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Significance of Sound

The concept of Sound is explored across various philosophical traditions, each presenting a distinct interpretation. In Jainism, Sound encompasses auditory phenomena categorized in discussions. Tibetan Buddhism examines Sound through auditory perception and its philosophical implications. Vaishnavism emphasizes Sound's emotive responses and its role in significant events. Other perspectives, like Vedanta and Vaisheshika, delve into Sound's connection with language and its physical attributes. Ultimately, Sound serves as a multifaceted element that influences perception, cognition, and emotional experience across these traditions.1
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Synonyms: Noise, Audio, Tone, Resonance, Music, Melody, Echo, Vibration

In French: Shon; In Dutch: Geluid; In Finnish: 脛盲苍颈; In Spanish: Sonido; In German: Klang; In Swedish: Ljud; In Malay: Bunyi

The below excerpts are indicatory and do represent direct quotations or translations. It is your responsibility to fact check each reference.

Buddhist concept of 'Sound'

Buddhism Books

In Buddhism, Sound is interpreted as a multifaceted concept, encompassing divine production, auditory perception's effects on cognition, qualities influencing desire, and a phenomenon characterized by its all-pervading nature within philosophical discussions.

Significance in Tibetan Buddhism (Vajrayana or tantric Buddhism):
Tibetan Buddhism Books

From: Tattvasangraha [with commentary]

(1) A perceived auditory phenomenon that is being considered for its embellishment within the philosophical dialogues.[1] (2) A quality associated with auditory perception, included among the various attributes discussed in the text.[2] (3) The auditory phenomenon that, along with the auditory organ and the substratum, is characterized by a lack of parts and all-pervading nature.[3] (4) A form of auditory perception which is categorized in relation to its pitch and effect on human cognition.[4]

Tibetan Buddhism includes schools such as Nyingma, Kadampa, Kagyu and Gelug. Their primary canon of literature is divided in two broad categories: The Kangyur, which consists of Buddha鈥檚 words, and the Tengyur, which includes commentaries from various sources. Esotericism and tantra techniques (vajrayana) are collected indepently.

Significance in Mahayana (major branch of Buddhism):
Mahayana Books

From: Maha Prajnaparamita Sastra

(1) An element that the deities claimed they could produce at will, adding to their charming nature.[5] (2) Another of the five objects of desire, referring to auditory experiences that can create attachment and distraction in one's life.[6]

Mahayana is a major branch of Buddhism focusing on the path of a Bodhisattva (spiritual aspirants/ enlightened beings). Extant literature is vast and primarely composed in the Sanskrit language. There are many sutras of which some of the earliest are the various Prajnaparamita sutras.

Significance in Theravada (major branch of Buddhism):
Theravada Books

From: Catusacca Dipani

(1) An external base that is sensed through the ear, contributing to auditory experiences.[7]

From: Introducing Buddhist Abhidhamma

(1) The auditory input that is sensed through the ear basis.[8]

Theravada is a major branch of Buddhism having the the Pali canon (tipitaka) as their canonical literature, which includes the vinaya-pitaka (monastic rules), the sutta-pitaka (Buddhist sermons) and the abhidhamma-pitaka (philosophy and psychology).

Hindu concept of 'Sound'

Hinduism Books

In Hinduism, Sound encompasses diverse interpretations, relating to language, perception, nature's harmony, and its role in spiritual liberation, while distinguishing its physical quality from the Self, emphasizing its significance in philosophical and narrative contexts.

Significance in Vaishnavism (Vaishava dharma):
Vaishnavism Books

From: Garga Samhita (English)

(1) The noise made by the falling fruits, which triggers a response in the character.[9] (2) The collective noises produced by the bees, peacocks, and cuckoos, creating a harmonious atmosphere.[10] (3) A reference to the auditory aspect of the act performed by the gopas in the narrative.[11] (4) Refers to auditory expressions that emerged as a reaction to a significant event in the text.[12] (5) A specific auditory phenomenon that plays a crucial role in the context of liberation for sinners.[13]

Vaishnava or vaishnavism (vaishnavism) represents a tradition of Hinduism worshipping Vishnu as the supreme Lord. Similar to the Shaktism and Shaivism traditions, Vaishnavism also developed as an individual movement, famous for its exposition of the dashavatara (鈥榯en avatars of Vishnu鈥�).

Significance in Vaisheshika (school of philosophy):
Vaisheshika Books

From: Padarthadharmasamgraha and Nyayakandali

(1) A quality that does not belong to the Self but rather to Akasha, representing a physical phenomenon.[14] (2) An auditory phenomenon that exists independently of any similar qualities in its causes.[15] (3) A vibration that can be heard, produced by the conjunction of Akasha with the sounding drum.[16] (4) The subject in the example argument which is asserted to be evanescent, signifying that it produced only through effort.[17]

Vaisheshika refers to a school of orthodox Hindu philosophy (astika), drawing its subject-matter from the Upanishads. Vaisheshika deals with subjects such as logic, epistemology, philosophy and expounds concepts similar to Buddhism in nature

Significance in Vedanta (school of philosophy):
Vedanta Books

From: Taittiriya Upanishad Bhashya Vartika

(1) Represents the auditory aspect of language (sound) that is foundational to names and thereby to the existence of nameable things.[18]

Vedanta refers to a school of orthodox Hindu philosophy (astika), drawing its subject-matter from the Upanishads. There are a number of sub-schools of Vedanta, however all of them expound on the basic teaching of the ultimate reality (brahman) and liberation (moksha) of the individual soul (atman).

Significance in Vyakarana (Sanskrit grammar):
Vyakarana Books

From: Vakyapadiya of Bhartrihari

(1) The sound is understood in various ways, depending on the philosophical perspective regarding its relationship with words and perception.[19]

Vyakarana refers to Sanskrit grammar and represents one of the six additional sciences (vedanga) to be studied along with the Vedas. Vyakarana concerns itself with the rules of Sanskrit grammar and linguistic analysis in order to establish the correct context of words and sentences.

Jain concept of 'Sound'

Jainism Books

In Jainism, Sound is one of the ten objects, encompassing auditory phenomena and vibrations, discussed as a complex experience that should be understood in its true essence, avoiding simplistic moral judgments of good or bad.

Significance in Jainism (general):

From: Bhagavati-sutra (Viyaha-pannatti)

(1) One of the ten objects; pertains to auditory phenomena and vibrations recognized as sound.[20] (2) A topic included in the discussions.[21]

From: Acaranga-sutra

(1) Auditory experiences that should be characterized without using simplistic good or bad labels, focusing instead on their true nature.[22]

Jainism is an Indian religion of Dharma whose doctrine revolves around harmlessness (ahimsa) towards every living being. The two major branches (Digambara and Svetambara) of Jainism stimulate self-control (or, shramana, 鈥榮elf-reliance鈥�) and spiritual development through a path of peace for the soul to progess to the ultimate goal.

The concept of Sound in local and regional sources

History Books

Sound, as mentioned in the text, is instrumental in the creation of ears, indicating its fundamental role in auditory perception and the biological development of hearing organs.

Significance in India history and geography:

From: The Complete Works of Swami Vivekananda

(1) This is what has created the ears, as mentioned in the text.[23]

Plural form: Sounds.