Vimarshasandhi, 痴颈尘补谤艣补蝉补苍诲丑颈, Vimarsha-sandhi: 2 definitions
Introduction:
Vimarshasandhi means something in Buddhism, Pali, Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
The Sanskrit term 痴颈尘补谤艣补蝉补苍诲丑颈 can be transliterated into English as Vimarsasandhi or Vimarshasandhi, using the IAST transliteration scheme (?).
In Hinduism
Natyashastra (theatrics and dramaturgy)
Source: Wisdom Library: N膩峁瓂a-艣膩stra痴颈尘补谤艣补蝉补苍诲丑颈 (啶掂た啶ぐ啷嵿ざ啶膏え啷嵿ぇ啶�) refers to the 鈥�segments (sandhi) of the pause part (惫颈尘补谤艣补)鈥�, according to the N膩峁瓂a艣膩stra chapter 21. It can also be spelled as Vimar艣asa峁僤hi and is also known by the name Vimar艣膩峁単a. These elements are essential for a successful dramatic play (苍腻峁瓂补). The pause part represents one of the five segments (sandhi) of the plot (颈迟颈惫峁泃迟补 or vastu) of a dramatic composition (苍腻峁璦办补).
There are thirteen elements of the pause segment (惫颈尘补谤艣补sandhi) defined:
- 补辫补惫腻诲补 (censure),
- 蝉补峁僷丑别峁璦 (angry words),
- abhidrava (insolence),
- 艣补办迟颈 (placation),
- 惫测补惫补蝉腻测补 (assertion),
- 辫谤补蝉补峁単补 (mention),
- druti (injury),
- kheda (lassitude),
- 苍颈峁诲丑补苍补 (opposition),
- virodhana (altercation),
- 腻诲腻苍补 (sumning up),
- 蝉腻诲补苍补 (humillation),
- 辫谤补谤辞肠补苍腻 (foresight),
Natyashastra (啶ㄠぞ啶熰啶ざ啶距じ啷嵿い啷嵿ぐ, 苍腻峁瓂补艣膩stra) refers to both the ancient Indian tradition (shastra) of performing arts, (natya鈥攖heatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
In Buddhism
Buddhist philosophy
: Google Books: The Treasury of Knowledge: Book six, parts one and two (philosophy)痴颈尘补谤艣补蝉补苍诲丑颈 (啶掂た啶ぐ啷嵿ざ啶膏え啷嵿ぇ啶�).鈥擳he 鈥渄ramatic juncture of the plot crisis or peripeteia鈥� in wich words that seek to expose the wrongdoings of another backfire, exposing the speaker鈥檚 own wrong-doings, which cannot be tolerated, engendering suffering due to attachment and an unbearable crisis.
The plot crisis comprises the following thirteen aspects:
- 补辫补惫腻诲补 (鈥榗ensure鈥� of another鈥檚 misdeeds),
- 蝉补峁僷丑别峁璦 (鈥榓濒迟别谤肠补迟颈辞苍鈥�),
- adhidrava (鈥榯umultuous consternation鈥�; showing disrespect or insolence),
- 艣补办迟颈 (鈥榩owerful placation鈥� of one who is angry),
- 惫测补惫补蝉腻测补 (鈥榬esolute pledge鈥� or assertion with regard to the original objective of the plot),
- 辫谤补蝉补峁単补 (鈥榠ncidental comments鈥� concerning one鈥檚 superioirs),
- dyuti (鈥榙isdainful words鈥�),
- kheda (鈥榣assitude鈥� or depression arising from over-exertion),
- 苍颈峁诲丑补 (鈥榩rohibition鈥� or opposition blocking the desired objective of the plot),
- virodhana (鈥榪uarrelsome altercation鈥�),
- 腻诲腻苍补 (鈥榗apture鈥� of the germ of the plot within the actions of the plot),
- 肠丑腻诲补苍补 (鈥榳ords of humiliation鈥�),
- 辫谤补谤辞肠补苍腻 (鈥榳ords presaging鈥� the denouement).
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See also (Relevant definitions)
Partial matches: Vimarsha, Sandhi.
Full-text: Druti, Abhidrava, Virodhana, Apavada, Kheda, Prasanga, Vyavasaya, Sadana, Sampheta, Shakti, Atana, Prarocana, Nirvimarsha, Sandhyanga, Nisedhana, Nishedha, Vimarshanga.
Relevant text
Search found 6 books and stories containing Vimarshasandhi, 痴颈尘补谤艣补蝉补苍诲丑颈, Vimarsha-sandhi, Vimar艣a-sandhi, Vimarsa-sandhi, Vimarsasandhi; (plurals include: Vimarshasandhis, 痴颈尘补谤艣补蝉补苍诲丑颈s, sandhis, Vimarsasandhis). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Jivanandana of Anandaraya Makhin (Study) (by G. D. Jayalakshmi)
Sandhis and Sandhya峁単as < [Chapter 6 - Dramatic aspects of the J墨vanandana N膩峁璦ka]
Analysis of Nirvaha峁嘺 Sandhi < [Chapter 6 - Dramatic aspects of the J墨vanandana N膩峁璦ka]
Dramaturgy in the Venisamhara (by Debi Prasad Namasudra)
Description of Samavak膩ra < [Chapter 2 - Nature and Classification of Sanskrit Drama]
Sandhi (the combination of different phases) < [Chapter 4 - Dramaturgy in Ve峁嚹玸a峁僪膩ra]
Kohala in the Sanskrit textual tradition (Study) (by Padma Sugavanam)
Kohala and N膩峁瓂a (6): The concept of Sandhi < [Chapter 2 - Kohala as seen in citations]
Dasarupaka (critical study) (by Anuru Ranjan Mishra)
Part 10 - Application of the Junctures (sandhi) in a Prakara峁嘺 < [Chapter 10 - Prakara峁嘺 (critical study)]
Part 3-6 - Samavak膩ra rules < [Chapter 6 - Samavak膩ra (critical study)]
Tilakamanjari of Dhanapala (study) (by Shri N. M. Kansara)
2. The subject matter (vastu) of the Tilakamanjari < [Chapter 15 - The Tilakamanjari as a Prose Poetic work]
Abhijnana Shakuntala (synthetic study) (by Ramendra Mohan Bose)
Chapter 4 - Caturtha-anka (caturtho'nkah) < [Abhijnana Sakuntalam, text and commentary]