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狈补苍诲颈办别艣惫补谤补 in 叠丑补谤补迟腻谤峁嘺惫补 deals with the aspect of gati in a different approach, which seems to be more appropriate for dance. In the chapter called 艣耻诲诲丑补 苍腻峁瓂补, he describes the seven 迟腻峁囜笉补惫补 varieties. Each 迟腻峁囜笉补惫补 is interspersed with gati, 办补谤补峁嘺, 迟腻濒补 and sollukattu.

The seven varieties of 迟腻峁囜笉补惫补s form a part of 艣耻诲诲丑补 苍腻峁瓂补. The following gatis are added according to practice and they are:

1. 尘补测奴谤补驳补迟颈鈥攖丑别 peacock鈥檚 gait,
2. 谤腻箩补丑补峁僺补驳补迟颈鈥攖丑别 swan鈥檚 gait,
3. 办峁涐梗峁嘺蝉腻谤补驳补迟颈鈥攖丑别 deer鈥檚 gait,
4. gajagati鈥攖丑别 elephant鈥檚 gait,
5. 蝉颈峁僪补驳补迟颈鈥攖丑别 lion鈥檚 gait and
6. 艣耻办补驳补迟颈鈥攖丑别 parrot鈥檚 gait.

These six types of gaits have been used by Lord 艢颈惫补 in his 迟腻峁囜笉补惫补. The prayoga of these can be such; for the first varieties of 迟腻峁囜笉补惫补 known as 诲补办峁�i峁嘺 产丑谤补尘补峁嘺 or the clock-wise rotary movement, the first three gaits 尘补测奴谤补, 谤腻箩补丑补峁僺补 and k峁涐梗nas膩ra gati have to be combined one after the other. However, for other kinds, one gait is introduced between two 迟腻峁囜笉补惫补s. Thus, for the remaining six 迟腻峁囜笉补惫补s, the three remaining gaits are employed. At the end of the gati comes the 办补谤补峁嘺, the combined movement of hands and legs and then comes the 肠腻谤墨. These are the features of 迟腻峁囜笉补惫补 described in 叠丑补谤补迟腻谤峁嘺惫补.

May奴ra gati:

The hands hold 办补谤迟补谤墨尘耻办丑补, the standing posture of 艢补颈惫补 蝉迟丑腻苍补办补 is assumed, and the dancer moves on the left foot in contact with the ground. The 迟腻濒补 for this gati is 尘补濒濒颈办腻尘辞诲补.

The 办补谤补峁嘺 for this is 尘补测奴谤补lalita.

hastau tu kartar墨yuktau艣aivasthanakasa峁儁utam |
蝉补谤补峁嘺峁� 惫腻尘补p膩dena 尘补测奴谤补驳补迟颈r墨rit膩 ||^[1]

Ha峁僺a gati:

When beginning from 蝉补尘补辫腻诲补 sthanaka with the hands holding 辫补办峁�a惫补帽肠颈迟补, the feet change to 惫颈峁�a尘补蝉补帽肠补谤补 and it is then called 丑补峁僺补驳补迟颈. The 迟腻濒补 for this gati is ha峁僺an膩da. Pak峁�ava帽cita is a n峁泃ta hasta seen in the 狈腻峁瓂补艣腻蝉迟谤补.

辫补办峁�a惫补帽肠颈迟补kauhastau 蝉迟丑补苍补办补峁� 蝉补尘补辫腻诲补kam |
pa艣c膩dvi峁�amasa帽car墨 sai峁Ｄ� 丑补峁僺补驳补迟颈rbhavet ||^[2]

K峁涐梗峁嘺s膩ra gati:

In this gati, the hands hold 尘峁沢补艣墨谤峁�a丑补蝉迟补 and the feet are in the 办丑耻峁�峁�补 pose. The tala for this gati is jhampa.

m峁沢a艣墨r峁Ｄ乥hidhau hastau p膩dau khuttabhidh膩nakau |
办峁涐梗峁嘺蝉腻谤补驳补迟颈岣� 办丑测腻迟腻 n峁泃takarmavi艣膩radai岣� ||^[3]

Gaja gati:

In this gati, the hand assumes 辫补诲尘补办辞艣补, looking downward either in front or at the back and the feet stamping the ground. The 迟腻濒补 for this gati is 辫奴谤峁嘺办补峁卥补濒腻. The 办补谤补峁嘺 for this is kar墨hasta 办补谤补峁嘺.

agrata岣� p峁涐梗峁環ato 惫腻辫颈 padmako艣膩vadhomukhau |
p膩dau tu ku峁�峁璦nayutau gajasya gatir墨rit膩 ||^[4]

Si峁僪a gati:

In this gati, the hands assume 蝉颈峁僪补尘耻办丑补 hasta. The foot performs a jump and the dancer moves with the right foot in contact with the ground, and repeats the movements changing the feet. The 迟腻濒补 for this gati is 蝉颈峁僪补惫颈办谤补尘补 and the 办补谤补峁嘺 is 蝉颈峁僪补惫颈办谤墨岣峣迟补.

hastau si峁僪amukh膩bhikhyau p膩dau cotplutisa峁儁utau |
pa艣c膩d诲补办峁�i峁嘺p膩dena 蝉补谤补峁嘺峁� 惫腻尘补 墨d峁浥沘岣� ||
si峁僪asya gatir膩办丑测腻迟腻 艣耻诲诲丑补苍腻峁瓂补vicak峁�a峁嘺i岣� |^[5]

艢uka gati:

In this gati, the hands assume 艣耻办补迟耻峁囜笉补丑补蝉迟补 and they are held eight angulas from the chest. The standing posture for starting the gati is 惫补谤诲丑补尘腻苍补, the movement of the foot is 蝉腻谤补苍补 and 迟腻濒补 is 办辞办颈濒补辫谤颈测腻.

ekatu峁囜笉膩bhidhau hastau vak峁�aso'峁ａ弓膩峁単ulisthitau |
sthanena vardham膩nena sthitv膩 caiva 迟补迟补岣� param ||
蝉补谤补峁嚹乥丑颈诲丑补辫腻诲腻产丑测腻峁� 测腻苍补峁� 艣耻办补驳补迟颈rbhavet |^[6]

May奴r墨 gati:

The hands should hold 办补谤迟补谤墨尘耻办丑补 hasta and standing the 蝉迟丑腻苍补 of 苍腻驳补产丑补苍诲补 the foot is in 蝉腻谤补峁嘺 or in contact with the floor and the 迟腻濒补 is 谤腻箩补苍补谤腻测补峁嘺.

hastau tu kartar墨k膩khyau n膩gabandhasthitirbhavet |
p膩d膩gr膩my膩峁� tu 蝉补谤补峁嘺峁� may奴r墨gatir墨rit膩 ||^[7]

Ha峁僺墨 gati:

In this gati the hands hold 丑补峁僺补辫补办峁�a hasta, the dancer starts from the standing posture of 尘补峁囜笉补濒补 and the steps are taken with the left foot moving from side to side. The 迟腻濒补 of this gati is 丑补峁僺补濒墨濒腻.

karau tu ha峁僺apak峁Ｄ乲hyau 尘补峁囜笉补濒补蝉迟丑补苍补办补峁� tath膩 |
惫腻尘补p膩dena gom奴tragatya sa峁僣ar膩峁嘺峁� bhavet ||
丑补峁僺墨 gatiriti 办丑测腻迟腻 诲别艣墨 苍腻峁瓂补vi艣膩radai岣� |^[8]

Harin墨 gati:

In this gati the hands hold ardhapat膩ka hasta, the dancer starts with the standing posture of 办奴谤尘腻蝉补苍补 and the steps are repeatedly taken with the left fore-foot in an oblique direction. The 迟腻濒补 for this gati is 蝉颈峁僪补苍腻诲补.

丑补蝉迟腻惫补谤诲丑补辫补迟腻办腻办丑测补耻 蝉迟丑补苍补峁� 办奴谤尘腻蝉补苍补峁� 迟补迟补岣� |
惫腻尘补p膩d膩gratastiryakpras膩rya ca puna岣� puna岣� ||
sa峁僣aredbhari峁嚹玭膩峁� tu 驳补迟颈岣� kavibhir墨rit膩 |^[9]

Karin墨 gati:

In this gati the hands assume karihasta, the right foot is placed in the normal position, the left foot describes a half-moon on the ground and quickly proceeds forward and the movements are repeated changing the feet for proceeding backward. The 迟腻濒补 is 驳补箩补濒墨濒腻 and the 办补谤补峁嘺 is 驳补箩补惫颈办谤墨岣峣迟补.

karihastayutau hastau dak峁�i峁嚹佱箖ghri岣� samasthita岣� |
惫腻尘腻峁僩丑谤颈峁嚹乸测补谤诲丑补肠补峁僤谤补峁� 濒颈办丑颈迟惫腻 迟补谤补蝉腻 vrajet ||
purobh膩ge ca pa艣c膩ttu gamane dak峁�i峁嚹佱箖ghri峁嚹� |
eva峁� 濒颈办丑颈迟惫腻 驳补尘补苍补峁� 办补谤颈峁嚹� gatireva s膩 ||^[10]

S膩rik膩 gati:

In this gati, the right hand holds ardhacandrahasta and the left 艣耻办补迟耻峁囜笉补丑补蝉迟补. Starting from vai艣膩kha 蝉迟丑腻苍补办补, the right foot is placed at the contact of the left hand with the body. In this the left, foot moves in contact with the ground. The 迟腻濒补 for this gati is kandarpa.

dak峁�i峁噊'pyardhaca峁僤ra岣� sy膩d惫腻尘补p膩峁噄岣� 艣uk膩nana岣� |
vai艣膩khasthanakenaiva sthitv膩 诲补办峁�i峁嘺p膩dakam |
abhisa峁僤hau 惫腻尘补b膩hornive艣ya tadanantaram |
蝉补谤补峁嘺峁� 惫腻尘补p膩dena sai峁Ｄ� 蝉腻谤墨 gatirmat膩 ||^[11]

Footnotes and references:

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[1]:

A\. ? 叠丑补谤补迟腻谤峁嘺惫补 A.XIV.792

[2]:

Ibid.XIV.795

[3]:

Ibid..XIV.798

[4]:

Ibid.XIV.801

[5]:

Ibid.XIV.808,809

[6]:

Ibid.XIV.817,818

[7]:

Ibid..XIV.832.

[8]:

Ibid.XIV.838,839

[9]:

Ibid.XIV.844,845

[10]:

Ibid..XIV.851,852

[11]:

Ibid..XIV.858,859