Shaivagama, Ś岵, Shaiva-agama: 10 definitions
Introduction:
Shaivagama means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
The Sanskrit term Ś岵 can be transliterated into English as Saivagama or Shaivagama, using the IAST transliteration scheme (?).
In Hinduism
Shilpashastra (iconography)
Source: Wisdom Library: Elements of Hindu IconograpyThe Āgamas that were proclaimed to the world by the Sadyojāta face are:�
- 峾岵,
- ۴Dz岵,
- Գٲ岵,
- ṇāg
- and Ajit岵;
those by the Vāmadeva face are:�
- ī岵,
- ūṣm岵,
- 岵,
- Aṃśumān岵 (also called Aṃśumadbhed岵)
- and Suprabhed岵;
those by the Agora (Agōra) face are:�
- վᲹ岵,
- ś岵,
- ⲹܱ岵,
- Բ岵
- and Vīr岵;
those by the Tatpuruṣa face are:�
- 鲹ܰ岵,
- Ѳṭāg,
- վ岵,
- 䲹Իñ岵
- and Mukhabimb岵;
and those by the Īśāna face are:�
- ʰǻ岵ī岵,
- 岵,
- 岵,
- Գ岵,
- ṃh岵,
- ś岵,
- ṇāg
- and Vātuḷ岵�,
making in all twenty-eight in number.
It is from these five faces the Ś岵s were given out to the world.

Shilpashastra (शिल्पशास्त्र, śilpaśāstra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.
Shaivism (Shaiva philosophy)
: DSpace at Pondicherry: Siddha Cult in Tamilnadu (shaivism)Ś岵 (शैवागम).—The Śaiva Āgamas are valuable sources of information about Śaivite temples–from the selection of the site up to the installation of images.
: Shodhganga: Iconographical representations of ŚivaŚ岵 (शैवागम) represents one of the three classes of 岵 (traditionally communicated wisdom).—The Ś岵s represent the wisdom that has come down from lord Śiva, received by Pārvatī and accepted by Viṣṇu so, it is termed as 岵. Or, it represents the wisdom proceeded from the mouth of Śiva, received by Pārvatī, which is capable of removing three impurities are called as 岵.
Śaiva-岵 is again divided in to four groups viz. Śaiva, Pāśupata, Soma and Lākula. Śaiva is further divided in to Dakṣiṇa, Vāma and Siddhānta. Dakṣina is again divided in to Bhairava and Aghora. Vāma is again divided in to Anādi, Pūrva and Paścima. Bhairava again divided in to Mahāvrata, Kālāmukha, Kāpāla and Pāśupata. Siddhānta again divided in to two groups viz. Śivabheda and Rudrabheda.
Each of the Āgama is divided in to four parts. They are called as Vidyāpāda (or Jñānapāda), Yogapāda, Kriyāpāda and Caryāpāda.
: Shodhganga: Temple management in the ĀgamasŚ岵 (शैवागम) refers the canonical texts of Śaivism. The 岵 texts are the philosophical base of the Śiddhānta school of Śaivism, most popular in the south of India, especially in Tamil Nadu. Ś岵s also contain technical manuals on temple building as well as ritual manuals on worship. Both temple building and ritual worship at the temple continue to follow the 岵 even today.
The Śaiva-岵 (Ś岵, Śiv岵, Śivaśāstra) are the canonical texts of Śaivism. Pūrvakāmik岵 states that even though said in several ways, the twenty eight 岵 with the four 岹 are the only source of bhoga and ǰṣa. Jagdish Chandra Chatterjee (1962) traces the origin of Ś岵 to the Vedic Revelations: “In Kashmir itself� Shivagama is regarded as of high antiquity, indeed of eternal existence like the Vedas�.
: ORA: Amanaska (king of all yogas): (Shaivism)Triṃśat (त्रिंशत्) refers to “experts (on the Ś岵s)�, according to the Dakṣiṇāmūrti (Dakṣiṇāmūrtistotrabhāvārthavārttika), otherwise known as the Mānasollāsa and attributed to a Sureśvarācārya.—Accordingly, while discussing the thirty-six Tattvas of Śaivism: “Those who know the scriptures of Sāṅkhya know twenty-four Tattvas. Those versed in the Purāṇas teach thirty Tattvas [which are] Mahat, Kāla, Pradhāna, Māyā, Vidyā and Pūruṣa along with the [twenty-four of Sāṅkhya]. Experts (ś岹) on the Ś岵s speak of thirty-six, [the six additional ones being,] Bindu, Nāda, Śakti, Śiva, Śānta and finally Atīta�.

Shaiva (शै�, ś) or Shaivism (śaivism) represents a tradition of Hinduism worshiping Shiva as the supreme being. Closely related to Shaktism, Shaiva literature includes a range of scriptures, including Tantras, while the root of this tradition may be traced back to the ancient Vedas.
General definition (in Hinduism)
: WikiPedia: HinduismThe Shaiva Agama perceives its texts were generated from Shiva as:—From Shiva to Devi, from Devi to Nandhi, from Nandhi to Brahma, from Brahma to Rishi and from Rishi to human beings.
The Saiva Agamas are found in four main schools - Kapala, Kalamukha, Pashupata and Saiva—and number 28 in total as follows:
- Kamikam
- Yogajam
- Chintyam
- Karanam
- Ajitham
- Deeptham
- Sukskmam
- Sahasram
- Ashuman
- Suprabedham
- Vijayam
- Nishwasam
- Swayambhuvam
- Analam
- Veeram
- Rouravam
- Makutam
- Vimalam
- Chandragnanam
- Bimbam
- Prodgeetham
- Lalitham
- Sidham
- Santhanam
- Sarvoktham
- Parameshwaram
- Kiranam
- Vathulam
Languages of India and abroad
Sanskrit dictionary
: Cologne Digital Sanskrit Dictionaries: Aufrecht Catalogus CatalogorumŚ岵 (शैवागम) as mentioned in Aufrecht’s Catalogus Catalogorum:�Oppert. Ii, 3438. Quoted in Śaktiratnākara Oxf. 102^a, by Mādhavācārya Oxf. 271^a, in Ṭoḍarānanda W. p. 290, in Paraśurāmaprakāśa W. p. 312, in Nirṇayasindhu. Śaivāgame Ugrarathaśāntikalpaprayoga. L. 3234.
‱ñپ첹. B. 3, 130.
—Pauṣkare Jñānapādavyākhyāna. Mysore. 4.
‱پṣṭ첹岹ⲹ�. Mysore. 4.
Ś岵 (शैवागम):—[from ś] m. Name of [work]
[Sanskrit to German]
Sanskrit, also spelled संस्कृतम� (ṃsṛt), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Kannada-English dictionary
: Alar: Kannada-English corpusŚ岵 (ಶೈವಾಗಮ):—[noun] any of twenty eight Saṃskṛta texts that deal with the worship of Śiva.
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
See also (Relevant definitions)
Partial matches: Shaiva, Agamas, Agama.
Starts with: Shaivagamanibandhana, Shaivagamasarasamgraha, Shaivagamashaucadipika.
Full-text (+844): Virashaivagama, Agama, Kamikagama, Caivanul, Shivagama, Vijayagama, Alankrita, Shaivagamanibandhana, Vinavenba, Shivaprakasha, Vijaya, Shivajnanabodha, Vishnukantha, Ramakantha, Vidyakantha, Bimbagama, Vatula, Prastara, Suprabhedagama, Svayambhuvagama.
Relevant text
Search found 53 books and stories containing Shaivagama, Ś岵, Shaiva-agama, Śaiva-岵, Saivagama, Saiva-agama, Shaiva agamas, Shaivagamas, Saiva agamas; (plurals include: Shaivagamas, Ś岵s, agamas, 岵, Saivagamas, Shaiva agamases, Shaivagamases, Saiva agamases). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
The Saiva Philosophy in the Siva-Purana < [Purana, Volume 7, Part 1 (1965)]
Isanasivagurudeva Paddhati (study) (by J. P. Prajith)
13. The origin of Tantric books in South India < [Chapter 1 - History and scope of Tantric Literature]
16. Paddhati Literature < [Chapter 1 - History and scope of Tantric Literature]
4. Versatility of the Author (Isanasivaguru) < [Chapter 2 - A Textual analysis]
Diksha (initiation) in Pancharatra (by Shanta Srinivasan)
Comparative analysis of Diksha in other Religious schools
2. Classification of Agamas < [Chapter 1 - Introduction]
Kashyapa Shilpa-shastra (study) (by K. Vidyuta)
5.2. Classification of the Āgamas < [Chapter 1 - Introduction]
2. Kāśyapa Śilpaśāstra (Introduction) < [Chapter 2 - Author and his Works]
The Sculptures of Madan-Kamdev (Study) (by Kamal Nayan Patowary)
Part 2 - Iconographic details of Nataraja < [Chapter 3 - Iconographic-sculptural study]
Arts in the Puranas (study) (by Meena Devadatta Jeste)
2. Texts on the Art of Sculpture < [Chapter 4 - Sculpture in the Puranas]
8. Icons of Shiva < [Chapter 4 - Sculpture in the Puranas]
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