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According to 搁腻箩补艣别办丑补谤补, 骋峁浤�峁３静�-办腻濒补 (summer season) is the last in the rotation of 峁泃耻-circle. In this time flourishes with the blossoming of 狈补惫补尘补濒濒颈办腻, 艢颈谤墨蝉补, 碍腻帽肠补苍补办别迟补办墨 and 顿丑补迟补办墨 in full luster. Young couples use dates, fruit of rose-apple tree, Panasa, 膧尘谤补 (mango), Moca, Priyala, Pug墨 and Coconut to remove their weariness and sloth and indulge in amorous past-time.

C.f.

鈥�kharj奴rajamb奴panas膩mr膩mocapri测腻lap奴g墨phalan膩like rai岣� |
dvandv膩ni khed膩lasat膩mu(ma)p膩sya rat膩nusandh膩namih膩driyante || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XVIII, Pp- 101

Due to the Prickly heat of this time, the sources of water supply and wells are dried up. During the hot noon time traveler鈥檚 crowd around cisterns or wells, (a drink made of barley water) 艢补迟迟耻 is pleasing. 搁腻箩补艣别办丑补谤补 says that, to set relief from the severe heat of summer, people should sleep at the other half of the days, engage in water sports.

The moonlight like the cool sandal paste, the waft of breeze coming in through the windows and the drops of water which scatter due to movement of the fans are the offerings of the summer seasons.

C.f.

鈥�测腻 肠补苍诲谤颈办腻 candanapa峁卥峁沨ad测腻 测腻 j膩lam膩rg膩nilav墨cim膩l膩 |
测腻 t膩lav峁沶tairudabinduv峁涐梗峁璱rjal膩帽jali峁� s膩 艣ucaye dad膩ti || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XVIII, Pp- 107

The pearl-necklace besmeared with sandal paste and garland with lotus stalks will surely convert the summer to winter feelings.

C.f.

鈥�mukt膩lat膩艣candanapa峁卥adigdh膩 m峁涐箛膩lah膩r膩nus峁泃膩 jal膩rd膩岣� |
straja艣ca maulau smi(si)tacampak膩n膩峁� gr墨峁�me'pi so'ya峁� 艣i艣ir膩vat膩ra岣� || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XVIII, Pp- 107

The deer鈥檚 are suffered in the woods as if a mirage. The water in the rivers is reducing to a trickle due to drying up of water the living creatures in the ponds appear desperate. To escape from the evils of summer young girls smear sandal paste and wear pearl wreath on their breasts. Peoples are sleep on plantation leaves made beds.

The 惭补濒濒颈办腻 flower worn in the neck may turn prickly hot summer into winter.

C.f.

鈥�丑补尘测补峁� 谤补尘测补峁� 肠补苍诲谤颈办腻dhaut峁沺a峁ａ弓ha峁� k膩ntocchi峁ａ弓膩 惫腻谤耻峁嚹� 惫腻谤颈尘颈艣谤腻 |
尘腻濒腻岣� ka峁囜弓he p膩峁璦l膩mallik膩n膩峁� sadyo 驳谤墨峁�m补峁� hanta hemantayanti || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XVIII, Pp- 108

In this way it is seems that, the concept of 峁歵耻蝉 descriptions in the 搁腻箩补艣别办丑补谤补 鈥檚 K膩vyam墨m膩峁僺膩 the images are associated with the human life. There 搁腻箩补艣别办丑补谤补 discusses the season scientifically as well as poetically. In the descriptions of seasons 搁腻箩补艣别办丑补谤补 has been influence by description of Vedas, 碍腻濒颈诲腻蝉补蝉 and 碍补耻峁璱濒测补蝉. The idea of origin of the seasons is incorporated from the Vedas and 碍补耻峁璱濒测补鈥檚 础谤迟丑补艣腻蝉迟谤补, than the concepts of the unit of time has promulgation from 罢补颈峁�峁�颈谤颈测补-厂补峁僪颈迟腻. In this description of K膩vyam墨m膩峁僺膩 we may recall the 碍腻濒颈诲腻蝉补蝉鈥檚 description of season in the 峁歵耻蝉a峁僪膩ra. However, there it is noted that, the description of season in the 峁歵耻蝉a峁僪膩ra is full of romantic way but 搁腻箩补艣别办丑补谤补鈥檚 description is associated only to the factual enumeration.

In the K膩vyam墨m膩峁僺膩, the four stage concepts of season by 搁腻箩补艣别办丑补谤补 are very interesting. Those are:

1. 峁歵耻蝉andhi,
2. 艢补颈艣补惫补,
3. 笔谤补耻岣峢颈 and
4. 础苍耻惫峁泃迟颈.

C.f.

鈥�caturavastha艣ca 峁泃耻rupanibandhan墨ya岣� | tadyath膩 鈥� 蝉补苍诲丑颈岣�, 艣补颈艣补惫补峁�, prau峁環i岣�, anu惫峁泃迟颈艣ca 触鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XVIII, Pp- 108

The 峁歵耻蝉andhi is the meeting points of two seasons. 膧肠腻谤测补 Bharatamuni, 痴腻尘补苍补 and 叠丑辞箩补谤腻箩补 also discusses about this 峁歵耻蝉andhi in their works.

In the twenty-eight chapter of 狈腻峁瓂补艣腻蝉迟谤补, Bharatamuni says about the 峁歵耻蝉andhi while discussing about the concepts of music.

C.f.

鈥�ch膩测腻su bhavati 艣墨迟补峁� prasved墨 bhavati c膩tapasthasya |
na ca n膩gato vasant墨 na ca ni岣ヅ沞峁�a岣� 艣i艣ira办腻濒补岣� || 鈥�

- 狈腻峁瓂补艣腻蝉迟谤补 of Bharatamuni: XXVIII/ 34

In the Vasanta-办腻濒补, a man seated in the shadow to feels cold. The sun rays make one sweat is the quality of 艢颈艣颈谤补. In the junction time of Vasanta and 艢颈艣颈谤补, neither the spring became mature nor does the winter go out completely.

膧肠腻谤测补 痴腻尘补苍补 in his K膩v测腻la峁僰膩ras奴峁璻a-惫峁泃迟颈 says about the 峁歵耻蝉andhi as:

鈥�cyutasumanasa岣� ku nd膩岣� pu峁�podgame峁�valas膩 诲谤耻尘腻
  malayamaruta岣� sarpant墨me vi峁璾ktadh峁泃icchida岣� |
atha ca 蝉补惫颈迟耻岣� 艣墨toll膩sa峁� lunanti mar墨cayo
  na ca jara峁環at膩m膩lambamte klamodayad膩yin墨m || 鈥�

- K膩v测腻la峁僰膩ras奴峁璻a-惫峁泃迟颈 of Vamana: Ch-III/ 2 /5

From this concepts of 痴腻尘补苍补; 搁腻箩补艣别办丑补谤补 takes the idea by replacing a quarter in the place of the second quarter and says the union 艢颈艣颈谤补 and Vasanta as:

鈥�cyutasumanasa岣� ku nd膩岣� pu峁�podgame峁�valas膩 诲谤耻尘腻
  manasi ca gira峁� g峁沨峁嘺nt墨me giranti na kokil膩岣� |
atha ca 蝉补惫颈迟耻岣� 艣墨toll膩sa峁� lunanti mar墨cayo
  na ca jara峁環at膩m膩lambante klamodayad膩yin墨m || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XVIII, Pp- 108

Then 搁腻箩补艣别办丑补谤补 gives the explanation of 艣补颈艣补惫补 by the 艣濒辞办补 as:

鈥�garbhagranthi| 惫墨谤耻诲丑腻峁� sumanaso madhye'峁卥ura峁� 辫补濒濒补惫腻
  v膩帽ch膩m膩traparigraha岣� pikavadh奴ka峁囜弓hodare pa帽cama岣� |
ki峁� ca tr墨峁噄 jaganti 箩颈峁ａ箛耻 divasairdvitrairmanojanmano
  devas测腻pi cirojjhita峁� yadi bhavedabh测腻sava艣ya峁� dhanu岣� || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XVIII, Pp- 108

Here describes the features of the commencing of Vasanta-峁泃耻.

To illustrated the 笔谤补耻岣峢颈 as:

鈥�蝉腻尘测补峁� samprati sevate vicakila峁� 峁Ｄ佱箛膩m膩sikairmauktikai岣�
  k膩nti峁� kar峁�ati k膩帽can膩raku suma峁� m膩帽ji峁ａ弓hadhaut膩tpa峁�膩t |
hu峁嚹玭膩峁� ku rute madhukamuku la峁� l膩va峁噛alu峁囜弓膩kat膩峁�
  la峁�墨n膩bhinibha峁� cak膩sti ca patadv峁沶t膩grata岣� ke saram || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XVIII, Pp- 109

Here describes the excessive beauty of the spring by blossoming of various types of flowers.

When the sings, flowers etc. of the season gone by are visible in the present one, thus it is known by the name 础苍耻惫峁泃迟颈.

I.e.

鈥�atikr膩ntartuli峁単a峁� yatku sum膩dyanuvartate |
li峁単膩nu惫峁泃迟颈峁� t膩m膩hu岣� s膩 帽je测腻 k膩vyalokata岣� || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XVIII, Pp- 109

It is can be learnt from the world of poet鈥檚 description of the blooming of lotuses in Vasanta, which is actually a feature of 骋峁浤�峁３静�.

To illustrated this by the 艣濒辞办补 as:

鈥�办丑补峁� vaste kalavi峁卥aka峁囜弓hamalima峁� k膩dambin墨kambala峁�
  carc膩峁� p膩rayat墨va darduraku la峁� kol膩halairunmadam |
驳补苍诲丑补峁� mu帽jati siktal膩jasad峁浥沘峁� var峁�e峁嘺 诲补驳诲丑腻 蝉迟丑补濒墨
  durlak峁�yo'pi vibh膩vyate kamalin墨h膩sena bh膩s膩峁� pati岣� || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XVIII, Pp- 109

One and the same flower while bloomed in summer is known as 顿丑奴濒墨办补诲补尘产补 and in 痴补谤峁Ｄ�-办腻濒补 (rainy season) it is known as 顿丑腻谤腻办补诲补尘产补.

C.f.

鈥�grai峁�mikasamayavik膩s墨 kathito dh奴l墨kadamba iti loke |
jaladharasamayapr膩ptau sa eva 诲丑腻谤腻办补诲补尘产补岣� s测腻t || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XVIII, Pp- 109

There are some believed that, in a year constitute by five seasons and they make Hemanta (dewy season) and 艢颈艣颈谤补 (winter season) being alike the nature description of both is similar.

There also pointed out that in twelve months in a year and five or six seasons.

C.f.

鈥�诲惫腻诲补艣补尘腻蝉补岣� 蝉补峁僾补迟蝉补谤补岣�, pa帽cartavo hemanta艣i艣irayo岣� sam膩sena鈥� [ iti ] |

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XVIII, Pp- 110

But 搁腻箩补艣别办丑补谤补 think that the commencement and continuation of various seasons are described in different form. There any poet always tries to establish, try to highlighting the different characteristics of individual seasons.

搁腻箩补艣别办丑补谤补 advices to the poets that they should never record the things of different places in their work, they always follow the ways, methods or techniques of his predecessors.

In the different types of flower, which are blooming in different types of season thus they have different types of specialty i.e.

1. 艢辞产丑腻 (beauty),
2. Andhas (food),
3. Gandha (smell),
4. Rasa (essence),
5. Phala (fruits) and
6. Arcana (worship).

C.f.

鈥�艣obh膩ndhogandharasai岣� phal膩rcan膩bh测腻峁� ca pu峁�pamupayogi |
峁�o岣峢腻 dar艣itamets测腻tsaptamanupayogi [ tath膩 ] || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XVIII, Pp- 111

To 搁腻箩补艣别办丑补谤补 the fruits are divided into six kinds-

鈥�antarv测腻ja峁� bahirv测腻ja峁� b膩h测腻ntarv测腻jameva ca |
sarvav测腻ja峁� bahuv测腻ja峁� nirv测腻ja峁� ca tath膩 phalam || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XVIII, Pp- 111

The six types of fruits are:鈥�

1. Antarv测腻ja (useless on the inside),
2. Bahirv测腻ja (useless outside),
3. B膩h测腻ntarv测腻ja (useless in inside and outside),
4. Sarvav测腻ja (useless all throughout),
5. Bahuv测腻ja and
6. Nirv测腻ja (without any useless part).

Then 搁腻箩补艣别办丑补谤补 illustrates all of them and says: Lakuca are Antarv测腻ja, bananas belong to Bahirv测腻ja, mangoes are B膩h测腻ntarv测腻ja, Kakubha fruits are Sarvav测腻ja, the jack fruits is Bahuv测腻ja and 碍补辫颈峁�峁�丑补 fruits are Nirv测腻ja.

Therefore 搁腻箩补艣别办丑补谤补 says to the poets that, they never try to describe different seasons together in one particular place, but one or two places may be used for one season in his composition. To describe the seasons in the opposing order is not a defect for the poet, but the context of the narrative should be the reciprocation appear like an excellence.

The poet who does not care for the concept of time and season will be confused and who competent to follow this will be a 惭补丑腻办补惫颈 (great poet).

C.f.

鈥�iti 办腻濒补vibh膩gasya dar艣it膩啷僾attir墨d峁浥浤� |
kaveriha mah膩nmoha iha siddho 尘补丑腻办补惫颈岣� || 鈥�

- K膩vyam墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XVIII, Pp- 112