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Jain Remains of Ancient Bengal

by Shubha Majumder | 2017 | 147,217 words

This page relates ‘Images of Tirthankara Padmaprabha� of the study on the Jain Remains of Ancient Bengal based on the fields of Geography, Archaeology, Art and Iconography. Jainism represents a way of life incorporating non-violence and approaches religion from humanitarian viewpoint. Ancient Bengal comprises modern West Bengal and the Republic of Bangladesh, Eastern India. Here, Jainism was allowed to flourish from the pre-Christian times up until the 10th century CE, along with Buddhism.

Images of °ÕÄ«°ù³Ù³ó²¹á¹…k²¹°ù²¹ Padmaprabha

In the Jain iconography he is the sixth °ÕÄ«°ù³Ù³ó²¹á¹…k²¹°ù²¹ and was born in Kausambi. His father name is given in the Åšvetambara text as Åš°ùÄ«»å³ó²¹°ù²¹ and in the Digambara texts as ¶Ù³ó²¹°ù²¹á¹‡a. His mother was ³§³Ü²õÄ«³¾Äå. The red lotus is his cognizance and the kevala tree associated with his is ³¦³ó²¹³Ù°ùÄå²ú³ó²¹. He achived ±è²¹°ù¾±²Ô¾±°ù±¹Äåṇa at the peak of the Mt. Sammeta Åš¾±°ì³ó²¹°ù²¹ (°Õ°ù¾±á¹£aṣṭ¾±Å›²¹±ôÄå°ìÄå±è³Ü°ù³Üá¹£a³¦²¹°ù¾±³Ù²¹, vol. II: 244; ±«³Ù³Ù²¹°ù²¹±è³Ü°ùÄåṇa Parva 52; °Õ¾±±ô´Ç²â²¹±è²¹á¹‡á¹‡²¹³Ù³Ù¾±, 4.522: 217). Kusuma and ´¡³¦²â³Ü³ÙÄå were his ²â²¹°ìá¹£a and yakṣīṇī respectively to Åšve. sect, while they were known as ²ÑÄå³Ù²¹á¹…g²¹ and ´¡±è°ù²¹³Ù¾±³¦²¹°ì°ùÄå or Kusuma and ²Ñ²¹²Ô´Ç±¹±ð²µÄå according to the tradition of the Dig. sect (Bhattacharya 1974: 42-43; Shah 1987: 137).

Till today very few images of the °ÕÄ«°ù³Ù³ó²¹á¹…k²¹°ù²¹ Padmaprabha have been reported from different part of Indian subcontinent. In our present study area we have been able to document only two images of this °ÕÄ«°ù³Ù³ó²¹á¹…k²¹°ù²¹ and both are from Purulia (one form Pakbirra and another from Baramoshya).

The Pakbirra specimen is a ³¦²¹³Ü²ú¾±²õÄ« type of image measuring 66 x 38.5 x 10 cm. and badly damaged. In this image the Jain is in °ìÄå²â´Ç³Ù²õ²¹°ù²µ²¹ and ²õ²¹³¾²¹±èÄå»å²¹²õ³Ù³óÄå²Ô²¹°ì²¹ postures and stands on a full blown lotus placed on a eka-ratha pedestal. Lotus i.e. the ±ôÄåñ³¦³ó²¹²Ô²¹ of this °ÕÄ«°ù³Ù³ó²¹á¹…k²¹°ù²¹ is placed in the centre of the pedestal between the two crouching lions. The edge of the back–slab is relieved with miniature figures of twenty four °ÕÄ«°ù³Ù³ó²¹á¹…k²¹°ù²¹s arranged in four vertical rows of three each on either side on the ³¾Å«±ô²¹-²ÔÄå²â²¹°ì²¹. The upper-most row on the dexter side together with a portion of the stele broken away. The miniature Jina figures are badly effaced and mutilated and their cognizences are difficult to recognize.

The Baramoshya specimen is small in size measuring 20 x 9 x 4 cm and badly weathered (Pl.XXIV.E). It is very difficult for us to study the every iconic details of the image though we have able to identify this image as °ÕÄ«°ù³Ù³ó²¹á¹…k²¹°ù²¹ Padmaprabha. In this miniature from of the image the ³¾Å«±ô²¹-²ÔÄå²â²¹°ì²¹ is standing in °ìÄå²â´Ç³Ù²õ²¹°ù²µ²¹ posture on a double-petalled lotus placed on a tri-ratha pedestal and the centre of the pedestal contain the stylized lotus i.e. the symbol of this °ÕÄ«°ù³Ù³ó²¹á¹…k²¹°ù²¹. This is an also a ±è²¹Ã±³¦²¹-³ÙÄ«°ù³Ù³ó¾±°ì²¹ type of image and some parts of the upper portion of the back–slab is completely damaged. The Jina is flanked by two bejeweled ³¦²¹³Ü°ùÄ«²ú±ð²¹°ù±ð°ù²õ. On stylistic grounds, these two images can be assigned to a period ranging from the tenth to the twelfth centuries CE.

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