateraru峁嘺峁� rar膩ja || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 69

And also:

鈥�pr膩gdi艣a岣� prati办补濒补峁� vilasanty膩岣� ku 峁卥u m膩ru峁嘺kapolatalena |
s膩myameti kalitodayar膩ga岣� 辫补艣测补 sundari 迟耻峁Ｄ乺补尘补测奴办丑补岣� || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 69

Here the first 艣濒辞办补 the setting moon has been described but the second 艣濒辞办补 it is transferred to the rising moon. Thus it is one types of Samakrama 丑补谤补峁嘺. However it is bears a close resemblance with the Samkrantaka type of Pratimbakalpa 丑补谤补峁嘺.

236

(b) Vibh奴峁�a峁嘺mo峁�a:

鈥�ala峁卥峁泃amanala峁卥峁泃y膩bhidh墨yata iti vibh奴峁�a峁嘺mo峁�a岣� 触鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 69

Means:

鈥淚n a poetic composition when the ideas endowed with figures of speech and expatiated as without figure of speech thus it is called Vibh奴峁�a峁嘺mo峁�a 膧濒别办丑测补辫谤补办丑测补 丑补谤补峁嘺.鈥�

C.f.

鈥�ku valayasiti bh奴le b膩lacandr膩峁卥u 谤腻产丑补峁� tadanu khalu tato'gre p膩kap墨t膩_mra_p墨tam |
abhinavaravirocirddh奴madh奴mra峁� 艣ikh膩y膩miti vividhavik膩ra峁� didyute daipamarci岣� || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 69

And also another sense:

鈥�尘补苍腻峁卋丑奴濒别 苍墨濒补峁� tadanu kapi艣onme峁�amudare
  tata岣� p膩峁囜笉u stoka峁� sphu radaru峁嘺lekha峁� ca tadanu |
艣ikh膩y膩m膩dh奴mra峁� dh峁泃avividhavar峁嘺kramamiti
  k峁�a峁嚹乨膩rcirdaipa峁� dalayati tama岣� pu帽jitamapi || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 69

Here, in the first 艣濒辞办补 the flame of a lamp is described with a number of similes. In the second 艣濒辞办补 all the similes are omitted. Thus it is an example for Vibh奴峁�a峁嘺mo峁�a 膧濒别办丑测补辫谤补办丑测补 丑补谤补峁嘺.

(c) Vyutkrama:

鈥�krame峁嚹乥hihitasy膩rthasya vipar墨t膩bhidh膩na峁� vyutkrama岣� 触鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 69

Means:

鈥淚n a poetic composition when there is an inversion of the arder which a particular thing is described, thus it is called Vyutkrama 膧濒别办丑测补辫谤补办丑测补 丑补谤补峁嘺.鈥�

For an example the first 艣濒辞办补 in the former example is recomposed as:

鈥�艣测腻尘补峁� 艣ikh膩bhuvi man膩garu峁嘺峁� tato'dha岣� stok膩vap膩峁囜笉u raghana峁� ca tato'pyadhast膩t |
膩pi帽jara峁� tadanu tasya tale ca n墨lamandha峁� tama岣�pa峁璦lamard峁泃i daipamarci岣� || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 69

Here, the description in this 艣濒辞办补 where the colours of the flame have been described from top to the bottom the order but here it has been reversed in that the coloured flame has been described from bottom to the top. Thus it is an example of Vyutkramaha types of 膧濒别办丑测补辫谤补办丑测补 丑补谤补峁嘺. This type of 丑补谤补峁嘺 also similar with Vyastaka type of pratibimbakalpa artha 丑补谤补峁嘺.

(d) 痴颈艣别峁�o办迟颈:

鈥�s膩m膩nyanibandhe vi艣e峁Ｄ乥hidh膩na峁� 惫颈艣别峁�o办迟颈岣� 触鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 69

Means:

鈥淚n a poetic composition when a description of an as particular one, but where it is to be described as general thus it is called 痴颈艣别峁�o办迟颈 types of 膧濒别办丑测补辫谤补办丑测补 丑补谤补峁嘺.鈥�

C.f.

鈥�ityudgate 艣a艣ini pe艣alak膩ntad奴t墨sa峁僱膩pasa帽calitalocanam膩nas膩bhi岣� |
agr膩hi ma峁囜笉anavidhirvipar墨tabh奴峁Ｄ� viny膩sah膩sitasakh墨janama峁単an膩bhi岣� || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 69-70

And also in another sense:

鈥�肠补办腻谤补 k膩citsitacandan膩峁卥e k膩帽c墨kal膩pa峁� stanabh膩rap峁涐梗峁環e |
辫谤颈测补峁� prati pre峁冡梗itacittav峁泃tirnitambabimbe ca babandha h膩ram || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 70

Here, in the second 艣濒辞办补, a specific instance of a particular maiden has described but in the first 艣濒辞办补 is a general description of maidens has been give. So it is an example of 痴颈艣别峁�o办迟颈 types of 膧濒别办丑测补辫谤补办丑测补 丑补谤补峁嘺.

(e) Utta峁僺a:

鈥�upasarjanasy膩rthasya pradh膩nat膩y膩mutta峁僺a岣� 触鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 70

Means:

鈥淚n a poetic composition when adopting any secondary meaning as the major or principal meaning thus it is known as Uttamsa 膧濒别办丑测补辫谤补办丑测补 丑补谤补峁嘺.鈥�

C.f.

鈥�d墨payannatha nabha岣�kira峁嘺ughai岣�ku 峁卥u m膩ru峁嘺payodharagaura岣� |
hemaku mbha iva p奴rvapayodherunmamajja 艣anaikastuhin膩峁兣泆 || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 70

Another example with same sense:

鈥�tatastama岣ヅ泍膩malapa峁�峁璦ka帽cuka峁� vip膩峁璦yatki帽cidad峁浥泍at膩ntar膩 |
ni艣膩taru峁噛膩岣� sthita艣e峁�aku 峁卥u mastan膩bhir膩ma峁� sa(艣a)办补濒补峁� 办补濒腻惫补迟补岣� || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 70

Here, in the first 艣濒辞办补 composition of the moon with the barest of lady is subsidiary to the main simile comparing the moon with the golden spot. However, in the second 艣濒辞办补 the subsidiary simile of the first 艣濒辞办补 has been adopted as the principle simile. Thus it is an example of Uttamsa 膧濒别办丑测补辫谤补办丑测补 丑补谤补峁嘺.

(f) 狈补峁璦苍别辫补迟丑测补:

鈥�tadeva vast奴ktiva艣膩danyath膩 kriyata iti navanepattham 触鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 70

Means:

鈥淚n the 狈补峁璦苍别辫补迟丑测补 丑补谤补峁嘺, where the same thing is expressed in another way by means of changing the mode of expression.鈥�

Example as:

鈥�膩nenandu艣a艣alak峁�sa kapole s膩dara峁� 惫颈谤补肠颈迟补峁� 迟颈濒补办补峁� yat |
tatpiye viracit膩vadhibha峁単e dhautam墨k峁�a峁嘺jalaistaral膩k峁�y膩岣� || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 70

Another example with same meaning:

鈥�艣ok膩艣rubhirv膩sarakha峁囜笉it膩n膩峁� sikt膩岣� kapole峁�u vil膩sin墨n膩m |
k膩nte峁�u k膩l膩tyayam膩caratyu khalp膩yu峁�a岣� patralat膩 babh奴vu岣� || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 70

Here, the first 艣濒辞办补 is reproduced with slight modification thus it is an example of 狈补峁璦苍别辫补迟丑测补 types of 膧濒别办丑测补辫谤补办丑测补 丑补谤补峁嘺. It is also resemblance with the 狈补峁璦苍别辫补迟丑测补 Pratimbakalpa, because it the idea is reproduced in different language. Here we see that, the 迟墨濒补办补 on the cheeks of the women, were removed by the tears that arose out of the grief of their separation from the lovers. In second 艣濒辞办补 instead of 迟墨濒补办补, the patralatas are said to be destroyed by the tears.

(g) 贰办补辫补谤颈办腻谤测补:

鈥�parikaras膩mye satyapi parik膩ryasth膩nyath膩tv膩dekaparik膩rya岣� 触鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 70

 

Means:

鈥淚n a poetic composition where is similarity in figures of speech but different in relevant objects, thus it is called as 贰办补辫补谤颈办腻谤测补 膧濒别办丑测补辫谤补办丑测补 丑补谤补峁嘺.鈥�

For example as:

鈥�avy膩dgajendravadana岣� sa im膩峁� trilok墨峁� yasyodbhatena gagane 尘补丑补迟腻 办补谤别峁嘺 |
m奴laprar奴岣峢asitadantabis膩峁卥ure峁嘺 n膩l膩yita峁� tapanabimbasaroruhasya || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 70-71

Another example with the same meaning:

鈥�saralakarada峁囜笉an膩la峁� gajavapu峁�a岣� 辫耻峁�k补谤补峁� vibhorjayati |
m奴labisak膩峁囜笉abh奴mau yatr膩bh奴dekada峁冡梗峁璻aiva || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 71

Here, in the first 艣濒辞办补 Lord 骋补峁噀艣补鈥檚 trunk is described as the lotus stalk which is the support of the sun, which resembles a lotus. But in the second 艣濒辞办补 the tip of the trunk of Lord 骋补峁噀艣补 itself is conceived as a lotus. In this way we found here similarly in the figures of speech while the objects are different. Thus it is an example of Ekaparikarya 膧濒别办丑测补辫谤补办丑测补 丑补谤补峁嘺.

(h) 笔谤补迟测腻辫补迟迟颈:

鈥� vik峁泃e岣� prak峁泃ipr膩pa峁嘺峁� 辫谤补迟测腻辫补迟迟颈岣�触鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 71

Means:

鈥淚n a poetic composition where irrelevant object is brought to relevance thus it is called as 笔谤补迟测腻迟迟颈 types of 膧濒别办丑测补辫谤补办丑测补 丑补谤补峁嘺.鈥�

For an example as:

鈥�谤补惫颈蝉补峁卥谤腻苍迟补蝉补耻产丑腻驳测补蝉迟耻峁Ｄ乺腻惫颈濒补尘补峁囜笉补濒补岣�|
ni岣ヅ泇膩s膩ndha iv膩dar艣a艣candram膩 na prak膩艣ate || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 71

Another example with same meaning:

鈥�tasy膩岣� pratidvandibhav膩dvi峁Ｄ乨膩tsadyo 惫颈尘耻办迟补峁� 尘耻办丑补尘腻产补产丑腻蝉别 |
苍颈岣ヅ泇腻蝉补产腻峁�p腻辫补驳补尘别 辫谤补辫补苍苍补岣� 辫谤补蝉腻诲补尘腻迟蝉墨测补尘颈惫腻迟蝉补诲补谤艣补 || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 71

Here, in the first 艣濒辞办补 the author compares the winter-moon to a mirror which is made dirty by sighs. But in the second 艣濒辞办补 is described the happy face of a lady, which becomes clear by the removal of the dirt of tear and sight that resembled a mirror. In this way the first 艣濒辞办补 described the vik奴ti of the mirror, while the second 艣濒辞办补 described the 辫谤补办奴迟颈 of the mirror. Thus it is an example of 笔谤补迟测腻辫补迟迟颈 types of 膧濒别办丑测补辫谤补办丑测补 丑补谤补峁嘺.

It is the classification of both pratibimbakalpa and 膧濒别办丑测补辫谤补办丑测补 are two sub-types of 丑补谤补峁嘺 of Anyayoni Artha. However 膧苍补苍诲补惫补谤诲丑补苍补 was condemns both of those two varieties. But 驰腻测腻惫补谤墨测补 搁腻箩补艣别办丑补谤补 condemns only the first pratibimbakalpa-artha-丑补谤补峁嘺 and adopts the second 膧濒别办丑测补辫谤补办丑测补-artha-丑补谤补峁嘺. In this way it can seems that the charge of plagiarism is slighted in the second type, however there is considerable overlapping in the subdivision of the 膧濒别办丑测补辫谤补办丑测补-Artha-丑补谤补峁嘺.

Thus 驰腻测腻惫补谤墨测补 搁腻箩补艣别办丑补谤补 recognizes the adoptability of 膧濒别办丑测补辫谤补办丑测补 Artha-丑补谤补峁嘺 by the saying:

鈥�t膩 im膩 膩lekhyaprakhyasya 产丑颈诲腻岣� | so'yamanugr膩hyo 尘腻谤驳补岣� 触鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 71

Thus it is also has been saying that:

鈥�so'ya峁� bha峁噄tivaicitry膩tsamasto vastuvistara岣� |
na峁璦vadv膩r峁噄k膩yog膩danyath膩tvamiv膩rccha ti || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XIII, Pp- 71

Means:

鈥淚n a 办腻惫测补 (poetry) when expressed in a fresh light using varied striking expression acquires a new look like an actor, whose appearance changes with every new character that he depicts.鈥�