Yogashikha Upanishad (critical study)
by Sujatarani Giri | 2015 | 72,044 words
This page relates ‘concept of Nada—Introduction� of the English study on the Yogashikha Upanishad—a key text from the Krishna Yajurveda, focusing on the pinnacle of Yogic meditation. This essay presents Yoga as a crucial component of ancient Indian philosophy and spirituality and underscores its historical roots in Vedic literature—particularly the Upanishads and Vedant. The chapters of this study are devoted to the faculties of the mind and internal body mechanisms such as Chakras as well as the awakening of Kundalini.
Go directly to: Footnotes.
Part 3 - The concept of 岹—Introduction
岹 is Ś-Śپ. The union and mutual relation of Ś and Śپ is 岹. From 岹 came mahāvindu 岹 is action. Śپ tattva becomes for the first time active as 岹.
岹 etymologically means sound. Sound is not the gross sound which is heard by the ear. 岹 is the most subtle aspect of sabda, 岹 develops into vindu.
岹 is the first emanation stage in the production of mantra. The second is vindu. 岹 and vindu exist in all bīja mantras. 岹 is that aspect of Śپ which evolves into vindu.[1]
The primal sound or first vibration from which all creation has emanated 岹. It is the first emanative stage in the projection of the universe (creation). 岹 is the first manifestation of the unmanifested absolute. It is or Ś岹-. It is also the mystic inner sound in which the Dzī concentrates.
岹 produced by meeting of ṇa and Բ. When the ṇa and Բ impulses meet together the meeting is manifested by internal vibrations, i.e. sounds which are heared by a Dzī and are known as �岹� or Ś岹-. These two impulses together stimulate the endings of the Dzī in the ṇiū- generating a reflex impulse (Բ-), that in its turn produces on ascending impulse (ܻԲ-) which goes through the posterior portion of the final cord (ṣu-ḍi) by exhalation of breath during ܻ徱Բ-bandha. This bandha (catch) prevents in ܻԲ–impulse from descending. The ܻԲ impulse, therefore rises atom by atom, i.e. by relays to the cortex of the brain and transmits to the vegal centres the impressions made on its nerve endings, and the mind through the medium of Brahma-randhra-cakra the brain, becomes conscious of its function.
When the mind becomes inwardly turned and learns to attend to the inner activities, sounds light etc. it finds greater pleasure in attending these objects. The progress of the Dzī is indicated by the inner vision of clouds, smoke, Sun, wind, fire, fire worm, lightening, marble, Moon, etc. the sounds (岹) that are heard by 첹 are many and varied. They are described in great detail in the Yoga śāstra and 岹-vindu 貹Ծṣa etc. The Śśٲ 貹Ծṣa also refers to the inner sights.[2]
The 岹vindūpaniṣad claims that 岹 (this is a particular set of sounds which one begins to bear during the cause of Yoga practice when concentration rises to a certain level) is capable of bringing the mind under control.
It says�
“A mind absorb in 岹 does not desire for sense objects, just as a bee while sucking honey from flowers does not bother about their fragrance�.[3]
Bound by the fragrance of su岹 pleasant sound and giving up fickleness instantaneously, the mind snake on grasping the 岹 forgets the entire would and does not wonder anywhere.[4]
Just as a sharp good is capable of bringing under control a mad elephant roaming in a garden, so as the 岹 capable of controlling of mind. Here the mind is the road elephant, desires are the garden in which the mind wonders and 岹 is the sharp good on instrument of control.[5]
This 岹 serves as a snare in imprisoning the mind antelope. It also serves as a bank in containing the inner waves.[6]
Footnotes and references:
[2]:
Śve. Śva. Upa-II.11.
[3]:
makarandam pivanbhrunga gandhenapekṣate yathā |
nādāsaktam sadā cittam viṣayam na hi akānkṣati || (Nā. Vi. Upa-42)
[4]:
Ibid-43.
[5]:
Ibid-44-45.
[6]:
�antaraṅgasamudrasya rodhe belāyateapi bā |
brahmapraṇavasamlagna岹 jyotirmayātmaka� || (Ibid-46).