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Jain Remains of Ancient Bengal

by Shubha Majumder | 2017 | 147,217 words

This page relates ‘Planatary Deities type of Shantinatha Sculptures� of the study on the Jain Remains of Ancient Bengal based on the fields of Geography, Archaeology, Art and Iconography. Jainism represents a way of life incorporating non-violence and approaches religion from humanitarian viewpoint. Ancient Bengal comprises modern West Bengal and the Republic of Bangladesh, Eastern India. Here, Jainism was allowed to flourish from the pre-Christian times up until the 10th century CE, along with Buddhism.

Planatary Deities type of ŚԳپٳ Sculptures

[Full title: Images of īٳṅk ŚԳپٳ (3): Planatary Deities type of ŚԳپٳ Sculptures]

I have documented ten images of īٳṅk ŚԳپٳ of this type from the present study area and they are belong to the zone I and zone III (six from Purulia, three from Bankura and one from Burdwan i.e., Katwa and Kalna sub-divisions).

A well preserved specimen of īٳṅk ŚԳپٳ image is kept in a modern temple of Pakbirra. The ū-ⲹ첹 in dzٲ and 岹ٳԲ첹 stands on a lotus placed on sapta-ratha pedestal, the central projection of which bears the ñ󲹲Բ, an antilope. Two lions crouching in opposite direction occupies the facets adjacent to the middle, while the remaining projections of the pedestal are left blank. The Jina has elongated ear-lobes, pronounced protruding eye-balls, and his hair is arranged in schematic curls with prominent ṣṇīṣa. On either side stand squat and stout male ܰī-bearers with fattened legs and flat feet-palm. They ware deeply incised loin cloth and elaborate jewellery including wristlets, armlets, necklace, kamara-bandhanand ratna-ܰṭa. Beside the feet of the ܰī-bearers, on either side, are carved two tiny figures of ܱ첹, one female and the other male both in Բ, the former seated cross-legged while the latter in 貹峾Բ. On the edge of the back-slab are eight planets arranged in a vertical row of four on either side of the Jina. These on the dexter side appear to be ūⲹ, Maṅgal, ṛh貹پ and ŚԾ; while those on the sinister side are Soma, Budha, Śܰ and . The back of the throne consists of jeweled posts supporting a cross-bar on which are triangular foliated plaques. The ś has intricate patterns of beads and flame tougued border devices, and flowering twigs on either side. վ󲹰 holding long garlands can be seen beside the trilinear chatra on the top of the back-slab, and also a drum and a pair of cymbals struck by disembodied hands.

A small image of ŚԳپٳ is worshipped inside the private temple of the Raja of Manbazar locally known as Garh Patharmahara Thakurbari. The image measures 71 x 36 x 12 cm. The Jain in dzٲ posture stands on a doublepetalled lotus placed on a 貹ñ-ratha pedestal. The Jina has elongated ear-lobes, pronounced protruding eye-balls and his hair is arranged in schematic curls with a prominent ṣṇīṣa (cranial protuberance) . On the edge of the back slab are eight planets arranged in a vertical row of four on either side of the Jina. Those on the right side of the Jina appear to be ūⲹ, Maṅgal, ṛh貹پ and ŚԾ; while those on the left side are Soma, Budha, Śܰ and . The back-slab also reveals two male ܰī-bearers flanking the Jina. These profusely bejewelled ܰī-bearers stand in ṅg posture and their left hands are in 첹ṭy屹ٲ posture while the right hands hold a fly-whisk. The central projection of the pedestal depicts a deer, the ñ󲹲Բ of the Jina. Two crouching lions in opposite directions are depicted on the rathas adjoining the central one while the corners of the pedestal show devotees.

Similar type of a partially damaged īٳṅk ŚԳپٳ (93 x 48 x 13 cm.) image I have been documented from the site Palma (Pl.XXVIII.A). In this image the Jain standing in dzٲ posture stands on a double-petalled lotus placed on a 貹ñ-ratha pedestal and the center of ratha of the pedestal bear a deer i.e., the ñ󲹲Բ of īٳṅk ŚԳپٳ, placed between two devotees kneeling in Բ ܻ. Remaining rathas are decorated with crouching lions and ٲԲٰ heaped with offerings. The Jina is sky-clad, has elongated ear-lobes, and his hair is arranged in schematic curls with a prominent śṇiṅa. The śś is gracefully rimmed with rows of beads, and has flowering twiga on either side. The small but proportionate chatra is slightly damaged at the front. վ󲹰 holding garlands can be seen on the top of the parikara, and also a drum and a pair of cymbals struck by disembodied hands. On either side stands male ܰī-bearers is graceful pose, wearing short lower garments and elegant ornaments comprising of wristlets, armlets, 屹ī, ṇḍ, and a tall ratnaܰṭa. On the edge of the back-slab are eight planets arranged in a vertical row of four on either side of the Jina. Those on the dexter side appear to be ūⲹ, Maṅgal, ṛh貹پ and ŚԾ; while those on the left side are Soma, Budha, Śܰ and . The images of Śܰ and are damaged. All these planetary deities are seated in asusual posture on double-petalled lotus and holding their respective attributes. The back of the throne consists of jeweled posts supporting a cross-bar on which are triangular foliated plaques.

A beautiful image of īٳṅk ŚԳپٳ (80 x 40 x 15 cm) is presently display in the Haripada Sahitya Mandir at Purulia town was recovered from the village of Anai Jambad (Pl.XXVIII.B). The Jina is in dzٲ and 岹ٳԲ첹 postures and stands on a full blown lotus placed on a sapta-ratha pedestal.The arms of the Jina hang down vertically along the slender torso and the finger tips touch the thigh on either side. The spata-ratha pedestal of the image is very simple and the central ratha adorned with the respective ñ󲹲Բ of the īٳṅk i.e., deer, which is flankend by two crouching lions, facing opposite directions. The remaining rathas of the pedestal are completely blank. A very simple almost oval śś adorns the head of the savior. Above the śś and just below the top border of the back slab is a centrally placed tri-linear chatra flanked a drum and a pair of cymbals struck by disembodied hands. Two vidyādharas or garland-bearers are depicted on both corner sides at the top of the back-slab.The ū-ⲹ첹 is flanked by two male ܰī-bearers standing in ṅg posture and their left hands are in 첹ṭy屹ٲ posture and the right hands hold the fly-whisk. Both of them wear highly bejeweled and have a small halo behind their heads. Eight planetary deities are depicted at the back-slab of the image similarly with the earlier two images of īٳṅk ŚԳپٳ, not only their positions but also their postures as well as their attributes also.

Two damaged specimens of similar type of īٳṅk ŚԳپٳ image were documented from Purulia district [one from Palma (37 x 38 x 10 cm) and another from Baramoshya (56 x 42 x 14 cm)] and both the cases the upper portion of the Jina is missing. The remaining portions of the both the Jina images are depicts the presence of planetary deities. It is interesting to note here that both the cases nine planetary deities are presence, however, the position of ninth planetary deity i.e. Ketu is different. In cases of Palma image Ketu is presence in the dexter side, just below the image of ŚԾ, while in the Baramoshya image Ketu is presence in the sinistert side along with the figure of .

An image of īٳṅk ŚԳپٳ is plaqued on the western wall of the abandoned Shamchand Mandir of Dharapat, Bankura district (Pl.XXVIII.C). Surprisingly, the coiffure of the Jain has an almost clean shaven appearance along with an ṣṇīṣa. This treatment of the coiffure makes the image unique and similar treatment is seen in the śٳ image from Bahulara. This Jina with a rounded puffy face and uplifted chest has a boyish appearance unlike other Jina images in the study area. The accentuated curvilinear lips impart a sense of liveliness to the expression of the Jina. The 𱹲ṛkṣa is finely carved and spreads on both sides of the well defined halo of the deity. The ܰī-bearers, eight planetary deities and the vidyādharas are present. The attendant male ܰī-bearers in ṅg posture wear conical head-gears. The eight planetary deities (one is abraded and is beyond recognition, however, its position suggests that it is ŚԾ however, interstingly a miniature Ś ṅg is enraved there) are carved in details and the clockwise disposition is Soma, Budha, Śܰ, , then ṛh貹پ, Maṅgal and ūⲹ. The planetary deities are seated on double-petalled lotus-pedestals (except ) and conform to well prescribe iconographic modes since the ninth-tenth centuries CE.

The terracotta temple of the local Zamindar of Simlapal, Bankura contains some terracotta plaques along with few stone sculptures associated with Jain ideology. Among these stone sculptural specimens I recoded one image of īٳṅk ŚԳپٳ. The Jina is in the usual posture on a double-petalled lotus placed on a tri-ratha pedestal. The ñ󲹲Բ of the īٳṅk is depicting at the center of the pedestal. The icon measures 75 cm x 36 cm x 15 cm. The ū-ⲹ첹 is flanked by two male ܰī-bearers standing in ṅg posture on their respective pedestals and their left hands are in 첹ṭy屹ٲ posture and the right hands hold the fly-whisk. The figure of the Jina is carved out on a rectangular back-slab with projected side frames. On the edge of the projected part of the back-slab are nine planetary deities are presence (dzپṣk-deva). They arranged in a vertical row of four on right side and five on the left side of the Jina. Those on the dexter side appear to be ūⲹ, Ѳṅg, ṛh貹پ and ŚԾ; while those on the sinister side are Soma, Buddha, Śܰ, and Ketu. The position of the and Ketu are very much similar with the Baramoshya specimen. The eight planetary deities are seated in 貹峾Բ posture and holding their respective attributes in both the hands.

A damaged (head of the īٳṅk is missing) image of īٳṅk ŚԳپٳ is presently in the collection of the Sub Divisional Office of Khatra, Bankura (Pl.XXVIII.D). The specimen is measures 84 x 52 x 10 cm. and the īٳṅk stands in dzٲ pose on a double-petalled lotus with the figures of ṅg camara bearer on its either side. It is impossible to delineate the facial expression of the deity and to give details about the back-slab of the image as its upper portion is totally missing. The cognizance deer is carved on centre of the triratha pedestal of the image. On the edge of the back-slab are four planetary deities arranged in a vertical row of two on either side of the principal deity. Assumedly, the specimen originally accommodated the figurines of all the eight planetary deities. As the upper portion of the specimen is broken, at present it does not carry any signs of the figural depictions of the remaining four jyotiska-devas. The figures of ṛh貹پ and ŚԾ are depicted on the right side of the ū-ⲹ첹; while the images of Śܰ and are on other side of the central figure. In this image ṛh貹پ and Śܰ both hold water pots and ŚԾ is carved with his peculiar seating posture. He is holding a distinctive staff. is shown frontally with his voluminous head and peculiar hair dress. His hands are in tarpana-mudra.

Another image of īٳṅk ŚԳپٳ of this type was discovered from the village known as Ujani district Burdwan (Pl.XXVIII.E) and is presently displayed in the Bangiya Sahitya Parishad Museum Calcutta. In this image the ū-ⲹ첹 stands in ⲹٴDz posture on a double petalled lotus placed on the 貹ñ-ratha pedestal. The Tirthnakara is flanked by two male ܰī-bearers standing in ṅg postures on the full lotus placed on the same pedestal. Both the ܰī-bearers wear highly decorative ornament along with a ܰṭa and their dresses are of very fine quality. The figure of the ū-ⲹ첹 is bulky in nature though his facial expression shows a smile coupled with a yogic appearance. The ū-ⲹ첹 has extended ear-lobes and his hair is arranged in small curls with a protuberance. The back portion of the head of the Jina is embellished with an ovoidal śś and above it a trilinear chatra is depicted. On both sides of the head of the Jain a flying vīdyadhara is carved on cloud forms and above it on both side musicians are playing drums from heaven. On both sides of the stele we find the representation of nine planetary deities (four in the right side of Jain and five in the left side of Jaina) in seated posture. The eight planetary deities are the clockwise disposition is Candra, Budha, Śܰ, , ŚԾ (abraded), ṛh貹پ, Ѳṅg and ūⲹ (Mevissen 1999: 439).

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