Markandeya Purana (Study)
by Chandamita Bhattacharya | 2021 | 67,501 words
This page relates ‘Worship and Mythology of Vishnu� of the study on the Markandeya Purana, one of the oldest of the eigtheen Mahapuranas preserving the history, civilisation, culture and traditions of ancient India. The Markandeyapurana commences with the questions raised by Rishi Jaimini (a pupil of Vyasa), who approaches the sage Markandeya with doubts related to the Mahabharata. This study examines various social topics such as the status of women, modes of worship, yoga, etc.
Go directly to: Footnotes.
4. Worship and Mythology of վṣṇ
Lord վṣṇ is another form of ⲹṇa which is the popular lord among the Hindu society. վṣṇ is generally described as possessor of four arms and four hands, holds śṅk, cakra, and padma.[1] The term վṣṇ is derived from the root vi� i.e. to pervade.[2]
Almost all the ʳܰṇa prescribe վṣṇ as a great god. According to ʲ峾ܰṇa, վṣṇ is the supreme god identified with . The great վṣṇ preserved the whole world. For the creation of the world, Brahman the supreme power produced վṣṇ from the left side of his body. According to the վṣṇpurāṇa, lord վṣṇ created the world which exists on his body. He is the cause of continuance and cessation of the world. According to 岵ٲܰṇa, վṣṇ is the greatest god among the three gods.[3] The ٲⲹṇa declares վṣṇ as the highest God among all the gods.[4] The God վṣṇ occupies a prominent position in the Hindu pantheon. Lord վṣṇ rides on Ҳḍa, a form of half bird and half man and he wears yellow garments.[5]
Lord վṣṇ’s Theory of Incarnation
The 첹ṇḍⲹܰṇa, describes in the earlier chapter about the theory of 䲹ٳܰū of lord վṣṇ. In the beginning of this ʳܰṇa, the four wise birds told Jaimini about the doctrine of Supreme Being called ⲹṇa and about his four forms for which he is called 䲹ٳܰūٳ.[6] Lord ⲹṇa has both the aspects ṇa and Ծṇa. Both of these exist in his four forms, viz. ܻ𱹲, Śe�, a Pradyumna and Aniruddha.
These four forms (ūپ)[7] are described as�
a) ܻ𱹲�
The first form of ⲹṇa is called ܻ𱹲 which is inscrutable (Ծśⲹ) and bright (śܰ). He is covered with garlands of flame. For the devotees he is the highest goal, both far and near. He transcends attributes and it is seen devoid of egoism. His shape, colour etc. are imaginary, not real.[8]
b) Śṣa�
Śṣa is the second form of ⲹṇa. He supports the world with his head. He is known as having the quality of darkness.[9]
c) Pradyumna�
Pradyumna is the third form of ⲹṇa which means active. He is considered as full of the quality of goodness (sattvodrikta) and he preserves the creatures and establishes dharmas.[10] Later on, it is stated that this third form of ⲹṇa i.e. Pradyumna incarnates himself where adharma rises up and dharma declines.[11] For the preservation of the world, Lord ⲹṇa incarnates himself as ղ, ṛsṃh, 峾Բ and Mathura.[12] He also incarnates as ٲٳٰⲹ which is mentioned in this ʳܰṇa.[13] The 첹ṇḍⲹܰṇa also mentions other forms of Lord ⲹṇa, viz, śś, ٳٲܱܰṣa, ū, ղ, Matsya in the ś, ٲ, ٳܳ etc.[14]
d) Aniruddha�
Aniruddha is the fourth form of the Lord ⲹṇa. This form abides in water. He lies on a serpent bed. He has the quality of passion and is always active.[15] The 첹ṇḍⲹܰṇa also describes that ⲹṇa is the creator, preserver and destroyer of the whole universe.[16] He is without the beginning or end i.e. anādinidhana (8.240); ṛt (4.37) and also beginning of the world i.e. Jadi (4.38). Even lord վṣṇ is immense than the great (4.38).
He is also described as,
- ʳܰṣa i.e. the Universal,
- Śśٲ i.e. eternal,
- Avyaya i.e. unchanging,
- Aprameya i.e. unknowable (4.36),
- ṇa or Nirguṇa i.e. attributeless (4.37; 1.13;4.31).
He is called triguna because he subsists in four form and divided into three ṇa viz. varīṣṭha, ṣṭ, ṇy i.e. the most choice, venerable and excellent respectively.[17]
He is also known as:
- Aja i.e. unborn (4.38),
- Acyuta (78.6),
- Vibhu i.e. all pervading (78.72),
- ʲٳ i.e. the highest soul (8.240).
He is also dwell in the heart i.e. hṛtakoṭaraguhāsin (8.240). He is called ʰṣṇ i.e. Lord of the gods (4.36). Thus Lord վṣṇ is attributed with various names and epithets.
Footnotes and references:
[1]:
T. S. Rukmani, Acritical Study of the Bhagavatapurāṇa, p. 252
[2]:
Muralidhar Mohanty, Origin and Development of վṣṇ Cult, p.IX
[3]:
Ibid., p. XI-XII
[4]:
Ibid., p. X
[5]:
첹ṇḍⲹܰṇa, 8.240
[6]:
Ibid., 4.37
[7]:
Ibid., 4.44
[8]:
Ibid., 4.45-47
[9]:
Ibid., 4.48
[10]:
Ibid., 4.49
[12]:
Ibid., 4.52-56
[13]:
Ibid., 16.133
[14]:
Ibid., 51.31
[15]:
Ibid., 4.50
[16]:
Ibid., 1.13; 4.39
[17]:
Ibid., 4.37