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Natyashastra, latest articles

Latest articles for Natyashastra (theatrics and dramaturgy), including portions (chapters) of books found in other categories. However, in order to understand Natyashastra (theatrics and dramaturgy) better, and since the topics of its content are related, this page shows an overview of all relevant documents, even though the main book they are found in belongs to a differnt philosophy, sect or way of life.

Sub-sections: Kavyashastra, Gitashastra

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Latest Natyashastra article updates:

Abhinavabh膩rat墨 of Abhinavagupta

by Debabrata Barai

Adbhuta Rasa (The Marvelous Sentiment)

by Jintu Moni Dutta

Application of Ala峁僰膩ra (figure of speech) in the Matsyapur膩峁嘺

by Kushal Kalita

Artha-do峁 (defect of sense)

by Jintu Moni Dutta

Arth膩la峁僰膩ras (Figure of Sense)

by Jintu Moni Dutta

Bh膩峁嘺 (critical study)

by Anuru Ranjan Mishra

Bhay膩naka Rasa (The Terrible Sentiment)

by Jintu Moni Dutta

B墨bhatsa Rasa (The Odious Sentiment):

by Jintu Moni Dutta

Definition of Ala峁僰膩ra (figures of speech)

by Jintu Moni Dutta

Definition of Chandas (metres)

by Jintu Moni Dutta

Definition of Do峁 (poetic defects)

by Jintu Moni Dutta

Definition of Gu峁嘺 (quality鈥攑rincipal element)

by Jintu Moni Dutta

Definition of R墨ti (the mode of arranging words)

by Jintu Moni Dutta

Dhana帽jaya on the hero and other characters

by Anuru Ranjan Mishra

Dhana帽jaya on the ten types of drama

by Anuru Ranjan Mishra

Dhana帽jaya鈥檚 division and application of the plot (vastu)

by Anuru Ranjan Mishra

Dhana帽jaya鈥檚 methodology of discussion

by Anuru Ranjan Mishra

Difference between the Da艣ar奴paka and the N膩峁瓂a艣膩stra

by Anuru Ranjan Mishra

岣宨ma (critical study)

by Anuru Ranjan Mishra

Gau岣嵞� R墨ti

by Jintu Moni Dutta

莫h膩m峁沢a (critical study)

by Anuru Ranjan Mishra

Indian classical dramatic tradition

by Anuru Ranjan Mishra

Karu峁嘺 Rasa (The pathetic sentiment)

by Jintu Moni Dutta

M膩dhurya Gu峁嘺 (sweetness)

by Jintu Moni Dutta

M膩lat墨m膩dhava as a Prakara峁嘺

by Jintu Moni Dutta

Meaning of Rasa (aesthetic enjoyment)

by Jintu Moni Dutta

Metres Employed in the M膩lat墨m膩dhava

by Jintu Moni Dutta

N膩峁璦ka (critical study)

by Anuru Ranjan Mishra

N膩tya艣膩stra of Bharata-Muni

by Debabrata Barai

Ojas Gu峁嘺 (Floridity)

by Jintu Moni Dutta

Pada-do峁 (defects of word)

by Jintu Moni Dutta

P膩帽c膩l墨 R墨ti

by Jintu Moni Dutta

Prahasana (critical study)

by Anuru Ranjan Mishra

Prakara峁嘺 (critical study)

by Anuru Ranjan Mishra

Pras膩da Gu峁嘺 (Lucidity)

by Jintu Moni Dutta

Rasa (sentiment) in the Matsyapur膩峁嘺

by Kushal Kalita

Raudra Rasa (The Furious Sentiment)

by Jintu Moni Dutta

艢abd膩la峁僰膩ra (Figure of Word)

by Jintu Moni Dutta

Samavak膩ra (critical study)

by Anuru Ranjan Mishra

Similarity Between The Da艣ar奴paka And The N膩峁瓂a艣膩stra

by Anuru Ranjan Mishra

艢峁涐箙g膩ra Rasa (Erotic Sentiment)

by Jintu Moni Dutta

Summary Of The Da艣ar奴paka

by Anuru Ranjan Mishra

Summary of the N膩峁瓂a艣膩stra

by Anuru Ranjan Mishra

Summary of the Poetics by Aristotle

by Anuru Ranjan Mishra

The concise nature of the Da艣ar奴paka

by Anuru Ranjan Mishra

The description of r奴pa, r奴paka, n膩峁瓂a, n峁泃ya and n峁泃ta

by Anuru Ranjan Mishra

by Jintu Moni Dutta

Use of Chandas (metres) in the Matsyapur膩峁嘺

by Kushal Kalita

Uts峁涐梗峁璱k膩峁卥a (critical study)

by Anuru Ranjan Mishra

Vaidarbh墨 R墨ti

by Jintu Moni Dutta

V墨ra Rasa (The Heroic Sentiment)

by Jintu Moni Dutta

V墨th墨 (critical study)

by Anuru Ranjan Mishra

Vy膩yoga (critical study)

by Anuru Ranjan Mishra

Western classical dramatic tradition

by Anuru Ranjan Mishra

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