Vajrahumkara, ղūṃk, Vajrahūṅkāra, Vajrahunkara, Vajra-humkara, Vajra-hunkara: 7 definitions
Introduction:
Vajrahumkara means something in Buddhism, Pali. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
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In Buddhism
Tibetan Buddhism (Vajrayana or tantric Buddhism)
: archive.org: The Indian Buddhist Iconographyղūṃk (वज्रहूंकार) refers to one of the various emanations of ṣoⲹ having their Sādhana described in the 5th-century Sādhanamālā (a collection of Բ texts that contain detailed instructions for rituals).—Only one Բ in the Sādhanamālā describes the form of the god ղūṃk, who is so-called because his two hands carrying the vajra and the ṇṭ exhibit the ūṃk-ܻ.
ղūṃk (two-armed variety).—[His Colour is blue; his Āsana is the ٲīḍh; his Symbols are the ٲᲹīś and vajra]—The Dhyāna (meditation instructions) in the Sādhanamālā is as follows:�
“The worshipper should conceive himself as the god ղūṃk, who originates from that syllable (Hū�) and is terribly fierce inappearance. He laughs horribly, is wrathful, and disturbs the three worlds. His two hands carrying the ṇṭ and the vajra are locked in the ūṃk-ܻ. He tramples upon Bhairava, in the ٲīḍh attitude, and inspires awe�.
ղūṃk (six-armed variety with three faces and six arms).—He is described in the Niṣpannayogāvalī is as follows:�
: De Gruyter: A Fragment of the ղ峾ṛtٲԳٰ[ղūṃk is the principal deity in the ղūṃk-ṇḍ of the Niṣpannayogāvalī, and is identified with Trailokyavijaya, He is three-faced and six-armed. With his two principal hands arranged in the ٰǰⲹᲹⲹ-ܻ and holding the vajra and ṇṭ he embraces the Prajñā of his own creation. With the two remaining right hands he holds the goad and the noose, and with the two left he shows the skull-cup and the ṭvṅg].
ղūṃk (वज्रहूंकार) is the name of a deity as defined in the �ūṃk-Բ� chapter of the 9th-century ղ峾ṛtٲԳٰ or ղ峾ṛtٲԳٰ: one of the main and earliest Buddhist Yoginītantras. The Bhagavān explains in brief the Բ of ղūṃk, as well as the procedures for drawing the ṇḍ of Vajrāmṛta, Heruka, and so on. The shape and the measures of the ūṃk-ṇḍ are given in stanza 2. ղūṃk, who has three faces and six arms, has to be placed in the centre of this ṇḍ, surrounded by a halo of trembling lights, embellished with ornaments, and encircled by four ܻ (Kelikilā, Vajrāstrā, Vajragarvā, Sparśavajrā). [...] After having performed the oblation in the middle (of the ṇḍ), if the practitioner desires the supreme perfection, i.e. if he wishes to realize ղūṃk, he should recite the mantra of one single syllable (i.e. the sound ū�).
: academia.edu: A Critical Study of the Vajraḍākamahātantrarāja (II)ղūṃk (वज्रहूंकार) is the husband of Surābhakṣ�: the name of a Ḍākinī (‘sacred girl�) presiding over Kosala: one of the four Upakṣetra (‘sacred spot�) present within the Vākcakra (‘circle of word�), according to the 9th-centruy ղḍākٲԳٰ. The Vākcakra is one of three Cakras within the Tricakra system which embodies twenty-four sacred spots or districts resided over by twenty-four Ḍākinīs whose husbands (viz., ղūṃk) abide in one’s body in the form of twenty-four ingredients (ٳ) of one’s body.
Surābhakṣ� has for her husband the hero (ī) named ղūṃk. She is the presiding deity of Kosala and the associated internal location are the ‘tip o the nose� and the bodily ingredients (ٳ) are the ‘wreath of entrails�.
: academia.edu: The Structure and Meanings of the Heruka Maṇḍalaղūṃk (वज्रहूंकार) is the name of a Vīra (hero) who, together with the Ḍākinī named Surābhakṣ� forms one of the 36 pairs situated in the Vajracakra, according to the 10th century Ḍākṇa chapter 15. Accordingly, the vajracakra refers to one of the four divisions of the Ჹ-ṭa (‘innate layer�), situated within the padma (lotus) in the middle of the Herukaṇḍ. The 36 pairs of Ḍākinīs and Vīras [viz., ղūṃk] each have one face and four arms; they hold a skull bowl, a skull staff, a small drum and a knife; they are dark-bluish-black in color.
: OSU Press: Cakrasamvara Samadhiղūṃk (वज्रहूंकार) is the name of a Ḍāka (male consort) and one of the deities of the Cakrasaṃvara-ṇḍ or Saṃvaraṇḍ of Abhayākaragupta’s Niṣpannayogāvalī, p. 45 and n. 145; (Cf. Cakrasaṃvaratantra, Gray, David B., 2007).—The Cakrasaṃvara mandala has a total of sixty-two deities. [...] Three concentric circles going outward, the body, speech and mind wheels (ⲹ-첹-ٳٲ), in the order: mind (blue), speech (red), and body (white), with eight Ḍākinīs each in non-dual union with their Ḍākas, "male consorts".
Associated elements of Surābhakṣ� and ղūṃk:
Circle: 첹 [=쳦?] (speech-wheel) (red);
Ḍākinī (female consort): Surābhakṣ�;
Ḍāka (male consort): ղūṃk;
īᲹ: �;
Body-part: nose tip;
Pīṭha: Kosala;
Bodily constituent: antra (large intestine);
Bodhipakṣa (wings of enlightenment): ṛt (power of mindfulness).
ղūṃk (वज्रहूंकार) is another name for ūṃk—one of the most learned Indian Buddhist masters. According to the Pema Kathang, Humkara’s home-country is the mythical country of Ngatubchen (rnga thub chen). There, ūṃk was initiated into the Kagye—the Nyingma’s eight main yidam which includes Śrī Heruka—from Padmasambhava and his consort Kālasiddhi. Tārānātha suggests that ūṃk [ղūṃk] may have been an epithet of the Siddha Vaidyapāda aka Vīryapāda. Accordingly, Vaidyapāda received the epithet ūṃk after he had practised and accomplished the wrathful deity named ūṃk. The short biography of Vaidyapāda that Tārānātha relates, matches the biography that Dudjom Rinpoche gives of ūṃk.
: Academia: Nechung: The Ritual History and Institutionalization of a Tibetan Buddhist Protector Deityղūṃk (वज्रहूंकार) (associated with the Viśuddha cycle) refers to one of the �Eight Awareness-holders� who represent the successors to the “Eight Transmitted Precepts� (bk'-brgyad). These Eight Awareness-holders bestowed Tantras upon Nyangrel Nyima Özer—an important Nyingma ٱö (a revealer of terma treasure texts in Tibetan Buddhism).—ղūṃk is known in Tibetan as rdo rje ū� mdzad.

Tibetan Buddhism includes schools such as Nyingma, Kadampa, Kagyu and Gelug. Their primary canon of literature is divided in two broad categories: The Kangyur, which consists of Buddha’s words, and the Tengyur, which includes commentaries from various sources. Esotericism and tantra techniques (Բ) are collected indepently.
See also (Relevant definitions)
Partial matches: Humkara, Vajra.
Starts with: Vajrahumkaramandala, Vajrahumkarasadhana, Vajrahumkarasadhananirdesha.
Full-text (+21): Surabhakshi, Vajrahumkarasadhana, Vajrahumkaramandala, rdo rje hum mdzad, Antra, Smritibala, Kom, Vajrasattvamandala, Vishuddha, yang dag thugs, Vajrakundali, Analarka, Trailokyavijaya, Vajrayaksha, Herukavajra, Vajrakala, Vajrapatala, Vajradanda, Padmantaka, Niladanda.
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Search found 3 books and stories containing Vajrahumkara, ղūṃk, Vajrahūṅkāra, Vajrahunkara, Vajra-humkara, Vajra-hunkara, Vajra-ūṃkāra, Vajra-hūṅkāra; (plurals include: Vajrahumkaras, ղūṃks, Vajrahūṅkāras, Vajrahunkaras, humkaras, hunkaras, ūṃkāras, hūṅkāras). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
The gods of northern Buddhism (by Alice Getty)
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