狈颈谤惫补丑补峁嘺, Nirvahana, 狈颈谤惫腻丑补峁嘺: 14 definitions
Introduction:
狈颈谤惫补丑补峁嘺 means something in Hinduism, Sanskrit, Marathi, Hindi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
Alternative spellings of this word include Nirvahan.
In Hinduism
Natyashastra (theatrics and dramaturgy)
Source: Wisdom Library: N膩峁瓂a-艣膩stra狈颈谤惫补丑补峁嘺 (啶ㄠた啶班啶掂す啶�, 鈥渃onclusion鈥�) refers to one of the 鈥渇ive segments鈥� of the plot (颈迟颈惫峁泃迟补 or vastu) of a dramatic play (苍腻峁璦办补), according to the N膩峁瓂a艣膩stra chapter 21. It is also known by the name Sa峁僪膩ra. These five segments are assigned to the principal plot (腻诲丑颈办腻谤颈办补).
: archive.org: Natya Shastra狈颈谤惫补丑补峁嘺 (啶ㄠた啶班啶掂す啶�, 鈥渄eliberation鈥�).鈥擮ne of the five segments (sandhi) of a dramatic play;鈥擝ringing together the objects of the segments (sandhi) such as the Opening (mukha) etc. along with the Seed (bija), when they have attained fruition, is called the Conclusion (苍颈谤惫补丑补峁嘺).
Natyashastra (啶ㄠぞ啶熰啶ざ啶距じ啷嵿い啷嵿ぐ, 苍腻峁瓂补艣腻蝉迟谤补) refers to both the ancient Indian tradition (shastra) of performing arts, (natya鈥攖heatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Languages of India and abroad
Marathi-English dictionary
: DDSA: The Molesworth Marathi and English Dictionary苍颈谤惫补丑补峁嘺 (啶ㄠた啶班啶掂す啶�).鈥攏 S Conducting or carrying on. See 苍颈谤惫腻丑补.
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Sanskrit dictionary
: DDSA: The practical Sanskrit-English dictionary狈颈谤惫补丑补峁嘺 (啶ㄠた啶班啶掂す啶�).鈥�
1) End, completion; 啶ぞ啶ㄠ啶むた 啶ㄠた啶班啶掂す啶｀ぎ啶膏啶� 啶膏啶膏啶むた啶曕啶侧啶多え啶距啶� (y膩nti 苍颈谤惫补丑补峁嘺masya sa峁僺峁泃ikle艣a苍腻峁璦办补)啶∴ぎ啷嵿が啶ㄠぞ啶掂た啶о啶� (岣峚尘产补苍腻惫颈诲丑别岣�) 艢.14.63.
2) Maintaining, carrying to the end, sustaining; 啶ぞ啶ㄠじ啷嵿く 啶ㄠた啶班啶掂す啶｀ぎ啷� (m膩nasya 苍颈谤惫补丑补峁嘺m) Amaru艣ataka 24.
3) Destruction, annihilation.
4) (In dramas) The catastrophe, the last stage in which the action of the play is brought to a head, the denouement; 啶むい啷嵿啶苦啶ㄠた啶た啶む啶む 啶曕啶曕さ啶�- 啶曕啶むえ啶距啶曕じ啷嵿く啷囙さ 啶呧え啷嵿く啶ㄠ啶啶栢啶洁え啷嵿く啶ㄠ啶ㄠた啶班啶掂す啶｀ (tatki峁僴imitta峁� kukavi- k峁泃a苍腻峁璦办补syeva anyanmukhe'nyannirvaha峁噀) Mu.6.
Derivable forms: 苍颈谤惫补丑补峁嘺m (啶ㄠた啶班啶掂す啶｀ぎ啷�).
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狈颈谤惫腻丑补峁嘺 (啶ㄠた啶班啶掂ぞ啶灌ぃ).鈥�a.
1) Carrying out, effecting.
2) Removing.
-峁嘺尘 Accomplishment, completion; see 啶ㄠた啶班啶掂す啶� (苍颈谤惫补丑补峁嘺).
: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English Dictionary狈颈谤惫补丑补峁嘺 (啶ㄠた啶班啶掂す啶�) or Nirv惫补丑补峁嘺.鈥攏.
(-峁嘺峁�) 1. End, completion. 2. Supporting, carrying on, maintaining. 3. The catastrophe of a drama, the conclusion of the fable. E. nir out, vah to bear, affix bh膩ve lyu峁�.
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狈颈谤惫腻丑补峁嘺 (啶ㄠた啶班啶掂ぞ啶灌ぃ) or Nirvv膩ha峁嘺.鈥攏f.
(-峁嘺峁�-峁嚹�) Catastrophe of a drama: see 苍颈谤惫补丑补峁嘺.
: Cologne Digital Sanskrit Dictionaries: Cappeller Sanskrit-English Dictionary狈颈谤惫补丑补峁嘺 (啶ㄠた啶班啶掂す啶�).鈥擺neuter] issue, end, close.
: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary1) 狈颈谤惫补丑补峁嘺 (啶ㄠた啶班啶掂す啶�):鈥擺=苍颈谤-惫补丑补峁嘺] [from nir-vah] n. end, issue, completion, [K膩vya literature; R膩jatara峁単i峁嚹玗
2) [v.s. ...] the catastrophe of a drama, [Da艣ar奴pa]
3) 狈颈谤惫腻丑补峁嘺 (啶ㄠた啶班啶掂ぞ啶灌ぃ):鈥擺=苍颈谤-惫腻丑补峁嘺] [from nir-vah] mfn. ([from] [Causal]) carrying off, removing, destroying (ifc.), [Var膩ha-mihira]
4) [v.s. ...] n. = 惫补丑补峁嘺, [cf. Lexicographers, esp. such as amarasi峁僪a, hal膩yudha, hemacandra, etc.]
: Cologne Digital Sanskrit Dictionaries: Yates Sanskrit-English Dictionary1) 狈颈谤惫补丑补峁嘺 (啶ㄠた啶班啶掂す啶�):鈥擺苍颈谤-惫补丑补峁嘺] (峁嘺峁�-峁嚹�) 1. n. f. Completing; supporting; catastrophe.
2) 狈颈谤惫腻丑补峁嘺 (啶ㄠた啶班啶掂ぞ啶灌ぃ):鈥擺苍颈谤-惫腻丑补峁嘺] (峁嘺峁�) 1. n. Catastrophe.
: DDSA: Paia-sadda-mahannavo; a comprehensive Prakrit Hindi dictionary (S)狈颈谤惫补丑补峁嘺 (啶ㄠた啶班啶掂す啶�) in the Sanskrit language is related to the Prakrit words: 峁唅v惫补丑补峁嘺, 峁唅惫惫腻丑补峁嘺.
[Sanskrit to German]
Sanskrit, also spelled 啶膏啶膏啶曕啶むぎ啷� (蝉补峁僺办峁泃补尘), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Hindi dictionary
: DDSA: A practical Hindi-English dictionary狈颈谤惫补丑补峁嘺 (啶ㄠた啶班啶掂す啶�) [Also spelled nirvahan]:鈥�(nm) see [苍颈谤惫腻丑补]; discharge; the catastrophe (in a drama).
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Kannada-English dictionary
: Alar: Kannada-English corpus狈颈谤惫补丑补峁嘺 (嗖ㄠ部嗖班硩嗖掂补嗖�):鈥�
1) [noun] the end; the culminating portion; catastrophe.
2) [noun] the act, art or manner of managing or handling, controlling, directing, etc.
3) [noun] a maintaining or being maintained; upkeep, support, defence, etc. the work of keeping a building, machinery, etc. in a state of good repair.
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
Nepali dictionary
: unoes: Nepali-English Dictionary狈颈谤惫补丑补峁嘺 (啶ㄠた啶班啶掂す啶�):鈥攏. (in Sanskrit drama) the catastrophe; the denouement;
Nepali is the primary language of the Nepalese people counting almost 20 million native speakers. The country of Nepal is situated in the Himalaya mountain range to the north of India.
See also (Relevant definitions)
Full-text (+13): 狈颈谤惫补丑补峁嘺sandhi, Nirvahan, Nivvahana, Nirvvahana, Nirvahananga, Nirvakanam, Sandhi, Nirvahane, Upasamhriti, Anirvahanashila, Nibarhana, Purvavakya, Nirnaya, Grathana, Kavyasamhara, Prashasti, Nibhanem, Upaguhana, Paribhashana, Bhashana.
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Search found 30 books and stories containing 狈颈谤惫补丑补峁嘺, Nirvahana, 狈颈谤惫腻丑补峁嘺, Nir-vahana, Nir-惫补丑补峁嘺, Nir-v膩ha峁嘺; (plurals include: 狈颈谤惫补丑补峁嘺s, Nirvahanas, 狈颈谤惫腻丑补峁嘺s, vahanas, 惫补丑补峁嘺s, v膩ha峁嘺s). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Jivanandana of Anandaraya Makhin (Study) (by G. D. Jayalakshmi)
Analysis of 狈颈谤惫补丑补峁嘺 Sandhi < [Chapter 6 - Dramatic aspects of the J墨vanandana N膩峁璦ka]
Sandhis and Sandhya峁単as < [Chapter 6 - Dramatic aspects of the J墨vanandana N膩峁璦ka]
Kohala in the Sanskrit textual tradition (Study) (by Padma Sugavanam)
Kohala and N膩峁瓂a (6): The concept of Sandhi < [Chapter 2 - Kohala as seen in citations]
Kohala and N膩峁瓂a (4): The concept of Da艣ar奴paka < [Chapter 2 - Kohala as seen in citations]
Dramaturgy in the Venisamhara (by Debi Prasad Namasudra)
Sandhi (the combination of different phases) < [Chapter 4 - Dramaturgy in Ve峁嚹玸a峁僪膩ra]
Description of Bh膩峁嘺 < [Chapter 2 - Nature and Classification of Sanskrit Drama]
Dasarupaka (critical study) (by Anuru Ranjan Mishra)
Part 10 - Application of the Junctures (sandhi) in a Bh膩峁嘺 < [Chapter 2 - Bh膩峁嘺 (critical study)]
Part 10 - Application of the Junctures (sandhi) in a Prahasana < [Chapter 3 - Prahasana (critical study)]
Part 10 - Application of the Junctures (sandhi) in a Vy膩yoga < [Chapter 5 - Vy膩yoga (critical study)]
Mudrarakshasa (literary study) (by Antara Chakravarty)
5. Deliberation of the Pa帽casandhi in Mudr膩r膩k峁sa < [Chapter 6 - Other Literary Estimates of Mudr膩r膩k峁sa]
Hastalaksanadipika a critical edition and study (by E. K. Sudha)
4. Vacika-abhinaya in Kerala theatre < [Chapter 7 - Vacikabhinaya according to Bharata鈥檚 Natyasastra]
2. Study of Kerala-theatre (b): Nangiarkuttu (Nangiar Koothu) < [Chapter 3 - Later developments of dramatic techniques]