Mudrarakshasa (literary study)
by Antara Chakravarty | 2015 | 58,556 words
This page relates ‘Use of Visheshokti-alamkara� of the English study on the Mudrarakshasa: an ancient Sanskrit dramatic play (Nataka) authored by Vishakhadatta which deals with the life of king Chandragupta. This study investigates the Mudra Rakshasa from a literary perspective, such as metrics, themes, rhetorics and other poetical elements. Chandragupta ruled the Mauryan Empire during the 4th century BCE, hence this text can also be studied as a historical textbook of ancient India.
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3.18. Use of վśṣoپ-ṃk
[Full title: Use of ṃk in ѳܻṣa: ٳṃk, Virodhamūlaka (or Virodha-varga) (4). վśṣoپ]
Where therein the effect is absent, though the cause is present, there is վśṣoپ-ṃk. վśٳ Ჹ has defined վśṣoپ in his ٲⲹ岹貹ṇa ٳܲ�
This ṃk is implied in many a verse in the ѳܻṣa entangled with other ṃks. One of the instances is given bellow, Cf.�
“When the king Nanda had gone to heaven, not at all deserving that kind of death, effort was indeed made by me winning over the king ʲٱś and after he was killed, his son, still, there was no success. It is faith, who is the enemy of the family of Nanda and not that ṇa ṇaⲹ.�[2]
Here, the repeated endeavours of ṣa is the cause and his futility (ٲٳ辱'siddhi) indicates the absence of the effect. Therefore, this portion of the verse is adorned with վśṣoپ-ṃk.
Footnotes and references:
[1]:
ٲⲹ岹貹ṇa, X.67