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The concept of 笔谤补迟颈产丑腻, as a source of innovative and fresh ideas, has been placed at its core by rhetoricians in their literary theories. The semantic as well as psychological study of 笔谤补迟颈产丑腻 by 叠丑补谤迟峁沨补谤颈, the famous philosopher cum linguist, inspired rhetoricians much. 叠丑补谤迟峁沨补谤颈's conception of 笔谤补迟颈产丑腻 as eternal, undivided and of the nature of continuous intuition, has given a new perspective to the rhetoricians to pave new pathways in the Alank膩ra艣astra. Almost all the preceptors of the School of Poetics in India have tried to define this concept in various perspectives. In general, 础濒补峁卥腻谤补艣腻蝉迟谤补 has taken it as the root of all poetic creations. It is an intuition or intellect of a poet from where fresh and creative sparks are bloomed. It is the power of intellect whereby the poet sees the subjects of his poem as steeped in beauty and gives a vivid and beautiful picture of what he has seen.

This innate capacity of a poet has been called in various names such as 笔谤补迟颈产丑腻, 艢补办迟颈 etc in Indian Poetics. In 碍腻惫测腻濒补峁卥腻谤补, 叠丑腻尘补丑补 states that,

"办腻惫测补峁� tu j膩yate 箩腻迟耻 kasyacit pratibh膩vata岣�"
  鈥�(碍腻惫测腻濒补峁卥腻谤补 1.5).

He opines that 笔谤补迟颈产丑腻 is the most important equipment for a poet to compose poetry. Later preceptors of Poetics also maintain almost the same view as of 叠丑腻尘补丑补. 搁耻诲谤补峁璦, who also authored a work named 碍腻惫测腻濒补峁卥腻谤补, calls it as 艣补办迟颈, which is characterised by extraordinary innate attribute of soul and poetic imagination shines forth on it (1.15).

痴腻尘补苍补, one of the prominent 膧濒补峁卥腻谤颈办补 in the pre-dhvani period, emphasises in his treatise 碍腻惫测腻濒补峁卥腻谤补s奴trav峁泃ti that 笔谤补迟颈产丑腻 is the sole cause of poetry.

His perspective of 笔谤补迟颈产丑腻 is clear in these words;

"办补惫颈迟腻产墨箩补峁� 辫谤补迟颈产丑腻苍补峁�, yasm膩t 惫颈苍腻 办腻惫测补峁� na ni峁�padyate, 苍颈峁�p补苍苍补峁� v膩 h膩sy膩yatana峁� sy膩t"
  鈥�(碍腻惫测腻濒补峁卥腻谤补s奴trav峁泃ti 1.3.16).

The germ of poetry is 笔谤补迟颈产丑腻, in the absence of which, poetry does not originate and even if composed, it will be ridiculed by the society.

膧苍补苍诲补惫补谤诲丑补苍补, the foremost thinker in Indian poetics as well as the founder of Dhvani School of literary criticism, has given a prime position to the concept of 笔谤补迟颈产丑腻 in his magnum opus Dhvany膩loka. He was much influenced by 叠丑补谤迟峁沨补谤颈's perspectives of 笔谤补迟颈产丑腻 as well as 蝉辫丑辞峁璦. 叠丑补谤迟峁沨补谤颈's concept of 笔谤补迟颈产丑腻 is all-inclusive that the scope of this concept reaches all the aspects of universal activities. 膧苍补苍诲补惫补谤诲丑补苍补 restricts this concept to the poetic imagination and extends its scope in the realm of Aesthetics and Poetics.

Thus, he acknowledges the indebtedness to the views of the grammarians in developing the theory of Dhvani.

"prathame hi vidv膩峁僺o vaiy膩karan膩岣�,
  鈥�(2006,p.138).

膧苍补苍诲补惫补谤诲丑补苍补 builds up his whole theses of literary criticism with the 笔谤补迟颈产丑腻 at its core. He and the followers of the School of Dhvani reiterate the supremacy of imagination and rasa in their theses. Poet's imagination is deeply rooted in 笔谤补迟颈产丑腻 or it is the manifestation of 笔谤补迟颈产丑腻. It needs no external guidance or requirements to manifest the poetry. This can also be equated with the famous definition of poetry by William Wordsworth as "all good poetry is the spontaneous overflow of powerful emotions" (Brett and Jones, 1963,p.266). 膧苍补苍诲补惫补谤诲丑补苍补 views that without 笔谤补迟颈产丑腻, poetry cannot be composed. He also adds that 笔谤补迟颈产丑腻 can make up the lack of learning or scholarship, but the lacking of 笔谤补迟颈产丑腻 can be substituted by none. 笔谤补迟颈产丑腻 as a poetic flash transforms an ordinary man into a poet having a vision or 诲补谤艣补苍补. It is said that a seer (峁氠梗颈) having a 诲补谤艣补苍补 only can be a poet. Rhetoricians have no dispute among them in the view that a poet should be capable of expressing that which he 'sees' (惫补谤峁嘺苍腻苍颈辫耻峁嘺岣�). But this poetic expression flashes forth only with the help of 诲补谤艣补苍补 or 笔谤补迟颈产丑腻, as mentioned.

According to 搁腻箩补艣别办丑补谤补, 笔谤补迟颈产丑腻 is the creative faculty of the poet as well as the reader. Hence he conceives 笔谤补迟颈产丑腻 in two ways; 碍腻谤补测颈迟谤墨 and 叠丑腻惫补测颈迟谤墨 respectively. Thus, earlier as well as later rhetoricians accept 笔谤补迟颈产丑腻 as the inherent wonderful faculty of natural disposition and inborn gift of the poet (Gayatri Rath, 2000,p.149). In other words, it is the intelligent faculty of intellect where new and novel blooming of ideas arise.