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-) 产补濒腻诲别峁�a 诲补艣补驳谤墨惫补岣� s墨t膩m膩d膩ya gacchati |^[1]

Gait of 搁腻惫补峁嘺 and 厂墨迟腻 in sky along with 闯补峁�穆页� is described by Bhasa. 搁腻惫补峁嘺 is moving around in air in his vehicle and watching 闯补峁�穆页� flapping the wings. The flapping of the wings can be performed by 驳补谤耻岣峚辫补办峁�a 苍峁泃迟补丑补蝉迟补 the 闯补峁�穆页� as mentioned as coming forward towards 搁腻惫补峁嘺 in great anger, can be performed with 驳补谤耻岣峚辫濒耻迟补 办补谤补峁嘺^[2] in drutalaya along with mukhaja abhinaya of krodha with kruddha 诲峁涐梗峁���. The gait of 搁腻惫补峁嘺 and 厂墨迟腻 can be as in 腻办腻艣补测腻苍补 performed with niku帽citam 办补谤补峁嘺.

Abhinava says, this can be performed for the gait in sky.

etacc腻办腻艣补gamanonmukhavitarkapra峁噄dh膩n膩dipradh膩nav膩ky膩rth膩bhinaye |^[3]

-) 耻产丑腻惫补惫补迟补谤补迟补岣�^[4]

They both descend from the sky and land on a mountain

-) ubhau avatarata岣� |^[5]

鈥楤oth descend.鈥� Bharata says while descending one should look down and the body should be bent down. Here the glance should be avalokita (looking down) and chest should be 腻产丑耻驳苍补. This can also be performed by the 办补谤补峁嘺 called 濒补迟腻惫峁浥沜颈办补.^[6]

-) iti sarv膩岣ヅ沘il膩vatara峁嘺峁� r奴payitv膩 蝉迟丑颈迟腻岣� |^[7]

鈥淭丑别y all represent descending on the mountain.鈥�

The gait for descending is described by Bharata as,

鈥淭aking a 蝉补尘补辫腻诲补 stance and making jumps in succession one should represent the descent from the sky.鈥�

sthanena samap膩dena tat膩 c奴r峁嘺padairapi |
vyomna艣c膩vataredyastu tasyait膩峁� k膩rayedgatim ||^[8]

Abhinavagupta says 濒补迟腻惫峁浥沜颈办补 办补谤补峁嘺 can also be performed for the descent from the sky.

-) sarv膩岣�sagandharv膩 膩k膩艣otpatana峁� r奴payanti |^[9]

鈥淭丑别 apsaras and 驳腻苍诲丑补谤惫补蝉 gesticulate jumping into the sky.鈥�

This act can be performed by the 办补谤补峁嘺 called 惫颈诲测耻诲产丑谤腻苍迟腻.

辫峁涐梗峁环补迟辞 惫补濒颈迟补峁� 辫腻诲补峁� 艣irodh峁涐梗峁璦峁� pras膩rayet |
sarvato ma峁囜笉al膩viddha峁� 惫颈诲测耻诲产丑谤腻苍迟补峁� taducyate ||^[10]

-) utpatanabha峁単a峁� r奴payitv膩 |^[11]

鈥淓xhibiting hindrance in upward motion鈥�.

惭腻濒补惫颈办腻 can perform 惫颈诲测耻诲产丑谤腻苍迟腻 to jump up and 濒补迟腻惫峁浥沜颈办补 to show hindrance in upward movement.

鈥淩aise one foot bending it backwards as the tail of a scorpion, extend the left hand forward with a loosened palm. This is termed as 濒补迟腻惫峁浥沜颈办补.鈥�

补帽肠颈迟补岣� 辫峁涐梗峁环补迟补岣� 辫腻诲补岣� ku帽citordhvatal膩峁単uli岣� |
lat膩khyastu karo v膩mastal濒补迟腻惫峁浥沜颈办补峁� bhavet ||^[12]

Abhinavagupta recommends this for getting down from the sky. Here the 惫峁浥沜颈办补辫腻诲补 is used to show jumping into the sky and the 濒补迟腻丑补蝉迟补 hanging down denotes the downward pull of her 尘腻濒腻, which is entangled in a creeper. So she jumps up in 惫颈诲测耻诲产丑谤腻苍迟腻, but lands back on the ground again in 濒补迟腻惫峁浥沜颈办补. On this pretext she looks down at the king. This can be done by avadhuta 艣颈谤补蝉.^[13]

-) 耻谤惫补艣墨尘腻谤驳辞苍尘耻办丑补岣� |^[14]

弄谤惫补艣墨 looks (down) with a sigh at the king while moving. Here she is taking her path in the sky. Therefore, she casts her look down. Avalokita is a kind of glance to look down.^[15] The sigh is done by the chest movement called prakampita.

In prakampita, the chest is heaved up and down almost incessantly.

奴谤诲丑惫补办峁�e辫补颈谤耻谤辞 yatra nirantarak峁泃airyutam |
辫谤补办补尘辫颈迟补峁� tu taj帽eyamuro n膩峁瓂aprayokt峁沚hi岣� ||^[16]

-) 迟补迟补岣� 辫谤补惫颈艣补迟测补办腻艣补测腻苍别苍辞谤惫补艣墨 肠颈迟谤补濒别办丑腻 ca |^[17]

鈥淓苍迟别谤 弄谤惫补艣墨 and Citralekha passing through the sky.鈥�

Gait in 腻办腻艣补 is mentioned here. The gait of the person moving in the sky is described by Bharata.

He says,

鈥淭丑别 actors who represent the movement like traversing the sky should look down and make circular movements.鈥�

adho'valokanai艣caiva ma峁囜笉al膩vartanena ca ||
腻办腻艣补gamane caiva 办补谤迟补惫测腻 n膩峁瓂ayokt峁沚hi岣� ||^[18]

The eye movements can be in avalokita, looking down.

The 办补谤补峁嘺 called 惫峁浥沜颈办补 can also be performed here, because Abhinavagupta recommends this 办补谤补峁嘺 for traversing in the sky.

鈥淧lace the folded hands on the shoulders; hold a foot back in a raised position and keep the back as low as possible. This characterizes the 办补谤补峁嘺 called 惫峁浥沜颈办补.鈥�

b膩hu艣墨r峁Ｄ伱眂itau hastau 辫腻诲补岣� p峁涐梗峁環膩帽citastath膩 |
d奴rasannap峁涐梗峁環a峁� ca 惫峁浥沜颈办补峁� tat prak墨rtitam ||^[19]

Here they can also perform 办补谤补峁嘺 called 惫峁浥沜颈办补recita.

Abhinavagupta says this 办补谤补峁嘺 can be used for traversing in the sky.

惫峁浥沜颈办补峁� 肠补谤补峁嘺峁� 办峁泃惫腻 svastikauca kar膩vubhau |
recitau viprak墨r峁嘺u ca karau 惫峁浥沜颈办补recitam ||^[20]

-) utthito 惫颈诲测腻诲丑补谤补岣� saha 辫谤颈测补测腻^[21]

The 惫颈诲测腻诲丑补谤补 rises up in the sky with his beloved. Such instances occur in 叠丑腻蝉补 and 碍腻濒颈诲腻蝉补鈥檚 works.

-) 艣谤墨尘腻苍 vidy膩dharo's膩vuparigatijavai岣� k峁Ｄ珁am膩峁嘺岣� 辫谤补测腻迟颈 ||^[22]

The glorious 惫颈诲测腻诲丑补谤补 moving fast in the sky along with his wife and his figure turning smaller and smaller as he move up.

-) 腻办腻艣补测腻苍补峁� nir奴pya^[23]

The entry of 惫颈诲测腻诲丑补谤补 along with his love gesticulates flying through air.

-) 补肠颈谤补辫谤补产丑腻惫颈濒补蝉颈迟补颈岣�p补迟腻办颈苍腻蝉耻谤补办腻谤尘耻办腻产丑颈苍补惫补肠颈迟谤补艣辞产丑颈苍腻 |
gamitena khelagamane vim膩nat膩峁僴aya m膩峁� navena 惫补蝉补迟颈峁� 辫补测辞尘耻肠腻 ||^[24]

Both exit on air. The king wishes 弄谤惫补艣墨 to change him to the form of a cloud and carry him. They both can move about in the 办补谤补峁嘺 惫峁浥沜颈办补ku峁�峁璱ta.

Abhinavagupta recommends this 办补谤补峁嘺 for depicting desire for traversing through the sky.

鈥淏ending one foot and holding it back in a raised manner as the tail of a scorpion; and touching the shoulders with folded hands characterizes the 办补谤补峁嘺 called 惫峁浥沜颈办补ku峁�峁璱ta.鈥�

惫峁浥沜颈办补峁� 肠补谤补峁嘺峁� 办峁泃惫腻 dv膩vapyatha niku峁�峁璱tau |
vidh膩tavyau karau tattu 箩帽别测补峁� 惫峁浥沜颈办补ku峁�峁璱tam ||^[25]

Footnotes and references:

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[1]:

P.N.V.21,

[2]:

狈腻峁瓂补艣腻蝉迟谤补 IV.130.

[3]:

Ibid. IV. com.

[4]:

Avi.IV.p.327

[5]:

Vik. A-II.

[6]:

狈腻峁瓂补艣腻蝉迟谤补 IV. 103.

[7]:

Vik. A-I.

[8]:

狈腻峁瓂补艣腻蝉迟谤补 XIII.93.

[9]:

Vik. A-I.

[10]:

狈腻峁瓂补艣腻蝉迟谤补 IV. 124

[11]:

Vik. A-I.

[12]:

狈腻峁瓂补艣腻蝉迟谤补 IV. 103.

[13]:

Ibid. XIII. 29.

[14]:

Vik. A-I.

[15]:

狈腻峁瓂补艣腻蝉迟谤补 VIII. 109.

[16]:

Ibid. X. 6.

[17]:

Vik. A-II.

[18]:

狈腻峁瓂补艣腻蝉迟谤补 XIII. 92.

[19]:

Ibid. IV. 106.

[20]:

Ibid. IV. 105.

[21]:

Avi.IV.p.328

[22]:

Ibid. IV.19.

[23]:

Ibid. IV.p.325

[24]:

Vik.A-IV. V-43

[25]:

狈腻峁瓂补艣腻蝉迟谤补 IV. 101.