Leaf, Leaves: 6 definitions
Introduction:
Leaf means something in Hinduism, Sanskrit, Christianity. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
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In Hinduism
Shaktism (Shakta philosophy)
: Brill: Åšaivism and the Tantric Traditions (shaktism)Worship of leaves (in Sanskrit: patra) formed a part of the NavarÄtra Tantric ritual (an autumnal festival of the warrior goddess Caṇá¸ikÄ).—The sixth (á¹£aṣṳóÄ«) and the seventh (²õ²¹±è³Ù²¹³¾Ä«) lunar days involve awakening the goddess in a bilva tree (bodhana), worship of goddess as CÄmuṇá¸Ä and KÄlÄ« in the branch, summoning her nine radiations in nine leaves (²Ô²¹±¹²¹±è²¹³Ù°ù²¹±èÅ«ÂáÄå/±è²¹³Ù°ù¾±°ìÄå±èÅ«ÂáÄå), enlivening an unfired clay image of the goddess (±è°ùÄåṇa±è°ù²¹³Ù¾±á¹£á¹³óÄå).—Various 8th century sources refer to rituals such as the worship of leaves, for example: DevÄ«purÄṇa, KÄlikÄpurÄṇa, Ká¹›tyakalpataru, DurgÄbhaktitaraá¹…giṇÄ�, DurgÄpÅ«jÄtattva, DurgÄpÅ«jÄviveka, BhadrakÄlÄ«mantravidhiprakaraṇa in Sanderson (2007); account of the DurgÄ PÅ«jÄ in Kelomal, West Bengal (Nicholas 2013).

Shakta (शाकà¥à¤�, Å›Äkta) or Shaktism (Å›Äktism) represents a tradition of Hinduism where the Goddess (Devi) is revered and worshipped. Shakta literature includes a range of scriptures, including various Agamas and Tantras, although its roots may be traced back to the Vedas.
Purana and Itihasa (epic history)
: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the VisnudharmottarapuranaLeaves (in Sanskrit ÅšÄka) were tradtionally used in the art of cooking, as part of the “sixty four kinds of Artâ€�, according to the Kamasutra of Vatsyayana.—Cf. the Sanskrit ³Õ¾±³¦¾±³Ù°ù²¹Å›Äå°ì²¹²âūṣa²ú³ó²¹°ìá¹£y²¹±¹¾±°ìÄå°ù²¹°ì°ù¾±²âÄå.—Indian tradition, basically includes sixty four Art forms are acknowledged. The history of Indian Art covers approximately five thousand years which presents a rich and almost continuous record. The references of sixty four kinds of Kala (कलà¤�, °ì²¹±ôÄå) are found in the Bhagavatapurana, Shaiva-Tantras, Kamasutra of Vatsyayana etc.

The Purana (पà¥à¤°à¤¾à¤�, purÄṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.
Natyashastra (theatrics and dramaturgy)
: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (natya)Leaves (as found in nature) were commonly used for Ornaments (in Indian Dramas), as conveyed through the ´¡±ô²¹á¹ƒkÄå°ù²¹ division of Ä€³óÄå°ù²âÄå²ú³ó¾±²Ô²¹²â²¹: one of the four divisions of Abhinaya or “ways to convey or represent one’s emotion to othersâ€�, according to the ViṣṇudharmottarapurÄṇa, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.—In the Sanskrit dramas ornaments like ear-rings, bracelets, head-gears etc. are seen to be collected from nature. This is informed in many of the Sanskrit dramas. In the AbhijñÄnaÅ›akuntala, as for example, ÅšakuntalÄ is seen to wear flowers, leaves etc. as her ornaments. She is also seen to remain dependant upon nature for her garments. She was wearing the skin of tree as her daily garment. Her clothes were supplied by trees.

Natyashastra (नाटà¥à¤¯à¤¶à¤¾à¤¸à¥à¤¤à¥à¤°, ²ÔÄåá¹y²¹Å›Äå²õ³Ù°ù²¹) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Shilpashastra (iconography)
: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (shilpa)Leaves refers to class of natural objects and phenomenon which follows specific guidelines in the tradition of ancient Indian Painting (citra), according to the ViṣṇudharmottarapurÄṇa, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.—From the ancient period till today, many natural objects [like leaves, ...] always seem to inspire the artist to make beautiful creations. Even the sages in the Vedic period used to see the surroundings and could visualise everything as portraits in the mind. The ViṣṇudharmottarapurÄṇa bears an elaborate description on the process of making the picture of some natural objects and phenomenon, e.g., Leaves. Thus, the book addresses various elements of nature, such as a Leaf, since painting has much connection with time, mood and activity.

Shilpashastra (शिलà¥à¤ªà¤¶à¤¾à¤¸à¥à¤¤à¥à¤°, Å›ilpaÅ›Ästra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.
See also (Relevant definitions)
Partial matches: The, The, Leaf, Te.
Starts with: Leaf beet, Leaf of life, Leafless milkweed, Leafless wormbush, Leafy arnica, Leafy bog aster, Leafy cup, Leafy fleabane, Leafy milkwort, Leafy rayless aster, Leafy rock isotome, Leafy spurge, Leafy tussock sedge, Leafy-flowered ipomoea, Leafy-stemmed plantain.
Full-text (+5488): Parna, Tambula, Patra, Pallava, Dhavala, Tamalapatra, Palasha, Nimba, Vrinta, Arkapatra, Pattra, Channa, Bilva, Patri, Arka, Puta, Talavrinta, Utaja, Patraka, Kuhali.
Relevant text
Search found 559 books and stories containing Leaf, Leaves, The leaf; (plurals include: Leaves, Leaveses, The leaves). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Pharmacognostic and phytochemical studies of Anisomeles malabarica leaves. < [Volume 22 (issue 3), Jan-Mar 2003]
PHARMACOGNOSTICAL STUDIES ON LEAF OF Coldenia procumbens Linn < [Volume 22 (issue 1), Jul-Sep 2002]
Herbal medicine survey of Paniya tribes in Nilgiri Hills, South India. < [Volume 25 (issue 1), Jul-Sep 2005]
World Journal of Pharmaceutical Research
Pharmacognostic and phytochemical properties of Dacryodes klaineana. < [2022: Volume 11, April issue 4]
Anatomical studies of schleichera oleosa (lour.) oken < [2015: Volume 4, December issue 12]
Foliar galls on Trewia nudiflora by Trioza fletcheri: Life cycle noted. < [2019: Volume 8, May issue 6]
Bhesajjakkhandhaka (Chapter on Medicine) (by Hin-tak Sik)
Medicines (c): Leaves (Paṇṇa/Patra) < [Chapter 4 - Medicinal Substances in the Chapter on Medicine]
Chapter Summary < [Chapter 4 - Medicinal Substances in the Chapter on Medicine]
Medicines (a): Roots (Mūla) < [Chapter 4 - Medicinal Substances in the Chapter on Medicine]
AYU (Journal of Research in Ayurveda)
Macro-microscopic examination of leaves of Cinnamomum malabatrum (Burm. f.) Blume sold as Tamalapatra < [Volume 34 (2); 2013 (Apr-Jun)]
Development of Random Amplified Polymorphic DNA markers for authentification of Cissus repanda vahl. < [Volume 33 (2); 2012 (Apr-Jun)]
Pharmacognostic evaluation of leaf of Cordia macleodii Hook., An ethnomedicinally important plant < [Volume 32 (2); 2011 (Apr-Jun)]
Studies in Ethnobotany of ‘Nath� of Bundelkhand region (by Praveen Kumar Khare)
Chapter 5 - Enumeration of Plant Species (Ethnobotanical Records of 'Nath' tribe)
Padma Purana (by N.A. Deshpande)
Chapter 24 - The Greatness of TulasÄ« and DhÄtrÄ« < [Section 7 - KriyÄyogasÄra-Khaṇá¸a (Section on Essence of Yoga by Works)]
Chapter 22 - The Greatness of TulasÄ« < [Section 4 - Brahma-khaṇá¸a (Section on Brahman)]
Chapter 60 - In Praise of TulasÄ« < [Section 1 - Sṛṣá¹i-khaṇá¸a (section on creation)]
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