365bet娱乐

Examples of the activities of the Sv膩dh墨na-patik膩 character of woman heroine: 

1 鲍诲测腻苍补-办谤墨岣嵞�鈥擯laying in the garden^[1]

啶�啶むた啶む�堗�� 啶多た啶班��啶粪ぐ啶溹じ啶距�� 啶ㄠた啶曕ぐ啷堗�� 啶曕げ啷佮し啷�啶曕�冟い啶� 啶ㄠく啶ㄠえ啷�啶班ぐ啷佮す啶�啷� 啷�
啶灌ぐ啶苦ぃ啶� 啶灌た啶班ぃ啷嵿く啶班ぎ啶｀��啶�啶むえ啷嬥ぐ啷嵿ぎ啷佮�栢ぎ啶距ぐ啷佮い啷堗�� 啶曕た啶�啶�啶� 啶多��啶むげ啶苦い啶�啷� 啷�

patitai岣� 艣ir墨峁�arajas膩峁� nikarai岣� kalu峁Ｄ玨峁泃a峁� nayanan墨raruham |
hari峁嚹� hira峁噛arama峁嚹珁atanormukham膩rutai岣� kimapi 艣墨talitam ||^[2]

The dust of the 艢颈谤墨峁�a flower fell into the eyes of the golden bodied 搁补诲丑腻鈥檚 eyes thus making it red. Then, Hari with the wind from his mouth blew into her eyes to cool her eyes.

2 痴补苍补惫颈丑腻谤补鈥擱oaming in the forest^[3]

Roaming in the forest was considered a favourite pastime for women. It was an apt place to play with friends. The forest was also considered a favorite spot for the beloveds to meet. 碍峁涐梗峁嘺 and 搁腻诲丑腻 are said to have had their first union in the forest according to 骋墨迟补驳辞惫颈苍诲补. Other than these, jobs like looking after the cattle and collecting fire wood required the women to be in the forest. 

Apart from these it was believed that even the non flowering tree when touched by a young girl would flower and also bear fruits. Example:

啶ㄠさ啶曕た啶膏げ啶�啶班ぞ啶椸�囙ぃ啶距�椸�嵿ぐ啶�啶距う啷囙�� 啶�啶距げ啶� 啶膏�嵿か啷� 啶班た啶むえ啶栢ぐ啷佮�氞�� 啶︵�嵿さ啷� 啶灌え啷嵿い啷佮ぎ啶班�嵿す啶む�嵿く啶ㄠ�囙�� 啷�
啶呧�曕�佮じ啷佮ぎ啶苦い啶�啶多�嬥�曕�� 啶︵�嬥�� 啶︵ぞ啶�啷囙�曕�嵿し啶�啶� 啶掂ぞ 啶�啷嵿ぐ啶｀ぎ啶苦い啶多た啶班じ啶� 啶掂ぞ 啶曕ぞ啶ㄠ�嵿い啶�啶距ぐ啷嵿う啷嵿ぐ啶距お啶班ぞ啶оぎ啷� 啷�

navakisalayar膩ge峁嚹乬rap膩dena b膩l膩 sphu ritanakharuc膩 dvau hantumarhatyanena |
akusumitama艣oka峁� doha d膩pek峁�ay膩 v膩 pra峁嘺mita艣irasa峁� v膩 k膩ntam膩rdr膩par膩dham ||^[4]

鈥淲ith the toe of her foot tinged with juice resembling the fresh sprout and with the radiant nails, the youthful damsel deserves to touch two things, the Ashoka tree waiting for dohada to put forth blossoms and the bowed head of the lover fresh from armorous offense.鈥�

3 碍耻蝉耻尘腻辫补肠补测补-办谤颈测腻鈥擯lucking Flowers.^[5]

Flowers were used on a daily basis to worship God, to make a ball of flower to play with, to decorate the house and so on. Thus plucking of flowers could be associated as an everyday ritual. Other than this, adorning of flowers was an integral part of make up. That is probably one reason why the use of flowers during the period of mourning is not allowed. The fragrance of the flowers stimulated sensual thoughts, thus the widows are not allowed its usage. Flowers are also an indication of happiness. 

Here the beautiful bodied 苍腻测颈办腻 surrenders herself unto the hands of her lover with a smiling face in the bowers of the forest on the pretext of plucking flowers.

啶�啷佮し啷嵿お啶距お啶氞く啶掂�嵿く啶距�溹ぞ啶ㄠ�嵿え啷�啶むぞ啶︵�嵿�� 啶ㄠた啶曕�佮�炧�嵿�溹さ啶ㄠぎ啶о�嵿く啶�啷� 啷�

pu峁�p膩pacayavy膩j膩nn墨t膩dya niku帽javanamadhyam |
sakhy膩 vihasanmukhy膩 priyasya p膩峁嘺u samarpit膩 sutanu岣� ||^[6]

4 闯补濒补办谤墨岣嵞�鈥擯laying in the water.^[7]

啶侧げ啶苦い啶�啷佮ぐ啶膏�� 啶むぐ啶ㄠ�嵿い啷� 啶むぐ啶侧い啶班�權�嵿�椸�屶�樴�氞ぞ啶侧た啶むえ啶苦い啶�啷嵿が啶� 啷�
啶掂た啶�啶班��啶むぐ啶曕�嵿い啶� 啶膏�曕�嵿い啷� 啶� 啶︵�冟ざ啷嵿く啶む�� 啶膏ぐ啶膏た 啶膏ぞ 啶膏�栢�嵿く啶� 啷�

lalitamuras膩 tarant墨 taralatara峁単aughac膩litanitamb膩 |
惫颈辫补谤墨迟补rakt膩 sakte va d峁浥泍ate sarasi s膩 sakhy膩 ||^[8]

The heroine who is swimming sways her hips and this is compared to 惫颈辫补谤墨迟补 rati.

5 惭补诲补苍辞迟蝉补惫腻鈥擣estival of Love^[9]

础苍补峁単辞迟蝉补惫补 is festival of love. This indicates union, the Sambhoga 艢峁涐箙g膩ra.

啶�啷嵿ぐ啶苦く啶曕�冟い啶�啶熰じ啷嵿い啷囙く啶曕�嵿ぐ啷�啶∴ぞ啶掂た啶∴ぎ啷嵿が啶ㄠさ啶苦す啷嵿さ啶侧ぞ啶� 啶曕た啶�啶�啶� 啶曕ぐ啷佮ぃ啶距げ啶距お啶距�� 啶むえ啷嵿さ啷�啶�啷佮う啷�啶曕�嵿し啷嵿�� 啶膏じ啶傕き啷嵿ぐ啶�啶�啷� 啷�
啶呧お啶� 啶掂た啶椸げ啶苦い啷� 啶膏�嵿�曕え啷嵿ぇ啶距さ啶距ぐ啷� 啶椸い啷� 啶膏�佮ぐ啶むぞ啶灌さ啷� 啶む�嵿ぐ啶苦き啷佮さ啶ㄠぎ啶灌ぞ啶оえ啷嵿さ啷� 啶膏�嵿ぅ啶ㄠ�� 啶ㄠ�嵿く啶掂ぐ啷嵿い啶� 啶�啶ㄠ�嵿ぎ啶ム�� 啷�

priyak峁泃apa峁璦steyakr墨岣嵞乿i岣峚mbanavihval膩峁� kimapi karu峁嚹乴膩p膩峁� tanv墨mud墨k峁�ya sasa峁僢hramam |
api vigalite skandh膩v膩re gate surat膩have tribhuvanamah膩dhanv墨 sthane nyavartata manmatha岣� ||^[10]

Even after the war of love making was over and the camp was broken, all the soldiers (objects of pleasure) had retired; the greatest archer of the three worlds, Lord Manmatha returned to the fore seeing the heroine distressed and begging, on the account of delay caused by the playful stealth of her garment by the lover.

6 Vasantotsava鈥擧辞濒颈^[11]

啶膏�佮げ啶侧た啶むさ啶ㄠた啶む�� 啶掂じ啶ㄠ�嵿い啶曕�囙げ啶距さ啶�啶苦げ啶粪た啶む�囙え 啶�啶ㄠ�嬥ぐ啶�啶� 啶�啷嵿ぐ啶苦く啷囙�� 啷�
啶掂ぐ啶むえ啷佮ぐ啶氞た啶班ぞ啶︵く啷嬥�溹�� 啶膏�栢�嵿く啶� 啶樴え啶�啶熰さ啶距じ啶曕�冟い啶距え啷嵿ぇ啶曕ぞ啶班ぎ啶о�嵿く啷� 啷�

sulalitavanit膩 vasantakel膩vabhila峁�itena manoram膩 priye峁嘺 |
varatanuracir膩dayoji sakhy膩 ghanapa峁璦v膩sak峁泃膩ndhak膩ramadhye ||^[12]

The graceful girl who wishs to play holi with her lover; quickly arranges with her friends in the midst of woods.

7 础丑补峁卥腻谤补鈥摈谤颈诲别^[13] on having captivated the 苍腻测补办补

闯腻惫补岣穒[14] Language鈥擳别濒耻驳耻 搁腻驳补鈥擪补濒测腻苍颈; 罢腻岣穉鈥�谤奴辫补办补 Composer鈥摈补峁�峁�腻产丑颈谤腻尘补测测补	The 苍腻测颈办腻 impressed by her lover鈥檚 activities during love play, says thus to her friends:
Pallavi Enta峁璱 kuluk膿 intir艒 k膩ntunikipu (denta峁璱 kuluk膿)	O friends! Right now, how charming the lord is!
Anupallavi Pantamugala par膩mbh艒ja mukhi benaginanduku	When the stubborn lotus faced girl (I) was indifferent, the hero was pleasing!
颁补谤补峁嘺 1 Hoyalum墨ri v墨dhil艒na bayalud膿ri nannuj奴ci 莯 Bhayamul膿ka p膩峁璦p膩岣峣 kannusaiga j膿yun膿 idi 莯莯	He started walking on the street, he saw me fearlessly, he started making songs and signals with his eyes.
颁补谤补峁嘺 2 Marapul膿ka ninnar膿yi dharapur墨艣u岣峚ina 蝉腻尘颈 莯 Marunik膿岣穒l艒na n膩t艒 尘腻峁璦濒腻岣峚岣嵞搈颈峁璱诲颈	Thoughtfully last night the lord Dharmapurisha, during dalliance, did not speak a word to me. How pleasing that was!

8 惭补苍辞谤补迟丑补-补惫腻辫迟颈鈥擣ulfilling her desires^[15]

Padam[16] Language鈥�Tamil 迟腻岣穉尘鈥斈乨颈	颁辞尘辫辞蝉别谤鈥�Madurakavi
Pallavi Y膩rukk膩gilum bhayam膩 summ膩 蝉辞濒濒补峁�峁�耻尘 Adile峁夅箟a ragasiya m膩	Is there anything to be afraid of anyone, Let them tell what the secret in it is?
础峁塽辫补濒濒补惫颈 P艒rukku岣� vijaya峁� im m艒岣峣li峁単a durai B艒ga峁� ki岣峚ittade峁夅篃a峁� Y艒gam allav艒 pe峁囜箛膿 (y膩ru)	Is it not my good fortune that I got the pleasure of the lord, the victor in the war?
颁补谤补峁嘺m Na峁塸i岣峣tta(du) e峁夅箟a muru峁単aikkombup pi岣峣y膩 Na岣峚ttai terindavaruk(ku) oruttar 蝉辞峁夅箟补辫补岣峣测腻 M膩峁塸艒l vi岣籭y膩rkkell膩m idud膩峁� oru 苍辞岣峣测腻 Va帽ciy膿 ida峁焝un膩峁� a帽ci峁塧 ku岣峣y膩 (y膩ru)	Is my grip fragile like the tip of drum stick, is it like some one telling a person who knows how to conduct himself. Is it the time for doe eyed people? Should I be be scared of this moment?

9 Mada鈥擨苍迟辞虫颈肠补迟颈辞苍^[17] and 笔腻苍补办别濒颈鈥攁musements of drinks^[18]

啶�啶︵�嵿く啶距う啷嵿く啷佮お啶�啷嬥�椸�溹え啷嵿ぎ啶� 啶夃げ啷嵿げ啶距じ啶距�栢�嵿く啶� 啶多く啶ㄠす啶膏た啶むぞ啶︵た啶灌�囙い啷佮ざ啷嵿�氞た啶む�嵿い啶掂�冟い啷嵿い啶苦さ啶苦ざ啷囙し啷� 啶�啶︵�� 啷�

mady膩dyupayogajanm膩 ull膩s膩khya岣� 艣ayanahasit膩dihetu艣cittav峁泃tivi艣e峁�o mada岣� ||

The mental state causing sleep, laughter and others; born from drinking of wine and the like, also called 耻濒濒腻蝉补 is intoxication or Mada.

啶�啶︵ぞ啶灌�佮�冣�斺�溹じ啶傕ぎ啷嬥す啶距え啶ㄠ�嵿う啶膏�傕き啷囙う啷� 啶�啶︵�� 啶�啶︵�嵿く啷嬥お啶�啷嬥�椸�溹�冣�� 啷� 啶囙い啶� 啷�
啶むい啷嵿ぐ啷嬥い啷嵿い啶�啷� 啶�啷佮ぐ啷佮し啷� 啶膏�嵿さ啶距お啷嬥そ啶ㄠ�佮き啶距さ啶� 啷� 啶�啶о�嵿く啶�啷� 啶灌じ啶苦い啶椸ぞ啶ㄠ�� 啷� 啶ㄠ��啶氞�� 啶む�� 啶班�嬥う啶ㄠお啷佮ぐ啷佮し啷嬥�曕�嵿い啷嵿く啶距う啶� 啷�

yad膩hu岣モ�斺�渟a峁僲oh膩nandasa峁僢hedo mado madyopayogaja岣モ�� | iti |
tatrottame puru峁�e sv膩po'nubh膩va岣� | madhyame hasitag膩ne | n墨ce tu rodanapuru峁�okty膩di |

As it is told: -That intoxication generated by drinking of wine, is mixture of pleasure with perplexity. Sleeping, in the case of noble persons; laughter and singing, in the case of middling personalities; crying and speaking of harsh words, in the case of lowest persons are its consequences.

啶呧く啶� 啶� 啶�啶︵じ啷嵿い啷嵿ぐ啶苦さ啶苦ぇ啶� 啷� 啶むぐ啷佮ぃ啶�啶о�嵿く啶�啶距ぇ啶�啶�啷囙う啶距い啷� 啷� 啶呧さ啷嵿く啶曕�嵿い啶� 啶膏�傕�椸い 啶掂ぞ啶曕�嵿く啷堗�� 啶膏�佮�曕�佮ぎ啶距ぐ啶膏�嵿�栢げ啶︵�嵿�椸い啷嵿�� 啶� 啶�啷嬥そ啶�啶苦え啷�啶�啷囙い啷� 啶� 啶嗋う啷嵿く啶� 啷� 啶�啷佮�溹ぞ啶曕�嵿し啷囙お啶膏�嵿�栢げ啶苦い啶樴�傕ぐ啷嵿ぃ啶苦い啶距う啶苦き啶苦ぐ啷嵿ぎ啶о�嵿く啶�啶� 啷� 啶椸い啶苦き啶權�嵿�椸じ啷嵿ぎ啷冟い啶苦え啶距ざ啶灌た啶曕�嵿�曕ぞ啶涏�嵿ぐ啷嵿う啷嵿く啶距う啶苦き啶苦ぐ啶оぎ啶� 啷�

aya峁� ca madastrividha岣� | taru峁嘺madhyam膩dhamabhed膩t | avyakt膩 sa峁僩ata v膩kyai岣� sukum膩raskhaladgatya ca yo'bhin墨yete sa 膩dya岣� | bhuj膩k峁�epaskhalitagh奴r峁噄t膩dibhirmadhyama岣� | gatibha峁単asm峁泃in膩艣ahikk膩chrdy膩dibhiradhama岣� |^[19]

This intoxication is of three types namely 罢补谤耻峁嘺, Madhyama and Adhama, the one which is acted with indistinct and improper sentences and slipping action is called 罢补谤耻峁嘺. Indicating with hands, by falling here and there, moving around and so on is called Madhyama. The Adhama is depicted with breaking the motion, loss of memory, hiccups and vomiting.

啶呧い啷嵿ぐ啶距え啷囙い啷佮ぎ啶多�曕�嵿く啶� 啶むさ啶距お啶班ぞ啶о�囙�� 啶曕�嬥お啶苦い啶膏�嵿さ啶距え啷嵿い啶� 啷�
啶膏�佮き啶� 啶�啶�啶� 啶ㄠ��啶む�囙く啶� 啶�啶︵た啶班ぞ啶曕�嵿し啷� 啶�啶о�佮ぎ啶︵�嬥え啷嵿ぎ啶む�嵿い啶� 啷�

atr膩netuma艣aky膩 tav膩par膩dhena kopitasv膩nt膩 |
subhaga may膩 n墨teya峁� madir膩k峁Ｄ� madhumadonmatt膩 || 189

10 艢补办谤腻谤肠腻鈥擯rayers to Indra^[20] and 厂尘补谤补辫奴箩腻-尘补丑辞迟蝉补惫补鈥�Prayers to Manmath膩^[21]

The Indra 辫奴箩补, 础苍补峁単补 or Manmatha 辫奴箩补 are prayers performed to Indra and Manmatha respectively for a better sensual life, to have control on the partner and to have his undivided attention.

11 碍腻苍迟腻谤补-惫颈丑腻谤补鈥揜oaming along with the lover in the forest^[22]  

The following song is a common example for 碍腻苍迟腻谤补惫颈丑腻谤补, 艢补办谤腻谤肠腻, 厂尘补谤补辫奴箩腻尘补丑辞迟蝉补惫补 and Mada.

闯腻惫补岣穒 尝补苍驳耻补驳别鈥�碍补苍苍补岣峚 搁腻驳补鈥�碍腻苍补岣峚; 罢腻岣穉鈥�惭颈艣谤补 肠腻辫耻	Composer鈥擠waraki Krishnaswami[23] Inspired by 碍峁Ｄ搕谤补箩帽补.
Pallavi Nannavane iniya m艒hanak膩nta 莯 Anyara ka峁囜箛etti k膩峁嘺n膿 dh墨manta 莯莯	My lover is charming. The good-natured man does not lift his eyes to even see another.
Anupallavi N膩navanedaya j膿nante avanusir膩mallige n膩nante 莯 N膩nire avanediru saggake 办腻峁嘘惫别苍别苍产补苍脓莯莯	I am honey to his heart I am jasmine to his breath He says, he sees heaven if I am in front of him.
Carana Madana d膿v膿ndran艒岣� 莯 vratagaidu n膩 Madup膩naka niv膿disi 莯 pa岣峞da satpatiy膩莯 Mudadi avano岣峚g奴岣峣 莯  banagiri viharisi 莯莯 Madhukusuma bh峁涐箙gadado岣� kusumise 莯 madhura ca峁嘺ga岣穟 莯莯	I did 辫奴箩补 and vrata to Indra and Madana. I offered sweet juices and got a good husband. Happily I unite with him and roam about forests and hills. Like the bees which enter the flowers, the time spent with him are sweet moments.

Footnotes and references:

[back to top]

[1]:

叠丑腻惫补辫谤补办腻艣补苍补, IV. clxiii. 140.

[2]:

Rasakalpadruma, xciii. 185.

[3]:

搁补蝉补尘补帽箩补谤墨, 163; R奴pagosv膩min, 鲍箩箩惫补濒补苍墨濒腻尘补峁噄 (www.granthamandira.com, 2004), V. xci, http://www.granthamandira.com/index.php?show=entry&e_no=575.

[4]:

Kalidasa, 鈥淢膩lavik膩gnimitram,鈥� in K膩岣穒d膩sasarvasvam-The complete works of Kalidasa, trans. N. P Unni, vol. 2 (Delhi: New Bharatiya Book Corp., 2009), III. xii. 72.

[5]:

叠丑腻惫补辫谤补办腻艣补苍补, IV. clxiii. 140; 搁补蝉腻谤峁嘺惫补蝉耻诲丑腻办补谤补, I. cl. 35; 鲍箩箩惫补濒补苍墨濒腻尘补峁噄, V. xci.

[6]:

艢峁涐箙驳腻谤补尘补帽箩补谤墨, ccxlviii. 45.

[7]:

叠丑腻惫补辫谤补办腻艣补苍补, IV. clxiii. 140; 搁补蝉腻谤峁嘺惫补蝉耻诲丑腻办补谤补, I. cl. 35.

[8]:

础尘补谤耻艣补迟补办补, clxi. 159.

[9]:

搁补蝉颈办补箩墨惫补苍补, xcii. 15; 叠丑腻惫补辫谤补办腻艣补苍补, IV. clxiii. 140; 搁补蝉补尘补帽箩补谤墨, 163.

[10]:

础尘补谤耻艣补迟补办补, cxv. 138.

[11]:

叠丑腻惫补辫谤补办腻艣补苍补, IV. clxiii. 140.

[12]:

艢峁涐箙驳腻谤补尘补帽箩补谤墨, ccxlix. 45.

[13]:

搁补蝉补尘补帽箩补谤墨, 163; 搁补蝉颈办补箩墨惫补苍补, xcii. 15.

[14]:

T.N Padma, ed., 闯腻惫补岣穒ga岣穟 (Bangalore: Ananya, 2002), 17.

[15]:

搁补蝉补尘补帽箩补谤墨, 163; 搁补蝉颈办补箩墨惫补苍补, xciii. 15.

[16]:

Krishangini, ed., Thamizhil Bharathanatiya Paadalkal (Chennai: Sadhuram Pathippakam, 2007), 139.

[17]:

搁补蝉补尘补帽箩补谤墨, 163.

[18]:

搁补蝉腻谤峁嘺惫补蝉耻诲丑腻办补谤补, I. cl. 35.

[19]:

Jagannatha, Rasagangadhara, trans. Dhananjaya Bhanja (Delhi: Bharatiya Kala Prakashana, 2004), c. 184鈥�85.

[20]:

叠丑腻惫补辫谤补办腻艣补苍补, IV. clxiii. 140.

[21]:

搁补蝉腻谤峁嘺惫补蝉耻诲丑腻办补谤补, I. cl. 35.

[22]:

搁补蝉颈办补箩墨惫补苍补, xcii. 15.

[23]:

This is an unpublished work of Smt. Dwaraki Krishnaswamy, a flutist and lyricist who lives in Bangalore. She has been conferred the title 鈥�Karnataka Kalashree鈥� by the Karnataka Sangeeta and Nritya Academy. The 骋腻测补苍补 sam膩j recognized her as the artist of the year 2001. 鈥槺丰箾t测补kke 碍补苍苍补岣峚 K峁泃iga岣穟鈥� and 鈥槹�补苍苍补岣峚 狈峁泃测补 N膩峁璦kaga岣穟鈥� are books credited to her. 鈥槺丰箾t测补kke 碍补苍苍补岣峚 K峁泃iga岣穟鈥� has already seen the 3rd edition. She lives in 385/3303, 1st Floor, 17th Main, 4th 鈥楾鈥� Block, Jayanagar, Bangalore鈥�560 041 and can be reached through the phone number 080-26633835.