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Jain Remains of Ancient Bengal

by Shubha Majumder | 2017 | 147,217 words

This page relates ‘Panca-tirthika type of Candraprabha sculptures� of the study on the Jain Remains of Ancient Bengal based on the fields of Geography, Archaeology, Art and Iconography. Jainism represents a way of life incorporating non-violence and approaches religion from humanitarian viewpoint. Ancient Bengal comprises modern West Bengal and the Republic of Bangladesh, Eastern India. Here, Jainism was allowed to flourish from the pre-Christian times up until the 10th century CE, along with Buddhism.

±Ê²¹Ã±³¦²¹-³ÙÄ«°ù³Ù³ó¾±°ì²¹ type of Candraprabha sculptures

[Full title: Images of °ÕÄ«°ù³Ù³ó²¹á¹…k²¹°ù²¹ Candraprabha (2): ±Ê²¹Ã±³¦²¹-³ÙÄ«°ù³Ù³ó¾±°ì²¹ type of Candraprabha sculptures]

We have documented five images of °ÕÄ«°ù³Ù³ó²¹á¹…k²¹°ù²¹ Candraprabha of this variety from our study area. Among them a fine quality image of °ÕÄ«°ù³Ù³ó²¹á¹…k²¹°ù²¹ Candraprabha is noticed in the Durga temple of Bansgarh, Purulia. Candraprabha (Pl.XXV.B), the ³¾Å«±ô²¹-²ÔÄå²â²¹°ì²¹ stands in °ìÄå²â´Ç³Ù²õ²¹°ù²µ²¹ posture on a double-pettaled lotus placed on a triratha pedestal. The centre of the pedestal is adorned with the ±ôÄåñ³¦³ó²¹²Ô²¹ of Candraprabha i.e., the crescent moon which is flanked by a male and a female devotee kneeling in ²Ô²¹³¾²¹²õ°ìÄå°ù²¹-³¾³Ü»å°ùÄå. Both the corners of this pedestal are decorated with two crouching. This is a ±è²¹Ã±³¦²¹-³ÙÄ«°ù³Ù³ó¾±°ì²¹ type of image. The egge of the back-slab is relieved with miniature figures of four Jinas in °ìÄå²â´Ç³Ù²õ²¹°ù²µ²¹ posture, two in either side of the ³¾Å«±ô²¹-²ÔÄå²â²¹°ì²¹. The important aspect of this image is except the ³¾Å«±ô²¹-²ÔÄå²â²¹°ì²¹, the artist has also depicted the °ÕÄ«°ù³Ù³ó²¹á¹…k²¹°ù²¹ Candraprabha as one of the four miniature Jina present in the lower left side of the main image. The other miniatures °ÕÄ«°ù³Ù³ó²¹á¹…k²¹°ù²¹ are Ṛṣ²¹²ú³ó²¹²ÔÄå³Ù³ó²¹, ÅšÄå²Ô³Ù¾±²ÔÄå³Ù³ó²¹ and ´¡Âá¾±³Ù²¹²ÔÄå³Ù³ó²¹. Their respective ±ôÄåñ³¦³ó²¹²Ô²¹ is carved on the small pedestal placed below them. The facial portion of the ³¾Å«±ô²¹-²ÔÄå²â²¹°ì²¹ is partially defaced. The Jina has elongated ear-lobes and his hair is arranged in schematic curls with a prominent ³Üṣṇīṣa. An ovoidal Å›¾±°ù²¹Å›³¦²¹°ì°ù²¹ with leafed edges adorns the head of the Saviour. Above the Å›¾±°ù²¹Å›³¦²¹°ì°ù²¹ is a damaged tri-linear chatra flanked by disembodied hands playing on musical instruments and two ±¹¾±»å²âÄå»å³ó²¹°ù²¹²õ holding long garlands. The back of the throne consists of posts decorated with mouldings and criss-cross scratched pilasters, supporting a horizontal cross-bar with lightly incised square rhizomes at its ends, above which there are triangular foliated plaques. The deity is flanked by two attendants who are sparsely clad and elegantly jewelled. Their left hands are in °ì²¹á¹­yÄå±¹²¹±ô²¹³¾²ú¾±³Ù²¹ posture and the right hands hold flywhisks. The image measures 47 x 25 x 10 cm.

The site Lakhra also possesses a fine quality image of °ÕÄ«°ù³Ù³ó²¹á¹…k²¹°ù²¹ Candraprabha, which is a ±è²¹Ã±³¦²¹-tirthika type of image. The Jain (Pl.XXV.C) in °ìÄå²â´Ç³Ù²õ²¹°ù²µ²¹ posture on a double-petalled lotus is placed on a ±è²¹Ã±³¦²¹-ratha pedestal. The image is made of chlorite stone and measures 84 x 38 x 15 cm.The ³¾Å«±ô²¹-²ÔÄå²â²¹°ì²¹ is flanked by two male ³¦²¹Å«°ù¾±-bearers standing in Äå²ú³ó²¹á¹…g²¹ posture on their respective pedestals and their left hands are in °ì²¹á¹­yÄå±¹²¹±ô²¹³¾²ú¾±³Ù²¹ posture and the right hands hold fly-whisks. They are wearing short almost transparent lower garments and simple ornaments including armlets, wristlets and ekavali. The back-slab also depicts four miniature Jinas standing in °ìÄå²â´Ç³Ù²õ²¹°ù²µ²¹ posture on double-petalled pedestals, two on either side of the ³¾Å«±ô²¹-²ÔÄå²â²¹°ì²¹. The finely carved ³¾Å«±ô²¹-²ÔÄå²â²¹°ì²¹ bears a svelte figure, a lucid expression and the yogic or spiritual power is successfully reflected. The arms of the Jina hang down vertically along the stiff torso and the finger tips touch the thigh on either side. The tri-linear chatra is present above the head of the Jina. The Å›¾±°ù²¹Å›³¦²¹°ì°ù²¹ is flanked on both sides by disembodied hands playing on drums and a ±¹¾±»å²âÄå»å³ó²¹°ù²¹ holding long garlands and hovering in the clouds. The central projection of the pedestal depicts the ±ôÄåñ³¦³ó²¹²Ô²¹ of Candraprabha, the crescent moon; below is a pair of lions facing opposite directions, flanked by two figures of devotees (one on either side) in namaskÄra³¾³Ü»å°ùÄå. Stylistically, the image reflects the trends apparent from the Jina icons from Pakbirra.

Two °ÕÄ«°ù³Ù³ó²¹á¹…k²¹°ù²¹ images and broken fragments of Jain icons are presently worshipped in the Dharma temple of Sakra/Sankra. Among the two images one is that of Candraprabha (Pl.XXV.D), about one and a half feet in height. The upper portion of the back-slab of the image is partially damaged. The Jina is attended by two male ³¦²¹Å«°ù¾±-bearers wearing succinct lower garments and different ornaments. They stand in Äå²ú³ó²¹á¹…g²¹ posture on pedestals and their left hands are in °ì²¹á¹­yÄå±¹²¹±ô²¹³¾²ú¾±³Ù²¹ posture while the right hands hold fly-whisks. The Jina figure is flanked by pillar like structural appendages surmounted by triangular entities. Most probably this is a ±è²¹Ã±³¦²¹-³ÙÄ«°ù³Ù³ó¾±°ì²¹ type of image. The broken back-slab reveals only two miniature °ÕÄ«°ù³Ù³ó²¹á¹…k²¹°ù²¹s. This icon has a ±è²¹Ã±³¦²¹-ratha pedestal at the centre of which is the depiction of the crescent moon ±ôÄåñ³¦³ó²¹²Ô²¹.

A damaged image (Pl.XXV.E) of °ÕÄ«°ù³Ù³ó²¹á¹…k²¹°ù²¹ Candraprabha (53 cm x 37 cm x 14 cm) is recorded from the site Baramoshya. This image is broken in two parts i.e. the upper portion including the head of the Jina and the body portion. The Jina is in the usual posture on a double-petalled lotus placed on a ±è²¹Ã±³¦²¹-ratha pedestal. The male ³¦²¹Å«°ù¾±-bearers flanking the Jina wear deeply incised loin cloths and elaborate jewellery. They standing in ³Ù°ù¾±-²ú³ó²¹á¹…g²¹ posture and their left hands are in °ì²¹á¹­yÄå±¹²¹±ô²¹³¾²ú¾±³Ù²¹ posture while their right hands hold a fly-whisk. The present image is a ±è²¹Ã±³¦²¹-³ÙÄ«°ù³Ù³ó¾±°ì²¹ type of image and both the side of the ³¾Å«±ô²¹-²ÔÄå²â²¹°ì²¹ four figure of miniature Jinas in °ìÄå²â´Ç³Ù²õ²¹°ù²µ²¹ posture are depicted (two on the each side). Their respective ±ôÄåñ³¦³ó²¹²Ô²¹ is carved on the small pedestal placed below them, but due to the abrasion none of these are recognizable. The ±è²¹Ã±³¦²¹-ratha pedestal of this image is decorated with a crescent moon at the centre flanked by two crouching lions. The head portion of this image is badly damaged and it shows that an ovoidal Å›¾±°ù²¹Å›³¦²¹°ì°ù²¹ embellished with rows of lines at the edge has been carved behind the head of the Jina. Above it is a tri-linear chatra, partially smashed, and flanked by ±¹¾±»å²âÄå»å³ó²¹°ù²¹ holding a long garland and a cymbals struck by disembodied hand.

The well known archaeological site of Pakbirra possesses three images of this °ÕÄ«°ù³Ù³ó²¹á¹…k²¹°ù²¹. Among them one is a ±è²¹Ã±³¦²¹-tirthika type of image (Bhattacharyya, Mitra & Bhowmick 1986: 152) and unfortunately present location of this image is not known. According to the earlier report the image measures 51 cm x 28 cm x 8 cm and the ³¾Å«±ô²¹-²ÔÄå²â²¹°ì²¹ standing in °ìÄå²â´Ç³Ù²õ²¹°ù²µ²¹ posture on a double-petalled lotus placed on a tri-ratha pedestal. At the centre of the pedestal the ±ôÄåñ³¦³ó²¹²Ô²¹ of the Jina i.e. a crescent moon is depict between the two crouching lions. The ³¾Å«±ô²¹-²ÔÄå²â²¹°ì²¹ is flanked by two male ³¦²¹³Ü°ùÄ«-bearers standing in Äå²ú³ó²¹á¹…g²¹ posture on their respective pedestals and their left hands are in °ì²¹á¹­yÄå±¹²¹±ô²¹³¾²ú¾±³Ù²¹ posture and the right hands hold the flywhisk. An elliptical Å›¾±°ù²¹Å›³¦²¹°ì°ù²¹ with dotted border adorns the head of the Saviour. On both side of the Å›¾±°ù²¹Å›³¦²¹°ì°ù²¹ is decorated with the figures of ±¹¾±»å²âÄå»å³ó²¹°ù²¹²õ holding long garlands. The chatra above the head of the ³¾Å«±ô²¹-²ÔÄå²â²¹°ì²¹ is badly damaged.

The Candraprabha image from Harmasra is made of greyish stone and measures 43 cm x 25 cm. In this image the Jina stands in °ìÄå²â´Ç³Ù²õ²¹°ù²µ²¹ pose on a double-petalled lotus under a multi-tiered chatra. He has elongated ears and his hair is arranged in stylized curls with an ³Üṣṇīṣa. There are male ³¦²¹³Ü°ùÄ«-bearers flanking the Jina at the lower corners of the pedestal. The twin ±¹¾±»å²âÄå»å³ó²¹°ù²¹²õ are seen at the top of the stele. The central projection of the tri-ratha pedestal bears the crescent ±ôÄåñ³¦³ó²¹²Ô²¹. On the edge of the semi-rectangular back-slab are the four miniature figures of °ÕÄ«°ù³Ù³ó²¹á¹…k²¹°ù²¹s arranged in pairs on each side of the Jina.

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