Tabla, 罢补产濒腻: 1 definition
Introduction:
Tabla means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
In Hinduism
Gitashastra (science of music)
: Arxiv: Detecting tala Computationally in Polyphonic Context罢补产濒腻 (in the North-Indian music system) refers to a percussive accompaniment for vocal-music in polyphonic-compositions.鈥擳he human auditory system uses perceptual grouping of musical-elements and easily filters the 迟补产濒腻 component, thereby decoding prominent rhythmic features like 迟腻濒补, tempo from a polyphoniccomposition. For Western music, lots of work has been reported for automated drum analysis of polyphoniccomposition. 罢补产濒腻 is played with two components-right and left. The right-hand component has frequency overlap with voice and other instruments. So, 迟腻濒补 analysis of polyphonic-composition, by accurately separating the 迟补产濒腻-signal from the mixture is a baffling task, therefore an area of challenge. In this work we propose a novel technique for successfully detecting 迟腻濒补 using left-迟补产濒腻 signal, producing meaningful results because the left-迟补产濒腻 normally doesn't have frequency overlap with voice and other instruments.
Gitashastra (啶椸啶むざ啶距じ啷嵿い啷嵿ぐ, 驳墨迟补艣腻蝉迟谤补) refers to the ancient Indian science of Music (gita or samgita), which is traditionally divided in Vocal music, Instrumental music and Dance (under the jurisdiction of music). The different elements and technical terms are explained in a wide range of (often Sanskrit) literature.
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Search found 12 books and stories containing Tabla, 罢补产濒腻; (plurals include: Tablas, 罢补产濒腻s). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Musical Instruments in Sanskrit Literature (by S. Karthick Raj KMoundinya)
Appendix 3 - List of plates: Percussion Instruments
Musical Instruments outside India < [Chapter 4 - A comparative study of the references to Musical Instruments]
Origin of the Puskara (Ankya and Alingya) < [Chapter 2 - Origin and evolution of Music and Musical instruments]
Mahapurana of Puspadanta (critical study) (by Ratna Nagesha Shriyan)
Vishnudharmottara Purana (Art and Architecture) (by Bhagyashree Sarma)
3. The Vi峁ａ箛udharmottarapur膩峁嘺 and Modern Music < [Chapter 6 - Modern Relevance of Different Art Forms and Architecture]
Gati in Theory and Practice (by Dr. Sujatha Mohan)
Gati in classical dance form of Kathak < [Chapter 4 - Practice of Gati]
Lord Jhulelal: An Analytical Study (by Thakkar Harish Gopalji)
Part 4 - Oral tradition and literary religious sources < [Chapter 2 - Literature Review]
Whither Indian Music? < [July 1960]
The Art of Indian Music < [May 1939]
The Stage in Maharashtra < [September 1937]