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According to the 狈腻峁瓂补艣腻蝉迟谤补 and the Da艣ar奴paka, the sentiments like heroic (惫墨谤补) or erotic (艣峁涐箙驳腻谤补) should be the main sentiments and others should be the subordinate sentiments in a 狈腻峁璦办补. Since the 惭耻诲谤腻谤腻办峁�a蝉补 has a political plot; the main sentiment is the heroic (惫墨谤补) sentiment.

The heroic (惫墨谤补) sentiment:

The heroic (惫墨谤补) sentiment is prevalent in the entire drama. For example: in prologue (辫谤补蝉迟腻惫补苍腻), the heroic sentiment is depicted through the words of 颁腻峁嘺办测补, 鈥�腻岣� ka e峁�a mayi sthite candraguptambhibhavitumicchati鈥� (惭耻诲谤腻谤腻办峁�a蝉补, Telang, p.60) after the stage manager recites the verse; 鈥�办谤奴谤补驳谤补丑补鈥︹赌�..补产丑颈产丑补惫颈迟耻尘颈肠肠丑补迟颈产补濒腻迟鈥� (惭耻诲谤腻谤腻办峁�a蝉补, I.6). Then in the first act, it is reflected through Candanad膩sa鈥檚 fearless words towards 颁腻峁嘺办测补 that whatever you want to do, please do, I would not return 搁腻办峁�a蝉补鈥檚 family to you and this is my firm resolve, 鈥�腻谤测补 kim me bhayam dar艣ayasi鈥︹赌�na samarpay膩mi kim punarasantam鈥�..b膩岣峢ame峁�a dh墨ro me 苍颈艣肠补测补岣�鈥� (惭耻诲谤腻谤腻办峁�a蝉补, Telang, p.101). Again, in the third act, it is reflected when Candragupta says that the literates too are boasting, in answer to 颁腻峁嘺办测补 that 鈥渢he illiterate believe in fate鈥�. 颁腻峁嘺办测补 gets angry and says that he wants again to loosen the knot of hair though it is tied up now and eager to pledge upon another vow (艣ikh膩m moktum鈥︹赌�mama krodhadahanam鈥揑II. 29)鈥�.

The pathetic (办补谤耻峁嘺) sentiment:

The pathetic (办补谤耻峁嘺) sentiment is depicted when Candanad膩sa says, that 鈥淥h child, when death is sure, die in doing a service to a friend, (箩腻迟补, 补惫补艣测补尘 bhavitavye vin膩艣e mitrak膩rye samudvaham膩ne 惫颈苍腻艣补尘补苍耻产丑补惫腻尘颈 -惭耻诲谤腻谤腻办峁�a蝉补, Telang, p.302). The pathetic sentiment is depicted again in the seventh act, when Candanad膩sa is taken for hanging by 颁腻峁囜笉腻濒补蝉 and his wife cries for help; the scene is heart-rending. For instance, his son says, 鈥淣eed this be said, father? This is our family-rule. (迟腻迟补, kimidamapi bha峁噄tavyam. 办耻濒补诲丑补谤尘补岣� 办丑补濒惫别峁�o鈥檚尘腻办补尘 -惭耻诲谤腻谤腻办峁�a蝉补, Telang, p.302).

The furious (raudra) sentiment:

Further, the furious (raudra) sentiment is depicted in the third act. For instance, when a quarrel was started between 颁腻峁嘺办测补 and Candragupta, at the time of 鈥淜aumud墨mahotsava鈥�, 颁腻峁嘺办测补 gets angry, because of the words of Candragupta that the literates too boast in answer to 颁腻峁嘺办测补 that the illiterates alone believe in fate. Getting this answer from Candragupta, 颁腻峁嘺办测补 becomes furious which is described by Candragupta as 蝉补谤补尘产丑辞迟蝉辫补苍诲颈辫补办峁�m补鈥︹赌�dh膩rita岣� p膩dagh膩ta岣�鈥� (III.30). Again, when Malayaketu gets some false message from 碍峁�a辫补峁嘺办补 that his father is killed by 搁腻办峁�a蝉补, through poison-maid (惫颈峁�a-办补苍测腻), he becomes furious and says, 鈥�mitram mamedamiti鈥︹赌�nanu r膩k峁�asa r膩k峁�osa鈥檚i (V. 5)鈥�. The terrible (产丑补测腻苍补办补) sentiment is depicted in the first act, when 颁腻峁嘺办测补 calls Candanad膩sa through the pupiland Candanad膩sa comments 鈥�c膩峁嘺kye akaru峁噀鈥︹赌�艣补峁卥腻 kim punarmama 箩腻迟补do峁�asya (滨.21)鈥�.

The low laughter (丑腻蝉测补) sentiment:

The low laughter (丑腻蝉测补) sentiment is just reflected in the first act, through the conversation between the pupil 艢腻谤峁単补谤补惫补 and Nipu峁嘺ka and again in the fifth act, through the conversation between 厂颈诲诲丑腻谤迟丑补办补 and 碍峁�a辫补峁嘺办补.

The erotic (艣峁涐箙驳腻谤补) sentiment:

The erotic (艣峁涐箙驳腻谤补) sentiment is also just reflected in the second act, when Vir膩dhagupta, the spy of both 搁腻办峁�a蝉补 and 颁腻峁嘺办测补, comes to 搁腻办峁�a蝉补 as a snake charmer. Looking towards 搁腻办峁�a蝉补 he fantasizes how this 搁腻办峁�a蝉补 is afraid of and slowly coming under Maurya, like goddess of wealth, has her creeper-like left arm twined loosely round his neck (v膩m膩m b膩hulat膩m nive艣ya鈥︹赌�v膩metaram 艣r墨岣� stanam 鈥� II. 12), but these two sentiments are not applied so effectively, I think because of the absence of leading female character.

The marvellous (adbhuta) sentiment:

Again, the marvellous (adbhuta) sentiment is depicted in the seventh act, when 搁腻办峁�a蝉补 surrenders before his friend Candanad膩saand 颁腻峁嘺办测补.