Atikranta, 础迟颈办谤腻苍迟腻, 础迟颈办谤腻苍迟补, Atikramta: 19 definitions
Introduction:
Atikranta means something in Buddhism, Pali, Hinduism, Sanskrit, Jainism, Prakrit, Marathi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
Images (photo gallery)
In Hinduism
Natyashastra (theatrics and dramaturgy)
Source: Wisdom Library: N膩峁瓂a-艣膩stra1a) 础迟颈办谤腻苍迟补 (啶呧い啶苦啷嵿ぐ啶距え啷嵿い).鈥擮ne of the 108 办补谤补峁嘺蝉 (minor dance movement) mentioned in the N膩峁瓂a艣膩stra chapter 4. The instructions for this 补迟颈办谤腻苍迟补-办补谤补峁嘺 is as follows, 鈥渙bserving the 础迟颈办谤腻苍迟补 C膩r墨, the two hands stretched forward in a manner befitting the dance.鈥�.
A 办补谤补峁嘺 represents a minor dance movements and combines 蝉迟丑腻苍补 (standing position), 肠腻谤墨 (foot and leg movement) and 苍峁泃迟补丑补蝉迟补 (hands in dancing position).
1b) 础迟颈办谤腻苍迟补 (啶呧い啶苦啷嵿ぐ啶距え啷嵿い) also refers to a one of the twenty 尘补峁囜笉补濒补蝉, according to the N膩峁瓂a艣膩stra chapter 12. The 础迟颈办谤腻苍迟补-尘补峁囜笉补濒补 is classified as a 腻办腻艣补, or 鈥渁erial鈥�, of which there are ten in total. A 尘补峁囜笉补濒补 is a combination of 肠腻谤墨s (鈥渄ance-steps鈥�), which refers refers to the simultaneous movement of the feet (辫腻诲补), shanks (箩补峁単丑腻) and the hip (奴谤耻). From these 肠腻谤墨s proceed dance as well as movements in general.
2) 础迟颈办谤腻苍迟腻 (啶呧い啶苦啷嵿ぐ啶距え啷嵿い啶�) refers to a one of the thirty-two 肠腻谤墨s, according to the N膩峁瓂a艣膩stra chapter 11. The 础迟颈办谤腻苍迟腻-肠腻谤墨 is classified as a 腻办腻艣颈办墨, or 鈥渁erial鈥�, of which there are sixteen in total. The term 肠腻谤墨 refers to a 鈥渄ance-step鈥� and refers to the simultaneous movement of the feet (辫腻诲补), shanks (箩补峁単丑腻) and the hip (奴谤耻). From these 肠腻谤墨s proceed dance as well as movements in general.
: archive.org: Natya Shastra1) 础迟颈办谤腻苍迟腻 (啶呧い啶苦啷嵿ぐ啶距え啷嵿い啶�).鈥擜 type of aerial (腻办腻艣颈办墨) dance-step (肠腻谤墨);鈥擨苍蝉迟谤耻肠迟颈辞苍蝉: a Ku帽cita foot thrown up, put forward and caused to fall on the ground.
2) 础迟颈办谤腻苍迟腻 (啶呧い啶苦啷嵿ぐ啶距え啷嵿い啶�).鈥擜 type of 尘补峁囜笉补濒补 (series of 肠腻谤墨s) classified as aerial (腻办腻艣补);鈥擨苍蝉迟谤耻肠迟颈辞苍蝉:
: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (natya)1a) The right foot to be moved successively in the janit膩-肠腻谤墨 and the 艣aka峁乻y膩-肠腻谤墨, in which the breast is 耻诲惫腻丑颈迟补,
1b) The left foot in the al膩t膩-肠腻谤墨 and the right foot in the 辫腻谤艣惫补办谤腻苍迟腻-肠腻谤颈,
2) The left foot in the s奴c墨-肠腻谤墨 and the right foot in the apakr膩nt膩-肠腻谤墨,
3) The left foot successively in the s奴c墨-肠腻谤墨 and the bhramar墨-肠腻谤墨 by turning the trika,
4) The right foot in the udv峁沬tta-肠腻谤墨 and the left foot in the al膩t膩-肠腻谤墨 which should be changed (lit. divided) to the bhramar墨-肠腻谤墨,
5) The left foot in the al膩t膩-肠腻谤墨 and the right foot in the da峁囜笉a辫腻诲补-肠腻谤墨.
础迟颈办谤腻苍迟补 (啶呧い啶苦啷嵿ぐ啶距え啷嵿い) refers to one of the 108 kinds of Kara峁嘺 (鈥渃oordination of precise movements of legs and hands鈥�), according to the Vi峁ａ箛udharmottarapur膩峁嘺, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.鈥擜ccording to the Vi峁ａ箛udharmottarapur膩峁嘺, 办补谤补峁嘺蝉 are the coordination of precise movements of legs and hands performed in a particular posture. The N膩峁瓂a艣膩stra also gives its view point in the same spirit. In the Vi峁ａ箛udharmottarapur膩峁嘺, one hundred and eight kinds of 办补谤补峁嘺蝉 are accepted, e.g., 础迟颈办谤腻苍迟补.
Natyashastra (啶ㄠぞ啶熰啶ざ啶距じ啷嵿い啷嵿ぐ, 苍腻峁瓂补艣腻蝉迟谤补) refers to both the ancient Indian tradition (shastra) of performing arts, (natya鈥攖heatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Shaivism (Shaiva philosophy)
: Shodhganga: Iconographical representations of 艢iva础迟颈办谤腻苍迟补 (啶呧い啶苦啷嵿ぐ啶距え啷嵿い) or 础迟颈办谤腻苍迟腻gama refers to one of 耻辫腻驳补尘补蝉 (supplementary scriptures) of the 痴颈尘补濒腻驳补尘补 which is one of the twenty-eight 厂颈诲诲丑腻苍迟腻驳补尘补: a classification of the 艢aiva division of 艢补颈惫腻驳补尘补蝉. The 艢补颈惫腻驳补尘补蝉 represent the wisdom that has come down from lord 艢iva, received by P膩rvat墨 and accepted by Vi峁ａ箛u. The purpose of revealing 耻辫腻驳补尘补蝉 (e.g., 础迟颈办谤腻苍迟补 膧gama) is to explain more elaborately than that of 尘奴濒腻驳补尘补蝉 (e.g., Vimala-膩gama) and to include any new idea if not dealt in 尘奴濒腻驳补尘补蝉.
Shaiva (啶多啶�, 艣aiva) or Shaivism (艣aivism) represents a tradition of Hinduism worshiping Shiva as the supreme being. Closely related to Shaktism, Shaiva literature includes a range of scriptures, including Tantras, while the root of this tradition may be traced back to the ancient Vedas.
Ayurveda (science of life)
Veterinary Medicine (The study and treatment of Animals)
: archive.org: The Elephant Lore of the Hindus础迟颈办谤腻苍迟补 (啶呧い啶苦啷嵿ぐ啶距え啷嵿い) refers to the 鈥渟urpassed (stage)鈥� (i.e., the sixth stage/avastha of elephant-must), according to the 15th century 惭腻迟补峁単补濒墨濒腻 composed by N墨laka峁囜弓ha in 263 Sanskrit verses, dealing with elephantology in ancient India, focusing on the science of management and treatment of elephants.鈥擺Cf. chapter 9, 鈥渙n kinds of must鈥漖: 鈥�17. In the 鈥榮urpassed鈥� (sixth) stage (补迟颈办谤腻苍迟补-补惫补蝉迟丑补) an elephant lord, mad with rage, lusts to destroy this whole universe of stationary and moving creatures ; not abiding in one place (with other elephants?), he will not endure the (sound of the) bell of other (or enemy) elephants; he cannot abide his own shadow (? as if it were a rival), and is constantly bent on galloping鈥�.
膧yurveda (啶嗋く啷佮ぐ啷嵿さ啷囙う, ayurveda) is a branch of Indian science dealing with medicine, herbalism, taxology, anatomy, surgery, alchemy and related topics. Traditional practice of 膧yurveda in ancient India dates back to at least the first millenium BC. Literature is commonly written in Sanskrit using various poetic metres.
Purana and Itihasa (epic history)
: archive.org: Shiva Purana - English Translation础迟颈办谤腻苍迟补 (啶呧い啶苦啷嵿ぐ啶距え啷嵿い) refers to 鈥渉aving escaped鈥� (from a fight), according to the 艢ivapur膩峁嘺 2.5.23 (鈥淥utraging the modesty of V峁沶d膩鈥�).鈥擜ccordingly, as 艢iva said to the Daityas: 鈥淵ou are wicked and excessively roguish. You have offended me by harassing P膩rvat墨. Now both of you have deserted the battle ground. A person fleeing the battle ground shall not be killed. So I do not kill you. Since you have escaped (补迟颈办谤腻苍迟补) from a fight with me you would be killed by P膩rvat墨鈥�.
The Purana (啶啶班ぞ啶�, pur膩峁嘺s) refers to Sanskrit literature preserving ancient India鈥檚 vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.
In Buddhism
Mahayana (major branch of Buddhism)
Source: Wisdom Library: Maha Prajnaparamita Sastra础迟颈办谤腻苍迟补 (啶呧い啶苦啷嵿ぐ啶距え啷嵿い) refers to 鈥渢hat (body) which surpasses鈥� (all the worlds), according to the 2nd century Mah膩praj帽膩p膩ramit膩艣膩stra chapter 1.鈥擜ccordingly: At the time of his birth, the Buddha came down to the earth, took seven steps and spoke some words, then was silent. Like all infants, he does not walk and does not talk; he suckles milk for three years; nurses feed him and he grows slowly. However the body of the Buddha is incalculable and surpasses all the worlds (sarvaloka-补迟颈办谤腻苍迟补). But he appears to beings as an ordinary man. [...]
Mahayana (啶す啶距く啶距え, mah膩y膩na) is a major branch of Buddhism focusing on the path of a Bodhisattva (spiritual aspirants/ enlightened beings). Extant literature is vast and primarely composed in the Sanskrit language. There are many 蝉奴迟谤补蝉 of which some of the earliest are the various Praj帽膩p膩ramit膩 蝉奴迟谤补蝉.
In Jainism
General definition (in Jainism)
: The University of Sydney: A study of the Twelve Reflections础迟颈办谤腻苍迟补 (啶呧い啶苦啷嵿ぐ啶距え啷嵿い) refers to 鈥渉aving gone beyond鈥� (virtuous meditation), according to the 11th century J帽膩n膩r峁嘺va, a treatise on Jain Yoga in roughly 2200 Sanskrit verses composed by 艢ubhacandra.鈥擜ccordingly, 鈥淭hen the wise [man] who has gone beyond virtuous meditation (补迟颈办谤腻苍迟补鈥�atha dharmam 补迟颈办谤腻苍迟补岣�) and attained infinite purity commences to meditate on absolutely spotless pure [meditation]. He who is endowed with a robust physique etc., calm [and] whose behaviour is virtuous is also capable of meditating on pure meditation which is of four kinds of鈥�.
Jainism is an Indian religion of Dharma whose doctrine revolves around harmlessness (ahimsa) towards every living being. The two major branches (Digambara and Svetambara) of Jainism stimulate self-control (or, shramana, 鈥榮elf-reliance鈥�) and spiritual development through a path of peace for the soul to progess to the ultimate goal.
Languages of India and abroad
Marathi-English dictionary
: DDSA: The Molesworth Marathi and English Dictionary补迟颈办谤腻苍迟补 (啶呧い啶苦啷嵿ぐ啶距啶�).鈥攑 S Passed, traversed, crossed--space or time. 2 That has crossed or passed over. 3 Transgressed, exceeded, violated. Ex. of comp. 腻箩帽腻迟颈办谤腻苍迟补 &c. See under atikrama, and for krama substitute 办谤腻苍迟补.
: DDSA: The Aryabhusan school dictionary, Marathi-English补迟颈办谤腻苍迟补 (啶呧い啶苦啷嵿ぐ啶距啶�).鈥�p Passed, crossed, transgressed
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Sanskrit dictionary
: DDSA: The practical Sanskrit-English dictionary础迟颈办谤腻苍迟补 (啶呧い啶苦啷嵿ぐ啶距え啷嵿い).鈥�pp..
1) Exceeded, surpassed, go beyond &c.; 啶膏啶むた啶曕啶班ぞ啶ㄠ啶む 啶多啶班さ啶｀さ啶苦し啶ぎ啷� (soti办谤腻苍迟补岣� 艣rava峁嘺vi峁yam) Meghad奴ta 13; 啶膏啶︵啶班ぎ啶むた啶曕啶班ぞ啶ㄠ啶む (sud奴ram补迟颈办谤腻苍迟补岣�) K.35 departed, gone; 啶え啷嬥ぐ啶� 掳啶︵ぐ啷嵿ざ啶ㄠぞ (manoratha 掳dar艣an膩) M膩lat墨m膩dhava (Bombay) 1 beyond the reach even of desire; 啶掂た啶氞ぞ啶班ぞ啶むた啶曕啶班ぞ啶ㄠ啶む (vic膩r膩ti办谤腻苍迟补岣�) Mu.5.4 past the stage of thought; 啶氞啷嵿し啷佮ぐ啷嵿さ啶苦し啶ぞ啶むた啶曕啶班ぞ啶ㄠ啶む啶粪 啶啷嵿し啶苦し啷� (cak峁rvi峁y膩tikr膩nte峁 pak峁峁) H.1.
2) Past, gone by; 掳啶曕啶ㄠ啶い啶� (办耻苍峁沺补迟颈) K.5, past, former; 169 Pa帽catantra (Bombay) 1.333, Pa帽catantra (Bombay) 2, 叠丑补谤迟峁沨补谤颈 3.32; 掳啶ぞ啶班啶ムた啶掂啷佮ぃ啶距え啷� (辫腻谤迟丑颈惫补驳耻峁嚹乶) Mu.1 former kings.
-tam A past thing, thing of the past, the past; 掳啶む 啶啶掂い啶� 啶曕ぅ啶い啶� (ta峁� bhagavati kathayati) M.5 your ladyship is speaking of the past; 掳啶む 啶о啶班啶ぎ啶掂げ啶啶啶い啶距ぎ啷� (te dhairyamavalambyat膩m) Uttarar膩macarita 3; 啶曕た啶� 啶夃お啶距げ啶啶啶� (ki峁� up膩lambhena) H.1; cf. 'let bygones be bygones' 掳啶啶椸た啶ㄠ (yogin) a. with the moon in conjunction.
--- OR ---
础迟颈办谤腻苍迟腻 (啶呧い啶苦啷嵿ぐ啶距え啷嵿い啶�).鈥擭ame of the sixth stage of the elephant's must; 啶呧い啶苦啷嵿ぐ啶距え啷嵿い啶距さ啶膏啶ム 啶椸啶い啶苦ぐ啶苦う啶� 啶膏啶ムぞ啶掂ぐ啶氞ぐ啶, 啶溹啶む啶膏ぐ啷嵿さ啶� 啶灌え啷嵿い啷佮 啶膏ぎ- 啶た啶侧し啶むた 啶曕啶班啶о啶侧啶粪 (atikr膩nt膩vastho gajapatirida峁� sth膩varacaram, jagatsarva峁� hantu峁� sama- bhila峁ti krodhakalu峁岣�) | M膩ta峁単a L.9.17.
: Cologne Digital Sanskrit Dictionaries: Edgerton Buddhist Hybrid Sanskrit Dictionary础迟颈办谤腻苍迟补 (啶呧い啶苦啷嵿ぐ啶距え啷嵿い).鈥�adj. (ppp.), surpassing, wonderful, (speci-fically of appearance) beautiful: atikr膩nt膩 (so mss., Senart abhi掳) ca m膩nu峁Ｄ佱弗 惭补丑腻惫补蝉迟耻 iii.96.19; 100.20; 掳ta-var峁嘺, of beautiful appearance, Lalitavistara 396.17; 惭补丑腻惫补蝉迟耻 iii.316.13; 317.11; also 惭补丑腻惫补蝉迟耻 ii.257.9; 258.7; iii.197.15; 302.10 (in these four Senart em. abhi办谤腻苍迟补掳). The equivalent Pali is regularly abhikkanta (-va峁囜箛a), but atikkanta also occurs in the same sense (Critical Pali Dictionary s.v.). In [Buddhist Hybrid Sanskrit], in this sense, abhi办谤腻苍迟补 occurs, if at all, only in Lalitavistara 398.11 掳ta var峁嘺, see abhi- 办谤腻苍迟补 2. Since t and bh are easily confused, it may be that graphic confusion is here concerned. On the other hand, 补迟颈办谤腻苍迟补 is erroneously read, e.g. in 顿颈惫测腻惫补诲腻苍补 462.13, for abhi办谤腻苍迟补 (1), which is correctly read in the same passage in 惭奴濒补-厂补谤惫腻蝉迟颈惫腻诲补-痴颈苍补测补 i.70.3, and elsewhere in that text.
: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English Dictionary础迟颈办谤腻苍迟补 (啶呧い啶苦啷嵿ぐ啶距え啷嵿い).鈥攎fn.
(-苍迟补岣�-苍迟腻-苍迟补峁�) 1. Transgressed, exceeded, passed the proper bounds. 2. Excelled, surpassed. 3. Passed in time. 4. Attacked, assaulted. 5. Excessive, unlimited. 6. Prolix, diffuse. 7. Disregarded, disliked. E. ati, and krama to go, aff.
: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary1) 础迟颈办谤腻苍迟补 (啶呧い啶苦啷嵿ぐ啶距え啷嵿い):鈥擺=ati-办谤腻苍迟补] [from ati-kram] mfn. having passed or transgressed
2) [v.s. ...] exceeded, surpassed, overcome.
: Cologne Digital Sanskrit Dictionaries: Goldst眉cker Sanskrit-English Dictionary础迟颈办谤腻苍迟补 (啶呧い啶苦啷嵿ぐ啶距え啷嵿い):鈥攎. f. n.
(-苍迟补岣�-苍迟腻-苍迟补尘) 1) Transgressed, exceeded, passed in time, excelled, surpassed, or
2) having transgressed, exceeded &c. See kram with ati. E. kram with ati, k峁泃 aff. kta.
: Cologne Digital Sanskrit Dictionaries: Yates Sanskrit-English Dictionary础迟颈办谤腻苍迟补 (啶呧い啶苦啷嵿ぐ啶距え啷嵿い):鈥擺ati-办谤腻苍迟补] (nta岣�-nt膩-nta峁�) a. Transgressed; excelled; attacked.
: DDSA: Paia-sadda-mahannavo; a comprehensive Prakrit Hindi dictionary (S)础迟颈办谤腻苍迟补 (啶呧い啶苦啷嵿ぐ啶距え啷嵿い) in the Sanskrit language is related to the Prakrit words: 础颈办办补峁僼补, Aicchiya, 鲍惫腻颈峁嚹乿颈测补.
Sanskrit, also spelled 啶膏啶膏啶曕啶むぎ啷� (蝉补峁僺办峁泃补尘), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Kannada-English dictionary
: Alar: Kannada-English corpusAtikr膩峁僼a (嗖呧菠嗖苦矔喑嵿舶嗖距矀嗖�):鈥�
1) [adjective] trespassed; overstepped.
2) [adjective] over; finished; died or extinct.
--- OR ---
Atikr膩峁僼a (嗖呧菠嗖苦矔喑嵿舶嗖距矀嗖�):鈥�
1) [noun] one of the seven stages of an elephant in rut.
2) [noun] (dance) a posture in which hands are stretched forward.
3) [noun] (dance) an action including lifting, pushing forward and placing a foot on its side.
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
Nepali dictionary
: unoes: Nepali-English Dictionary础迟颈办谤腻苍迟补 (啶呧い啶苦啷嵿ぐ啶距え啷嵿い):鈥攁dj. transgressed; surpassing;
Nepali is the primary language of the Nepalese people counting almost 20 million native speakers. The country of Nepal is situated in the Himalaya mountain range to the north of India.
See also (Relevant definitions)
Starts with: Atikrantabhavaniya, Atikrantamanushyaka, Atikrantanishedha, Atikrantaprayashcitta, Atikrantashauca, Atikrantata, Atikrantatikranta, Atikrantavekshana, Atikrantayogin.
Full-text (+38): Samatikranta, Atikrantanishedha, Atikaraka, Atikrantamanushyaka, Anatikranta, Kriyapathamatikranta, Atikrantavekshana, Aticchandas, Aticchanda, Atikkirantam, Atikrantatikranta, Lokatikranta, Atyupadha, Atikrant, Atipada, Vetanin, Uvainaviya, Aikkamta, Atiguha, Sarvalokatikranta.
Relevant text
Search found 21 books and stories containing Atikranta, 础迟颈办谤腻苍迟腻, 础迟颈办谤腻苍迟补, Ati-kranta, Ati-办谤腻苍迟补, Atikramta, Atikr膩峁僼a; (plurals include: Atikrantas, 础迟颈办谤腻苍迟腻s, 础迟颈办谤腻苍迟补s, krantas, 办谤腻苍迟补s, Atikramtas, Atikr膩峁僼as). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Natyashastra (English) (by Bharata-muni)
Cidgaganacandrika (study) (by S. Mahalakshmi)
Verse 165 [Kha峁囜笉acakra Vivarana Sa峁僪峁泃ikrama] < [Chapter 3 - Third Vimar艣a]
Gati in Theory and Practice (by Dr. Sujatha Mohan)
Performance of C膩r墨 < [Chapter 2 - Concept and technique of Gati]
罢别谤耻办奴迟迟耻 < [Chapter 4 - Practice of Gati]
Performance of Gati through Ma峁囜笉alas < [Chapter 2 - Concept and technique of Gati]
Notices of Sanskrit Manuscripts (by Rajendralala Mitra)
Page 388 < [Volume 2 (1872)]
Vishnudharmottara Purana (Art and Architecture) (by Bhagyashree Sarma)
2.5. Kara峁嘺 (movements of legs and hands) < [Chapter 3 - Drama and Dance]
Arts in the Puranas (study) (by Meena Devadatta Jeste)
2. The Art of Dance in the Vishnudharmottara < [Chapter 2 - Dance in the Puranas]