Cosmetics, Costumes and Ornaments in Ancient India
by Remadevi. O. | 2009 | 54,177 words
This page relates ‘Materials (b): Pearl� of the study on cosmetics, costumes and ornaments of ancient India based on Sanskrit sources. Chapter one deals with cosmetics and methods of enhancing beauty; Chapter two deals with costumes, garments and dresses; Chapter three deals with ornaments for humans and animals. Each chapter deals with their respective materials, types, preparation and trade, as prevalent in ancient Indian society.
Go directly to: Footnotes.
1.2. Materials (b): Pearl
Pearl is a valued gem used for making ornaments and also to adorn other articles. The characteristics of a pearl are different according to its source. Some myths or traditional stories also are associated with its formation. The examination of the genuineness of pearls and several techniques for increasing its lustre were known to ancient Indians. Even though Pearls are used to make all sorts of ornaments, it is more popular with neck ornaments. The expression hāra is common. A pearl is known by several names. Śܰپ, ѳܰ, ѳܰphala, ѳܰmaṇi and are some of them.
In Atharvaveda[1] it is stated that pearls are bones of gods.
According to Ҳḍaܰṇa[2], pearls are got from eight places -conch shell, bamboo, cobra, boar, temples of elephants and from clouds. Of these, pearl produced from shell can be pricked while others are not apt for perforation. Those obtained from cobra, fish, boar and conch are auspicious; but have no lustre. Pearls originating from conch and temples of elephants are of least value. One wearing the pearl derived from cobra hood will be blessed with wealth, prosperity and even kingdom. It has the power to take away all sorts of pollution, poison, sorcery and taints. It is stated in Ҳḍaܰṇa that the teeth of the demon Bala that fell into the shells were transformed into pearls. These shell born pearls are again divided into eight. They are Saiṃhalika (ṃh), Pāralaukika (The other world), ܰṣṭ첹 (ܰṣt), 峾貹ṇa (The river 峾貹ṇi), ś, ṇḍⲹ, ṭa첹, Kauberika (Kubera) and Hemaka. About the mode of wearing a pearl, it is said that one should wear a big pearl glazing like a white glass. This pearl should be kept in mercury. Such a pearl threaded in a gold necklace is considered best for the body. To examine the genuineness of a pearl, it is stated that the lustre of a real pearl will not be subjected to any change when it is placed in a heated solution of oil and water and then being rubbed with barley grains and covered with a cloth. To increase the lusre of a pearl, it should be boiled first with the juice of ī (Big lemon) and mercury and then with milk, water and wine respectively. For this purpose pearl is to be placed in a fish cavity, that is smeared with clay and should be subjected to boiling in a pot containing the above mentioned solutions.
In ṭiīⲹ ٳśٰ[3], three sources of pearls are described–Śܰپ� (Pearl oyster), Śṅk (Conch shell) and ʰīṇa (Flow of water). Besides these, pearls are categorised into ten according to the area from where they are excavated.
They are pointed out in the table given below.
Name | Region |
峾貹ṇi | River 峾貹ṇi in ṇḍⲹ country. |
ṇḍⲹvāṭaka | Mountain Ѳⲹṭi |
śⲹ | River ś첹 in ṭaīٰܳ |
Kauleya | River Kula in Siṃhabhūmi |
䲹ܰṇy | River ūṇ� in Kerala |
Mahendra | Seashore near Mahendra mountain. |
徱첹 | Kardama river in Iran. |
ṃtīⲹ | River Sautrasi in Barbar country |
徱ⲹ | Śīṇḍ lake in Barbar country |
Haimavanta | Mountain ᾱⲹ |
The quality of a pearl depends on its shape, colour and such other features. ṭiīⲹ ٳśٰ[4] describes the signs of good as well as imperfect pearls.
Thirteen varieties of substandard pearls are described in it. They are as follows.
Name | Defect |
Ѳū첹 | Shape of a lentil grain |
հṭa첹 | Triangular in shape |
ū첹 | Tortoise shaped |
Ardhacandra | Design of a crescent |
ñܰ쾱ٲ | Thickly wrapped |
Yamaka | Two pearls joined together |
Kartaka | Busted |
Kharaka | Rough |
Siktaka | Speckled |
峾ṇḍܰ첹 | Resembling the bowl of a sage |
Ś屹 | Brown in colour |
ī | Blue coloured |
Duroiddha | Not pierced at the proper place |
An excellent pearl according to ṭiⲹ[5] will be radiant, heavy, huge, soft, round without a base, white and properly stabbed.
Bharata[6] suggests pearl ornaments for characters belonging to the mythical class such as 岵ī, women, goddesses etc.
[7] gives allusion to the pearl derived from the elephant temples. He also mentions plenty of pearls found in the region of river Tāṃraparṇi.
Pearls were in abundance in the country at the time of śṣa[8], for which evidence is found in his works. Reference to 鲹ٲԲ屹ī貹 perhaps points out that plenty of pearls were available there.
ś[9] gives the name Āsphoṭanī and Vaidhāṇika to the instrument used to penetrate a pearl.
In ṛhٲṃh[10], there is a separate section devoted to pearls in the chapter entitled 鲹ٲԲ貹īṣ�. The tables given below describe the different features of different pearls, pointed out by ղ.
[Based on the Region]
Region | Characteristics |
ṃh (Ceylon) | Various shapes, lustrous, big, similar to swan in colour |
峾貹ṇi river (Madras state) | Glossy, white with a red shade |
Paraloka (Travankore area) | Of various colours -Black, white, yellow, uneven, mixed with rock fragments |
Surāṣtra (Kathiawad peninsula) | Medium sized, butter coloured |
śī첹 (Persia) | Radiant, clear, weighty, precious. |
ᾱⲹ | Light weight, double shaped, curd coloured |
ṇḍⲹvāṭaka | Very small, looks like neem fruit in shape and coriander seed in colour. |
Kubera (A northern country) | Lustrous, black and white, having proper size. |
[Based on Different Sources]
Source | Features |
Elephant temples | Various types and shapes, big, lustrous |
Boar | Costly, similar to moon in colour |
Clouds | Having brilliance of lightening |
Serpents | Blue hue |
Bamboo | Flat, looks like camphor or crystal |
Conch | Round, glossy, resembles moon |
Fish | Big, looks like a fish eye, precious, pure |
On the basis of its colour, each pearl has a presiding deity. The table given below describes it.
Colour | Deity |
Resembling Aṭaśī flower | վṣṇ |
Colour of moon | Indra |
Yellow orpiment | ղṇa |
Black | Yama |
Similar to the seed of a ripe ḍi or ҳñ | |
Lotus coloured, lustre of a smoky fire | Agni |
ṛhٲṃh[11] describes some astrological phenomena in connection with the origin of pearls from the temples of elephant.
The price of a pearl is fixed not merely on the basis of its weight, its shape, size; colour and lustre also are some factors that determine its real value. ṛhٲṃh charts out the prices of pearl.
Footnotes and references:
[1]:
IX.33
[2]:
I.69.2, 3, 10, 11,12, 14, 16, 23, 35, 3738, 39
[3]:
DAOAI, p.140
[4]:
Ibid
[5]:
Ibid
[7]:
鲹ܱṃśa, IV
[8]:
Saundarananda, XVI.98,VIII.50; Buddhacarita.12
[9]:
2.10.33
[10]:
LXXX.2-6, 9, 17-18, 20, 21, 23, 24, 28, 22, 27
[11]:
Ibid, 20-21