Vishanna, վṣaṇṇ, Visanna, վṣaṇṇ, Visañña: 19 definitions
Introduction:
Vishanna means something in Hinduism, Sanskrit, Buddhism, Pali, Marathi, Jainism, Prakrit, Hindi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
The Sanskrit terms վṣaṇṇ and վṣaṇṇ can be transliterated into English as Visanna or Vishanna, using the IAST transliteration scheme (?).
Alternative spellings of this word include Vishnan.
In Hinduism
Natyashastra (theatrics and dramaturgy)
Source: Wisdom Library: Nāṭya-śāstraվṣaṇṇ (विषण्ण�, “dejected�) refers to a specific “glance� (ṛṣṭi), according to the Nāṭyaśāstra chapter 8. This is a type of glance that expresses a ‘transitory state� (ṃc屹). There are a total thirty-six glances defined.
: archive.org: The mirror of gesture (abhinaya-darpana)A type of glance (or facial expression): վṣaṇṇ: the eyelids wide apart, eyelashes recurved, the pupil fixed. Usage: dismay, anxiety.
: archive.org: Natya Shastraվṣaṇṇ (विषण्ण�).—A type of glance (ṛṣṭi) expressing a transitory state (ṃc屹);—The bewildered Glance in which eyelids are down wide apart in dejection, and there is no winking and the eyeballs are slightly motionless, is called վṣaṇṇ (dejected).
Uses of վṣaṇṇ (dejected)—in despair.
: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (natya)Viṣaṇnā (विषण्न�) refers to one of the Thirty six kinds of Glances (ṛṣṭi) or “proper accomplishment of glances� (in Indian Dramas), according to the Viṣṇudharmottarapurāṇa, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.—Dṛṣṭi is very important in a dance form. The appropriate movements of eyes, eyeballs and eyebrows of an artist make the performance more charming. There are thirty six kinds of glances (ṛṣṭi) accepted in the Viṣṇudharmottarapurāṇa, for example ṣaṇn, belonging to the sañcāriṇaṛṣṭi division.

Natyashastra (नाट्यशास्त्र, ṭyśٰ) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Purana and Itihasa (epic history)
: archive.org: Shiva Purana - English Translationվṣaṇṇ (विषण्ण) refers to “becoming affected�, according to the Śivapurāṇa 2.3.54 (“Description of the duties of the chaste wife�).—Accordingly, after Menā spoke to Śiva: “Then the seven sages spoke to the lord of the mountains—‘O mountain, make arrangements for the journey of your daughter today itself�. O great sage, on hearing these words and knowing her pangs of separation, the lord of mountains was greatly affected (ṣaṇṇ) by his love towards her and remained silent for a short while. After some time, the lord of the mountains regained his consciousness and said—‘Let it be so�. He then sent the message to Menā. [...]�.

The Purana (पुरा�, purāṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.
Languages of India and abroad
Pali-English dictionary
: BuddhaSasana: Concise Pali-English Dictionaryvisañña : (adj.) unconscious.
: Sutta: The Pali Text Society's Pali-English DictionaryVisanna, (pp. of visīdati) sunk into (Loc.), immersed J. IV, 399. The poetical form is vyasanna. (Page 639)
� or �
Visañña, (adj.) (vi+sañña=saññā) 1. having wrong perceptions Sn. 874.�2. unconscious J. V, 159. In composition with ū as visaññī-ūta at J. I, 67. (Page 639)

Pali is the language of the Tipiṭaka, which is the sacred canon of Theravāda Buddhism and contains much of the Buddha’s speech. Closeley related to Sanskrit, both languages are used interchangeably between religions.
Marathi-English dictionary
: DDSA: The Molesworth Marathi and English Dictionaryṣaṇṇ (विषण्ण).—p S Dejected, despondent, depressed, sunken in spirits.
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Sanskrit dictionary
: DDSA: The practical Sanskrit-English dictionaryվṣaṇṇ (विषण्ण).�p. p. Dejected, cast down, sad, sarrowful, spritless, despondent; हा तातेति क्रन्दितमाकर्ण्य विषण्ण� (hā teti kranditamākarṇya ṣaṇṇ�) R.9. 75.
: Cologne Digital Sanskrit Dictionaries: Edgerton Buddhist Hybrid Sanskrit Dictionaryվṣaṇṇ (विषण्ण).�(ppp. of Sanskrit viṣīdati, in specialized meaning), incapable, unskilled (in, loc.): so 'ha� tīrthikasādhāra- ṇāyām ṛddhyā� ṣaṇṇ� پ屹Բ 44.18. (Text continues: tena vīryam āsthāya ṛddhim utpādya�)
: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English Dictionaryվṣaṇṇ (विषण्ण).—mfn.
(-ṇṇ�-ṇṇ-ṇṇ�) Dejected, desponding, spiritless, disinclined to exertion. E. vi before sad to go, aff. kta .
: Cologne Digital Sanskrit Dictionaries: Cappeller Sanskrit-English Dictionaryվṣaṇṇ (विषण्ण).—[adjective] dejected, sad, out of spirits.
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վṣānԲ (विषान्�).—[neuter] poisoned food.
: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary1) վṣānԲ (विषान्�):—[from viṣa > vi�] n. poisoned food, [Daśakumāra-carita]
2) վṣaṇṇ (विषण्ण):—[=-ṣaṇṇ] [from -ṣa] mfn. dejected, sad, desponding, sorrowful, downcast, out of spirits or temper, [Kāvya literature; Kathāsaritsāgara; Bhāgavata-purāṇa]
: Cologne Digital Sanskrit Dictionaries: Yates Sanskrit-English Dictionaryվṣaṇṇ (विषण्ण):—[-ṣaṇṇ] (ṇṇa�-ṇṇā-ṇṇa�) a. Dejected, spiritless.
: DDSA: Paia-sadda-mahannavo; a comprehensive Prakrit Hindi dictionary (S)վṣaṇṇ (विषण्ण) in the Sanskrit language is related to the Prakrit word: Visanna.
[Sanskrit to German]
Sanskrit, also spelled संस्कृतम� (ṃsṛt), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Hindi dictionary
: DDSA: A practical Hindi-English dictionary1) վṣaṇṇ (विषण्ण) [Also spelled vishnan]:�(a) melancholic, gloomy, sombre; downcast; ~[] melancholy, gloominess, sombreness; downcast state; ~[Բ/] melancholic, gloomy, sombre, in low spirits; ~[mukha/vadana] melancholic, dejected, downcast.
2) վṣānԲ (विषान्�):�(nm) poisoned or poisonous food/meal.
...
Prakrit-English dictionary
: DDSA: Paia-sadda-mahannavo; a comprehensive Prakrit Hindi dictionary1) Visaṇṇa (विसण्ण) in the Prakrit language is related to the Sanskrit word: վṃjñ.
2) Visanna (विसन्न) also relates to the Sanskrit word: վṣaṇṇ.
3) Visannā (विसन्न�) also relates to the Sanskrit word: վṃjñ.
Prakrit is an ancient language closely associated with both Pali and Sanskrit. Jain literature is often composed in this language or sub-dialects, such as the Agamas and their commentaries which are written in Ardhamagadhi and Maharashtri Prakrit. The earliest extant texts can be dated to as early as the 4th century BCE although core portions might be older.
Kannada-English dictionary
: Alar: Kannada-English corpusվṣaṇṇ (ವಿಷಣ್ಣ):�
1) [adjective] suffering from distress, misery, etc.
2) [adjective] in low spirits; depressed; disheartened.
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վṣaṇṇ (ವಿಷಣ್ಣ):�
1) [noun] want of enthusiasm, zeal, interest, eagerness, etc.
2) [noun] a distressed, man; a man in a woeful, sorrowfl state.
3) [noun] a discouraged, disheartened man; a man in low spirits.
4) [noun] (dance.) a gesture in which the eyelids are drawn wide apart and moved while the eye-balls are fixed.
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
See also (Relevant definitions)
Starts with: Vishannabhava, Vishannacetas, Vishannahridaya, Vishannahridaye, Vishannamana, Vishannamanas, Vishannamane, Vishannamukha, Vishannanana, Vishannanane, Vishannarupa, Vishannata, Vishannate, Vishannatman, Vishannatva, Vishannavadana, Vishannavadane.
Full-text (+9): Vishannavadana, Vishannata, Vishannatman, Vishannarupa, Pravishanna, Vishannamanas, Vishannabhava, Vishannacetas, Vishannamukha, Suvishanna, Vishannatva, Vishannavadane, Vishannahridaya, Vishannahridaye, Vishannamane, Vishannamana, Shokavishanna, Visamjna, Visidati, Anuvishanna.
Relevant text
Search found 19 books and stories containing Vishanna, վṣaṇṇ, Visanna, վṣaṇṇ, Visañña, վṣānԲ, Vi-shanna, Vi-ṣaṇṇa, Vi-sanna, Visaṇṇa, Visannā; (plurals include: Vishannas, վṣaṇṇs, Visannas, վṣaṇṇs, Visaññas, վṣānԲs, shannas, ṣaṇṇas, sannas, Visaṇṇas, Visannās). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Garga Samhita (English) (by Danavir Goswami)
Verse 1.16.53 < [Chapter 16 - Description of Śrī Rādhikā’s Wedding]
Arts in the Puranas (study) (by Meena Devadatta Jeste)
9. Rasa-drishtis (glances) < [Chapter 2 - Dance in the Puranas]
Ashta Nayikas and Dance Forms (study) (by V. Dwaritha)
Part 3 - Portrayal of a Vāsakasajjikā on stage < [Chapter 3 - Vāsakasajjikā]
Bhakti-rasamrta-sindhu (by Śrīla Rūpa Gosvāmī)
Verse 2.3.26 < [Part 3 - Involuntary Ecstatic Expressions (sattvika-bhāva)]
Natyashastra (English) (by Bharata-muni)