Garland: 5 definitions
Introduction:
Garland means something in Hinduism, Sanskrit, Christianity. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
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In Hinduism
Purana and Itihasa (epic history)
: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the VisnudharmottarapuranaGarlands were traditionally crafted by professional artisans, as part of the “sixty four kinds of Art�, according to the Kamasutra of Vatsyayana.—Cf. the Sanskrit ⲹٳԲ첹貹.—Indian tradition, basically includes sixty four Art forms are acknowledged. The history of Indian Art covers approximately five thousand years which presents a rich and almost continuous record. The references of sixty four kinds of Kala (कल�, 첹) are found in the Bhagavatapurana, Shaiva-Tantras, Kamasutra of Vatsyayana etc.

The Purana (पुरा�, purāṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.
Natyashastra (theatrics and dramaturgy)
: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (natya)1) Garlands and Ornaments (in Indian Dramas) form a part of the ṃk division of ĀԲⲹ: one of the four divisions of Abhinaya or “ways to convey or represent one’s emotion to others�, according to the Viṣṇudharmottarapurāṇa, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.—ṃk deals with the decoration of garlands and ornaments. In the Nāṭyaśāstra four kinds of ornaments and five kinds of garlands are accepted. In the Sanskrit dramas ornaments like ear-rings, bracelets, head-gears etc. are seen to be collected from nature. This is informed in many of the Sanskrit dramas.
2) The Garland is associated with Kapittha-hasta: one of the twenty-two Single-hand Gestures (in Indian Dramas) (known as ṃyܰٲٲ).—In the Śabdakalpadruma, the word kapittha is explained as a kind of tree where kapi i.e., monkey comes due to the greed of fruit. The word kapittha again denotes the fruit called wood apple. [...] This posture is used to denote sacrifice, holding of an umbrella or a garland or rope, dragging and fanning.

Natyashastra (नाट्यशास्त्र, ṭyśٰ) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
See also (Relevant definitions)
Starts with: Garland flower, Garland of flames, Garland of gold.
Full-text (+2425): Malya, Vanamala, Mala, Sraj, Malika, Sekhara, Vaijayanti, Hara, Sragdaman, Vatamsa, Malakara, Malaka, Mundamala, Malini, Malin, Pariharika, Dama, Vaikaksha, Pralamba, Pushpamala.
Relevant text
Search found 401 books and stories containing Garland, Garlands; (plurals include: Garlands, Garlandses). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Cosmetics, Costumes and Ornaments in Ancient India (by Remadevi. O.)
1.3. Materials: Flowers < [Chapter 3 - Ornaments]
3. Ornaments for Different Occasions < [Chapter 3 - Ornaments]
2.1. Various other Head Ornaments < [Chapter 3 - Ornaments]
Manusmriti with the Commentary of Medhatithi (by Ganganatha Jha)
Verse 4.72 < [Section IX - Personal Cleanliness]
Verse 4.66 < [Section IX - Personal Cleanliness]
Verse 2.177 < [Section XXX - Rules to be observed by the Religious Student]
Brihad Bhagavatamrita (commentary) (by Śrī Śrīmad Bhaktivedānta Nārāyana Gosvāmī Mahārāja)
Verse 2.4.66 < [Chapter 4 - Vaikuṇṭha (the spiritual world)]
Verse 2.1.132 < [Chapter 1 - Vairāgya (renunciation)]
Verse 1.2.81-83 < [Chapter 2 - Divya (the celestial plane)]
Markandeya Purana (Study) (by Chandamita Bhattacharya)
Use of Cosmetics, Perfumes, Incense, etc. < [Chapter 2]
Hair Style < [Chapter 2]
4. Birth of Kālī from Ambikā’s Forehead < [Chapter 3]
Harivamsha Purana (by Manmatha Nath Dutt)
Chapter 27 - Krishna’s Arrival < [Book 2 - Vishnu Parva]
Chapter 77 - Satya Perform the Rite < [Book 2 - Vishnu Parva]
Chapter 41 - Balarama Gets Drunk < [Book 2 - Vishnu Parva]
Brahma Purana (critical study) (by Surabhi H. Trivedi)
17. Use of Flowers < [Social and Economic Life]
10. Marriage-Celebration < [Marriage, Family and Position of Women]
2. Depiction of Visnu (introduction) < [Mythology]
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