Angahara, 础峁単补丑腻谤补, Anga-hara, 础峁単补丑补谤补, Amgahara: 15 definitions
Introduction:
Angahara means something in Hinduism, Sanskrit, Buddhism, Pali. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
In Hinduism
Natyashastra (theatrics and dramaturgy)
Source: Wisdom Library: N膩峁瓂a-艣膩stra础峁単补丑腻谤补 (啶呧啷嵿啶灌ぞ啶�, 鈥渕ovement of limbs鈥�) refers to 鈥渕ajor dance figures鈥� consisting of minor dance figures (办补谤补峁嘺蝉), according to the N膩峁瓂a艣膩stra 4.13. It was first presented and performed before 艢iva in the Himalayan region, in the presence many Bh奴tas, Ga峁嘺s and beautiful caves and waterfalls.
These are the thirty-two different kinds of 补峁単补丑腻谤补蝉:
- sthirahasta,
- paryastaka,
- 蝉奴肠颈惫颈诲诲丑补,
- apaviddha,
- 腻办峁辫迟补办补,
- 耻诲驳丑补峁弓颈迟补,
- 惫颈峁补尘产丑补,
- 补辫补谤腻箩颈迟补,
- 惫颈峁补尘产丑腻辫补蝉峁泃补,
- 尘补迟迟腻办谤墨岣峚,
- svastikarecita,
- 辫腻谤艣惫补蝉惫补蝉迟颈办补,
- 惫峁浥沜颈办补,
- (惫峁浥沜颈办腻辫补蝉峁泃补) bhramara,
- mattaskhalitaka,
- madavilasita,
- 驳补迟颈尘补峁囜笉补濒补,
- paricchinna,
- 辫补谤颈惫峁泃迟补谤别肠颈迟补,
- 惫补颈艣腻办丑补谤别肠颈迟补,
- 辫补谤腻惫峁泃迟补,
- 补濒腻迟补办补,
- 辫腻谤艣惫补肠肠丑别诲补,
- 惫颈诲测耻诲产丑谤腻苍迟补,
- 耻诲诲丑峁泃补办补,
- (耻诲惫峁泃迟补办补) 补濒墨岣峢补,
- recita,
- 腻肠肠丑耻谤颈迟补,
- 腻办峁辫迟补谤别肠颈迟补,
- 蝉补峁僢丑谤腻苍迟补,
- apasarpita,
- 础谤诲丑补苍颈办耻峁弓补办补.
Abhinavagupta defines 础峁単补丑腻谤补 (啶呧啷嵿啶灌ぞ啶�) and explains it as the process of moving the limbs from one place to another. Because it is loved and practiced by Hara (艢iva), the shadow of his name is incorporated in the term 补峁単补丑腻谤补. It must be understood as the twisting and bending of the limbs in a graceful manner
: Shodhganga: Kohala in the Sanskrit textual tradition (ns)础峁単补丑腻谤补 (啶呧啷嵿啶灌ぞ啶�) or 鈥渄ance-sequence鈥� is a combination of Kara峁嘺s (鈥渄ance-movements鈥�), according to the N峁泃tabh膩ga of Vema Bh奴p膩la鈥檚 Sa峁単墨tacint膩ma峁噄 and the Sa峁単墨taratn膩kara of 艢膩r峁単adeva.鈥擜ccordingly: 鈥淭he graceful movement of the limbs to the proper places, composed of groups of 尘腻迟峁沰腻蝉 (combinations of two 办补谤补峁嘺蝉), is called 补峁単补丑腻谤补 [i.e., the 丑腻谤补 or movement of 补峁単补蝉]. Or it is explained that this [particular] movement pertains to Hara, [Lord 艢iva], and is demonstrated with the limbs鈥�.
Natyashastra (啶ㄠぞ啶熰啶ざ啶距じ啷嵿い啷嵿ぐ, 苍腻峁瓂补艣腻蝉迟谤补) refers to both the ancient Indian tradition (shastra) of performing arts, (natya鈥攖heatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Purana and Itihasa (epic history)
: JatLand: List of Mahabharata people and places础峁単补丑补谤补 (啶呧啷嵿啶灌ぐ) is a name mentioned in the Mah膩b丑腻谤补ta (cf. XIV.8.30, XIV.8) and represents one of the many proper names used for people and places. Note: The Mah膩b丑腻谤补ta (mentioning 础峁単补丑补谤补) is a Sanskrit epic poem consisting of 100,000 艣濒辞办补蝉 (metrical verses) and is over 2000 years old.
The Purana (啶啶班ぞ啶�, pur膩峁嘺s) refers to Sanskrit literature preserving ancient India鈥檚 vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.
Languages of India and abroad
Sanskrit dictionary
: DDSA: The practical Sanskrit-English dictionary础峁単补丑腻谤补 (啶呧啷嵿啶灌ぞ啶�).鈥擺补峁単补峁� hriyate itastata岣� c膩lyate yatra, h峁�-膩dh膩re or bh膩ve gha帽] gesticulation, movements of the limbs, a dance; 啶呧啷嵿啶灌ぞ啶班啶膏啶むぅ啷堗さ啶距え啷嵿く啶� 啶曕啶げ啷�- 啶班啶ㄠ啶む啶ざ啶距げ啶苦え啷� (补峁単补丑腻谤补istathaiv膩ny膩 komalai- rn峁泃ya艣膩lin墨) 搁腻尘.5.1.36. 啶膏啶膏啷嵿い啷堗ぐ啶椸啶班啶掂え啷囙し啷� 啶膏ぞ啶權啶椸す啶距ぐ啶 (sa峁僺aktairaguruvane峁 s膩峁単a丑腻谤补m) Kir膩t膩rjun墨ya 7.37. Kum膩rasambhava 7.91.
Derivable forms: 补峁単补丑腻谤补岣� (啶呧啷嵿啶灌ぞ啶班).
础峁単补丑腻谤补 is a Sanskrit compound consisting of the terms 补峁単补 and 丑腻谤补 (啶灌ぞ啶�).
: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English Dictionary础峁単补丑腻谤补 (啶呧啷嵿啶灌ぞ啶�).鈥攎.
(-谤补岣�) Gesture, gesticulation. E. 补峁単补, and 丑腻谤补 taking, moving; also 补峁単补h膩ri.
: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary础峁単补丑腻谤补 (啶呧啷嵿啶灌ぞ啶�):鈥擺=补峁単补-丑腻谤补] [from 补峁単补] ([Kath膩sarits膩gara]) ([cf. Lexicographers, esp. such as amarasi峁僪a, hal膩yudha, hemacandra, etc.]) m. gesticulation.
: Cologne Digital Sanskrit Dictionaries: Goldst眉cker Sanskrit-English Dictionary础峁単补丑腻谤补 (啶呧啷嵿啶灌ぞ啶�):鈥擺tatpurusha compound] m.
(-谤补岣�) Gesture, gesticulation. E. 补峁単补 and 丑腻谤补. Also 补峁単补h膩ri.
: Cologne Digital Sanskrit Dictionaries: Yates Sanskrit-English Dictionary础峁単补丑腻谤补 (啶呧啷嵿啶灌ぞ啶�):鈥擺补峁単补-丑腻谤补] (谤补岣�) 1. m. Gesture.
[Sanskrit to German]
Sanskrit, also spelled 啶膏啶膏啶曕啶むぎ啷� (蝉补峁僺办峁泃补尘), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Kannada-English dictionary
: Alar: Kannada-English corpusA峁僩a丑腻谤补 (嗖呧矀嗖椸补嗖距舶):鈥擺noun] expression of sentiments by moving the body or part or part of it; gesticulation.
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
Nepali dictionary
: unoes: Nepali-English Dictionary础峁単补丑腻谤补 (啶呧啷嵿啶灌ぞ啶�):鈥攏. 1. cosmetics; 2. ornaments;
Nepali is the primary language of the Nepalese people counting almost 20 million native speakers. The country of Nepal is situated in the Himalaya mountain range to the north of India.
Pali-English dictionary
[Pali to Burmese]
: Sutta: Tipi峁璦ka P膩岣穒-Myanmar Dictionary (醼愥��曖��嬦��-醼曖��犪��欋�坚�斸�横�欋�� 醼♂�樶��撫��斸��)补峁単补丑腻谤补鈥�
(Burmese text): 醼溼��醼横�佱�坚�贬�呩�炨�贬�� 醼�醼��氠�横�♂�勧�横�贯�傖���醼�� 醼曖�呩�横�溼�结�踞�册�佱�坚�勧�横�羔亱 醼戓���羔�曖�呩�横�溼�结�踞�册�佱�坚�勧�横�羔�涐�踞��炨�贬�� 醼�醼佱�坚�勧�横�羔�♂�戓�搬�羔亱
(Auto-Translation): Throwing away a body part. A special attention to the throwing method.
Pali is the language of the Tipi峁璦ka, which is the sacred canon of Therav膩da Buddhism and contains much of the Buddha鈥檚 speech. Closeley related to Sanskrit, both languages are used interchangeably between religions.
See also (Relevant definitions)
Full-text (+45): Angahari, Nritta, Karana, Akshiptaka, Paryastaka, Madavilasita, Apasarpita, Vishkambhapasrita, Mattaskhalitaka, Gatimandala, Paricchinna, Sthirahasta, Vrishcikapasrita, Acchurita, Ardhanikuttaka, Mattakrida, Parshvasvastika, Parshvaccheda, Udvrittaka, Svastikarecita.
Relevant text
Search found 15 books and stories containing Angahara, 础峁単补丑腻谤补, Anga-hara, A峁単a-丑腻谤补, 础峁単补丑补谤补, Amgahara, A峁僩a丑腻谤补; (plurals include: Angaharas, 础峁単补丑腻谤补s, haras, 丑腻谤补s, 础峁単补丑补谤补s, Amgaharas, A峁僩a丑腻谤补s). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Gati in Theory and Practice (by Dr. Sujatha Mohan)
Technical treatises on N膩峁瓂a (other works) < [Chapter 1 - N膩峁瓂a]
Representation of Gati with Kara峁嘺s and 础峁単补丑腻谤补s < [Chapter 2 - Concept and technique of Gati]
Elements of 膧峁単ika-abhinaya in N膩峁瓂a艣膩stra < [Chapter 1 - N膩峁瓂a]
Hastalaksanadipika a critical edition and study (by E. K. Sudha)
11. The built up Sequence in Stage business < [Chapter 2 - Bharata鈥檚 Dramaturgy]
3. Relevance of the Abhinaya-darpana < [Chapter 3 - Later developments of dramatic techniques]
9. Structure of the Natyashastra < [Chapter 2 - Bharata鈥檚 Dramaturgy]
Kohala in the Sanskrit textual tradition (Study) (by Padma Sugavanam)
Kohala and N峁泃ya (9): The concept of 础峁単补丑腻谤补 < [Chapter 2 - Kohala as seen in citations]
Kohala and G墨t膩 (14): T膩las for specific Gaits < [Chapter 2 - Kohala as seen in citations]
Part 14 - Citations of Kohala in the Sa峁単墨tacint膩ma峁噄 < [Chapter 3 - Kohala as seen in citations鈥攁n analysis]
Arts in the Puranas (study) (by Meena Devadatta Jeste)
2. The Art of Dance in the Vishnudharmottara < [Chapter 2 - Dance in the Puranas]
Natya, the Celestial Art of Ancient India < [July 1939]
Uday Shankar < [July-August 1933]
Art of Srimati Balasaraswati < [July 鈥� September, 1979]
The Religion and Philosophy of Tevaram (Thevaram) (by M. A. Dorai Rangaswamy)
Chapter 4.3 - (d) Technical terms used by Arurar in relation to Dance and Music < [Volume 2 - Nampi Arurar and Mythology]