Jain Remains of Ancient Bengal
by Shubha Majumder | 2017 | 147,217 words
This page relates ‘Images of Tirthankara Sambhavanatha� of the study on the Jain Remains of Ancient Bengal based on the fields of Geography, Archaeology, Art and Iconography. Jainism represents a way of life incorporating non-violence and approaches religion from humanitarian viewpoint. Ancient Bengal comprises modern West Bengal and the Republic of Bangladesh, Eastern India. Here, Jainism was allowed to flourish from the pre-Christian times up until the 10th century CE, along with Buddhism.
Images of īٳṅk ṃbnātha
According to the Jain iconography he is the third īٳṅk and his ñԲ is horse. He was born as the prince of king (according to Śve. tradition) or ṛḍᲹ (according to Dig. tradition) and queen or ṣeṇ� of the city of Ś屹پ (հṣaṣṭśܰṣaٲ, vol. II: 225; ٳٲܰṇa Parva 49). ṃb obtain the 𱹲ñԲ under the Ś tree and he obtains his Ծṇa on Mt. Sammeta Ś (Bhattacharya 1974: 38; Shah 1987: 132). Trimukha and ٳܰ (Śve.) or Trimukha and ʰñپ (Dig.) are his śԲ ⲹṣa and ⲹṣiṇ� respectively (հṣaṣṭśܰṣaٲ, op.cit; վDzⲹ貹ṇṇٳپ, 588-937: 217).
In the Jain sculptural art tradition not many sculptures of ṃbnātha have been so far available. The earliest known image of this īٳṅk hails from Mathura of the ṣāṇ period and it is now preserved in the Lucknow Museum (Shah 1987: 133).
In our present study area this particular īٳṅk image is completely absent. However, in our recent field investigation at Palma we are very lucky to document a completely damaged image of this īٳṅk (Pl.XXIV.D). In the present specimen only the pedestal of the īٳṅk is survived and it measure 20 x 30 x 8 cm. In the centre of this tri-ratha pedestal ñԲ of the īٳṅk i.e., horse is minutely carved. Two crouching lions are also depicted at both ends of this pedestal. The upper portion of the pedestal bears the feet of the Jina which is placed on the double-petalled lotus.