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补苍腻测腻蝉补-k峁浥沘峁� madhyam a艣a峁卥膩-tarale^[1] 诲峁浥沘耻 |
补产丑奴峁�a峁嘺-尘补苍辞丑腻谤颈 vapur vayasi subhruva岣� ||

补苍腻测腻蝉补鈥攚颈迟丑辞耻迟 exertion; 办峁浥沘尘鈥攖丑颈苍; madhyam鈥攖丑别 waist; 补艣补峁卥补鈥攚颈迟丑辞耻迟 fear; tarale鈥撵颈肠办濒别; 诲峁浥沘耻鈥攖丑别 two eyes; 补产丑奴峁�a峁嘺鈥攚颈迟丑辞耻迟 ornaments; 尘补苍辞丑腻谤颈鈥攃丑补谤尘颈苍驳; 惫补辫耻岣�鈥攖丑别 body; vayasi鈥攊n the age (youth); 蝉耻-产丑谤耻惫补岣�鈥攐f the woman with beautiful brows.

In youth, the waist of a woman with beautiful brows is thin even in the absence of exercise, her eyes are fickle though she is not afraid, and her body is charming even without ornaments. (厂腻丑颈迟测补-诲补谤辫补峁嘺 10.66)

atra vayo nimittam uktam. atraiva vapur 诲墨惫测补迟颈 subhruva岣� iti p膩峁環e tv anukta峁� tat.

Here the reason, youth, is stated. By replacing the word vayasi (in youth) with 诲墨惫测补迟颈 (is resplendent), the variety where the reason is not stated takes place.

Commentary:

This is Mamma峁璦鈥檚 example:

kusumita-lat膩bhir ahat膩py adhatta rujam ali-kulair ada峁ａ弓膩pi |
parivartate sma nalin墨 lahar墨bhir alolit膩py agh奴r峁嘺ta 蝉腻 ||

鈥淭丑补迟 lotus felt pain though it was not struck by a blossoming creeper, turned around though it was not stung by bees, and floundered though it was not swerved by waves鈥� (碍腻惫测补-辫谤补办腻艣补 verse 473).

According to N膩ge艣a Bha峁�峁璦, the representation of the heroine, who is feeling the pang of separation, as a lotus is a metaphor (and not an 补迟颈艣补测辞办迟颈), because of the addition of the pronoun 蝉腻 (that).^[2] In this verse the cause, separation from her beloved, is not stated.

Footnotes and references:

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[1]:

补艣补峁卥补-tarale (厂腻丑颈迟测补-诲补谤辫补峁嘺).

[2]:

蝉腻 n膩lin墨ti r奴pakam (Uddyota).